Literature in English, British Isles Commons^™

Remembering And Forgetting: National Identity Construction In Tolkien’S Middle-Earth, Sara Brown

Journal of Tolkien Research

The medieval period in Europe saw the development of vernacular literatures, grown out of oral tradition and classical mythology, in which epic poems were a means of preserving culture, sharing a moral code, and offering solace in times of hardship. These epic poems, usually transcribed or translated in monastic scriptoria, were passed down through generations and enabled the sharing of memory via storytelling. In many ways, this early literature, rooted as it was in both the religious and the secular aspects of life in this time, was as much a part of the identity of the various European peoples as …

Tolkien's 'Beloved' _Pearl_, Jane Beal Phd

Journal of Tolkien Research

Abstract: This essay explores Tolkien’s life-long engagement with the fourteenth-century, Middle English, dream vision poem called Pearl. It examines the inspiration he took from the poem through reading, reciting, copying, editing, translating, and teaching it to undergraduate students at the University of Leeds and Merton College, Oxford University. Milestones in Tolkien’s work on Pearl include his edition of it, produced with E.V. Gordon and Ida Gordon for Oxford University Press (1953), and a metrical translation of it that he worked on from 1920s onwards, which was published with Allen & Unwin in London and Random House in New York …

Tolkien’S _Beowulf_-Poet And His Dantean Tower, Michael David Elam

Journal of Tolkien Research

J.R.R. Tolkien’s tower metaphor in “Beowulf: The Monsters and the Critics” shows significant affinities with views of the sea presented in Dante’s Purgatorio. These affinities combine with relevant similarities between Dante and Tolkien’s view of the Beowulf-poet to show an underlying preoccupation Tolkien has about the purgation of source material and the sanctification of authors. Ultimately in Tolkien’s perspective, the Beowulf-poet’s view from the top of his tower looks ahead to the hope of eternal life promised to the Chrisitan elect.

Tolkien And Laʒamon, Deidre Dawson

Journal of Tolkien Research

In this essay I argue that the Arthurian poem that had the greatest influence on The Lord of the Rings was Laʒamon’s Brut. In a Letter to editor Milton Waldman from 1951 Tolkien expressed his regret that England lacked a mythology and stories of its own that were “bound up with its tongue and soil, ” explaining that the Arthurian world was “associated with the soil of Britain but not with English,” and that “its ‘faerie’ is too lavish, and fantastical, incoherent and repetitive.” Perhaps to rectify these deficiencies in the Matter of Britain, Tolkien began writing his own …

“‘And Númenor Went Down Into The Sea’: Tolkien, Beowulf, And The Masochistic Jouissance Of Westernesse”, Christopher Vaccaro

Journal of Tolkien Research

In Tolkien, Enchantment and Loss, John Rosegrant avers that Tolkien wrote of the downfall and destruction of Númenor in order to release a personal emotional complex (John Rosegrant, Tolkien, Enchantment, and Loss, 118-20). In this essay, I examine in greater detail the emotional power of this story and relate it to the psychological notion of primary masochism (Freud, Deleuze, Bersani) and the pleasures connected to the dissolution of the self. The Beowulf poem renders conspicuous the dependency of heroic Anglo-Saxon male subjectivity on experiences of masochistic desire and the Death Drive, the desire to be unburdened of great …

Introduction To The Special Issue On "J.R.R. Tolkien And Medieval Poets", Jane Beal Phd

Journal of Tolkien Research

This is an “Introduction” by Dr. Jane Beal to the Special Issue of the Journal of Tolkien Research on the theme of “J.R.R. Tolkien and Medieval Poets” in honor of Richard C. West.

