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Pedagogical Escapism And Western Performativity: A Psycho-Aesthetic Critique Of Belly-Dance Adaption Symbolics, Maryam Farahani 2025 University of Liverpool

Pedagogical Escapism And Western Performativity: A Psycho-Aesthetic Critique Of Belly-Dance Adaption Symbolics, Maryam Farahani

Comparative Woman

This paper addresses positionality misreading in Western pedagogical adaptions of belly dancing. Raqs Sharqi, known in the West as belly dancing, is a predominantly West Asian and North African discipline and performance art with multimodal varieties, globally taught and practiced while crossing sport, narratology, and story-telling boundaries. As a unique performance activity, it portrays a dynamic entertainment space to connect one’s multiple identities. I argue that Raqs Sharqi, not only as an aesthetic-educational art form but also, perhaps unwittingly, reiterated as an Orientalist communication trope in belly dancing, has forged East-West performativity models. However, the historical education-literature for Western women …


A Defense Of Judgment By Michael W. Clune. London & Chicago: The University Of Chicago Press, 2021. Isbn-13: 978- 0- 226- 77029- 1, Tajudeen Salaudeen 2025 Louisiana State University at Baton Rouge

A Defense Of Judgment By Michael W. Clune. London & Chicago: The University Of Chicago Press, 2021. Isbn-13: 978- 0- 226- 77029- 1, Tajudeen Salaudeen

Comparative Woman

No abstract provided.


From Sensibility To Critical Engagement: Sympathy, Animality, And Subjecthood In Wollstonecraft’S Maria And Vindication, Yingnan Shang 2025 University of Cambridge

From Sensibility To Critical Engagement: Sympathy, Animality, And Subjecthood In Wollstonecraft’S Maria And Vindication, Yingnan Shang

Comparative Woman

This paper examines Mary Wollstonecraft’s strategic use of sentimental animal tropes alongside rationalist critique in Maria, or The Wrongs of Woman (1798) and A Vindication of the Rights of Woman (1792), arguing that she mobilizes sensibility not as an end in itself, but as a pedagogical instrument within a broader project of aesthetic education—one intended to move readers from affective sympathy toward political and philosophical judgment. Focusing in particular on animal metaphors—especially in the character of Jemima, who repeatedly figures herself as a domesticated and brutalized creature—I trace how Wollstonecraft employs tropes of animality to illuminate the processes by which …


Beyond The Madrasah: Digital Pedagogies And Nigerian Yoruba Muslim Women's Engagement With Islamic Knowledge, AbdulGafar Olawale Fahm 2025 University of Ilorin, Ilorin

Beyond The Madrasah: Digital Pedagogies And Nigerian Yoruba Muslim Women's Engagement With Islamic Knowledge, Abdulgafar Olawale Fahm

Comparative Woman

This paper explores how digital pedagogies are reshaping the landscape of Islamic education among Nigerian Muslim women, with a primary focus on Yoruba communities in Southern Nigeria. Historically, Islamic learning in Nigeria has been rooted in traditional institutions, notably the madrasa, characterized by face-to-face instruction and rigid gender norms. However, the proliferation of digital technologies - particularly online madrasas, WhatsApp study groups, Zoom-based Qur’anic classes, and Islamic mobile applications - has significantly altered women’s access to religious knowledge. Utilizing ethnographic evidence and qualitative interviews, this interdisciplinary study examines how digital platforms enhance accessibility, overcome sociocultural barriers, and enable Nigerian Yoruba …


Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray 2025 Sokoine University of Agriculture

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …


Introduction – Musiques Au Proche-Orient Après Le Tournant Numérique, Amr Abdelrahim, Thomas Michel, Nicolas Puig 2025 Sciences Po – CERI

Introduction – Musiques Au Proche-Orient Après Le Tournant Numérique, Amr Abdelrahim, Thomas Michel, Nicolas Puig

Regards

Le développement des pratiques du do it yourself, l’avènement des home studios et la multiplication des circulations sonores (samples, échantillons sonores, etc.) grâce aux supports numériques et aux plateformes d’écoute ont modifié en profondeur la production musicale au Machreq. Cette introduction dresse le tableau des études produites sur la musique au Proche-Orient depuis l’avènement du numérique au début des années 2000 ; elle passe en revue les différents paradigmes mobilisés et propose une approche centrée notamment sur les Science and Technology Studies pour comprendre le sens des évolutions en cours.
Elle décrit ensuite les différentes contributions qui alimentent ce …


Liminality And Monopoly: Contextualizing The Transformations Within The Egyptian Digital Music Scene After 2013, Fayrouz Karawya 2025 American University in Cairo

Liminality And Monopoly: Contextualizing The Transformations Within The Egyptian Digital Music Scene After 2013, Fayrouz Karawya

