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"A Woman's Lot To Suffer" : Recognizing The Intersectionality Of Oppression And Resistance In Min Jin Lee's Pachinko, Elianna Srikureja

Honors Theses

Min Jin Lee's novel Pachinko (2017) portrays the historically based lives of a displaced Korean family during Japan's colonization of Korea from 1905-1945. The novel's attention to the ways that colonial endeavors complicate Confucian family and national structures exemplifies the interrelation between gender and racial oppression facing Lee's Korean women in both the public and private domain.

However, by centering female voices all too often silenced, Lee also depicts resistance modes that subvert such oppression. Using feminist and postcolonial theory, historical analysis, and close reading analysis, this project examines both the construction of oppression and the subversive resistance measures taken …

A Study On The Sports Industry In Edo: Preface To A Study Of The History Of The Sports Industry In Early Modern Japan, Hironori Tanigama

Japanese Society and Culture

This study discusses what sorts of industries developed in Edo during the early modern period and their characteristics, with a specific look at the sports industry. The results of this study are as follows. 1. In the 17th century, the sports industry in Edo targeted the ruling samurai class. Samurai in Edo were fond of sumo tournaments and archery exhibition competitions; both were heavily influenced by the Kyoto area (then the capital). At the time, traditions carried on since the Middle Ages remained strong in the world of sports. 2. At the end of the 17th century, various urban sports …

Pathetic Beauty: Mono No Aware In Hollywood Cinema –To Family And Friends In These Estranged Times–, Aaron Francis Ward

Japanese Society and Culture

Mono no aware is considered to be one of the central-most Japanese aesthetics and distinctive to Japanese identity (Keene 1995; Miller 2011). This aesthetic standpoint finds wistful beauty in the transient, and is most often translated to ‘beauty in pathos’ or ‘the ah-ness of things’ (Hume 1995), as exemplified in the Heian-era classic, The Tale of Genji (Murasaki 1981). To the outside world, mono no aware is most commonly associated with cherry-blossom viewing, where the short-lived existence of the falling cherry blossom is seen as a metonym for contemplation of the beauty in the transience of life itself. Although this …

The Cherry Blossom And Its Influence On Japanese Culture, Gilberto Mejía Salazar

Japanese Society and Culture

The following research is of a documentary approach, and its objective is to analyze the cherry blossom from a social and cultural perspective, to know the importance and influence that this flower has on society and the environment. Thus, the Shinjuku Gyoen Park and Chidorigafuchi Park were taken as a reference, in this sense, it is understood that within the city of Tokyo there are parks and areas whose purpose is to provide various activities to citizens to contemplate nature, and therefore giving a great show to witness the cherry blossom in its maximum splendour. The influence of the cherry …

The Book Of Poetry : The Han Canonization : Dead Deer Meat As A Gift, Zong-Qi Cai

How to Read Chinese Poetry Podcast

This episode looks at the concerted effort by three prominent Han commentators to allegorize a poem made up of disjointed or rather conflicting parts. It also reflects on the ironic fact that Han commentators’ allegorizing process itself constitutes a beautiful exercise of literary imagination, foreshadowing the fruitful exploitation of semantic, syntactic, and structural ambiguities by Du Fu, Li Shangyin, and other Tang poets.

A Study Of Little John And The Making Of Quasi-Middle Lu Xun, Chongke Zhu, Liping Liang

Theoretical Studies in Literature and Art

The Chinese version of Frederik van Eeden's Little John translated by Lu Xun was published in 1928, twenty-two years after Luxun embarked on his literary life, and the influence of this work on Luxun went much far more than a pure translation job. The works in Wild Grass, Dawn Blossoms Plucked at Dusk, and Old Tales Retold by quasi-middle Luxun are directly related with Little John in terms of style, thematic concerns, representations of scene, and fields of imagination. However, despite the influences, Luxun's works had developed their own characteristics and demonstrated the intellectual depth and poetic charm of the …

