Classics Commons^™

Epiphany In The Homeric Hymn To Demeter And The Odyssey, Erwin F. Cook

Classical Studies Faculty Research

In the following essay I investigate the Odyssey’s sustained engagement with the theme of epiphany. Within the poem’s own narrative, the central epiphanic moment is the recognition scene between Odysseus and Penelope, and it resonates powerfully with a series of other such moments throughout the poem, beginning with Athene’s epiphany to Telemakhos in Book 1. But I also hope to show that these Odyssean scenes resonate just as powerfully with Demeter’s epiphanies in the Homeric hymn to the goddess.

Reconsidering Zeus’ Order: The Reconciliation Of Apollo And Hermes, Christopher Bungard

Scholarship and Professional Work - LAS

This paper argues that the Homeric Hymn to Hermes explores competing ways of approaching the world through the figures of Hermes and Apollo. Apollo’s reliance on the established world, partially marked by the knowledge of εἰδέναι, is insufficient in understanding Hermes, who aligns himself with the flexible capacity of νόος. Whereas Apollo eliminates his rivals in order to establish himself permanently, Hermes exploits unexplored potentials in order to create space alongside the established gods in the Olympian order. Ultimately, the newly forged friendship of Apollo and Hermes helps us understand the nature of Zeus more fully.

Herodotus And The Heroic Age: The Case Of Minos, Rosaria Vignolo Munson

Classics Faculty Works

In the fifth century, traditional myths about gods and heroes of a remote age still constituted a shared cultural language for speaking about a variety of more or less specific current issues of a philosophical, ethical, social, and political nature. Other than tragedy and epinician poetry, we should especially remember the role of myth in Thucydides, whose ‘Archaeology’ sets down his fundamental, and ideologically charged, view of history. It is time to reassess Herodotus' participation in this contemporary coded discourse and examine the ways in which he uses the mythical past as well as the cases when he appears to …

Persians In Thucydides, Rosaria Vignolo Munson

Classics Faculty Works

No abstract provided.

Review Of "Contemporary Art And Classical Myth" Edited By J. Hirsh And I. L. Wallace, Grace M. Ledbetter

Classics Faculty Works

No abstract provided.

Review Of "Rome: Day One" By A. Carandini, Jeremy B. Lefkowitz

Classics Faculty Works

No abstract provided.

Alberti And Ficino, John Shannon Hendrix

Architecture, Art, and Historic Preservation Faculty Publications

Leon Battista Alberti and Marsilio Ficino, though separated by twenty-nine years in age, had a close relationship as mentor and pupil. Concepts which can be found in Alberti’s De pictura (1435) and De re aedificatoria (1450) are infused in Ficino’s De amore (1469). The concepts include Alberti’s theories of armonia, lineamenti, concinnitas, ornamento, and the pyramid of light in the theory of vision. In both Alberti and Ficino, harmonies shared by the body and music are manifestations of the harmonies of the soul. Beauty in body and matter is determined by beauty in mind (mens …

The Episcopal Basilica, The Via Sacra, And The Semicircular Court At Stobi, R. Macedonia, Carolyn S. Snively

Ancient Greek and Roman Studies Faculty Publications

Stobi was the largest and best known city in northern Macedonia in Late Antiquity. Located at the confluence of the Erigon (modern Crna) and Axios (modern Vardar) rivers, now in the Republic of Macedonia, the city became the capital of the province of Macedonia Secunda in the second half of the 5th century. Bishop Budios from Stobi participated in the Council of Nicaea in 325, and several later bishops of the city are known. According to an inscription, Bishop Philip was responsible for the construction of his episcopal church.

The Episcopal Basilica at Stobi is the outstanding Early Byzantine church …

Souls/Soles Of Signs Tell Totems And The Sphinx Wager, Darryl A. Smith M.Div., Ph.D.

Occasional Papers

This paper develops a philosophy of play through an analysis of the foot wager of the Sphinx. Applying a construction of the cosmology of Plato along with a Socratic etymology of her riddle’s answer, it provides a reading of Sphingian contestation consistent with contemporary practices of deception found in modern games like poker. I argue that such deception is constitutive of the excessive illumination of signaling tells in games and that such excess, in turn, is indicative in allied political contexts of a covetous and acquisitive obsession with light. This theory makes use also of Ralph Ellison’s refiguring of Oedipal …

The Fine Line Of Feminine Wiles: Paradigms Of The Heroine And The Hero’S Foil In Ancient Greek Literature, Johanna Collier

Honors Capstones

No abstract provided.

