The Literati Purport Of Jiazhuan And Theoretical Reflection On Its Ideas Of "Using Literature As Play",
2018
Theoretical Studies in Literature and Art
The Literati Purport Of Jiazhuan And Theoretical Reflection On Its Ideas Of "Using Literature As Play", Xiaoju Huang, Weiguo Zhao
Theoretical Studies in Literature and Art
A relatively independent type of ancient Chinese prose, jiazhuan was biographies written anthropomorphically for objects. Han Yu's Biography of Mao Ying written in the Tang dynasty marked the beginning of jiazhuan, followed by numerous parodies in the Song and Ming dynasties. Such prose, written by the literati at leisure for entertainment, embodied their refined aesthetic taste. This article argues that jiazhuan was an expression in the form of games, which displayed writers' talent. Thus perceived, just like "writing is for conveying truth", "using literature as play" became an important and necessary literary stance for the literati to divert themselves from …
The Tradition Of "Good Writing" And The Narrative Of Ming-Qing Marvel Tales,
2018
Theoretical Studies in Literature and Art
The Tradition Of "Good Writing" And The Narrative Of Ming-Qing Marvel Tales, Cui He
Theoretical Studies in Literature and Art
The pursuit of "good writing" is a long and profound tradition among Chinese literati, who demonstrate their talent, knowledge and accomplishment by writing various types of literary works. Among them, the unique Ming-Qing marvel tales as a kind of ancient Chinese drama mostly represent national characters. However, as the marvel tale is a narrative art, there must be certain tension between the "good writing" tradition and the drama narrative, which is reflected in both speeches and songs. Songs, often desktop-oriented, tend to be conventionalized and detached from or even in conflict with characters. Speeches are often used for characters' opening …
A Study Of Remarks On Prose In The Ming Dynasty And The Construction Of Prose Theory From The Viewpoint Of The Modern Times,
2018
Theoretical Studies in Literature and Art
A Study Of Remarks On Prose In The Ming Dynasty And The Construction Of Prose Theory From The Viewpoint Of The Modern Times, Zongjie Gong
Theoretical Studies in Literature and Art
Remarks on prose provide significant resources for the prose theory of ancient China. In recent years, with the publication of Chinese scholar Wang Shuizhao's Remarks on Prose through the Ages and the progress in the construction of ancient prose theory, the collation and study of remarks on prose of each dynasty has attracted greater attention. As for the works of the Ming dynasty, the study of which is still in a primary stage presently, the re-evaluation of their historical status and theoretical contributions, along with literature survey, is the premise for its further development. Based on this, and from a …
A Review Of Yan'S, Bao's And The Xies' Poetry And Fang Hui's Poetics Of The Six Dynasties,
2018
Theoretical Studies in Literature and Art
A Review Of Yan'S, Bao's And The Xies' Poetry And Fang Hui's Poetics Of The Six Dynasties, Houjun Zhao
Theoretical Studies in Literature and Art
A Review of Yan's, Bao's and the Xies' Poetry was written in Fang Hui's old age, which contains his views on the literature of the Six Dynasties. In his review, Fang Hui adopted the Jian'an Style and Jian'an Flavor as the criteria. Jian'an poetry excelled in the poetic style featuring the classic style of qiyun (aura) and wild abandon with strong and vigorous emotions, which were derived from the conviction that verses written in simple style are better than parallel sentences. Besides, writers preferred expressing emotions than depicting scenery. In these aspects, Yan's, Bao's and the Xies' poetry were not …
Explicating The "Meaning Triad" In Lady Welby's Significs,
2018
Theoretical Studies in Literature and Art
Explicating The "Meaning Triad" In Lady Welby's Significs, Feng Sun, Youxiang Tu
Theoretical Studies in Literature and Art
The purpose of this paper is to explore why the "Meaning Triad" becomes the core concept of the Significs, and reaches the following conclusions: the "Meaning Triad" is the basic theory of Significs, which, as the science of meaning, is the basis of the extension of the Significs's "translative-interpretive" process, the premise that makes the Significs evolved into "the philosophy of Significance", the crux that makes the Significs to restore the link between "mother-sense" and "father-reason", the epitome of the Significs's thinking manner, and the central doctrine of signific education. Assisted by the concept of the "Meaning Triad", Lady Welby's …
