Carnets De Bord. Tables D’Orientation « Tariq Teguia »,
2026
Chercheuse et critique d’art
Carnets De Bord. Tables D’Orientation « Tariq Teguia », Pascale Cassagnau, Tariq Teguia
Regards
This interview by Pascale Cassagnau with Tariq Teguia puts into perspective the Algerian filmmaker’s work notebooks, which are both autonomous objects and working documents, linked to the film itself. A medium for thought, the notebook is a space for language, a score and a cartographic space that gives shape to the writing of the film in a graphic way. A discursive space parallel to the space of scriptwriting, the notebook accompanies the development of the film from its inception, collecting the writing of thought in no particular chronological order.
Résumé
Cet entretien de Pascale Cassagnau avec Tariq Teguia met en …
« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié »,
2026
Université Saint-Joseph de Beyrouth, Beyrouth, Liban
« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié », Elie Yazbek, Farah Alhashem
Regards
This article offers a comprehensive study of Borhane Alaouié’s work, a central figure in modern Lebanese cinema, situating it within the tradition of the essay film. Through an analysis of Lettre d’un temps d’exil, À toi où que tu sois and Khallas, it examines how exile, wounded memory, and fragmentary thought shape the filmmaker’s aesthetic and ethical approach. Exile is explored not only as a geopolitical condition but as an interior state, a persistent uncertainty that structures voices, narratives and images. The study highlights the importance of voice-over, fragmentation, memory-driven editing and epistolary address, while positioning Alaouié’s work …
The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary,
2026
Queen’s University
The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary, Eman Elharmeel
Regards
The 2011 Egyptian revolution marked a watershed moment in the reconfiguration of individuality, autonomy and self-expression within Egyptian society. Challenging long-standing collectivist frameworks, the revolutionary moment opened new spaces for individual agency and subjective reflection. This paper examines how these shifts intersect with the rise of first-person documentary cinema as a powerful medium for articulating post-revolutionary subjectivity in Egypt.
Focusing on The Past Will Return (2015) by Dina Hamza, Happily Ever After (2016) by Nada Riyadh and Ayman El Amir, and Little Eagles (2016) by Mohamed Rashad, the paper analyzes how filmmakers negotiate personal desires, familial pressures and collective belonging …
Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine,
2026
Université Paris 8 Vincennes - Saint-Denis
Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine, Boualem Khelifati
Regards
This article explores how Letter to My Sister (2006), a film by director and poet Habiba Djahnine dedicated to her sister Nabila, a democratic and feminist activist who was murdered by Islamist terrorists in Tizi Ouzou in 1995, revisits the fate of the direct and indirect victims of Algeria’s dark decade of the 1990s and the repressive religious and state policies towards women. It employs a narrative structure that combines several film genres – film-letter, film-journey, film-poem, and film-archive – showing situations in which memories and pain are shared, as well as the necessary perpetuation of a struggle that is …
Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction,
2026
Université Grenoble Alpes
Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction, Aude Fourel
Regards
It was while searching for unused film footage on the Palestinian struggle for a documentary essay that I discovered the filmography of German director Monica Maurer and her work restoring and preserving Palestinian films. For the past four years, we have been working together to digitise and catalogue the photographs and documents she still keeps at home.
I reflect on the paths opened up by the writing of a film in the making, on the formatting of Monica Maurer’s photographic collection, and on the initial prospects for visual and historical studies of this material in the particular context of the …
Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan,
2026
École Nationale Supérieure des Arts Décoratifs
Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan, Judith Abensour
Regards
Kamal Aljafari’s A Fidai Film draws on Palestinian archives confiscated by Israel in Beirut in 1982. Diana Allan created Partition using archives from Mandatory Palestine held at the Imperial War Museum in London. The film notebook not only refers to a type of fragmentary editing, but also allows us to revisit the relationship between sound and image, thus offering an exercise in remembrance in the present. By adding sound to images, the two filmmakers question the contradictions inherent in archives, their erasure or their resistance to authoritative or propagandistic discourse. Thus, under the guise of sensory and sound anthropology for …
Videotracts For Palestine : Images Et Contre-Images,
2026
ENS de Lyon – Institut d’Asie Orientale (IAO)
Videotracts For Palestine : Images Et Contre-Images, Lola Maupas
Regards
This article examines the political and aesthetic gesture of Videotracts for Palestine, a collective founded on Instagram in November 2023 in the context of the Israeli offensive in Gaza. Heirs to the ciné-tracts of 1968 and, more broadly, to international militant cinema, these very short anonymous films also mobilize contemporary digital tools and produce what might be called a counter-visuality of resistance. The study highlights how the collective situates itself within a tradition of images as weapons of struggle while inventing its own forms, shaped by the massive circulation enabled by the Internet and social media. The videotracts deconstruct …
Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi,
2026
Université Grenoble Alpes
Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi, Aude Fourel
Regards
Sounds for History. Correspondence with Mohammed Yaghi
Mohammed Yaghi was born in 1992 and trained in sound engineering in Gaza. He has worked for UNRWA television and collaborated with Palestinian and international documentary film production companies.
These sound recordings for films, educational programs and interviews were the first step in the sound diary that he has kept on building on a daily basis.
[...]
Résumé
Mohammed Yaghi est né en 1992 et s’est formé aux métiers du son à Gaza. Il a travaillé à la télévision de l’UNRWA et collaboré avec des maisons de productions palestiniennes et internationales de films …
Killer Whales,
2026
Lindenwood University
Killer Whales, River Alsalihi
The Lindenwood Review: a journal of literary prose
No abstract provided.
Lighthouse,
2026
Lindenwood University
Lighthouse, Andie Brynn Weaver
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Tellers,
2026
Lindenwood University
The Tellers, Kevin Loughrin
The Lindenwood Review: a journal of literary prose
No abstract provided.
Adhesive,
2026
Lindenwood University
Adhesive, Thomas Lowery
The Lindenwood Review: a journal of literary prose
No abstract provided.
Paper Ship Dreams,
2026
Lindenwood University
Paper Ship Dreams, Adam Coulter
The Lindenwood Review: a journal of literary prose
No abstract provided.
Bruises,
2026
Lindenwood University
Bruises, C. Z.
The Lindenwood Review: a journal of literary prose
No abstract provided.
“Alaskan Salmon”,
2026
Lindenwood University
“Alaskan Salmon”, Robert Terentieff
The Lindenwood Review: a journal of literary prose
No abstract provided.
Right-Handed,
2026
Lindenwood University
Right-Handed, Ashley Greenhouse
The Lindenwood Review: a journal of literary prose
No abstract provided.
Keeping Time By Crickets,
2026
Lindenwood University
Keeping Time By Crickets, Dara Laine
The Lindenwood Review: a journal of literary prose
No abstract provided.
Dream Journalese,
2026
Lindenwood University
Dream Journalese, Chris Clemens
The Lindenwood Review: a journal of literary prose
No abstract provided.
Episode In Which I Outrun The News,
2026
Lindenwood University
Episode In Which I Outrun The News, Colette Parris
The Lindenwood Review: a journal of literary prose
No abstract provided.
At Dusk,
2026
Lindenwood University
At Dusk, Carol L. Gloor
The Lindenwood Review: a journal of literary prose
No abstract provided.