It begins with an overview of previous scholarly work on the intersections of medieval poetry with Tolkien’s literary corpus. It explains the process of creating this special issue, which is a festschrift in West’s honor, and it gives an overview of the contents of each of the seven academic articles included in it by contributors Dr. Anna Smol, Dr. Christopher Vaccaro, Dr. Kristine Larsen, Dr. Deidre Dawson, …

The Inconsistencies Of Galadriel: The Influence Of Earlier Legendarium In The Lord Of The Rings, Alexander Retakh

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Explores how various tales of the earlier legendarium (History of Middle-earth, vol. 1-5) influence The Lord of the Rings’s development. The connection stretches beyond the obvious adoption of previously composed myths to self-borrowing of settings and characters. In particular, analyzes the character of Galadriel, who often seems to parallel Melian, another "Lady of the Wood." Though potentially a composite of many influences, Galadriel was written quickly as if its author followed an already fixed model. But her story contains what Chirstopher Tolkien called "severe inconsistencies" suggesting that this model was not fully aligned with the narrative, i.e. …

Hamlet In Narnia: The Prince And The Poem In Lewis’S Chronicles Of Narnia, Sarah R. A. Waters

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

C.S. Lewis is little-known for his Shakespeare scholarship except perhaps for his lecture “Hamlet: The Prince or the Poem” for the British Academy (1942). This essay begins by discussing Lewis’s approach to the play and his desire to reenchant his audience with the play he had loved as a child, before character-criticism got in the way. It then explores how Lewis takes the Prince and the aspects he found most affective in Hamlet out of the play and explores them, imaginatively, in another world: recasting them “for children” in Narnia. The essay considers Hamlet in The Silver Chair in …

Palimbiosis, Leila Walker

Publications and Research

How does one begin to talk about the end? Contemporary artistic and literary responses to climate change frequently invoke Romantic traditions, in part because many theorists attribute our current crisis to historical developments in the Romantic period, but also as means of representing how climate change collapses the familiar orderliness of time. This essay is about the narrative forms that emerge when our place of safety is revealed to be as unstable as melting permafrost. It centers on Mary Shelley’s 1825 essay about a frozen Englishman reanimated during that especially warm summer. I read Shelley’s essay anachronistically alongside contemporary climate …

Tolkien And The Kalevala (2024) By Jyrki Korpua, Translated By Sonja Virta, Verlyn Flieger

Journal of Tolkien Research

Book review, by Verlyn Flieger, of Tolkien and the Kalevala (2024) by Jyrki Korpua.

Science Fiction, Eng 2420, Syllabus And Course Outline, Jason W. Ellis

Open Educational Resources

This Science Fiction, ENG2420 syllabus and course outline was written for an online, asynchronous class taught in the Department of English at the New York City College of Technology, CUNY. It was designed to compliment the OER Yet Another Science Fiction Textbook (YASFT) and have a Zero Textbook Cost (ZTC) approach with readings and viewings found primarily through the Internet Archive. The course follows a historical approach to the science fiction genre covering the Origins of Science Fiction, Mary Shelley’s Frankenstein, Proto-SF, Pulp SF, SF Film Serials, Golden Age SF, SF Film Through the 1950s, New Wave …

A Home For Literature, Elizabeth Kapsch

SPARK Symposium Presentations

1813 was a big year for Chatsworth, although no one living there knew it. In theory, it was a year like any other. William George Spencer Cavendish, the 6th Duke of Devonshire, had inherited the estate from his father two years prior, and just a year ago had made an impressive purchase of the entirety of the Bishop of Ely’s library–his book-adoring mother, of course, would be proud. William had no marital prospects, nor would he ever. In thirteen years, he would begin work with famous architect Joseph Paxton. Unbeknownst to twenty-three-year-old William, this partnership would result in some of …

Mutations Of Grief: Pathological Loss And The Psychoanalytic Journey In Mary Shelley’S Frankenstein, Sazia Islam

Student Theses and Dissertations

The intricacies of the human mind and the ways we comprehend and experience grief throughout our lives are subjects that many authors strive to depict, yet few achieve with accuracy and depth. Mary Shelley’s Frankenstein exemplifies a nuanced and profound exploration of grief, interwoven within a narrative of overreaching ambition and its devastating consequences. In my thesis, I contend that Shelley masterfully crafted the Frankenstein narrative to demonstrate that grief can arise from losses extending beyond the physical death of loved ones, highlighting how the fluctuation between yearning and despair unveils the intricate psychological complexities of unresolved grief. Shelley’s thematic …

Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway

Journal of Tolkien Research

In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).

