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American Popular Culture Commons

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Every Week Essays: Every Week’S Demise, Melissa J. Homestead 2011 University of Nebraska - Lincoln

Every Week Essays: Every Week’S Demise, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.


Every Week Essays: Interpretive Possibilities, Melissa J. Homestead 2011 University of Nebraska - Lincoln

Every Week Essays: Interpretive Possibilities, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.


Every Week Essays: The Contents Of Every Week, Melissa J. Homestead 2011 University of Nebraska - Lincoln

Every Week Essays: The Contents Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Regular contributors of advice and commentary included Albert W. Atwood and Burton J. Hendrick. …


Every Week Essays: Associated Sunday Magazines And The Origins Of Every Week, Melissa J. Homestead 2011 University of Nebraska - Lincoln

Every Week Essays: Associated Sunday Magazines And The Origins Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.


Preface: Monsters And Mormons, Terryl Givens 2011 University of Richmond

Preface: Monsters And Mormons, Terryl Givens

English Faculty Publications

In the nineteenth century, Mormonism seemed grist for everybody's mill. Humorists like Artemus Ward and Mark Twain made hay out of polygamy; conspiracy theorists like Thomas deWitt Talmage imputed President Garfield's assassination to the Mormons; pseudo-memoirists like "Maria Ward" recounted their seduction, imprisonment, and torture at the hands of Mormon mesmerists; the Republican jump-started their political party with a promise to expunge the Mormon "relic of barbarism"; and pulp fiction writers and serious novelists alike fueled sales with stories of bloodthirsty Danites, lecherous elders, and grief maddened Mormon wives who murdered competitors.


First-Year Library Mentorship Opportunities, Crystal Goldman 2011 San Jose State University

First-Year Library Mentorship Opportunities, Crystal Goldman

Faculty and Staff Publications

The first-year experience at any university library sets the foundation for the future relationship between the new faculty member and the library as a whole. Not only is the librarian being acculturated to the organization, but he or she must decide if the library and university will provide a supportive environment for his or her career goals. In this probationary process, the tenured librarians evaluate their tenure-track colleagues’ professional progression and merit.

Many libraries institute a formal first-year mentoring program in order to facilitate the immersion of new faculty members into the organizational culture of the library and university. There …


How Stella Got Her Groove Back, KaaVonia Hinton 2011 Old Dominion University

How Stella Got Her Groove Back, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Stella Payne is an ambitious African American woman who holds masters degrees in fine arts and in business administration. A successful analyst for a large investment firm, she makes more than $200,000 per year and has an impressive portfolio. Despite her accomplishments, she no longer finds her career satisfying and feels her life is simply boring and predictable. Anxious to get a respite from single motherhood, she watches her eleven-year-old son, Quincy, board a plane to Colorado, where he will spend a few weeks with his father


Waiting To Exhale, KaaVonia Hinton 2011 Old Dominion University

Waiting To Exhale, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Savannah Jackson’s sister Sheila tells Savannah about a business owner named Lionel, and Lionel invites Savannah to attend a New Year’s Eve party. As Savannah gets ready to ring in 1990, she reflects on her annoyance with Sheila and their mother, who have suggested that Savannah is miserable because she does not have a husband and does not live closer to her family. She realizes she does not need a man to validate her but admits that, as she broke up with Kenneth Dawkins four years ago, she wants to be in love again


Sullivan, Brendan J. (Fa 533), Manuscripts & Folklife Archives 2010 Western Kentucky University

Sullivan, Brendan J. (Fa 533), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full text (click on "Additional Files" below) for Folklife Archives Project 533. Folklore material classified by genre. Information collected by Brendan J. Sullivan related to folklore genres for a folk studies class at Western Kentucky University.


Davis, Nathan William (Fa 534), Manuscripts & Folklife Archives 2010 Western Kentucky University

Davis, Nathan William (Fa 534), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 534. Folklore material classified by genre. Information collected by Nathan William Davis related to folklore genres for a folk studies class at Western Kentucky University.


