Literature in English, Anglophone outside British Isles and North America Commons^™

Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar

Masters Theses

This paper introduces the concept of "extralingual citizenship," which I define as an expansion of translingualism to include the ethnoracial logic of the nation-state and demonstrates the entanglement of language, governance, and education in the policing of knowledge infrastructures and discursive practices. I am interested in the codification of postcolonial disparity into the teaching, social performance, and material assessment of English language users, and the infrastructural disqualification of World Englishes (and their amalgams) in favor of a standardized English. I frame extralingualism as a kind of citizenship, shifting the focus of English pedagogy/practice from the syntactical/etymological concerns of language …

Gaps Of Speculation: Refusing Representation In Queer And Postcolonial Fiction, Sarah Schwartz

Dissertations, Theses, and Capstone Projects

This dissertation examines how queer and postcolonial novels respond to the archive as a determiner of what stories we can and cannot tell through formal experimentation that omits expected elements. Focusing on the subject- and object-making power and the tekhne of inclusion and exclusion that shape the modern archive, I analyze how novels spanning the late nineteenth century to the early twenty-first century refuse to mimetically reproduce bodies that were traditionally made the object of that knowledge in ways legible to the familiar archival forms. Instead, these novels turn the exclusion of the archive back on itself by manifesting lacunae …

International Student Orientations: Indian Students At American Universities Around The Turn Of The Twentieth Century, Param S. Ajmera

Dissertations, Theses, and Capstone Projects

This dissertation examines the writings and experiences of five Indian international students in the United States during late nineteenth and early twentieth centuries. By drawing attention to these students, I attend to the ways in which notions of freedom, progress, and inclusivity associated with American higher education, and liberalism more generally, are related to structures of racialized and colonial dispossession in India. I build these arguments by reading archival sources such as university administrative records, student publications, personal and official correspondence, as well as understudied aesthetic works, such as memoirs, travel narratives, essays, doctoral dissertations, and public lectures. These historical …

Colonial Modernity And The Image Of The Gorkhaland Movement In Kiran Desai's The Inheritance Of Loss, Ubaraj Katawal

Critical Humanities

This article examines some dynamics surrounding the Indian nation-state's treatment of its minority populations, and how Kiran Desai’s The Inheritance of Loss seems to abet the postcolonial nation-state's attempt to policing its own people. The article is interested in exploring the impact of colonial modernity in postcolonial human relations. As such, the novel successfully locates postcolonial literary violence in the character of the judge, whose replication of racist treatments on his victims highlights the destructive cycle of violence. At the same time, the novel reinforces ethnic stereotypes against certain ethnicities--at least it leaves much to be desired in countering racist …

Diasporic Women’S Mutability In South Asian Postcolonial Literature, Tasnim S. Halim

Theses and Dissertations

Though Western scholarship tends to homogenize South Asian experiences, researchers and novelists shed light on different classes of South Asian postcolonial and migratory women who experience mutability, or the internal and external changes as a trauma response after British colonial rule ended and the 1947 Partition abruptly fractured national identity. Though this mutability has positive and negative transformative qualities, it also allows women characters the power to remove themselves from cycles of oppression, work towards healing, and transforming their physical bodies from sites of repressed trauma to sites of expression and agency. What binds them is not only their physical …

Sweat Equity: Lynn Nottage's Radical Dialectic Of Deindustrialization, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

"Lynn Nottage has devoted her career to researching and telling stories of Black individuals and communities with expressed interest in laborers, advocating for their agency, humanity, and legacy. In her second Pulitzer Prize-winning play, Sweat, Nottage dramatizes more recent US history, illuminating the lives of workers marginalized by the deindustrialization of the Rust Belt in the early 2000s. Sweat is emblematic of Nottage's sustained effort to deploy playwriting as activism and stand in solidarity with those whose stories she chooses to tell. As a constant theme in her works, Lynn Nottage's stories align with marginalized workers' efforts and histories, …

Beyond Blackface: Minstrel Shows In Modern Day America, Cheyenne Burns

The Confluence

This essay explores the history of Blackface in America and how not addressing or treating Blackface as a taboo has allowed for microaggressions within the media to continue.

