American Popular Culture Commons^™

Engendering Injustice: Drug Laws, Drug Economies, And The Marginalization Of Women In New York State, Kate Mcgee

American Studies Senior Theses

On November 8, 1983, Elaine Bartlett left her apartment in Harlem, and headed to Grand Central Station. There, she met her boyfriend, Nate. They were headed to the Monte Mario Hotel in Albany. To any bystander, they may have looked like any other couple. But Elaine Bartlett knew different. That’s because she had a four-ounce bag of cocaine stuffed down the front of her pants. In 1983, Bartlett was a twenty-six year old woman with four children. A male friend, George Deets—although she knew him as Chris at the time—told her that if she delivered the drugs, she could earn …

From American Bandstand To Total Request Live: Teen Culture And Identity On Music Television, Kaylyn Toale

American Studies Senior Theses

Because television succeeds or fails based on its ability to attract an audience large enough to entice advertisers, this project will operate under the assumption that popular television conveys some important cultural attributes of both its creators and its audience. American Bandstand and Total Request Live (TRL) each presented the most popular music of the day in ways that drew massive audiences from America’s youth, between 1952-1989 (Bandstand) and 1998-2008 (TRL.) I will treat these and related shows as venues through which to view American youth culture. The music itself adds an exciting component to the project: as music changed, …

Download This: Artist Development And Interconnectivity In The Internet Age, Geoffrey Johnson

American Studies Senior Theses

The advent of internet media distribution has profoundly changed the way most people consume music and experience artists. Outlets such as Myspace, YouTube, Twitter, and peer-to-peer downloading networks have made music and artists more accessible than ever before. These changes have come largely at the expense of the traditional music industry model of distribution. My thesis proposes that these new media have radically redefined what it means to be a developing artist. Specifically, these media empower artists with the ability to circumvent music industry oversight while providing them with tools of self-promotion to autonomously construct a fan-base. My thesis will …

So You Think You Know Dance?: Popular Dance And Cultural Identity On Television, Eleni Koutroumanis

American Studies Senior Theses

Dancing has reached new levels of popularity in America due to its publicity in new television shows over the past seven years. These shows have changed the image and ways of dance world, but more importantly the shows have brought dance into the Public Sphere and allowed the excluded to comment on, and in a way join, the dance world. Furthermore, these shows are bringing forward commentary on subaltern counterparts of two levels. One is dance culture, and those who make dance what it is today, being acknowledged in a greater public. The other refers to subaltern counterparts of a …

Can We Laugh? Jewish American Comedy's Expression Of Anxiety In A Time Of Change, 1965-1973, Emily Schorr Lesnick

American Studies Honors Projects

This Honors project is a site of intersection of my academic and activist interests in interrogating Whiteness, my social identity as a cultural Jewish American, and my creative passions in comedy performance. The tragicomic films The Graduate, Goodbye, Columbus, and Annie Hall of the 1960s and 1970s articulate the painful process of Jewish self- and group-definition in relation to dominant culture amidst fractures amongst Jews and external hostility and invitation. The collision of Jews’ long history of humor as a cultural practice and the turbulence and ambivalence of the post-World War II moment facilitated a space for Jewish …

Every Week Essays: Associated Sunday Magazines And The Origins Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Every Week Essays: Every Week’S Editorial Staff, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Every Week Essays: Every Week’S Demise, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Every Week Essays: Interpretive Possibilities, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Every Week Essays: The Contents Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Regular contributors of advice and commentary included Albert W. Atwood and Burton J. Hendrick. …

Every Week Essays: Associated Sunday Magazines And The Origins Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Waiting To Exhale, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Savannah Jackson’s sister Sheila tells Savannah about a business owner named Lionel, and Lionel invites Savannah to attend a New Year’s Eve party. As Savannah gets ready to ring in 1990, she reflects on her annoyance with Sheila and their mother, who have suggested that Savannah is miserable because she does not have a husband and does not live closer to her family. She realizes she does not need a man to validate her but admits that, as she broke up with Kenneth Dawkins four years ago, she wants to be in love again

How Stella Got Her Groove Back, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Stella Payne is an ambitious African American woman who holds masters degrees in fine arts and in business administration. A successful analyst for a large investment firm, she makes more than $200,000 per year and has an impressive portfolio. Despite her accomplishments, she no longer finds her career satisfying and feels her life is simply boring and predictable. Anxious to get a respite from single motherhood, she watches her eleven-year-old son, Quincy, board a plane to Colorado, where he will spend a few weeks with his father

The Relationship Between American Popular Culture And Some Selected Aspects Of Consumer Behaviour : A Study Of Malaysian Adolescents., Zailin Zainal Ariffin

Student Works (2010-2019)

People’s consumption patterns are subject to a range of influences and youth are no different in this respect. Globalization creates an explosion of products and images for consumers to choose from. In consequence, one is left with questions concerning how young consumers construct meaningful identities and how strategies may be evoked as lifestyles and subculture fragment. This study endeavours to explain the impact of American Popular Culture on the behaviour of Malaysian adolescents as well as to determine the impact of popular music as the prominent source of American Popular Culture. This is done to understand the influence of American …

Preface: Monsters And Mormons, Terryl Givens

English Faculty Publications

In the nineteenth century, Mormonism seemed grist for everybody's mill. Humorists like Artemus Ward and Mark Twain made hay out of polygamy; conspiracy theorists like Thomas deWitt Talmage imputed President Garfield's assassination to the Mormons; pseudo-memoirists like "Maria Ward" recounted their seduction, imprisonment, and torture at the hands of Mormon mesmerists; the Republican jump-started their political party with a promise to expunge the Mormon "relic of barbarism"; and pulp fiction writers and serious novelists alike fueled sales with stories of bloodthirsty Danites, lecherous elders, and grief maddened Mormon wives who murdered competitors.

First-Year Library Mentorship Opportunities, Crystal Goldman

Faculty and Staff Publications

The first-year experience at any university library sets the foundation for the future relationship between the new faculty member and the library as a whole. Not only is the librarian being acculturated to the organization, but he or she must decide if the library and university will provide a supportive environment for his or her career goals. In this probationary process, the tenured librarians evaluate their tenure-track colleagues’ professional progression and merit.

Many libraries institute a formal first-year mentoring program in order to facilitate the immersion of new faculty members into the organizational culture of the library and university. There …

Sullivan, Brendan J. (Fa 533), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full text (click on "Additional Files" below) for Folklife Archives Project 533. Folklore material classified by genre. Information collected by Brendan J. Sullivan related to folklore genres for a folk studies class at Western Kentucky University.

Davis, Nathan William (Fa 534), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 534. Folklore material classified by genre. Information collected by Nathan William Davis related to folklore genres for a folk studies class at Western Kentucky University.