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"In The Sentimental Past": Cultural Identity Through Film Music Before And After The Hong Kong Handover, Kasady Liu 2019 Chapman University

"In The Sentimental Past": Cultural Identity Through Film Music Before And After The Hong Kong Handover, Kasady Liu

Student Scholar Symposium Abstracts and Posters

Hong Kong: a city characterized by Jackie Chan, kung fu, and its surprising “in-betweenness.” Not quite Eastern and not quite Western, Hong Kong has been placed in a unique position due to its recent handover from Great Britain to China. As a result of this handover, the people of Hong Kong have displayed various attitudes towards their previous, foreign system of democratic government and their new, Communist system of government. Hong Kong’s cultural identity is closely tied with the handover, and in this paper, I analyze how the film music of Hong Kong movies have conveyed ideas about their cultural …


Notes On Contributors, Molly Lynde-Recchia 2019 Western Michigan University

Notes On Contributors, Molly Lynde-Recchia

Transference

No abstract provided.


A Selection From The Chieko Poems By Takamura Kōtarō, Leanne Ogasawara 2019 Western Michigan University

A Selection From The Chieko Poems By Takamura Kōtarō, Leanne Ogasawara

Transference

No abstract provided.


Four Poems From House Of Razor Blades By Linda Maria Baros, Kathryn Kimball 2019 Western Michigan University

Four Poems From House Of Razor Blades By Linda Maria Baros, Kathryn Kimball

Transference

No abstract provided.


Four Poems By Yao Nai, Andrew Gudgel 2019 Independent Scholar

Four Poems By Yao Nai, Andrew Gudgel

Transference

No abstract provided.


An Axe Falling On A Blind Statue By Mohamed Fouad, Nina Youkhanna 2019 University of Toronto

An Axe Falling On A Blind Statue By Mohamed Fouad, Nina Youkhanna

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No abstract provided.


Three Poems From Flowing Toward Serenity By Tan Xiao, Xinlu Yan 2019 hobbyist

Three Poems From Flowing Toward Serenity By Tan Xiao, Xinlu Yan

Transference

Tan Xiao is a Chinese poet whose poetry examines the relationships between an individual and his or her family, traditions, and society as a whole. The language he uses is deceptively simple, but the poignant observations and insights ensure that his poetry is relevant and relatable. This article includes three poems by Tan and accompanying commentary.


Five Poems From Born Into By Uwe Kolbe, Louise Stoehr 2019 Stephen F Austin State University

Five Poems From Born Into By Uwe Kolbe, Louise Stoehr

Transference

Uwe Kolbe is one of the major German poets of his generation. Both part of the dissident scene in East Germany and, at the same time, fiercely independent, he early on reworked literary tradition, detailed observation, and personal experience into poems that clearly express his own poetic vision in a distinct voice. Born October 17, 1957, in East Berlin, Kolbe was drawn to writing at a young age. He published his first volume of poetry, Hineingeboren (Born Into), in the former German Democratic Republic in 1980 and in 1982 in West Germany. “Hineingeboren” has become Kolbe’s signature poem …


Autumn By Jules Breton, Sharon Fish Mooney 2019 Regis University

Autumn By Jules Breton, Sharon Fish Mooney

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Translation of Autumn by Jules Breton with commentary.


Martial Vii.61 By Martial, George Held 2019 Queens College, CUNY

Martial Vii.61 By Martial, George Held

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No abstract provided.


Three Poems From The Blind Glassblower By Adam Fethi, Hager Ben Driss 2019 University of Tunis

Three Poems From The Blind Glassblower By Adam Fethi, Hager Ben Driss

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No abstract provided.


The Love Letter Poetry Contest, Roselee Bundy 2019 Kalamazoo College

The Love Letter Poetry Contest, Roselee Bundy

Transference

This is a translation of eight sets of poems and responses (out of a total of twenty) from the The Love Letter Poetry Contest Held in the Imperial Court in 1102. It was held on the 2nd and 7th days of the intercalary 5th month of 1102 in the Japanese imperial court. For the event of the 2nd, men had sent to court women poems declaring their love, and the women responded with poems rebuffing them. For the event of the 7th, court women sent to the men poems complaining of the …


The Shoulders And The Burden By Abdellatif Laâbi, Allan Johnston, Guillemette C. Johnston 2019 DePaul University

The Shoulders And The Burden By Abdellatif Laâbi, Allan Johnston, Guillemette C. Johnston

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English translation of poem by Moroccan poet Abdellatif Laâbi.