Evaluating The Efficacy Of The Christian Reformational Transcendental Model Of Art Criticism As A Literary Theory Through Albert Camus’S The Stranger, Elizabeth Miller

Electronic Theses and Dissertations

The subfield of art criticism and theory within Christian reformational philosophy, a descendent of the neo-Calvinist theology developed through the work of Dutch Reformer Abraham Kuyper and others, is becoming increasingly diverse. Recently, scholars such as Leland Ryken, Glenda Faye Mathes, and Philip Graham Ryken have built upon twentieth-century theologian Francis Schaeffer’s worldview approach by popularizing a transcendental model of art criticism, an approach that applies the transcendentals of truth, goodness, and beauty to works of art. However, the transcendentals, while widely discussed in the fields of philosophy, theology, and, to a lesser extent, art theory, have not been explicitly …

Mythos Series (Mythos: The Greek Myths Reimagined, Heroes: The Greek Myths Reimagined, And Troy: The Greek Myths Reimagined) By Stephen Fry, Phillip Fitzsimmons

Faculty Articles & Research

Book review of Stephen Fry's Mythos series, reviewed by Phillip Fitzsimmons.

The De-Indigenisation Of The English Language: On Linguistic Idiosyncrasy, Fayssal Bensalah

Journal of Creative Writing Studies

This paper introduces and explains a fresh adaptation of linguistic hybridity. This creative strategy is common among postcolonial, transnational and transcultural writers, who would import linguistic features from their first languages to hybridise their prose and paint it with a distinctive identity. I aim, however, to demonstrate that my English text can be hybridised without looking outside the English language, but rather by looking within it. The English language, as I argue, is already a hybrid language, populated by thousands of words borrowed from various languages, including Arabic. The words of this latter, if used intelligently and selectively in my …

Unfairy Tales And Other Refugee Stories: Creating Relations Through The Humanitarian Imagination In Mohsin Hamid's Exit West And Helen Oyeyemi's Gingerbread, Gabriella Pishotti

Graduate Student Scholarship

Contrary to many analyses of refugee narratives that focus on how their subject matter becomes compromised by issues of authority, believability, and expectation, this article explores how refugee novels such as Mohsin Hamid's Exit West and Helen Oyeyemi's Gingerbread lean into such problems in a way that appeals to the humanitarian imagination. These novels recognize the incomprehensibility of the refugee experience and play upon this reality by intermixing their stories with fairy tale elements. In doing so, the tropes of fairy tales provide these stories with greater narrative flexibility while making the unfamiliar realities of refugees comprehensible through familiar narrative …

The Unconscious Never Lies, Judah Brass

Student Research

My paper examines the novel "The Picture of Dorian Grey" by Oscar Wilde from a psychoanalysis lens, exploring the complexity of human emotions and the riveting effects of trauma, repression and human interaction. There is an emphasis on different ways expression of the unconscious or processes of emotions can be benefited through an appropriate mode of processing. This research purpose is to educate on applying a criticism to literature, advocate for mental health awareness, and emphasize the importance of processing emotions in a productive and safe way.

Dorian Grey’s past trauma (lack of father figure) seen through his progressive behavior …

Timothy Yu, Diasporic Poetics: Asian Writing In The United States, Canada, And Australia, Rei Magosaki

English Faculty Articles and Research

A review of Timothy Yu'sDiasporic Poetics: Asian Writing in the United States, Canada, and Australia.