Title: Questioning Attebery’S ‘Bullseye’: Interviews With Young Readers Of Fantasy May De-Center The Lord Of The Rings, Luke Shelton

Journal of Tolkien Research

In 2018 and 2019, I interviewed young readers about their opinions of The Lord of the Rings (LotR) as a part of my PhD thesis. Their ideas concerning the genre of the text destabilize Attebery's use of it as a central point for the genre. Since these readers do not demonstrate a consensus that LotR is a work of fantasy, one is left to wonder if the idea of the fuzzy set proposed by Attebery is accurate when considering the lived experiences of readers. This leads to several questions about why these young readers have categorized the story …

Skilled Smiths And Princes Of Elves: The Wayland-Legend And The First Age Of Middle-Earth, Lillian Hammen

Journal of Tolkien Research

This article examines the influence of the legend of Wayland the Smith, a literary figure common to medieval Germanic literature, upon the fantasy writings of J.R.R. Tolkien. Although Tolkien did not publish on Wayland specifically, his scholarly interests included the figure, who frequently appeared in the Old English and Old Norse texts Tolkien studied and taught. Despite clear evidence of Tolkien’s interest in Wayland, and the frequency with which scholarly and creative discourse discussed Wayland in Tolkien’s lifetime, few scholars have engaged the connection between Tolkien’s writings and the medieval figure. This article attempts to address this lacuna in the …

“And Each Day After They Did Likewise.” Looking At Life Together As The Fulcrum Of Éowyn’S And Faramir’S Love Story, Christian S. Trenk

Journal of Tolkien Research

The love story between Éowyn and Faramir in Tolkien's The Lord of the Rings is sometimes misunderstood as a patriarchal submission of the Rohirric shieldmaiden. This paper contradicts such interpretations, exploring instead how Tolkien subtly constructs their love as a liberating experience for Éowyn. In the looks they cast separately, at each other, as well as together, Éowyn's inner healing is expressed, enabling the love to Faramir, and both their eventual wholeness.

A Mute Pleasure: Novelistic Poetics In The Nineteenth-Century, Ryan Everitt

Dissertations, Theses, and Capstone Projects

Through special attention to the non-narrative, descriptive, lyrical, or even boring passages that interrupt the story, this dissertation explores what happens when the nineteenth-century British novel envelops experiences that were traditionally (or since Romanticism) in the domain of poetry: longings for escape, exhilarating affects of freedom, opaque moments of revelation. In most cases, I characterize the novel discourse as representing a prosaic consciousness that wrestles with its more visceral yet vital “other,” poetic consciousness. To articulate how poetry survives within novelistic discourse, this dissertation is organized around sets of opposing terms, whose unresolved tension becomes the basis of my analysis …

Bodies That Traverse: Colonial Fantasies Of Oriental Incorporations In Late Medieval England, Soojung Choe

Dissertations, Theses, and Capstone Projects

“Bodies that Traverse: Colonial Fantasies of Oriental Incorporations in Late Medieval England” shows how a picture of a proto-colonialist England arises from popular romances of the period, particularly those featuring the Crusades and the “Orient,” or the fictional Near East, as its central narrative locus. While the historical Crusades to the Holy Land mainly took place between the eleventh and twelfth centuries, English fictional writing on the Crusades flourished in the “post-crusade” period of 1200–1450. My project argues that the Orient in these writings, especially popular vernacular romances, serves as a colonial ‘contact zone,’ a fetishized site for England to …

Maternal Subjectivities In The 18th And 19th Century British Novel, Anastasia Vahaviolos Valassis

Dissertations, Theses, and Capstone Projects

How is the maternal subjectivity narrated in the pages of the 18th and 19th century British novel? This dissertation examines this question. The novel’s close connection to the child’s subjectivity and perspective is something woven into its very fabric, and so the mother is often a side character, an object in the story. She is an obstacle to be overcome, a distant idea, an absent figure, or even someone too perfect to be represented on the page. The novel often reflects or mirrors this culturally and psychologically accepted way of viewing the mother. The tracing of the narratives in which …