Review Of "Aristophanes: Sex Und Spott Und Politik" By N. Holzberg,
2012
Swarthmore College
Review Of "Aristophanes: Sex Und Spott Und Politik" By N. Holzberg, Jeremy B. Lefkowitz
Classics Faculty Works
No abstract provided.
Cassius Dio's Agrippa-Maecenas Debate: An Operational Code Analysis,
2012
Connecticut College
Cassius Dio's Agrippa-Maecenas Debate: An Operational Code Analysis, Eric Adler
Classics Faculty Publications
This article discusses Cassius Dio's political thought in his Agrippa-Maecenas debate (52.2-40) through the use of a form of content analysis developed by political scientists called "operational code analysis." It offers a description of operational code analysis, which demonstrates the value of this method to the debate. It then presents an examination of Dio's operational code, from which one can glean his philosophical and instrumental views on politics. It argues, inter alia, that the Agrippa address is based on the same epistemological foundations as the Maecenean corollary. Further, the article stresses that the Agrippa oration remains consistent with views Dio …
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr,
2012
Fordham University
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
Articles and Chapters in Academic Book Collections
This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr,
2012
Fordham University
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
Working Papers
No abstract provided.
Changing Public Policy And The Evolution Of Roman Civil And Criminal Law On Gambling,
2012
University of Nevada, Las Vegas -- William S. Boyd School of Law
Changing Public Policy And The Evolution Of Roman Civil And Criminal Law On Gambling, Suzanne B. Faris
UNLV Gaming Law Journal
In Ancient Rome, gambling, at least in the form of dice games, was generally considered a vice, yet the only known criminal statutes prohibiting it were only sporadically and selectively enforced. Otherwise, aside from a legal prohibition on the enforceability of gambling debts and some limited private rights of action, the Roman state as a whole displayed what can only be described as a “laissez faire” policy toward all forms of gambling. What we would now call “sports betting” was exempted from the statutory prohibition altogether. This remained the case well into the Christian period, when a general crackdown might …
Exonerating Manuel I Komnenos: Byzantine Foreign Policy (1143-1180),
2012
Georgia Southern University
Exonerating Manuel I Komnenos: Byzantine Foreign Policy (1143-1180), Darryl Keith Gentry Ii
College of Graduate Studies: Theses & Dissertations
Manuel I of Byzantium (1143-80) has been unfairly judged as misguided, reckless, and, ultimately, as a failure. This work endeavors to refute the claims that Manuel's imperial policy lacked any coherent strategy, and that Byzantium simply reacted to external stimuli. The most ambitious aim of this thesis is to present a cogent analysis of Manuel's imperial policy to demonstrate the emperor's efficacy and strategic flexibility. The perception, generally accepted by historians, that Manuel left his empire exhausted and vulnerable to outside aggression is also seriously challenged. Regardless of Manuel's defeat at Myriokephalon in 1176, he could claim that the empire …
Sagp Ssips 2012 Abstracts,
2012
Binghamton University
Sagp Ssips 2012 Abstracts, Anthony Preus
The Society for Ancient Greek Philosophy Newsletter
No abstract provided.
Sagp Ssips 2012 Program,
2012
Binghamton University
Sagp Ssips 2012 Program, Anthony Preus
The Society for Ancient Greek Philosophy Newsletter
No abstract provided.
[Review Of] Horace's Iambic Criticism: Casting Blame (Iambike Poiesis). By Timothy S. Johnson,
2012
University of Richmond
[Review Of] Horace's Iambic Criticism: Casting Blame (Iambike Poiesis). By Timothy S. Johnson, Erika Z. Damer
Classical Studies Faculty Publications
Although Horace's Epodes were frequently dismissed by earlier generations as an uneven poetic collection of obscenity and juvenalia, more recently critics have begun to seriously engage with his first lyric collection. Johnson's important new study offers the first comprehensive English-language monograph on the Epodes since R. W. Carrubba's study of poetic arrangement in 1969. As such,Johnson's study makes a vital new companion to Watson's (2003) Oxford commentary, and his serial reading of Epodes 1-17 provide students and researchers with a novel interpretation of Horace's triumviral collection.
Persephone And Hades: A Study Of Representation In Art And Culture,
2012
Lindenwood University
Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley
Student Scholarship
Ancient artworks which represent classical Greek myths most commonly depict the story's climax. Their subjects reveal that the ancient Greeks' taste for dramatic storytelling matched their reverence for each divine entity's embodiment, whether it was a natural phenomenon or an abstract concept. The former of these traits dominate the visual portrayals of the Pluto and Persephone myth, as can be seen in many artworks where the ancient Greeks chose to depict the moment where Pluto theatrically abducts Persephone and sweeps her away to the underworld. In fact, in visual art, it was characteristic of the Greeks to stress the exciting …
Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style,
2012
Lindenwood University
Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson
Faculty Scholarship
The mid-seicento in Italy witnessed a sustained proliferation of writers on art scattered throughout more regions than had been common in the previous century, leading to an era defined by arguments over the qualities and values of style.1 In the Preface for his Vite de 'pittori, scultori ed architetti of ca.1673-79, Giovanni Battista Passeri lamented the fact that: «Today it is fashionable for painters to do nothing but squabble among themselves about manner, taste, and style, and this arose because the reasoning is not established according to solid principles ».2 The querulous nature of the age has made it difficult …
Introduction To The Iliad,
2012
Trinity University
Introduction To The Iliad, Erwin F. Cook
Classical Studies Faculty Research
Sing of rage, Goddess, that bane of Akhilleus,Peleus' son, which caused untold pain for Akhaians,sent down throngs of powerful spirits to Aides, war-chiefs rendered the prize of dogs and everysort of bird.
