Literature in English, British Isles Commons^™

Cloaked Trannies On The Silver Screen: "Evolutionary Derangement" And Cronenberg's Approach To Shaping A Critical Mindset Towards Trans Bodies, John David Hunter

All Theses

This thesis engages David Cronenberg’s 2022 film, Crimes of the Future, analyzing the text through the lens of Saul Tenser (Viggo Mortensten) as a transgender allegory. Through this, the project investigates the way in which Cronenberg’s text visually creates a Deleuzian language of the body, which is the body of becoming. This queer analysis of the film does so by utilizing the perspective of the trans body, through the character of Tenser, which more clearly illustrates the human body as one which is in a continual process of evolution. Following in the footsteps of scholars such as Susan …

Sacrificial Lambs: The Perils Of Childhood In Shakespeare, Benjamin Sidney Reed

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

“Sacrificial Lambs: The Perils of Childhood in Shakespeare” utilizes childhood studies to read five Shakespearean plays and how they portray child characters in perilous situations such as kidnapping, banishment, and murder. It argues these dangers emulate real circumstances young people faced in the early modern period, including the boy actors playing these roles. The dissertation’s key research questions include how children in these plays exhibit agency in the face of danger, how they resist adult systems of power, and how audiences in the sixteenth and seventeenth centuries may have responded to these portrayals of imperiled and rebellious youths. The Introduction …

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

Jane Austen And A Biographical Study Of The Historical Narrative Process, Serena Young

Electronic Theses, Projects, and Dissertations

Jane Austen, beloved national literary icon of Great Britain, is world-renowned for her fiction. Biographers have attempted to authentically piece together her life and often, try to connect her narrative to when and how her fiction was written, as well as point out circumstances within her personal life and speculate their influence on her work. Literary analysts and critics that have examined the historical narrative process, Hayden White and Kevin Gilvary, have found that the way in which a historical account is presented plays a significant role in how history is understood and perpetuated. When examining Jane Austen’s life, many …

Rebels And Dubliners: Motherhood In Three 20th-Century Irish Texts, Sara S. Barenfeld

Theses, Dissertations and Culminating Projects

This thesis explores representations of motherhood across several genres in Irish literature. In my essay, I look at two short stories from James Joyce’s Dubliners (1914): “The Boarding House” and “A Mother.” I argue the way spatiality functions in “The Boarding House” and “A Mother” reveals Mrs. Mooney’s and Mrs. Kearney’s overall ability to exercise maternal agency; it shows the extent to which their agency is circumscribed. The spaces themselves act as defining factors contributing to the mothers’ abilities to engage with power structures and ultimately fail or succeed in their endeavors. I also examine two autobiographies: The Autobiography of …

The Calling Of Governess, Karissa Maust

All Theses

The governess is a widely discussed figure in literary criticism. However, the motivations that cause literary characters to engage in the profession of governess are not often talked about. This thesis discusses the three primary motivations that inspired women to become governesses—survival, duty, and calling. It begins with a historical discussion of the governess, then illustrates women’s reasons for engaging in this occupation, using literary figures from Emma, Villette, and Jane Eyre to do so. The thesis then ends with a discussion of the modern American teacher—how she differs from the governess but also shares the lack of …

Homemade Language, Conservative Fro-Yo, And Sci-Fi Sloths: How Speculative Migration Fiction Confronts The Ends Of Worlds By Challenging The Nation-State, Zoe R. Scheuerman

English Honors Projects

This English literature thesis project explores an emerging, genre-defying body of fiction which I call “speculative migration fiction.” Speculative migration fiction imagines how ongoing global developments like climate change, technological development, and war may shape future migrations. Drawing on Benedict Anderson’s conception of national culture, Wendy Brown’s theory of the border, and Caroline Levine’s understanding of literary form, as well as close readings from Scattered All Over the Earth by Yōko Tawada, Exit West by Mohsin Hamid, and 2 A.M. in Little America by Ken Kalfus, I argue that transnational migrations move toward becoming postnational migrations as migrants evade border …

Austen's Realist Feminine Icon, Sean Mcconnell

Student Works

No abstract provided.

The Queer Gazes Back: A Dowry Of Blood As A Queer Mirror To Cisheterosexual Gothic Fears, Robin Bozik

English

This paper examines the connection between the contemporary Gothic A Dowry of Blood and its literary predecessors, Dracula, Frankenstein, and Carmilla. Through a focus on queer bodies, this work demonstrates the evolution of queer lineage-making and responses to cisheterosexual threats. Using literature as a “mirror” to gaze back on the visceral fears held by those who fall outside the norms of gender and sexuality in their respective time periods, this work also examines social tensions in the 21^st century surrounding reproduction and gender-affirming care.

In addition to literary analysis of the primary texts, this paper is …

"My Hideous Progeny": Complicating Preconceived Notions Of Monstrous Beings In "Frankenstein" And "Jurassic Park", Megan Engstrom

English

This project examines and complicates preconceived notions of the monstrous in Frankenstein and Jurassic Park. By engaging with monster theory, I interrogate how the creators are destructive beings and their creations are only trying to fit into their made bodies. I also complicate the ideas of family when interacting with monsters or monstrous places – specifically looking at how isolation/creation of them will affect people. These ideas are questioned to confront a normalized perception of monsters as the villains. By examining the monstrous in Frankenstein and Jurassic Park, I am questioning the very idea of how a monster is created …

Subversion Of Traditional Gender Roles In Macbeth, Olivia Eubanks

Merge

No abstract provided.