International Politics Of Literary Theory: A Study Of Western Theory As Doctrines And A Discipline,
2018
Theoretical Studies in Literature and Art
International Politics Of Literary Theory: A Study Of Western Theory As Doctrines And A Discipline, Jinghua Lin
Theoretical Studies in Literature and Art
The event of the publication of René Wellek and Austin Warren's Theory of Literature (1949) signals that European literary criticism was transformed rapidly into literary theory by American scholars. To be more specific, from then on, British New Criticism that emphasized close reading was replaced by American New Criticism that valorized analysis of semantic structure, and Russian formalism was rediscovered and reactivated in this process. Afterwards, more theoretical schools sprang up, such as semiotics, structuralism, hermeneutics, post-structuralism, deconstructionism, and so on. And along with the scientific literary theory, many other theories, like Western Marxist criticism, feminism, gender studies, new historicism, …
Shakespeare's "World History": J. G. Herder's "Sturm Und Drang" Drama Theory And The Radical Enlightenment,
2018
Theoretical Studies in Literature and Art
Shakespeare's "World History": J. G. Herder's "Sturm Und Drang" Drama Theory And The Radical Enlightenment, Qing Feng
Theoretical Studies in Literature and Art
Influenced by Johann Gottfried Herder and Johann Wolfgang von Goethe, the German "Sturm und Drang" movement regarded William Shakespeare as a model of gifted drama poets. Viewing Shakespeare as a "genius" in imagination for the possible "world history", Herder applied pantheistic philosophy to his drama theory and developed a concept of radical enlightenment. Comparing Herder's view with Gotthold Ephraim Lessing's interpretation of Shakespeare as well as his Aristotelian enlightenment dramatic idea, a great difference can be revealed: Lessing aimed to cultivate civic morality, while Herder intended to evoke the Volk's passion towards freedom and political action.
Was Plato An Art Denier?: Plato's Concept Of Technē (Art) And The Pre-Socratic Philosophy Term Of Phusis (Nature),
2018
Theoretical Studies in Literature and Art
Was Plato An Art Denier?: Plato's Concept Of Technē (Art) And The Pre-Socratic Philosophy Term Of Phusis (Nature), Dehui Yin
Theoretical Studies in Literature and Art
Since philosophy term technē in ancient Greece is not exactly the same as the concept of art today, it is inaccurate to say that Plato was for or against art, but, at the same time. Plato actually opposed some kind of technē (mainly poetry and painting), and the influence of this stance remained even today. Therefore, it is necessary to clarify which kind of technē Plato exactly opposed. In ancient Greece, it was Plato who firstly proposed technē as a philosophy term on the basis of Pre-Socratic philosophy. So his thought of technē must relate itself to the thought of …
"Qin Virtue" And "Wenxin": Innovation Of Ji Kang's "Qin Fu" Based On Tradition And Its Impact,
2018
Theoretical Studies in Literature and Art
"Qin Virtue" And "Wenxin": Innovation Of Ji Kang's "Qin Fu" Based On Tradition And Its Impact, Zhanyun Song
Theoretical Studies in Literature and Art
Based on the classic vocabulary of music fu's creative mode in the Han dynasty, Ji Kang's "Qin Fu" integrated the parallel prose and the argumentation into the work of the fu. Ji Kang gave yaqin metaphysical description, thus bringing the qin culture a richer content. He proposed a qin ethics of "peace virtue", which was an innovation based on the music theory tradition of the pre-Qin and Han dynasties. Ji Kang's "Qin Fu" reversed the trend of sadness beauty in the Han dynasty, and reinstated the idea of harmony from traditional Confucian music theory; it dispensed with the Confucian qin …
A Study Of The A-Signifying Semiotics Of Félix Guattari,
2018
Theoretical Studies in Literature and Art
A Study Of The A-Signifying Semiotics Of Félix Guattari, Shubao Dong
Theoretical Studies in Literature and Art
This paper mainly discusses Guattari's a-signifying semiotics. He opposes Lacan's Structuralist psychoanalysis as well as the tyranny and hegemony of the signifier. By borrowing Hjelmslev's glossematics and Pierce's semiotics, he builds modes of semiotization, and develops the a-signifying semiotics, which offers a new perspective and dimension for the theory of subjectivity and the psychoanalytic criticism, and further forms a schizoanalytic criticism based on the a-signifying semiotics.