A Study Of Heidegger's "Interpretation For Van Gogh" From The Perspective Of "Becoming And Manifestation" In The Sensory Structure Of Artistic Works, Yunpeng Zhang

Theoretical Studies in Literature and Art

While Heidegger's "Interpretation for Van Gogh" is influential in academic circles, there are also some challenges, criticism and arguments. In order to deepen the understanding of Heidegger's interpretation, we need to contextualize it in the theory after the turn of his thought. To determine whether the explanation is reasonable and appropriate, we need to verify it by returning to the phenomenon of "becoming and manifestation" within the sensory structure in aesthetic experience of artistic works. If the sensory manifestation of artistic works is poetry, then the aesthetic interpretation is thought. Whether poetry and thought are identical or not should be …

A Study Of Franco Moretti's "Materialism Of Form", Chunrong Qian

Theoretical Studies in Literature and Art

Directly influenced by Galvano Della Volpe's Positivist Marxism, Franco Moretti pursues objective and scientific literary research. The most concrete manifestation is his use of metering method. Of course, Althusser's Structuralist Marxism is the main context for Moretti's entire thought. Though he accepts Lukacs' s proposition that "forms are the true social factor in literature", there are three unique features in his thinking about the proposition compared with other Marxists. Firstly, forms are not conceptual or abstract, nor do they exist for the need of theories. Rather, forms are a part of stylistic theories, stylistic practices and styles. Secondly, forms are …

The Book Of Poetry : The Han Canonization : Romeo And Juliet-Like Rendezvous, Zong-Qi Cai

How to Read Chinese Poetry Podcast

This episode features a poem that enacts, through incremental repetition, the unfolding drama of a young woman being torn by longing, hesitancy, love, and fear while a suitor is crushing all physical barriers to have a tryst with her. To sanitize this poem, Han commentators resorted to an allegorizing strategy called “cutting off a section to create a new meaning,” constructing a political allegory on the thinnest of evidence.

“The Power Of Onomatopoeia In Manga” An Essay By Natsume Fusanosuke With Translators’ Introduction, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Natsume Fusanosuke is one of the founding critics of manga that pioneered a style of formal analysis of manga in the 1990s. Natsume’s first important foray into his “theory of expression” (hyōgenron) was seen in the collaborate work, Manga no yomikata (How to read manga) in 1995. He later streamlined those ideas in a twelve-episode series Manga wa naze omoshiroi no ka: sono bunpō to hyōgen (Why is manga so interesting?: Its grammar and expression) for NHK television in 1996. The accompanying expanded book (1997) consists of well-ordered, individual essays on elements of manga such as …

The Pagoda, Rohan Kōda, Nariyuki Koda

Zea E-Books Collection

This novel is a landmark in Japanese literature, widely known, read, and beloved. Sometimes known as “The Five-Story Pagoda,” it tells the story of Jubei, a carpenter and craftsman, who dreams of building a pagoda for the Abbot of the Kannoji Temple. Despite his poverty, low station, and poor reputation—he is known as “the slouch”— Jubei’s determined and uncompromising allegiance to his own vision bring him the possibility of raising a great work for the ages … but will it stand against the howling demons of a tropical typhoon?

Rohan Kōda’s The Pagoda (Gojūnotō, 五重塔) first appeared in …

The Book Of Poetry : The Han Canonization : A Love Song And A Moral Exemplum, Zong-Qi Cai

How to Read Chinese Poetry Podcast

This episode discusses how the anonymous author of “Prefaces to the Book of Poetry” turned “Osprey,” the first of the 305 Shijing poems, from a lively love song into a moral exempla by means of gender switching. It also explains that such imaginative gender switching was made possible by classical Chinese grammar, especially its ungendered use of pronouns and its frequent omission of sentence subjects.