Away From Home: William Gifford Palgrave's Letters From India, 1847-1848, David E. Latane

English Publications

William Gifford Palgrave (1826-1888) became one of the great Victorian travelers, immortalized in a poem by Alfred Tennyson, “To Ulysses,” in 1888. The letters transcribed here are the record of his first voyage outward in 1847 as an Ensign in the 8th Bombay regiment of native infantry, just after his graduating with a First from Oxford. The letters are found in volume 5 of the Palgrave papers (British Library Add. MS 45738). The first letter is to his mother, dated 28 January 1847 from “Off Cape Mondego” in Portugal, and it describes life on board an outbound steamer. The last …

Constructing (Un)Situated Women: Situated Knowledges In Arundhati Roy's The God Of Small Things (1997) And Balli K. Jaswal's Erotic Stories For Punjabi Widows (2017), Necole T. Deloach

College of Graduate Studies: Theses & Dissertations

This thesis applies Donna Haraway’s concept of “situated knowledges” to postcolonial feminist novels such as Arundhati Roy’s The God of Small Things and Balli K. Jaswal’s Erotic Stories for Punjabi Widows in order to illustrate why there needs to be a new framework for analyzing literary postcolonial women. Despite the applicability of Donna Haraway’s “situated knowledges” to postcolonial feminist literary studies, there has been little research published that analyzes not just the intersection of “situated knowledges” and postcolonial feminist literature, but also the problems that occur when Western scholars approach postcolonial texts without completely acknowledging their own worldview. I argue …

“By That Daughter’S Most Devoted Affection”: Anxious And Avoidant Attachments In Opie’S Adeline Mowbray, Meghan E. Hodges

Comparative Woman

Attachment theory, or the theory that one’s personality and social development is informed greatly by the infant-parent bond, largely arises in the 1950s with the work of John Bowlby. Although the phenomenon was only then beginning to be scientifically evaluated, it has long been observed that the relationship one has with one’s parents is a determinant factor in one’s development. This work investigates the impact of the failure to heal the insecure attachment Amelie Opie’s Adeline Mowbray (1808). Adeline, having grown up in her distant mother’s intellectual shadow, develops a neurotic attachment to her mother which causes romantic maladjustment in …

“I'M Kind Of A Big Deal In This Industry:” How Killing Eve’S Villanelle Subverts The Femme Fatale Archetype, Molly Kent

Honors Theses and Capstones

From the instant Catherine Tramell stepped on screen with shaven, glossy legs and a perfectly curled, bouncy, blonde bob, Basic Instinct (1992) became a cult classic, centered around the dangerous and seductive femme fatale who makes the movie tick. Nearly 25 years later, a new monstress steps on screen as a suited, quirky, slicked-back assassin with a penchant for curly-haired women and a destiny to reform the femme fatale trope: Villanelle of Killing Eve.

The co-lead and resident femme fatale of Killing Eve, Villanelle, subverts the traditional role of the femme fatale in a decentering of the patriarchy …

Transformation And Embodiment: Posthumanism In Marie Darrieussecq's Pig Tales And Larissa Lai's Salt Fish Girl, Samantha Ludlow

All Master's Theses

This thesis seeks to analyze Marie Darrieussecq’s Pig Tales and Larissa Lai’s Salt Fish Girl, with a particular emphasis on how one’s age, gender, and racial identity each affect the reception an individual has towards their animality and connections with nonhuman animals. By using posthumanism as a framework, I argue that though it is initially difficult for Darrieussecq’s narrator to accept her changing body during her adulthood (where she already has a strong sense of identity), her transformation and choice to life as a sow by the end of the novel illustrates a rejection of her society’s anthropocentrism. Further, …

The Wh-Eye Of The Storm: How Zora Neale Hurston, Virginia Woolf, And Arif Anwar Fictionalize Extreme Weather In Their Works, Elena Vedovello

Pomona Senior Theses

In this thesis, I used Robin Wall Kimmerer’s and James D. Rice’s ideas of “ecological imagination” to analyze three twentieth and twenty-first century works that feature historical extreme weather events. American Harlem Renaissance writer Zora Neale Hurston introduces her fictional characters to the historical force of the 1928 Okeechobee Hurricane in her 1937 novel Their Eyes Were Watching God; British Modernist writer Virginia Woolf writes about the 1609 Great Frost in Orlando; and Bangladeshi author Arif Anwar sets his novel The Storm during and around the infamous Bhola Cyclone of 1970.

Although these authors and their novels stem …

Preface, Maria Luz Elena Nabong Canilao, Robin Atilano De Los Reyes

English Faculty Publications

No abstract provided.