American Popular Culture Commons^™

Christian, Callie Elizabeth Holmes, B. 1980 (Fa 550), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text paper (click on "Additional Files" below) for Folklife Archives Project 550.  A recipe for "Momma's Chocolate Pie" and a description of "The Color Game," a swimming pool game played by Christain Holmes during her childhood.  This project was completed as a requirement for a folk studies class at Western Kentucky University.

Metalepsis In Fan Vids And Fan Fiction, Tisha Turk

English Publications

No abstract provided.

When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames

Faculty Research & Creative Activity

Throughout the first decade of the twenty-first century the vernacular of popular culture has been bombarded by sexualized terminology. Although these terms are often formed with humorous intent, their staying power and use as cultural descriptive categories is both intriguing and disturbing. Also troubling is the fact that the majority of these new terms, such as puma (a thirty-something female “dating” a younger male), cougar (a forty-plus female “dating” a younger male), and MILF (“mother I’d like to fuck”), are restricted to the female gender alone. This article analyzes the etymology of these terms, their use in popular culture (ranging …

Neighborhood Blogging: How Localized Websites Are Redefining Community, Maryanne Engelbrecht

American Studies Senior Theses

In the last ten years, blogs have become an extremely popular and influential outlet for writing. Even more recently, there has been an influx in the creation of local, community blogs. These blogs focus on a particular area or neighborhood and serve as an interactive local newspaper for the community’s residents. These websites are unique in that those who frequently read and comment on them are not just members on an Internet community, but (in most cases) are also residents of a physical community as well. In his book, Imagined Communities, Benedict Anderson determines that communities are social constructs, …

Beauty And The Barbie Doll: When Life Imitates Plastic, Alexandra Gaudio

American Studies Senior Theses

My project will consist of three major parts. I want to take a brief look at how the hegemonic ideals of feminine beauty in the United States have evolved over the past fifty years, since Barbie was introduced in 1959. Also, I will go through a history of Mattel’s Barbie doll, including the development of the doll and some of its many different manifestations over the years. Then I will use these two components to investigate the relationship between exposure to the doll and young women’s perception of beauty, as well as other potentially subconscious ideals they may internalize from …

Peter The Nurse And Teresa The Politician: Exploring Gender Norms And Discrimination In The Workplace, Alex Filippo

American Studies Senior Theses

Due to gender socialization, people of today’s society expect males and females to be intrinsically different. Thus, many careers are dominated by a single gender. In my thesis I explore the consequences that those who are employed in professions that defy gender expectations, i.e. a male nurse and a female politician, deal with. It is common for a man in a female dominated profession to face discrimination. The converse is also true. However, the discrimination each person suffers differs according to his or her gender. The negative discrimination that for instance, a male secretary experiences is most strongly generated by …

Performing Femininity: Rae Bourbon And Christine Jorgensen Onstage, Taylor Riccio

American Studies Senior Theses

Drag performers and transexuals exist on the margins of the two gender binary. By existing on these margins these performers use both their physical bodies and humor to lampoon and subvert the gender binary and broaden the understanding of how gender is performed. Two performers, Rae Bourbon, a female impersonator, and Christine Jorgensen, a transexual who became a performer, placed their marginalized bodies on the stage and by doing so they heighten the subversion and critique of gender inherent in their performances.Gender is a normalizing force that dominates human interactions. Kessler and McKenna open their work on gender with the …

There’S No Crying In Baseball: Feminization, Sport, And Spectacle In The All American Girls’ Professional Baseball League, Dan Murphy

American Studies Senior Theses

My thesis focuses on the All American Girls Professional Baseball League (AAGPBL). Specifically, I explore aspects of femininity within the league and why Phillip Wrigley, the league’s first owner, and other league owners chose to accentuate femininity. In my research, I focus on certain features of the league, such as the league’s beauty school, player’s uniforms, sexuality, and race. I believe these and other factors played a role in how the league decided to market itself to Americans. Additionally I focus on how different members of the media wrote about the league. In writing about the AAGPBL, journalists from local …

