Between The Posts,
2026
University of Mississippi
Who Does The Killing?,
2026
University of Mississippi
Who Does The Killing?, Jesse A. Parkman
Landshark Literary Review
No abstract provided.
Sidewalk Pheromones,
2026
University of Mississippi
Old Dogs,
2026
University of Mississippi
Disciple,
2026
University of Mississippi
To My Love,
2026
University of Mississippi
To My Love, Gabriel M. Navarro
Landshark Literary Review
It is a gothic romance about a person in the distant past that had nothing but his relationship with one person. He reflects on it and wishes to find a way to remember it.
This Anger Has No Home,
2026
University of Mississippi
This Anger Has No Home, Lamarcus M. Lenoir Jr.
Landshark Literary Review
This poem was written because of my frustrations with the media and how the Palestinian genocide is being portrayed. I wanted to combat the way people try to use religion to in a way justify these horrific acts.
Right Of Passage,
2026
University of Mississippi
Rub Your Eyes,
2026
University of Mississippi
Landshark Literary Review,
2026
University of Mississippi
Landshark Literary Review, Hanny Zermeno
Landshark Literary Review
The poems of this selection delve into the complexities of familial relationships as well as the internal battles of insecurities brought on by the complications of a lack of harmony and love primarily displayed in families. Other poems in this selection describe the love between two people and the physical and emotional effects of yearning and their human connections.
Freezer Bride,
2026
University of Mississippi
Sigma Tau Delta Fraternity-Theta Delta Chapter Dinner,
2026
University of North Alabama
Sigma Tau Delta Fraternity-Theta Delta Chapter Dinner, Florence State Teachers College
Documents
Sigma Tau Delta Fraternity -Theta Delta Chapter at Florence State Teachers College Dinner Program--April 29, 1950
*Theta Delta Chapter was organized in February 1936. *
The Survival,
2026
University of North Alabama
The Survival, Blue Pencil Club
Documents
The Survival Magazine-as stated at the beginning, "Into this magazine was to go something from the pen of each member-something of her own choice..."
Simulating Rewriting Style: Algorithmic Reproduction Of Camus’S Literary Voice In Machine-Generated Texts,
2026
University of Calabar- Faculty of Arts
Simulating Rewriting Style: Algorithmic Reproduction Of Camus’S Literary Voice In Machine-Generated Texts, Peter Akongfeh Agwu Ph.D
Department of French Studies Graduate Student Association Conference
Virtual Presentation
An Ascendant In Scorpio: Dark Tourism In The Kingdom Of Cambodia, A Travelogue,
2026
Edith Cowan University
An Ascendant In Scorpio: Dark Tourism In The Kingdom Of Cambodia, A Travelogue, Brenton Rossow
Research outputs 2022 to 2026
An eight-legged dark tourist with a freshly starched pith helmet, Sydney’s travels in Cambodia take him to the small town of Skuon, where people snack on fried tarantulas. The trip to Skuon, however, becomes more than just a tropical dark tourist tick box; instead, transforming into a sweaty pilgrimage into the crevices of Sydney’s ravaged psyche. During Syd’s journey, he must embrace his fears and ingest the beast within or forever wallow in the purgatory of his shadow self and its eternal torments. Caught in a web of vampiric arachnids, he must be careful not to become prey, tempted by …
Des Arbres Comme Des Lignes De Vie – Pascale Cassagnau Et Suhaib Gasmelbari En Conversation,
2026
Chercheuse et critique d’art
Des Arbres Comme Des Lignes De Vie – Pascale Cassagnau Et Suhaib Gasmelbari En Conversation, Pascale Cassagnau, Suhaib Gasmelbari
Regards
As part of a study day organized in September 2025 at the University of Grenoble Alpes in partnership with the Centre National des Arts Plastiques entitled “The Loss of Images: Research and Creative Narratives,” Pascale Cassagnau and Suhaib Gasmelbari discussed his film Talking about Trees (2019), focusing on the film’s sources and structure, the history of Sudanese cinema that it reveals within the film itself, and the metaphors of trees and plants as lifelines and living archives at a time when images have disappeared.
Résumé
Dans le cadre d’une journée d’études organisée en septembre 2025 à l’Université Grenoble Alpes en …
Introduction – Carnets Filmiques, Carnets Sonores : Des Essais Intimes Et Collectifs,
2026
Université de Poitiers
Introduction – Carnets Filmiques, Carnets Sonores : Des Essais Intimes Et Collectifs, Robert Bonamy, Aude Fourel, Eve Le Fessant Coussonneau
Regards
Le sens à attribuer à la notion de carnet filmique ou de carnet sonore suscite quelque indécision, en raison du caractère composite et mouvant des cas envisagés. L’enjeu principal ne paraît ainsi pas ici celui d’une définition serrée d’un objet, mais plutôt une attention accordée à des tentatives de réalisation. De surcroît, si la forme-carnet permet à peu près tout, elle n’interdit donc véritablement rien : l’esquisse, le brouillon, l’approximation, voire l’échec et l’interruption.
[...]
Du Journal De Deuil À L’Œuvre De Sépulture : « Lo » (Thanassis Vassiliou, 2021-2025),
2026
Université de Poitiers
Du Journal De Deuil À L’Œuvre De Sépulture : « Lo » (Thanassis Vassiliou, 2021-2025), Marie Martin
Regards
After his mother’s death in 2017, Thanassis Vassiliou returned to Greece and began filming. The instinctive act of recording aimed both to come to terms with the now definitive absence in places still filled with memories, and to document his own reactions, attempting to preserve them even if he could not fully understand them. These filmic notes could perhaps, later on, allow another perspective, according to the dynamic that Antoine Compagnon aptly analyzed as paradoxical in relation to Barthes’s Mourning Diary: “mourning and narrative are antinomic, but [...] only narrative [...] is capable of expressing the experience of mourning, …
« From Ground Zero » Et « Letters » : Carnets Polyphoniques En Quête D’Intersubjectivité,
2026
Université de Poitiers
« From Ground Zero » Et « Letters » : Carnets Polyphoniques En Quête D’Intersubjectivité, Eve Le Fessant Coussonneau
Regards
The two polyphonic films From Ground Zero (2025, produced by Rashid Masharawi) and Letters (2025, produced by Josef Khallouf) bring together, in response to the war in Gaza, unique short films, letters and chronicles that address collective questions. How do these films take charge of the urgent need to problematize, aesthetically and politically, the relationship between subjectivity and the collective? From the Palestinian enclave or neighboring Lebanon, they seek irreducible singularities and intersubjective connections in the face of the horror of genocide. Caught in a complex combination of places and times, their address to our spectatorial gaze thus reveals the …
Le Vent Du Sud, « La Nuit Et L’Enfant » – Récit D’Une Vidéo-Correspondance Avec Zoheir Mefti,
2026
Université Grenoble Alpes
Le Vent Du Sud, « La Nuit Et L’Enfant » – Récit D’Une Vidéo-Correspondance Avec Zoheir Mefti, David Yon
Regards
Entre 2011 et 2012, Zoheir Mefti et David Yon ont entretenu une correspondance autour de la réalisation filmique. A travers leurs échanges, ils questionnent la nécessité de l’image. Zoheir Mefti travaille un geste filmique de l’urgence, tandis que David Yon prépare un film en Algérie dans un temps plus long. Après les mots, ils partagent des images et des sons, tels des carnets filmiques, dans lesquels ils donnent leurs positions et interrogent les liens entre la vie et le cinéma.
