The Ship Of Fools: Hieronymus Bosch In Response To Sebastian Brant,
2020
University of Chicago
The Ship Of Fools: Hieronymus Bosch In Response To Sebastian Brant, Ella Parker
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
“If I Cannot Inspire Love, I Will Cause Fear”: Reading The Creature’S Development Through Godwin’S Educational Theory In Mary Shelley’S Frankenstein,
2020
California State University, Sacramento
“If I Cannot Inspire Love, I Will Cause Fear”: Reading The Creature’S Development Through Godwin’S Educational Theory In Mary Shelley’S Frankenstein, Mikaela Huang
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Roald Dahl And The Construction Of Childhood: Writing The Child As Other,
2020
Messiah College
Roald Dahl And The Construction Of Childhood: Writing The Child As Other, Madeline Spivey
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Portraiture And The Convergence Of Social Classes In Bleak House,
2020
Trinity Western University (Canada)
Portraiture And The Convergence Of Social Classes In Bleak House, Heather Twele
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Losing The West: A Critical Analysis Of Crane’S “The Bride Comes To Yellow Sky",
2020
University of South Carolina, Columbia
Losing The West: A Critical Analysis Of Crane’S “The Bride Comes To Yellow Sky", Kaylee Weatherspoon
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Back Matter,
2020
USC Aiken
Back Matter, Douglas Higbee
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 22, 2020,
2020
USC Aiken
The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 22, 2020, Douglas Higbee
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Cite-Seeing: Parody, Narrative Desire, And Enchanted Castles In Orlando Furioso And Don Quijote,
2020
Dartmouth College
Cite-Seeing: Parody, Narrative Desire, And Enchanted Castles In Orlando Furioso And Don Quijote, Diego Fleitas
Comparative Literature M.A. Essays
No abstract provided.
Goblin Market : Visuality, Adaptations, And The Price Of Transformation,
2020
Dartmouth College
Goblin Market : Visuality, Adaptations, And The Price Of Transformation, Michaela Jordan
Comparative Literature M.A. Essays
No abstract provided.
Milton, Racine And The Turn Towards Biblical Tragedy: Thinking History In Athalie And Samson,
2020
Dartmouth College
Milton, Racine And The Turn Towards Biblical Tragedy: Thinking History In Athalie And Samson, Michel Klante
Comparative Literature M.A. Essays
No abstract provided.
Humayun Ahmed And Archival Hauntings: The Subaltern Experience Of The 1971 Liberation War Of Bangladesh As Portrayed In Debi,
2020
CUNY City College
Humayun Ahmed And Archival Hauntings: The Subaltern Experience Of The 1971 Liberation War Of Bangladesh As Portrayed In Debi, Nilima Islam
Dissertations and Theses
In this paper, I argue how Humayun Ahmed's Debi offers insight into the function that archives play in creating radical nationalism in a country like Bangladesh; how these archives work to consolidate political power for a select few, and how they further subjugate and silence the country’s subalterns.
Blurring The Gender Lines: Margaret Of Anjou's Use Of Gender As Power In Shakespeare’S First Tetralogy,
2020
CUNY City College
Blurring The Gender Lines: Margaret Of Anjou's Use Of Gender As Power In Shakespeare’S First Tetralogy, Blythe Abramowitz
Dissertations and Theses
Queen Margaret of Anjou is a uniquely placed character in Shakespeare’s tetralogy beginning with I Henry VI. Margaret is the only female character to be featured in and survive all four plays. From her entrance in I Henry VI, she is a force to be reckoned with; she uses her femininity as a weapon, and as the Henry VI plays continue, her power grows. Her feminine prowess is demonstrated in several ways including her use of her beauty as well as her enchantment of both Suffolk and Henry. She continues to use her femininity to her advantage, and, as …
St. Roch Military Marches In Wallonia: Memory, Commemoration, And Identity, 1866-1940,
2020
Boise State University
St. Roch Military Marches In Wallonia: Memory, Commemoration, And Identity, 1866-1940, Erik Hadley
Quidditas
Ritualized public processionals known as military saint marches thrive in popular memory and define local identity in Francophone Belgium (Wallonia). The annual processionals involve thousands of marchers dressed in Napoleonic-era military uniforms, carrying authentic muskets and escorting a statue of St. Roch, the patron saint of disease protection. Many of these marchers trace family participation through multiple generations and two St. Roch marches received UNESCO recognition as examples of “Intangible Cultural Heritage of Humanity” in 2012. While participants claim there is no historical rupture between the modern marches and the processionals celebrated prior to the French Revolution, there is a …
Full Issue,
2020
Brigham Young University
“That Kingdom Is Mine”: On Spain’S Early Modern Polemics Of Possession Over Jerusalem, Circa 1605,
2020
University of Denver
“That Kingdom Is Mine”: On Spain’S Early Modern Polemics Of Possession Over Jerusalem, Circa 1605, Chad Leahy
Quidditas