Orientalism Restated In The Era Of Covid-19, Joey Kim

Asian American Literature: Discourses & Pedagogies

This essay bridges a gap between an analysis of anti-Asian targeting and an analysis of Orientalism. Because histories of Orientalism and anti-Asian targeting pre-date the current moment, I demonstrate the centrality of Orientalism to the evolution of xenophobic language and sentiment in U.S.-foreign historical relations. I recount instances of anti-Asian, xenophobic, and “Yellow-Peril” rhetoric in the wake of the global COVID-19 pandemic. In doing so, I examine the racialization of COVID-19 as a trope of orientalism. This racialization, I argue, places the Asian-presenting body in a state of heightened visibility, precarity, and susceptibility to plunder. The newfound precarity of the …

The Book Of Poetry And Diplomacy : What Does It Mean To Say, “I Love You”?, Wai-Yee Li

How to Read Chinese Poetry Podcast

This episode discusses how the language of love and kinship is used in diplomatic negotiations through the recitation of odes. For example, aLu minister uses a wedding song to compare smaller states to a bride welcomed by her groom (the powerful Jin). A woman picking artemisia with care becomes the analogue for a powerful state cherishing a weak one. A Zheng minister uses an ode about seduction to forestall or resist aggression. A Jin leader affirms an alliance through an ode celebrating brotherhood.

A Daughter Of The Samurai, Etsu Inagaki Sugimoto

Zea E-Books Collection

Born in 1874 the youngest daughter of a samurai and former daimyo—a feudal prince under the Takugawa shogunate—Etsu Inagaki grew up surrounded by ghosts of an aristocratic military lineage. Having fought on the losing side in the wars that installed the Meiji emperor, the ­Inagaki family was reduced in power, status, and wealth but not in pride or ­devotion to its traditional roles and customs. Etsu’s upbringing and education were conservative and old-fashioned, guided by the Shinto and Buddhist beliefs her family held. The samurai virtues of honor, ­stoicism, and sacrifice applied to daughters and wives as well as sons …

Minari: The Concealed Asian Aspiration Wrapped In The American Dream, Anh Luan Tran-Nguyen, Arthur Nguyen

Markets, Globalization & Development Review

After the success of the Korean film Parasite, Minari – a quasi-autobiographical drama of the Korean-American film director Lee Isaac Chung – has again turned the global public’s attention to Korean culture at large. In this review, we shed light on two themes that we capture from the movie: tensions and compromises in chasing the American dream of immigrants. Although stories about pursuing the American dream are abundant, we know less about how that dream causes tensions at the individual and family levels and how the tensions are resolved. Minari is an excellent example to probe the unfolding issues relating …

Minari: The Invincible, Soonkwan Hong

Markets, Globalization & Development Review

No abstract provided.

Hyphenated Globalization: First, Wide Propagation; Then, Gradual Elimination, Nikhilesh Dholakia, Deniz Atik

Markets, Globalization & Development Review

No abstract provided.

Fields Of Revision: Adaptations Of Wren’S Elegy By Mo Yun-Suk And Kim Ki-Young, Irhe Sohn, Ki-In Chong

East Asian Languages & Cultures: Faculty Publications

This essay investigates the ‘field of revision’, in which multiple texts permeate each other to question and transform a given story. To do so, it examines the adaptations of Wren’s Elegy, a South Korean epistolary poem that narrates the story of its titular character’s love for a married man named Simon. The decades-long development of its story—from Mo Yun-suk’s initial publication in 1937 as a revisionist project based on Yi Kwang-su’s Heartless, to three revisions made by the author herself, to its film adaptation by Kim Ki-young—shows how adaptation involves multiple texts, authors, and historical and cultural conditions …

The Book Of Poetry And Diplomacy : Who Is The Boss?, Wai-Yee Li

How to Read Chinese Poetry Podcast

This episode uses two scenes of reciting odes to explore the struggle for hegemony. The first shows how a fugitive Jin Prince declare his ambition despite his precarious and dependent position. The second features a Jin leader pushing back against the hubristic self-aggrandizement of a Chu prince.