“Young In Deed”: Feminine Affect And Agency In Young Adult Shakespeare Adaptations, Juliana Hall

English

Approaching the cultural behemoth that is Shakespeare can be daunting, especially for young audiences; the language is antiquated and can be difficult to understand, and, due in part to the age of these works, the content is often rooted in bigoted ideologies. Young adult (YA) novel adaptations have begun reintroducing readers to Shakespeare, not only significantly enhancing the narratives, but encouraging readers to play with Shakespeare’s language in new, accessible, and exciting ways. By looking at two twenty-first century YA novel adaptations of Shakespeare’s original plays alongside the accompanying source material, I analyze how female protagonists engage with their emotions …

Middle-Earth’S Middleman: Exploring The Contradictory Positionalities Of Faramir In J.R.R. Tolkien’S 'The Lord Of The Rings', Kelsey A. Fuller-Shafer

Journal of Tolkien Research

In the large pantheon of characters in The Lord of the Rings, Faramir stands out for his position of unbelonging, and is usually analyzed comparatively to other characters rather than in-depth in his own right. However, more focused considerations of Faramir can articulate the breadth of Tolkien’s influences that were incorporated into Middle-earth as well as the ways in which those influences conflicted with Tolkien's own moral compass, and thus needed to be openly challenged and modified. Those internal conflicts can be interrogated throughout Faramir’s contradictory positions within the literature, history, and societies that Middle-earth represents. His positioning in a …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

Timeless Moments: Russell Kirk, Charles Williams, And Stephen King On The Afterlife, Camilo Peralta

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

What happens to us after death is one of the oldest and most difficult questions. Even the standard response of many Christians, that we go to either Heaven, Hell, or Purgatory, can only partly satisfy, because while we experience the passing of time in a linear manner, those places are said to exist completely outside of time. How, then, can it make sense to speak of “going” to Heaven or Hell after death? Must we not always and forever be there—even during our lifetimes? Russell Kirk, a Catholic historian from Michigan who often speculated about the afterlife in his fiction …

Tolkien, Augustinian Theodicy, And 'Lovecraftian' Evil, Perry Neil Harrison

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

A number of scholars have commented upon Augustine of Hippo’s influence upon J.R.R. Tolkien’s portrayal of evil in his legendarium. However, in his seminal work J.R.R. Tolkien: Author of the Century, Tom Shippey pushes back against this perception, noting that there are some forms of evil in the legendarium that do not adhere to the Augustine’s belief that evil is merely a “twisting” of good. This article argues that Ungoliant is one such exception to the Augustinian paradigm because of the uncertainty regarding her origins.This uncertainty complicates the Augustinian view of evil that permeates the legendarium and instead echoes …

Pity, Power, And Tolkien's Ring: To Rule The Fate Of Many (2023) By Thomas P. Hillman, Marilyn R. Pukkila

Journal of Tolkien Research

Book review, by Marilyn R. Pukkila, of Pity, Power, and Tolkien's Ring: To Rule the Fate of Many (2023) by Thomas P. Hillman

Concealment And Darkness In Horace Walpole’S The Castle Of Otranto, Alexandra G. Speck

Global Tides

This paper examines the relationship between darkness and fear in Horace Walpole’s The Castle of Otranto, widely recognized as the first Gothic novel. Walpole wrote Otranto soon after the rise of Enlightenment thought, which stressed sensory observation as the foundation for human reason. Walpole engages with Enlightenment ideas through Otranto’s dark setting, which invokes fear and irrationality in the heroine, Isabella.

Tracking Walpole’s manipulation of light and darkness through the narrative, this paper illustrates how darkness inspires more fear in Isabella than either the novel’s infamous supernatural dangers or its human villain, Prince Manfred, who pursues her through …

Beyond The Looking Glass: Dreams And Somnial States And Spaces In Nineteenth-Century British Literature, Anne N. Nagel

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Poised between a waning magico-theological tradition of symbolic dream interpretation and the rising influence of scientific dream theories, which equated dreaming with disorder, the dream occupied a unique space in nineteenth-century Great Britain. Dreams were coming untethered from signification, as natural philosophers deemed their content indecipherable and chaotic. Yet vestiges of early modern beliefs could still lend supernatural power and polyphony to dreams.

This was not simply a matter of making a binary choice between two ways of thinking about dreams but instead a site of collisions and coalescences. I contend that the ways in which dreams were conceptualized in …

Mythos And Logos: Foucauldian Subjectivities Of Virginia Woolf's Orlando, Hayley R. Cisney

Student Publications

Virginia Woolf’s Orlando: A Biography details a centuries-long battle between Orlando and the sexual structures of repressive power in England. The biographical framework of the novel implies its contribution to objective, historical fact, while the miraculous nature of Orlando’s sexual transformation directly conflicts with constituted epistemologies of being. This paper examines these contrasting forces through Michel Foucault’s post-structuralist considerations of knowledge, power, and sexuality, in addition to the incorporation of other scholarship on Woolf’s conceptions of gender. I specifically follow the timeline of Foucault’s interpretation of the repressive hypothesis as it unfolds throughout the course of Woolf’s novel. By establishing …