Regards

The echoes of the political upheavals, notably in Egypt post-2011 and elsewhere in the Arab world, have produced a supra-monopolistic structure of music production systems and streaming platforms, reflecting post-revolutionary political strategies amid autocratic restoration across the region. While the digital age initially offered greater freedom and creativity to a rising “mediated dissidence class” and countercultural music currents, post-2013 strategies increasingly instrumentalized digital platforms to impose authoritarian control and restrict musical expression. In parallel, social media platforms, which have become crucial for musical mediation, promotion, and marketing, have mirrored broader social and political polarizations that emerged in the post-2013 period. …


Le Stade Rotana De La Pop Arabe, Pierre France 2025 Aix-Marseille Université

Le Stade Rotana De La Pop Arabe, Pierre France

Regards

Rotana, owned by Saudi prince Al-Waleed bin Talal, has been a central and ambiguous player in the Arab music industry since the 1980s, yet its history remains fragmentary and elusive. More than a simple record label with a defined sound and aesthetic, it stands as an audiovisual group embedded within a large holding company linked to Gulf-style capitalism. Rotana has established a lasting model where music operates in close connection — or dependency, from a more critical perspective — with other economic sectors, shaping both artists’ career paths (conceived as buy/sell transactions and transfer markets) and how songs are produced. …


Contentious Culture: The Convergence And Contestation Of Class And Identity In Egypt’S Mahraganat Scene, Elisa Schouten 2025 University of Amsterdam

Contentious Culture: The Convergence And Contestation Of Class And Identity In Egypt’S Mahraganat Scene, Elisa Schouten

Regards

Since its inception in the early 2000s, Mahraganat music has undermined traditional cultural gatekeeping and reshaped Egypt’s music scene, becoming one of the country’s most debated music genres in recent history. This paper aims to examine Mahraganat within the broader context of cultural identity formation and technological developments and contextualize the criticism of the genre and its makers. Building on research conducted in Egypt’s capital between 2019 and 2024, this paper explores the history of cultural gatekeeping and argues that social class lies at the core of the heated debate surrounding Egyptian music and Mahraganat in particular. It shows that …


Brehony Louis, "Palestinian Music In Exile: Voices Of Resistance", Le Caire, Auc Press, 2023 – El Rashidi Yasmine, "Laughter In The Dark: Egypt To The Tune Of Change", New York, Columbia Global Reports, 2023., Amr Abdelrahim 2025 Sciences Po Paris

Brehony Louis, "Palestinian Music In Exile: Voices Of Resistance", Le Caire, Auc Press, 2023 – El Rashidi Yasmine, "Laughter In The Dark: Egypt To The Tune Of Change", New York, Columbia Global Reports, 2023., Amr Abdelrahim

Regards

The contributions of this special issue demonstrate a renewed scholarly interest in popular music in the Middle East in recent years. In the face of resilient Arab authoritarianism and the continuing ethnic cleansing of the Palestinians, it is not surprising that many scholars seek to identify a glimmer of hope in the everyday cultural practices of the dominated. The two volumes under consideration are representative of this scholarly impetus, as well as the challenges it must overcome to attain a better understanding of “music in everyday life”: namely articulating art and politics without collapsing one into the other, and resisting …


The Independent Music Scene In The Levant Between 2003 And 2023: Do-It-Yourself With The Support Of Arts And Culture Organizations, Areej Abou Harb 2025 Université Lumière – Lyon 2

The Independent Music Scene In The Levant Between 2003 And 2023: Do-It-Yourself With The Support Of Arts And Culture Organizations, Areej Abou Harb

Regards

The beginning of the 21st century witnessed the rise of the internet and mobile technologies, as well as the expansion of the digital sphere and the emergence of the Do-It-Yourself music. Simultaneously, it experiences significant changes that reshaped the arts and cultural scene in general, and the music production in particular across the Levant. This period marked the institutionalization of arts and culture production and diffusion. It saw the formation of “intermediate” pan-Arab and regional organizations such as Culture Resource (Al-Mawred Al-Thaqafy) and AFAC (The Arab Fund for Arts and Culture), as well as the establishment of small record labels, …


Sonic Acts Of Care: Friendship-Based Networks And Grassroots Activism In Beirut, Rim J. Irscheid 2025 Department of Music, King’s College London

Sonic Acts Of Care: Friendship-Based Networks And Grassroots Activism In Beirut, Rim J. Irscheid

Regards

The article examines a Beirut-based network of self-funded, independent musicians that translate memories and their emotions into artistic and activist practices. Drawing on musical albums created since the 2020 Beirut port explosion, the article explores the social and emotional impact of artist-run spaces for music production. Focusing on a friendship-based network around the collectively-run recording studio Tunefork Studios, it examines how care, trust, and solidarity with Lebanon’s citizens and music producers are translated into both their creative practices and their production and distribution strategies. I argue that Beirut-based musicians increasingly thematise the emotional toll and personal investment in political, infrastructural …