Edward McCrorie’s new translation of Homer’s classic epic of the Trojan War captures the falling rhythms of a doomed Troy. McCrorie presents the sundry epithets and resonant symbols of Homer's verse style and remains as close to the Greek's meaning as research allows.
The work is an epic with a flexible contemporary feel to it, capturing the wide-ranging tempos of the original. It underscores the honor of soldiers …
Whitlow, Ruth, 1886-1962 (Sc 2556),
2012
Western Kentucky University
Whitlow, Ruth, 1886-1962 (Sc 2556), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 2556. Notebook of Ruth Whitlow, kept while she was a student at Vanderbilt Training School, containing translations of the Roman poet Virgil.
Caesar's Bellum Gallicum Book 1 With Vocabulary, Notes, And Clause Subordination,
2012
Brigham Young University - Provo
Caesar's Bellum Gallicum Book 1 With Vocabulary, Notes, And Clause Subordination, James A. Stephens
Theses and Dissertations
Efficiency in the presentation of a Latin text and its study-aids is the key to assisting intermediate students, who frequently become overwhelmed with the amount of vocabulary and grammar that needs to be simultaneously understood in order to read with any accuracy. This text breaks down the first book of Caesar's Bellum Gallicum in both a visual and a conceptual manner to aid students in learning intermediate Latin efficiently. The text is comprised of five parts. The first section contains the text as found in DuPontet's edition of Caesar's Bellum Gallicum. The second section has grammar notes that explain tense …
Horace's Ideal Italy: Sabines And Sabellians In Odes 1-3,
2012
Brigham Young University - Provo
Horace's Ideal Italy: Sabines And Sabellians In Odes 1-3, Keith R. Fairbank
Theses and Dissertations
Within Odes 1-3 Horace consistently locates an idealized version of Rome in Sabinum and Italia. The former had long been a moral foil for Rome. The latter consisted of the regions of Italy that rebelled against Rome during the Social War and fought on the side of Marius in the civil wars that followed. Horace joins these two groups with the term Sabellians and places them together in moral opposition to the corruption and decadence of the late first century BC. Thus Horace elevates the formerly rebellious and still foreign Italici into Roman politics in the lofty position of …
Voldemort Tyrannos: Plato’S Tyrant In The Republic And The Wizarding World,
2012
Stephen F Austin State University
Voldemort Tyrannos: Plato’S Tyrant In The Republic And The Wizarding World, Anne Collins Smith, Owen M. Smith
Faculty Publications
In the Harry Potter novel series, by J. K. Rowling, the character of Lord Voldemort is the dictatorial ruler of the Death Eaters and aspiring despot of the entire wizarding community. As such, he serves as an apt subject for the application of Plato’s portrait of the tyrant in Republic IX. The process of applying Plato to Voldemort, however, leads to an apparent anomaly, the resolution of which requires that we move beyond the Republic to the account of beauty presented by Plato in the Symposium. In doing so, we shall find that while Plato can help us to understand …
They Love To Tell The Story: Five Contemporary Novelists Take On The Gospels,
2012
Lee University
They Love To Tell The Story: Five Contemporary Novelists Take On The Gospels, Kevin Brown
KSU Press Legacy Project
The Virgin Mary. Joseph. Peter. Mary Magdalene. Judas Iscariot. Pontius Pilate. Jesus. In They Love to Tell the Story: Five Contemporary Novelists Take on the Gospels, Kevin Brown examines how Nikos Kazantzakis, Anthony Burgess, Norman Mailer, Jose Saramago, and Nino Ricci portray each of the major figures from the gospel stories against the backdrop of biblical and legendary lore and depictions by some other contemporary novelists. The result is a many textured tapestry of insight and reflection in which Mary encourages her son to lead a normal life; Peter is coarse and rash, loyal and treacherous; Judas may well …
The Persistence Of Vengeance From Early Modern England To Postmodern New York,
2012
The University of New Orleans
The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri
LSU New Orleans Theses and Dissertations
As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …
Women And War: Power Play From Lysistrata To The Present,
2012
University of Connecticut - Storrs
Women And War: Power Play From Lysistrata To The Present, Shuyang Cynthia Luo
Honors Scholar Theses
"Women and War: Power Play from Lysistrata to the Present" is a three-fold project intent on analyzing the role of women in war and comedy. The intentions are: demonstrating how Aristophanes’ famed comedy, Lysistrata, was a subversive text for its time, as it presented a challenge to men’s authority that otherwise remained unchallenged, creating a modernized retelling of Lysistrata, which she holds would still be a subversive text, because men still have nearly absolute authority in war, and finally, analyzing the comedic nature of Lysistrata in a modern text; namely, why women’s choices constitute a comedy, and the comedic potential …
A Spectacle Of Great Beauty: The Changing Faces Of Hagia Sophia,
2012
University of Connecticut
A Spectacle Of Great Beauty: The Changing Faces Of Hagia Sophia, Victoria M. Villano
Master's Theses
No abstract provided.