Four Prose Poems By Ramy Al-Asheq, Levi Thompson 2019 University of Colorado, Boulder

Four Prose Poems By Ramy Al-Asheq, Levi Thompson

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No abstract provided.


Three Poems By Umezaki Haruo, Erik R. Lofgren 2019 Bucknell University

Three Poems By Umezaki Haruo, Erik R. Lofgren

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No abstract provided.


Liking Mozart By Chen Chia-Tai, Elaine Wong 2019 Trinity University

Liking Mozart By Chen Chia-Tai, Elaine Wong

Transference

"Liking Mozart" is an English translation of a Chinese poem written by the Taiwanese poet Chen Chia-tai (1954- ).


Foreword, Molly Lynde-Recchia 2019 Western Michigan University

Foreword, Molly Lynde-Recchia

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No abstract provided.


Transference Vol. 7, Fall 2019, 2019 Western Michigan University

Transference Vol. 7, Fall 2019

Transference

Complete issue with covers of Transference Vol. 7, Fall 2019


“詩言志”之本義謭論 : 讀朱自清先生《詩言志辨》札記, Fengyi ZHANG 2019 南開大學文學院中文系

“詩言志”之本義謭論 : 讀朱自清先生《詩言志辨》札記, Fengyi Zhang

嶺南學報 Lingnan Journal of Chinese Studies

朱自清先生《詩言志辨》,認為“詩言志”之基本内涵是言説思想意志用以教化,强調其思想旨趣在於政教。這個學術影響巨大的認知,其實是對漢代詩學思想的整理和提煉,與“詩言志”之本義不完全相符。本文從先秦“詩言志”之實踐和闡説、詩人自道“詩言志”之内涵以及“詩言志”訓詁三個方面,重新梳理“詩言志”之本義,以為其不僅包含“表達思想意志”之義,也包含“抒發情感”和“紀事論理”之義。

In Shiyanzhibian, Zhu Ziqing believes that the essence of shiyanzhi is that the purpose of expressing thoughts and ideas is to emphasize the significance of official propaganda. This conviction, which has major academic influence, is actually an induction of the overall poetic thoughts of Han Dynasty, rather than aiming at the essence of shiyanzhi. This essay holds this argument from three aspects: the practice and interpretation of shiyanzhi of pre-Qin period, the illustrations of shiyanzhi of poets themselves, and exegetical studies (xungu) of shiyanzhi. In doing so, this essay reevaluates the very essence of shiyanzhi, and proposes that shiyanzhi …


從叙事角度看抒情傳統説, Xiuyan FU 2019 江西師範大學文學院

從叙事角度看抒情傳統説, Xiuyan Fu

嶺南學報 Lingnan Journal of Chinese Studies

廣義的叙事覆蓋抒情,狭義的叙事與抒情並列,目前已有將抒情問題納入叙事學理論體系的努力。在叙事傳统之外提出抒情傳统,在西方或許没有多大必要,在中國則有助於穿透史官文化的影響,從詩學而非史學的角度去尋找文學傳统的真正源頭。叙事學不應是“無情”之學,叙事傳统研究也不應忽視自身文脈的個性,注意聆聽抒情與叙事兩大傳统的“交響共鳴”,或可避免從單一角度看問題的片面。

Narrative covers lyricism in the broad sense, while it is juxtaposed with lyricism in the narrow sense. In today’s scholarship, the efforts have been made to integrate issues related to lyricism into the theoretical system of narratology. It may not be necessary to put forward lyrical tradition beyond narrative tradition in the west, but in China it is important to pervade the culture of historiography and seek the real source of literary tradition from the poetic perspective. Narratology should not be a “heartless” science, and the study of narrative tradition should not ignore the distinguished features of its own …


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