"Their Past In My Blood": Paule Marshall, Gayl Jones, And Octavia Butler's Response To The Black Aesthetic, Williamenia Miranda Walker Freeman 2010 University of Southern Mississippi

"Their Past In My Blood": Paule Marshall, Gayl Jones, And Octavia Butler's Response To The Black Aesthetic, Williamenia Miranda Walker Freeman

Dissertations

Paule Marshall’s The Chosen Place, The Timeless People (1969), Gayl Jones’ Corregidora (1975), and Octavia Butler’s Kindred (1979) enhance our conceptualization of black aestheticism and black nationalism as cultural and political movements. The writers use the novel as genre to question the ideological paradigm of a black nationalist aesthetic by providing alternative definitions of community, black women’s sexuality, and race relations. Because of the ways in which these writers respond to black aestheticism and black nationalism, they transform our understanding of movements often perceived as sexist, racist, homophobic, and anti-Semitic. An examination of their works reveals the need for additional …


Rothfuss, Erik, B. 1987 (Fa 488), Manuscripts & Folklife Archives 2010 Western Kentucky University

Rothfuss, Erik, B. 1987 (Fa 488), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full text (click on "Additional Files" below) for Folklife Archives Project 488. Information collected by Erik Rothfuss related to folklore genres for a folk studies class at Western Kentucky University.


Loveall, Sandra Kaye, B. 1964 (Fa 486), Manuscripts & Folklife Archives 2010 Western Kentucky University

Loveall, Sandra Kaye, B. 1964 (Fa 486), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full text (click on "Additional File" below) for Folklife Archives Project 486. Folklore material classified by genre. Information collected by Sandra Kaye Loveall related to folklore genres for a folk studies class at Western Kentucky University.


Phillips, Jennifer, B. 1988 (Fa 487), Manuscripts & Folklife Archives 2010 Western Kentucky University

Phillips, Jennifer, B. 1988 (Fa 487), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full text (click on "Additional File" below) for Folklife Archives Project 487. Folklore material classified by genre. Information collected by Jennifer Phillips related to folklore genres for a folk studies class at Western Kentucky University.


Mccomas, Eric Donald, B. 1983 (Fa 484), Manuscripts & Folklife Archives 2010 Western Kentucky University

Mccomas, Eric Donald, B. 1983 (Fa 484), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text (click on "Additional File" below) for Folklife Archives Project 484. Folkore material classified by genre. Information collected by Eric Donald McComas related to folklore genres for a folk studies class at Western Kentucky University.


Klimowicz, Teresa D. (Fa 13), Manuscripts & Folklife Archives 2010 Western Kentucky University

Klimowicz, Teresa D. (Fa 13), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 13. Interviews conducted by Teresa D. Klimowicz with Esther (Magers) Isbell, a native of Barren Coutny, Kentucky. Special attention is focused on her biblical themed quilts. Isbell also discusses her various occupations and participation in community affairs while living in Bowling Green, Kentucky.


Karmiller, Courtney Anne, B. 1989 (Fa 485), Manuscripts & Folklife Archives 2010 Western Kentucky University

Karmiller, Courtney Anne, B. 1989 (Fa 485), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full text (click on "Additional File" below) for Folklife Archives Project 485. Folklore material classified by genre. Information collected by Courtney Anne Karmiller related to folklore genres for a folk studies class at Western Kentucky University.


Kinchlow, Gina Lloyce (Fa 12), Manuscripts & Folklife Archives 2010 Western Kentucky University

Kinchlow, Gina Lloyce (Fa 12), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 12. Interviews conducted by Gina Lloyce Kinchlow with three Kinchlow family members concerning African American, middle class family life and Easter customs in New Albany, Floyd County, Indiana during the 1960s and 1970s.


Glynn, Luanne Carol (Aylesworth), B. 1951 (Fa 11), Manuscripts & Folklife Archives 2010 Western Kentucky University

Glynn, Luanne Carol (Aylesworth), B. 1951 (Fa 11), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 11. Interviews conducted by Luanne Carol (Aylesworth) Glynn with Marvel (Welborn) Mohon, Lewisburg, Kentucky concerning Thanksgiving customs, with much attention paid to Marvel’s life, especially her family.


Remember Me When I Am Gone - Exhibition (Fa 530), Manuscripts & Folklife Archives 2010 Western Kentucky University

Remember Me When I Am Gone - Exhibition (Fa 530), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 530. Materials related to the quilt exhibition, "Remember Me When I Gone," held at the Kentucky Museum, Western Kentucky University in 1995. Includes interviews with quiltmakers about their friendship and memory quilts.


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