Engendering Injustice: Drug Laws, Drug Economies, And The Marginalization Of Women In New York State, Kate Mcgee

American Studies Senior Theses

On November 8, 1983, Elaine Bartlett left her apartment in Harlem, and headed to Grand Central Station. There, she met her boyfriend, Nate. They were headed to the Monte Mario Hotel in Albany. To any bystander, they may have looked like any other couple. But Elaine Bartlett knew different. That’s because she had a four-ounce bag of cocaine stuffed down the front of her pants. In 1983, Bartlett was a twenty-six year old woman with four children. A male friend, George Deets—although she knew him as Chris at the time—told her that if she delivered the drugs, she could earn …

From American Bandstand To Total Request Live: Teen Culture And Identity On Music Television, Kaylyn Toale

American Studies Senior Theses

Because television succeeds or fails based on its ability to attract an audience large enough to entice advertisers, this project will operate under the assumption that popular television conveys some important cultural attributes of both its creators and its audience. American Bandstand and Total Request Live (TRL) each presented the most popular music of the day in ways that drew massive audiences from America’s youth, between 1952-1989 (Bandstand) and 1998-2008 (TRL.) I will treat these and related shows as venues through which to view American youth culture. The music itself adds an exciting component to the project: as music changed, …

Download This: Artist Development And Interconnectivity In The Internet Age, Geoffrey Johnson

American Studies Senior Theses

The advent of internet media distribution has profoundly changed the way most people consume music and experience artists. Outlets such as Myspace, YouTube, Twitter, and peer-to-peer downloading networks have made music and artists more accessible than ever before. These changes have come largely at the expense of the traditional music industry model of distribution. My thesis proposes that these new media have radically redefined what it means to be a developing artist. Specifically, these media empower artists with the ability to circumvent music industry oversight while providing them with tools of self-promotion to autonomously construct a fan-base. My thesis will …

So You Think You Know Dance?: Popular Dance And Cultural Identity On Television, Eleni Koutroumanis

American Studies Senior Theses

Dancing has reached new levels of popularity in America due to its publicity in new television shows over the past seven years. These shows have changed the image and ways of dance world, but more importantly the shows have brought dance into the Public Sphere and allowed the excluded to comment on, and in a way join, the dance world. Furthermore, these shows are bringing forward commentary on subaltern counterparts of two levels. One is dance culture, and those who make dance what it is today, being acknowledged in a greater public. The other refers to subaltern counterparts of a …

Can We Laugh? Jewish American Comedy's Expression Of Anxiety In A Time Of Change, 1965-1973, Emily Schorr Lesnick

American Studies Honors Projects

This Honors project is a site of intersection of my academic and activist interests in interrogating Whiteness, my social identity as a cultural Jewish American, and my creative passions in comedy performance. The tragicomic films The Graduate, Goodbye, Columbus, and Annie Hall of the 1960s and 1970s articulate the painful process of Jewish self- and group-definition in relation to dominant culture amidst fractures amongst Jews and external hostility and invitation. The collision of Jews’ long history of humor as a cultural practice and the turbulence and ambivalence of the post-World War II moment facilitated a space for Jewish …

Every Week Essays: Associated Sunday Magazines And The Origins Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Every Week Essays: Every Week’S Editorial Staff, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Every Week Essays: Every Week’S Demise, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Every Week Essays: Interpretive Possibilities, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Every Week Essays: The Contents Of Every Week, Melissa J. Homestead

Department of English: Faculty Publications

Every Week Magazine, published from 1915-1918, was a significant magazine phenomenon of its day, with a weekly circulation of 600,000 copies. The contents provide a rich cultural resource for those interested in the World War I home front, popular fiction, advertising, and constructions of race and gender during this period. Until the development of this digital edition, the magazine could be accessed by scholars and readers only with great difficulty due to its embrittled condition and rarity. Magazines provided courtesy of the University of Wisconsin.

Regular contributors of advice and commentary included Albert W. Atwood and Burton J. Hendrick. …