Comparative Literature Commons^™

Darling: An Adaptation Of "The Yellow Wallpaper", Dawniqueca A.L. Steele

FUSION

Based on Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the following story depicts the vacation of a young woman and her fiancé to an isolated mountain cabin. Similar to the original text, the woman gains a fixation on a specifically colored item, this being the white snow outside. The intentions of this story were to depict how misogyny and female insanity have both evolved and remained stagnant throughout time. Even though the original text featured traditional concepts of misogyny while the following focuses on modern forms, the two show the same maddening fear of a woman in the presence of inequality. …

Mother And Son, By F Odun Balogen, A Brief Analysis Through The Lens Of New Historicism, Mattie L. Frascella

FUSION

This article employs New Historicism to analyze F. Odun Balogun's short story "Mother and Son," exploring its reflection of social, political, and cultural dynamics. By examining the story through a New Historicism lens, this analysis sheds light on the complexities of navigating a rapidly changing society while acknowledging the enduring racial barriers faced by the narrator.

The essay was created in response to an assignment prompt that asked students to choose a literary theory and apply it to a story in order to argue for the story's meaning.

Protection Against Ruin: The Reality Of Judgment, Sarah B. Brooks

FUSION

This essay analyzes the works of Chekhov and Eliot in depicting the prevention of ruin in strict societies. Whether they deserve it or not, characters may face personal or societal ruin. With this understanding, this essay inspects the lives of three characters and how their decisions impact their role in society. Additionally, this essay allows readers to form their own opinions on the actions of each of the characters from Chekhov and Eliot's works. By analyzing the ideas of judgment, morality, and the merit of societal standards, this essay discusses pieces that took place in the past, but messages that …

Political Symbolism In Literature: Themes Of Colonialism, Corruption, And Greed, Ava E. Briglevich

FUSION

This Final Essay for World Literature Section 008 compares the texts “In the Penal Colony” by Franz Kafka and “Death Constant Beyond Love” by Gabriel Garcia-Marquez while analyzing themes of colonialism, corruption, and greed. Both authors are recognized for producing works rich with political and social commentary, and reading these stories allows one to gain new perspectives on these themes. In this essay, I share insight into the events that occurred during the stories' creation that contribute to the overall themes. Additionally, I connect these themes to modern events to demonstrate how the ideas put forth by Kafka and Garcia-Marquez …

2024 Conference Program, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

2024 Conference Program

Traduttore, Traditore: A Comparative Translation Activity, Katherine Tilghman

Generative AI Teaching Activities

Students will translate a paragraph-long passage, then ask ChatGPT to translate the same passage. Students will then compare and evaluate the two translations.

Saamaka: Protest Mapping And Ecology In Suriname, Giovanna Montenegro

Comparative Literature Faculty and Student Scholarship

The Saamaka, one of Suriname’s six Afro-descendant maroon groups, have lived in the rainforest since they escaped slavery in the colonial era, adapting Indigenous foods and materials to survive in a new environment. In 1762 the Dutch signed a treaty that recognized Saamaka freedom and autonomy one hundred years before the abolition of slavery. However, the Saamaka have struggled against persistent attempts at ecocide by the Dutch colonial government and then, since independence, by the Surinamese state. This article highlights the plight of tribal and Indigenous groups in Suriname, especially the Saamaka, who have protested against logging and mining by …

Plath Fostered It, Women Are Nurturing It: Cycles Of Existential And Confessional Women's Writing In The Mid-20th Century And Beyond, Sophie Elisabeth Conrad

Senior Theses

During the mid-20th century, a wide-ranging yet topically focused genre of women’s writing began to emerge in earnest, currently categorized as existential and confessional. Works like Simone de Beauvoir’s The Second Sex (1949) and Betty Friedan’s The Feminine Mystique (1963) offer explanations of why an ineffable feeling of malaise permeated the lives of 20th-century women and led them to adopt these methods of writing and thinking. However, existential feelings akin to that of the 20th-century female malaise have returned to stake their claim on the minds of 21st-century women, evidenced in popular contemporary works such as Otessa Moshfegh’s My Year …

Paul Celan And The Processes Of Survival In Post-Shoah Jewish Writing, Ari Savage

Theses

The following is a study of the poetry of Paul Celan as a representation of psychological and social processes present in the written works of Shoah survivors. It begins with an analysis of the place of writing in Jewish culture, then identifies three primary processes which operate in sequence: alienation, individuation, and integration. By examining Paul Celan’s highly personal and autobiographical texts in the context of his life experience as a Shoah survivor it is possible to discern the social and psychological forces at work which compel survivors to express their traumas in written form, and to gain a better …

Mending Wounds: A Reparative Feminist Analysis Of The Japanese Film Series Guinea Pig, Mikayla Walker

Comparative Literature M.A. Essays

Guinea Pig (ギニーピッグ) is an anthology series of six body horror films created and released in Japan from 1985 to 1990, all connected by a common theme of bodily experimentation and destruction. The series has maintained a controversial legacy due to its portrayal of intense misogynistic violence. However, upon closer examination, the films reveal subtle moments of patriarchal critique when viewed as a cohesive unit. Using Cynthia Freeland’s framework for creating feminist readings of horror films and Eve Sedgwick’s concept of reparative reading, this research aims to highlight those moments of subversion in order to create a more progressive feminist …

“Dito Lang Kami Sa Aming Bahay”: Kapangyarihan At Kalusugan Sa Mga Piling Aklat Pambatang Filipino Tungkol Sa Pandemyang Covid-19 (2020-2021) (“We Will Just Stay At Home”: Power Relations And Health System In Selected Filipino Children’S Books About Covid-19 Pandemic [2020-2021]), Jose Monfred C. Sy