Qiyun And Rhythm,
2018
Theoretical Studies in Literature and Art
Qiyun And Rhythm, Feng Peng
Theoretical Studies in Literature and Art
Qiyun is an important concept in traditional Chinese aesthetics. From the early 20th century, western sinologists and art historians have been engaged in the translation and interpretation of qiyun and changed its meaning into rhythm. These translations and interpretations have inspired modern Chinese aestheticians to reconsider this concept. Western aestheticians misunderstood qiyun as rhythm, because they have found that both modern Western paintings and traditional Chinese paintings appreciated the rhythm of lines. Nevertheless, qiyun is not rhythm. Rhythm in modern paintings is more akin to xieyi, another important concept of traditional Chinese aesthetics.
A Query About The "Peasant Uprising" And "Driven To Join The Liangshan Rebels" Hypotheses: An Analysis Of The Identities And Occupations Of The Heroes And Their Uprising Causes In Water Margin,
2018
Theoretical Studies in Literature and Art
A Query About The "Peasant Uprising" And "Driven To Join The Liangshan Rebels" Hypotheses: An Analysis Of The Identities And Occupations Of The Heroes And Their Uprising Causes In Water Margin, Zhaoming Liu
Theoretical Studies in Literature and Art
In the thematic and narrative study of Water Margin, the "Peasant Uprising" and "Driven to Join the Liangshan Rebels" hypotheses, though frequently questioned, still hold unshakable position among works on Chinese Literary History, popular readings and even Chinese language textbooks for high school. In fact, statistics suggest that instead of all the 108 heroes in the story, only 11 were peasants from the angle of big agriculture, and only 9 were compelled to join the Liangshan Rebels. This thesis proposes three interpretations underlying such long-lasting misunderstanding: 1) "Peasant Uprising" and "Driven to Join the Liangshan Rebels" hypotheses greatly overlap with …
Exploring The Lives Of Song Dynasty Women Through Hong Mai's Yijianzhi,
2018
Theoretical Studies in Literature and Art
Exploring The Lives Of Song Dynasty Women Through Hong Mai's Yijianzhi, Egan Ronald
Theoretical Studies in Literature and Art
Yijianzhi is a collection of anecdotes and tales compiled by the Song dynasty literatus Hong Mai. Most of the stories it contains were transmitted orally to Hong Mai by people he knew. Consequently, Hong Mai believed the stories to be reliable accounts of events that had actually happened. This article follows the methods of the British Sinologist Glen Dudbridge in viewing such stories as belonging to medieval China's "vernacular culture." Many of Yijianzhi's stories feature one or another type of women as their protagonist, and so the collection is a valuable source for the study of women of that period. …
From Poetry To Ci: The Misunderstanding Of Genre And Responses To "Jiangnan Spring" In The Ming And Qing Dynasties,
2018
Theoretical Studies in Literature and Art
From Poetry To Ci: The Misunderstanding Of Genre And Responses To "Jiangnan Spring" In The Ming And Qing Dynasties, Zhibo Tang
Theoretical Studies in Literature and Art
Ni Zan, a famous poet living in late Yuan dynasty, wrote two seven-character ancient verses of "Southern Song" and "Jiangnan Spring". Then the two poems were merged into "Jiangnan Spring" and given to his friends as a present. Shen Zhou and other literati in the Wuzhong area began to follow the pattern of "Jiangnan Spring" during the Hongzhi period of the Ming dynasty, treating them as two tunes. During the period of Jiajing, fifty people were involved in the responses and an anthology was complied. The earliest works of Ni Zan and the following responsive verses by Shen Zhou and …
Imagery In Chuang Tzu From The Perspective Of Pictorial-Linguistic Semiotics,
2018
Theoretical Studies in Literature and Art
Imagery In Chuang Tzu From The Perspective Of Pictorial-Linguistic Semiotics, Zhaohui Bao
Theoretical Studies in Literature and Art
This article tries to investigate the representation of the world from Chuang Tzu's language, and also to examine the ground on which Chuang Tzu's language activities contain imagery. It argues that Chuang Tzu represented the world by visualizing Tao, or the Way. The fact that literature is a form of language art provides help for describing the visualization of the world. Therefore, this determines that Chuang Tzu employs imagery for expression. Chuang Tzu gives prominence to the poetic function rather than referential function in his language during the process of linguistic expression. Such a feature emphasizes the poetic turn of …
