American Studies Commons^™

Performance: All Our Names Were Freedom, Jessica Wilkerson, Kevin Cozart

About the Project

Students in Jessica Wilkerson's class, SST 560 (Oral History of Southern Social Movements), participated in a staged reading of All Our Names Were Freedom: Agency, Resiliency, and Community in Yalobusha County, a multivocal and multilayered narrative inspired by listening to the interviews recorded that semester. The event at the Spring Hill M. B. Baptist Church was attended by approximately 70 community members, UM faculty and students, and six of the interviewees.

The Forgotten Sins Of Robert E. Lee: How A Confederate Icon Became An American Icon, Jennifer Page

Pell Scholars and Senior Theses

After the Civil War, Charles Sumner said of Confederate General Robert E. Lee, "hand him over to the avenging pen of history." But has history been so been so avenging to Lee? In "The Forgotten Sins of Robert E. Lee: How a Confederate Icon Became an American Icon," this thesis argues that textbooks, public memory, and popular culture have collectively obscured the historical reality of Lee. In the years following the Civil War, the complex and tangled history of Lee as a slaveholding southerner were overlooked and, in many instances, erased in an effort to reunify North and South. In …

The Legacy Of Lynching: On Representation, Remembrance, And Reconciliation, Jackie Chesser

Liberal Arts Capstones

The Equal Justice Initiative’s National Memorial of Peace and Justice is a memorial rooted in recognizing and naming the victims of lynching and racial terror. This memorial is a safe space for people to connect with history and learn about the injustices faced by their ancestors, and, conversely, the injustices wrought upon others by their ancestors. This memorial doesn’t stop at recognizing the victims, it also explains the effects of racial terror beyond lynching, including the Jim Crow Era and mass incarceration.

The National Memorial of Peace and Justice is also focused on extending its impact though its Memorial Monument …

Movie Review: Ford V. Ferrari, Joshua Matthews

Faculty Work Comprehensive List

"The movie asks: do American companies care about making the highest quality goods?"

Posting about ­­­­­­­­the movie Ford v. Ferrari from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/movie-review-ford-v-ferrari/?highlight=ford%20v.%20ferrari

Roswell, New Mexico And The Dead Futures Of Latinx Speculative Fictions, Renee Hudson

English Faculty Articles and Research

With the predominance of Chicanxs in Latinx speculative fictions as the impetus behind this cluster, I want to consider how Latinxs are represented in popular culture, especially when the creators of such Latinx characters are not Latinxs themselves. Turning to popular representations, I contend, acts as a litmus test for how Latinx issues are widely perceived as well as how these concerns are perpetuated within popular media. The Roswell reboot, Roswell, New Mexico offers one such instance as both the showrunner, Carina Adly MacKenzie, and Melinda Metz, the author of Roswell High, the show on which the series is …

Imagining The Futures Of Latinx Speculative Fictions, Renee Hudson

English Faculty Articles and Research

"To combat the speculative fictions Trump conjures into reality, we must look to more liberatory forms of speculative fiction, especially ones that imagine a future for Latinxs at a time when such futures seem to be foreclosed by the concentration camps proliferating within the borders of the United States. At the same time, we must interrogate how our speculative imaginaries are, at times, limited by the contradictions of latinidad. Latinidad presumably names a shared, collective identity based on Latin American origins that seem to supersede differences in race, religion, and class (among other identitarian categories). However, a number of scholars …

Amjambo Africa! (December 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

New American Leaders .............p. 2

Ladder to the Moon Conference p. 3

Appeal from 350 Maine .............p. 3

Asylum Seekers & Work Permits p. 4

Palaver Strings ............................ p. 9

Ikirenga Cy'Intore .................... p. 11

New Deal for New Americans Act .............p. 13

Coffee by Design Supports Arts ..........................p. 18

DACEP & ILAP in Lewiston...... p. 18

Mid Coast New Mainers Group ............................................... p. 19

Housing Scams ......................... p. 19

(In)Equality., Jongin Choi

Graduate Theses and Dissertations

(in)Equality. centers around my experiences as a transnational person and those around me who have affected my current concept of equality and cultural histories. My visual methodologies cover digital photography and editing, inkjet printing, and laser engraving: multimedia in a process of new discovery, translation between analog and digital, and rearticulation. The exhibition includes portraits peering down from above, illuminated by projected patterns and manipulated messages from Nike’s “Equality.” (2017). The purpose of this thesis paper is to describe the elements of identity, marginalization, and personal reaction to advertising, as well as the and theories which have shaped this project. …

Metal Storytellers: Reflections Of War Culture In Silverplate B-29 Nose Art From The 509th Composite Group, Terri Wesemann

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Most people are familiar with the Enola Gay—the B-29 that dropped Little Boy, the first atomic bomb, over the city of Hiroshima, Japan on August 6, 1945. Less known are the fifteen Silverplate B-29 airplanes that trained for the mission, that were named and later adorned with nose art. However, in recorded history, the atomic mission overshadowed the occupational folklore of this group. Because the abundance of planes were scrapped in the decade after World War II and most WWII veterans have passed on, all that remains of their occupational folklore are photographs, oral and written histories, some books, …

Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse

disClosure: A Journal of Social Theory

Derek P. McCormack (2010) argues, "Affect, is like an atmosphere: it might not be visible, but at any given point it might be sensed ... Emotion, in turn, can be understood as the sociocultural expression of this felt intensity" (643). This paper puts McCormack (2010) and Ben Anderson (2009) into conversation to think through the ways in which atmosphere in relation to affective and emotive life has been conceptualized. I center the affective atmospheres that happen with queer bodies that make New York's west side piers queerly affective. I use "queer bodies" to signal the dis-identification with heteronormativity or binaristic …

Shall I Sing You A Ghost Story: The Nature And Purpose Of Ghost Songs In Maritime Communities Of Northern New England And Atlantic Canada, Richard A. Blake

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This paper will be discussing the nature of maritime ghost stories put forth in musical narrative. There are two questions that I will be endeavoring to answer. 1) What kinds of changes can occur to a ghost story when it is put into a song and 2) How would the understanding of a folksong’s story change when it crosses boundaries from one place to another? More specifically it will discuss those changes when crossing provincial or national boundaries. The investigation into these questions will involve the use of several written and audio sources. The written sources include titles like the …

American And Iraqi Prose Fiction Of The Iraq War: Traumas Of The Self, Traumas Of The Nation, Ghyath Manhel Alkinani

Graduate Theses and Dissertations

War is so omnipresent in our contemporary world that the story of war is too important to be left to fiction writers to frame and give meaning for. This dissertation provides an analysis of two dominant patterns in contemporary Iraqi and American prose fictional representations of the Iraq War: the individualistic trauma hero narrative and the nationalistic, collective narrative. I argue that the trauma hero myth that dominates American representations of the Iraq War psychologizes and de-politicizes war experience alienating the victim of trauma by decontextualizing their experience and negating the Other. On the other hand, the sweeping nationalistic narrative …

The Anonymous Web In Adichie’S Americanah, Michelle Jude Gibeault

Graduate Theses and Dissertations

Adichie’s Americanah is a novel that elevates anonymous blogging into black cultural performance. The novel follows a young Nigerian, Ifemelu, who arrives in the United States on a student visa and depicts her stressful confrontation with racism in post-slavery America. Through beginning a blog, Ifemelu voices her experiences as a black woman and immigrant in ways that renew the concerns of James Baldwin, an author whom she studies closely. Like Baldwin, her style blends humor and techniques of persuasion that trace to traditional oral folklore. Ifemelu’s success rests partly on Adichie’s construction of her as a character of good ethos, …

Through The Words Of Those Who Have Experienced It: Reading The Whitney Plantation Along Neoslave Narratives, Sarah Payne

Study the South

Recent representations of slavery, however well intentioned, have provoked discussions about who should represent black pain and oppression and what purpose such representations serve. Also evoking such questions are contemporary plantation tours, most of which are white-centered, “moonlight and magnolia” recreations. There have been efforts to represent slavery more accurately at plantations such as Oak Alley, and most notably, the Whitney Plantation, which opened in 2014 in Wallace, Louisiana.

This essay asks how our understanding of the Whitney Plantation, as a representation of slavery, a public history project, and an example of dark tourism, might be affected by reading the …

Review Of The Favourite, Scott Romo

History in the Making

No abstract provided.

Review Of Studio 54: The Documentary, Ryan Rodriguez

History in the Making

No abstract provided.

Stan Lee: In Memoriam, Galilea Navarro

History in the Making

No abstract provided.

The Origins Of Classic Hollywood’S Male, Federico Guevara

History in the Making

Male dominance of Hollywood productions solidified inadvertently in the 1930s through the implementation of Catholic morality on screen, which precipitously narrowed the scope of experiences and desires of women depicted in entertainment media for the ensuing decades. Tracing back the behind-the-scenes origins and development of Hollywood’s persistent male gaze, it becomes clear that women in the entertainment industry had some real agency and power in the 1920s, prior to the Catholic Legion of Decency’s interference in movie making. These censorship rules, which became known as the Hays Code and were argued to be good for the whole of society, consequently …

Imperial Fastballs: The Cultural Imperialism Of American Baseball, Cameron Van Note

History in the Making

From the eighteenth and nineteenth century Imperialism was a major instigator for conflict across the globe, being split into many different subcategories such as economic, cultural, and military imperialism. This paper looks at the aspect of American Baseball being used as a tool of cultural imperialism over Japan prior to, and well after, World War II. Baseball in Japan was different than other examples of Imperialism because of how Japan accepted and integrated baseball culture into their own, resulting in Japanese and American players bonding over the culture surrounding the game. It was not easy to form these bonds however, …

Protest Movements Of The 1960s - 1970s In Latin America And The United States, Jean Potter

Master of Arts in American Studies Capstones

Music is an integral part of a complex transcultural and political connection that exists between Latin America and the United States. Exploring the transnational culture of music in the Americas, this project considers the historical and socio-political issues which contribute to this transcultural relationship. The long history of colonization and exploitation by Spain, Britain, and the United States has left an indelible mark on Latin American economic, social and cultural environments. Looking at the continuing effects of the Western Industrial revolution, including its effects on class struggle, national independence movements and cultural developments, this project begins by summarizing and engaging …