Spanish claims to the throne of Jerusalem in the early modern period have often been viewed in light either of royal mythologies connecting the Habsburgh monarchy to the biblical kings David and Solomon or to prophetic discourses of imperial Messianism relating to universal monarchy. This paper broadens our understanding of Spanish claims to Jerusalem through close reading of two archival documents produced in 1605. In defending Spanish preeminence and sovereignty in Jerusalem, I argue that these documents participate in a “polemics of possession” that crucially informed cultural production related to the Holy City in the period more broadly. These documents …
Allusive Fontaines, Sicamors, And Pins: Figurative Prophecies Of Grail Piety In The Prose Lancelot,
2020
Stockton University
Allusive Fontaines, Sicamors, And Pins: Figurative Prophecies Of Grail Piety In The Prose Lancelot, David S. King
Quidditas
At the conclusion of Chrétien de Troyes’s twelfth-century verse Chevalier de la charrete, a spring and sycamore allude to concupiscence and betrayal in Scripture, evoking the hero’s and the queen’s adulterous liaison. The author of the thirteenth-century French Prose Lancelot translates this allusion from a moment of joy for the queen to one of terror, foreshadowing a change in fortune for the hero and his prowess. Every subsequent adventure where the hero encounters a spring and sycamore points to his love for the queen as a source of corruption. Springs shaded by a pine tree hint at the sanctity of …
The Vanishing Lady: Mélusine, Emblems, And Jacques Yver’S Le Printemps D’Yver (1572),
2020
Independent Scholar
The Vanishing Lady: Mélusine, Emblems, And Jacques Yver’S Le Printemps D’Yver (1572), Joshua M. Blaylock
Quidditas
In the opening pages of Le Printemps d’Yver (1572), the narrator evokes Mélusine, the cursed half-snake fairy queen, as the architect of the idyllic castle that serves as the locus amoenus of the novella collection. And yet, as suddenly as she appears, Mélusine vanishes from the text with only one other explicit reference to her at the transition point between the third and fourth novellas. While literary scholars have analyzed the two explicit references to Mélusine in Le Printemps as well as Yver’s emblematic prose, none has systematically explored the possibility that her presence pervades the novella collection in ways …
Life Narratives As Technologies Of Self: Explorations Of Agency In A Son Of The Forest And The Autobiography Of Malcolm X,
2020
University of Central Florida
Life Narratives As Technologies Of Self: Explorations Of Agency In A Son Of The Forest And The Autobiography Of Malcolm X, Tiffanie Kelley
Electronic Theses and Dissertations, 2020-2023
In A Son of the Forest (1829) and The Autobiography of Malcolm X (1965), the narrators describe their most formative experiences in relation to addiction and their respective religions. Though these narratives emerged at different periods (almost a century apart) in North American history, there are considerable similarities between them. As William Apess describes his struggle with alcoholism, he also appropriates both the language of popular literature and print culture in the Methodist movement, and in turn criticizes the white supremacist ideals ingrained in early American culture. Similarly, Malcolm X details his experience with substance abuse while criticizing white supremacist …
Reflections Of An Impossible Ideal: Passion As The Will To Downfall In Madame Bovary,
2020
Humboldt State University
Reflections Of An Impossible Ideal: Passion As The Will To Downfall In Madame Bovary, Christopher Ramponi
Cal Poly Humboldt theses and projects
Broadly speaking, this thesis is an examination of passionate love: its qualities, its presentation, the ends to which it is employed, its paradoxical nature, and set of beliefs surrounding it—in short, the impossibility of it all. More narrowly, this thesis argues that in Madame Bovary, Flaubert attaches a specifically twelfth-century understanding of passion to Emma Bovary, one that is at the heart of troubadour lyric poetry. What is more, I argue that Emma finds in this vision of love, whose structure is built upon a Neoplatonist dialectic and expressed through a paradoxical antithesis, an Ideal—an ideal world, life, and …
Colonial Patronage: Evolutions In The Critique Of Sartre’S “Orphée Noir”,
2020
SIT Study Abroad
Colonial Patronage: Evolutions In The Critique Of Sartre’S “Orphée Noir”, Gus Huiskamp
Independent Study Project (ISP) Collection
One of the most interesting and controversial episodes in the history of the Négritude literary and philosophical movement came when two white, French authors prefaced the texts of two of the movement’s most significant authors. Jean-Paul Sartre’s “Orphée noir” is one of these texts in question, and it served as the preface for Léopold Sédar Senghor’s Anthologie de le nouvelle poésie nègre et malgache de langue française. In one sense, one might characterize Sartre as a friend to the Négritude movement, exposing it to the francophone mainstream and thereby helping it gain traction in Western academia. Viewed a different way, …