The Combination Of Emotions And Things In Traditional Chinese Poetics,
2018
Theoretical Studies in Literature and Art
The Combination Of Emotions And Things In Traditional Chinese Poetics, Guikui Li
Theoretical Studies in Literature and Art
From a series of theoretical summaries based on creative practice, such as "expressing sentiment in response to objects or things", "revealing emotions in narratives" and "integration of emotions and things", it is easy to find that traditional Chinese poetics contains a set of combination of "emotion" and "things". The idea of "emotions arising from felt things" is deeply rooted in traditional Chinese poetics. Accordingly, scholars gradually realized that there should be "things" first, then "emotions". In other words, emotions are caused by things, and narratives are the basic and necessary means of lyric expression. Based on this, Wei Tai in …
The Genealogy Of Affect Theory,
2018
Theoretical Studies in Literature and Art
The Genealogy Of Affect Theory, Qianyue Liu
Theoretical Studies in Literature and Art
Affect theory emerged in the late twentieth century as a theoretical trend in the study of "affective turn" in Western humanities. Affect theory, focused on the complex narratives of affect history, is an alternative paradigm to the one which is based on the rhetoric and semiotics in the 1990s. Research on affect theory began as Spinoza, and Deleuze developed it into an important concept of subjectivity generation. In this philosophical context, the theory of affect evolved along two theoretical paths. The ontological path from Spinoza to Deleuze continued with Masumi. The other path, which was the feminist path, was initiated …
An Exploration Of Literary Mimesis Through The Perspective Of Mirror Neurons,
2018
Theoretical Studies in Literature and Art
An Exploration Of Literary Mimesis Through The Perspective Of Mirror Neurons, Huibin He
Theoretical Studies in Literature and Art
Mirror neurons are discovered by Italian scientists Giacomo Rizzolatti and his colleagues, which are not only active while people are acting, but also active when they are observing others' action. Mirror neurons, which imitate the action of others just like mirrors, can lead to "motor equivalence" between readers and characters. Human imitation, which is often accompanied by anthropocentrism and egocentrism, can be divided into simple ones and complex ones, and can also be divided into imitation of content and imitation of form. Mimesis, which traditionally means the writer's imitation of the world, can by extended into the field of the …
Criticism, Rebellion And Adaptation: Multi-Dimensional Construction Of Discourse Of Remarks And Interpretation On Amorous Poems,
2018
Theoretical Studies in Literature and Art
Criticism, Rebellion And Adaptation: Multi-Dimensional Construction Of Discourse Of Remarks And Interpretation On Amorous Poems, Xiao Xiong
Theoretical Studies in Literature and Art
The formation of the concept "amorous poem" related to the semantic meaning of the character "yan" (glamorous) , and both of them were constructed as typical negative images due to their implicit "dangerous factors" in the cultural context of the past. These critical discourses thus set the tone of remarks on amorous poems, and the connotation of amorous poems thence showed a clearly ideological implication. But two new types of discourse in the remarks on amorous poems emerged in the Ming and Qing Dynasties. One emphasized the independent significance and value by the theory of "emotion-rootedness", and constituted a discourse …
From "Phenomenological Body" To "Reversible Flesh": The Transformation Of Merleau-Ponty's Aesthetic Theory,
2018
Theoretical Studies in Literature and Art
From "Phenomenological Body" To "Reversible Flesh": The Transformation Of Merleau-Ponty's Aesthetic Theory, Zhifeng Shu
Theoretical Studies in Literature and Art
Merleau-Ponty's philosophical thinking is also aesthetics. Such an openness is vital for him, since it concerns the sensitivity and becoming of selfhood philosophy, without being trapped in the dilemma in traditional philosophy. With the transition from the "phenomenological body" to the "reversible flesh" in his philosophy, Merleau-Ponty' aesthetics shifts from perception and sensibility to ontology and "element". In his early works Cézanne's Doubt, Indirect Language and The Voice of Silence, and late work Eye and Mind, painting is always central to Merleau-Ponty's aesthetic thinking, because the pure "vision" in painting refers to the visual dimension that is ignored and marginalized …