Promouvoir Son Image Et « Se Faire Un Nom » Dans La Scène Rap Proche-Orientale : L’Exemple De Soundcloud, Thomas Michel 2025 Université Paris Cité

Promouvoir Son Image Et « Se Faire Un Nom » Dans La Scène Rap Proche-Orientale : L’Exemple De Soundcloud, Thomas Michel

Regards

This article examines the role of the SoundCloud platform in building careers for independent rappers and producers in the Middle East, particularly in Jordan and Palestine. Based on an ethnographic survey conducted between Amman and Jerusalem, the author analyses how artists use this platform to make themselves known, distribute their music, and navigate a digitized musical ecosystem. The study draws on Popular Music Studies and studies of digital platforms to examine three main areas.
The first concerns visibility, through the recommendation tools and playlists offered by SoundCloud, which provide local and international exposure. The second looks at the forms of …


The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu 2025 Theoretical Studies in Literature and Art

The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu

Theoretical Studies in Literature and Art

No abstract provided.


Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang 2025 Theoretical Studies in Literature and Art

Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang

Theoretical Studies in Literature and Art

In God, Justice, Love, Beauty, Jean-Luc Nancy thoroughly elucidates his perspectives on beauty, extending beyond the confines of conventional epistemological aesthetics by introducing deconstructionism to the discourses on aesthetic issues. Specifically, Nancy reinterprets the legend of Narcissus, positioning its theme as the movement of beauty's self differentialspacing, and unveiling the différance inherent in beauty. However, as a generalized spacing movement, différance cannot highlight the singularity of beauty. Consequently, through an analysis of douard Manet's painting Reading, Nancy contends that beauty, as a motion of meaning that transcends signification, can only be represented as being of near-nothingness, that is, as a …


Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue, Lijun Su 2025 Theoretical Studies in Literature and Art

Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue, Lijun Su

Theoretical Studies in Literature and Art

With a special nested structure, Rita Felski follows and finalizes Rem Koolhaas and Bruno Latour's manifesto of “Context Stinks!” The three theorists of different disciplines such as architecture, sociology and literature take context as a conservative proposition. In response to the contextualist paradigm that is threatened by self-limitation, self-exclusion and generalization, Koolhaas creates space for innovation through the strategy of “bigness”, while Latour questions the theory of social entities, introducing non-human actors into a new coordinate system. Based on them, Felski tries to remold the future of literature within the framework of actor-network theory, in order to forestall text from …


Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang 2025 Theoretical Studies in Literature and Art

Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang

Theoretical Studies in Literature and Art

The discussion on the nature of the affective in phenomenology can be traced back to the debate on the universality of the aesthetic affective in modern epistemological aesthetics. Dufrenne interpreted it from the perspective of genetic phenomenology and identified it as a problem of “affective a priori.” The “affective” is an object of feeling triggered by the work and constituted by the subject; and “a priori” is a means of preforming the object within the subject. As the constituent structure of the object, the affective a priori indicates the unity of the objective cosmological a priori and …


Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe, Jinlong Xiao 2025 Theoretical Studies in Literature and Art

Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe, Jinlong Xiao

Theoretical Studies in Literature and Art

The 20th century has witnessed an unprecedented exploration and development of the concept of human essence in the Western theoretical community. In the early 20th century, Heidegger proposed that human essence was existence. Later, Foucault argued that human essence was power. By the end of the 20th century, Derrida clearly pointed out that human essence was neither pure existence as advocated by the existentialists, nor pure power, as claimed by the power theorists. Instead, it is something between existence and power: the “powerization” of existence, which Derrida termed “sovereignty.” The operating rhythm of sovereignty involves the autonomy of automation, specifically …


Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics, Lei Li 2025 Theoretical Studies in Literature and Art

Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics, Lei Li

Theoretical Studies in Literature and Art

Drawing from the traditional binary thinking of subject-object division and confrontation, the modern interpretation of “artistic appeal and rhythmic vitality” since the twentieth century considers it either as an aesthetic feature or the overall spirit of the artwork, or as the painter's inner harmony and resonance, failing to fully realize that the ideal effect of “artistic appeal and rhythmic vitality” can only be generated by the two-way communication and resonance between the creator and the object. In the light of the aesthetics of atmosphere, “artistic appeal” is a special category or an advanced state of atmosphere that arises from the …


A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry, Zhao Zhang 2025 Theoretical Studies in Literature and Art

A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry, Zhao Zhang

Theoretical Studies in Literature and Art

Since the Song dynasty, the touchun pattern has referred to the five-character metrical poetry in which the antithesis is used in the first couplet rather than the second; the fengyao pattern has referred to those in which the antithesis is only used in the third couplet. These two patterns began to flourish in the works of Shen Quanqi and Song Zhiwen. During the High Tang dynasty, they were equated in number with the standard format of metrical poetry. It was not until the Dali era that they were finally confirmed as variant formats of five-character metrical poetry. This trend of …


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