Akda: The Asian Journal of Literature, Culture, Performance

Sa gitna ng pandemyang COVID-19 na sumiklab noong Marso 2020, umusbong ang maraming aklat pambatang may layuning ituro sa mambabasa kung paano umiwas sa sakit at umangkop sa mga pagbabago sa pang-araw-araw na buhay buhat ng tinatawag na “new normal.” Malaki ang papel ng pagbabasa sa pag-unlad ng mga batang Pilipino na nawalan ng pagkakataong masosyalisa kasama ng kapwa bata sa mga espasyo tulad ng paaralan at palaruan. Layunin ng papel na ito na suriin kung paano inilalarawan ng mga aklat pambatang Filipino ang mga bata sa konteksto ng pandemya. Kung kinikilala ng lipunan ang pangangailangan na limitahan ang mobilidad …

The Impact Of The Gut-Brain Axis On Alzheimer’S Disease, Elissa Wakim

Best Integrated Writing

Elissa’s review for the Graduate Biomedical Review focuses on the links between the gastrointestinal tract and the brain; the gut-brain axis and the development of Alzheimer’s disease. As a student in the Microbiology and Immunology Masters Program Elissa was particularly interested in the gut microbiota and their connection to neurodegenerative disease. She tidily reviewed the literature and wrote a fascinating and compelling piece of work.

Best Integrated Writing Spring 2024 - Complete Edition, Wright State University School Of Humanities And Cultural Studies, Kristie Mckiernan, Tracy Smith

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. This is the first issue after a 5 year hiatus.

Western Theory’S Chinese Transformation: Postscript, Liu Kang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Out Of The Myths Of “Revolutionary China”: Liu Kang Versus Žižek & Badiou, Liu Xin

CLCWeb: Comparative Literature and Culture

The highlight of the 2011 special issue of Positions on Slavoj Žižek is the debate between Liu Kang and Žižek on “Revolutionary China.” It unpacks the Western left’s political unconsciousness and myths about China in several respects. First, revolution is not a parody-travesty of the “tradition” that Žižek concocts from romanticized fantasies of a “retrospective tradition” drawn from Jorge Luis Borges and T. S. Eliot. Second, revolution is not Alain Badiou’s “truth event,” which tends to reduce the Chinese Cultural Revolution to an abstract “event” in process, neglecting the real calamities of the so-called utopian experiment. Third, the key problematic …

Two Imagined Chinas In Tel Quel, Wang Yichen

CLCWeb: Comparative Literature and Culture

From the mid-1960s, the literary review Tel Quel shifted its anti-traditional and avant-garde stance in arts and literature toward politics within the radical political context in France. Its editor Philippe Sollers initiated a “political turn,” marked by its transformation from its “structuralist period” to its “China period.” Its “China period” inadvertently created a “textual spectacle” of two imagined Chinas: first, a poetic, static “ancient China” represented by Daoism (Taoism), Chinese ideograms, and classical Chinese art and poetry; and second, a revolutionary, subversive “modern China” represented by Maoism along with Lu Xun and other left-wing writers. Taking appropriation, rather than misreading, …

Deleuze’S Challenge To Hegel’S Aesthetics—Chinese Aesthetics In The Confrontation Between German Classical Aesthetics And Postmodernism, Wu Yuyu

CLCWeb: Comparative Literature and Culture

German classical aesthetics, featuring a systematic analysis of concepts and theories, plays a fundamental role in the founding of Chinese modern aesthetics. From the 1980s, when the spread of Western theories began to flourish, Chinese scholars assimilated deconstructionist thought (for example, that of Deleuze) and started to reflect on German classical aesthetics as represented by Kant and Hegel. Chinese aesthetics presents various characteristics in the confrontation between German classical aesthetics and French deconstructionist thought. From the perspective of German classical aesthetics, China has no philosophy, tragedy, or system. The Chinese culture became a thinking resource for criticizing essentialism and dualism …

French Left-Wing Literary Theory And Mao Zedong Thought, Han Zhenjiang, Zhang Yuling

CLCWeb: Comparative Literature and Culture

French left-wing literary theories have continued to accept and interpret Mao Zedong’s thought (including his theories on literature and art) from the 1960s to today. This intellectual communication enabled the formation of Louis Althusser’s structural Marxism and contemporary left-wing literary theory. Mao’s theory of contradiction and his thoughts on reliance on the popular masses, aesthetics and politics, and people’s literature and art are the major intellectual resources for Louis Althusser’s, Alain Badiou’s, and Slavoj Žižek’s theories and are fully integrated into their theoretical system and critical practice. Althusser, Badiou, and Žižek innovated materialistic dialectics on the basis of Mao’s theory …

“China Form” And The Question Of The Frankfurt School, Duan Jifang

CLCWeb: Comparative Literature and Culture

Theories of the Frankfurt School were introduced into aesthetics studies in China at the end of the 1970s. After more than 40 years of theoretical journey, the ideas of the Frankfurt School have undergone a process from “criticism/query/opposition” to “recognition/acceptance/approval,” and have also substantially completed “theoretical linkage” with Chinese aesthetics. As a Western discourse, the theories of the Frankfurt School, like other theories, are faced with scrutinization in the Chinese context. China’s acceptance of the School plays an objective role in promoting the transformation of its contemporary aesthetic discourse, making contemporary aesthetic research in China more obvious in its problem …

Knowledge Production In The Theory Of Literature And Art In Contemporary China: From A Generations Perspective, Tao Dongfeng, Zhang Chun

CLCWeb: Comparative Literature and Culture

In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound differences in life experiences, educational background, intellectual structures, cultural stances, and literary perspectives significantly affect their knowledge production in Chinese literary theory. This article attempts to use Karl Mannheim’s …