American Studies Commons^™

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Puritan Patriarchal Construction Of American Sexual Morality And Woman's Worth: A Daughter's Response, Savannah Mather

Honors Projects

While modern conceptions of Puritanism regard it as an artifact of American history, whose woman-killing theologies are long buried and forgotten, the bible in my father’s closet and the recently leaked Supreme Court draft to overturn Roe. Vs. Wade would argue otherwise. Cotton Mather’s favorite book Ornaments for the Daughters of Zion outlined both the ideals and detriments of the Anglo-American female identity. In this text, white women were taught to absolve themselves of the “nakedness” in dress Puritan settlers associated Indigenous people with. A woman’s ability to align herself to the ideals of chastity determined her own and her …

Passing Down: Nella Larsen's Questioning Of Eugenic Ideology, Sky R. Mcleod

Anthós

This article looks at Nella Larsen’s 1929 novel Passing and examines how eugenic ideology of the time period are explored and critiqued through the story and characters. The novel follows two light skinned black women who grew up together and are reunited as adults. This reconciliation takes place under the backdrop of the Harlem Renaissance where the expectations of New Negro womanhood mix with a growing wave of eugenic thought and practices. In the 1920’s many influential thinkers, including black leaders such as W. E.B. Du Bois, were convinced that the only way to move the human race forward was …

John Wick: Keanu Reeves’S Epic Adventure, Ann C. Hall

Heroism Science

Three films create the John Wick universe and franchise: John Wick (2014), John Wick: Chapter 2 (2017), and John Wick: Chapter 3, Parabellum (2019). A fourth film is scheduled to be released in March 2023. All are wildly popular, and all are criticized for violence, particularly gun violence. I argue, however, that by examining the visual references that appear in all the films, it becomes clear that the films are defending themselves from such attacks through their allusions to ancient and classical epics from around the world. As Wick battles his way through museums and beautiful cities, the film reminds …

Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer

CLCWeb: Comparative Literature and Culture

In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …

The Turn Toward The Nonhuman In Susan Straight’S A Million Nightingales, Katarzyna E. Nowak-Mcneice

CLCWeb: Comparative Literature and Culture

This article proposes a reading of Susan Straight’s 2006 novel A Million Nightingales in the light of critical posthumanities, focusing specifically on references to nonhuman animals. It does so in order to place Straight’s writing within the context of the recent posthumanist debate concerning the distinction between human and nonhuman animals (cf. Donna Haraway, Cary Wolfe). I claim that while addressing the “fused” discrimination (after Carol J. Adams) of sexism, racism, and speciesism, Straight’s prose can be seen as a proposition of a reconfigured subjectivity, one based on “entanglement” and “intra-action” (Karen Barad). A Million Nightingales, which – together …

Precarity In The Times Of Partition: Personal Vs Communal Love In Khushwant Singh’S Train To Pakistan And Saadat Hasan Manto’S “Gurmukh Singh Ki Wasiyat”, Ayesha Perveen

CLCWeb: Comparative Literature and Culture

The paper studies how various shades of love respond to precarity in anarchic times by comparing the narrative representation of the aftermath of the Partition of the British colonized Subcontinent into independent countries of India and Pakistan in 1947 with particular focus on Sikh-Muslim relationships in Punjab as presented in Khushwant Singh’s novel Train to Pakistan and Saadat Hasan Manto’s short story “Gurmukh Singh ki Wasiyat.” Employing Judith Butler’s concept of precarity, the paper analyzes how both the writers sketch precarity in partition times ensuing in post-Partition communal violence and effacement of love. The selection of the texts is significant …

William Carlos Williams’ “The Young Housewife”: A Postcritical Reading Vis‐À‐Vis Shel Silverstein's 'The Giving Tree', Sue Norton

Books/Book Chapters

Using the framework of Rita Felski in her 2015 book The Limits of Critique, this essay offers a postcritical analysis of William Carlos Williams’ 1915 poem “The Young Housewife.” Its intention is to show how Williams’ poem or any poem can be approached through a variety of critical lenses, but that these may get in the way of more immediate, rewarding ways of reading. Shel Silverstein's well-known 1964 short book The Giving Tree is similar at the level of “plot” to “The Young Housewife.” Taken in tandem, these two texts neatly exemplify the value of postcritical/non-resistant reading.