Whip Scars On The Naked Soul: Myth And Elenchos In Plato's Gorgias, Radcliffe G. Edmonds Iii

Greek, Latin, and Classical Studies Faculty Research and Scholarship

Stripped of his regal robes and all the trappings of his worldly power, the soul of the Great King cowers naked before Rhadamanthys, who looks down upon the crippled wretch before him, disfigured like the basest slave by the marks of the whip and covered with festering sores. Many scholars (most importantly Annas, "Plato's Myths of Judgement," Phronesis, Vol. XXVII 1982, pp. 119-143) have interpreted this horrific image of the judgement of the soul from Plato's Gorgias as a threat of hell-fire designed to convince the skeptical Callicles that justice pays 'in the end.' Socrates' myth, however, does not supply …

Does Dying Hurt? Philodemus Of Gadara, De Morte And Asclepiades Of Bithynia, Lee Pearcy

Greek, Latin, and Classical Studies Faculty Research and Scholarship

No abstract provided.

`Thanatosepoesen' Changing Attitudes In Athenian Mourning: A Study Of Funerary Vase Painting, 900-404 Bc, Heather Quinn Elizabeth Deason

Wayne State University Theses

Literature and archaeological findings have been valuable resources for understanding how the ancient Athenian buried the dead. Grave excavations tell historians a great deal about burial practices. However, so much more can be learned about these practices through the art found in graves. The painted image not only tells us what occurred on the day a person died and his subsequent burial, but it even illustrates the years of mourning which followed for the living. These vessels chronicle the importance people placed on the varying aspects of death and the funeral ritual. From the Geometric period of the tenth century …

Codice Verbale E Codice Iconico Nel Riadattamento Della Divina Commedia - Fumetto Di Seymour Chwast, Emirjona Molla

Wayne State University Theses

This thesis takes a critical look at the way the semiotic code is treated by the author Seymour Chwast in his comic book the Divine Comedy. In the introduction I focused on examining parts of the communication which is based on verbal and non-verbal speech. The symbolic code belongs to the verbal speech which is analytical, conventional and arbitrary. The interpretation of the symbolic code depends also on the cultural unit. The iconic code on the other hand could be motivated or conventional depending on the way the message is brought up to the reader. The iconic code could need …

Review: Tzifopoulos, Yannis. ‘Paradise’ Earned: The Bacchic-Orphic Lamellae Of Crete, Radcliffe G. Edmonds Iii

Greek, Latin, and Classical Studies Faculty Research and Scholarship

No abstract provided.

Commentarius In Fuxii Gradum Ad Parnassum Ad Usum Discipulorum, Rj Parsons-Mccrackin

Theses and Dissertations--Modern and Classical Languages, Literature and Cultures

Ioannes Fuxius per Aevum quod dicitur Baroccum, quo tempore gustus musici celeriter mutabantur, musicum enchiridion palmare, cui titulus Gradus ad Parnassum, edidit. Quo libro modos musicos componendi ratio aetate artium renatarum exorta cum ratione aevo Barocco usitata coniungitur. Auctor historiam artis musicae, vocabula artis propria, normas hoc opere docet per dialogum Latinum et faberrime scriptum, qui inter Palestrinae personam et eam discipuli personam, quam auctor ipse agit, habetur. At nostris temporibus Fuxius innotuit, quod quasi ante omnium oculos regulas uniuscuiusque Speciei Contrapuncti posuit. Liber eius igitur in multos sermones vernaculos est versus etiam paucis annis post primam divulgationem. Nunc …

A Bronze Kline From Lydia, Elizabeth P. Baughan, İlknur Özgen

Classical Studies Faculty Publications

In 1982, the J. Paul Getty Museum purchased an ancient kline made mostly of bronze (pl. 9, I)¹. It replicates, at full scale, a wooden couch with lathe-turned legs, comparable to those attested in the Greek world in the sixth and fifth centuries B.C.E². As one of only four known bronze beds or couches that pre-date the Hellenistic period³, it is an important artifact that can contribute much to our understanding of ancient furniture and metallurgy, and adhering fragments and pseudomorphs of linen cloth add to the corpus of preserved ancient textiles. …

Villa Degli Antonini: Excavation Season 2012 Summary, Deborah Chatr Aryamontri, Timothy Renner

Department of Classics and General Humanities Faculty Scholarship and Creative Works

No abstract provided.

"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth

College of Graduate Studies: Theses & Dissertations

Author's abstract: McTeague, Frank Norris's Naturalistc text written in 1899, depicts the corruption of a California couple due to influences outside of their control. In positioning Trina McTeague as a woman unable to identify with either of the two major feminine ideologies of the day, the Angel in the House and the New Woman, this paper examines her identity as conflicted because of this lack of autonomy. Her failure to identify herself leads to a mental break that is reflected in the domestic spaces she inhabits. The places she lives each become smaller and dirtier reflecting her diminished mental capacity. …

P.Mich.Inv. 3272: Receipt For Embole From Aphrodito, James G. Keenan

Classical Studies: Faculty Publications and Other Works

Edition of P.Mich. inv. 3272, a nearly complete sixth-century receipt for embo/e from Aphrodito.