Sandra Clements, Kelli Johnson

Oral Histories – NPS AACR Civil Rights In Appalachia Grant

Kelli Johnson conducting an oral history interview with Sandra Clements.

This oral history is part of the National Park Service African American Civil Rights History and Appalachia Grant Program.

Technologies Of Territoriality: Indigeneity, Surveillance, And The State, Elspeth Iralu

American Studies ETDs

This dissertation examines the global spatial surveillance of Indigenous peoples, nations, and territories in the twenty-first century through a multi-site relational analysis of colonial surveillance and Indigenous cartography in the United States, India, and Palestine. Analyzing Indigenous graphic novels, video games, virtual reality, performance protests, and visual art, I demonstrate how air and the aerial perspective actively shape what happens on and below the ground. I argue that Indigenous experiences of and responses to colonial and counterinsurgent surveillance are not limited by the geographic and legal bounds of nation-states but are rather linked through global histories of militarization and colonialism. …

Jesse James' Hideout Or Civil War Midden?, Steven Meyer, Tim Evers, Ben Ebert

Undergraduate Research Symposium

Whether the infamous outlaw Jesse James (1847-1882) ever lived in Iron County Missouri during his post-Civil War crime spree is a highly debated issue shrouded in legend and myth. A plot of land called “The Hideout” in Southern Iron County is a prime source for these legends to be tested. Archaeologists Benjamin Ebert, Steven Meyer, and Tim Evers will attempt to answer the question “Could Jesse James have stayed at the Hideout?” Iron County is steeped in rich history dating back to the Civil War, and other historic landmarks add credence to the legends
and help push tourism and preservation …

Review Of William Faulkner And Mortality; A Fine Dead Sound, By Ahmed Honeini, Routledge, 2021, Pp. Xi+ 194, $ 96,00 (Hardback), Isbn: 9780367501327., Marietta Kosma

Beyond the Margins: A Journal of Graduate Literary Scholarship

Book review of William Faulkner and Mortality; A Fine Dead Sound, by Ahmed Honeini, Routledge, 2021, pp. xi+ 194, $ 96,00 (hardback), ISBN: 9780367501327.

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria

Beyond the Margins: A Journal of Graduate Literary Scholarship

“Fantasizing a Free Black History: Post-Black Arts Movement Novels and Plays Re-Imagining Jim Crow” closely reads one novel and one play written in the early twenty-first century and set in the Jim Crow period. Analyzing how Toni Morrison’s novel Love (2005) and Lynn Nottage’s drama By the Way, Meet Vera Stark (2011) take up Jim Crow era Black history together, I find that both works intentionally offer incomplete, subjective and fictive narrations of black life during Jim Crow to deny readers a sense of realism. In doing so, these authors represent a group of African American novelists and playwrights that …

Amjambo Africa! (June 2022), Kathreen Harrison

Amjambo Africa!

In this Issue Education ..................................3

Moonglade .............................4/5

Publisher’s editorial ..................7

Financial literacy: what is Credit .................8-13

In 7 languages Market Basket ..................14/15

Tips&Info ................................16

Lead in soil ..............................17

All about the Workforce ..18/19

Community Happenings .20/21

photos from community events

News from Africa .............22/36

Health&Wellness ...............24-31

Bridging the healthcare gap

In 7 languages

Columns .......................32/33/39

Nonprofit Organizations

Ask the D.A.

Let’s Talk/ELL

New Voices columns ........34/35

Sunbelt Schooling: Publics And Politics Of Education Advocacy In Phoenix, Arizona, Matthew Chrisler

Dissertations, Theses, and Capstone Projects

For the past forty years, public education in the United States has been the target of both neoliberal and conservative education reforms that have imposed austerity and privatization, set limits on racial, gendered, and sexual citizenship, increased school responsibility for social reproduction, and winnowed visions of public education as both a universal social entitlement and site of participatory democracy. These reforms emerged from, and remain powerfully anchored in, the United States Sunbelt, a crescent of metropolitan suburbs spanning southern California to Florida. This region propelled the conservative revolution in American politics but is also the site of progressive organizing that, …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames

Dissertations, Theses, and Capstone Projects

Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …

How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney

Dissertations, Theses, and Capstone Projects

Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …