American Popular Culture Commons^™

"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan

Publications and Research

This article surveys how contemporary Broadway musicals cast fat women and focuses on Hairspray. The use of fat suits and contractual weight clauses figure into the discussion of fat stigma and casting practices. Seemingly body-positive musicals both celebrate and undermine the identities staged in them.

Laughing Out Loud: American Indian Comedy As A Force For Social Change, Jacob M. Ward

College of Graduate Studies: Theses & Dissertations

Activism entails not only individuals overtly campaigning for changes in public spheres, but in other ways and strategies as well. One of these other avenues is the use of political satire and humor. Comedy publicizes frustrations of American issues, just as sit-ins, walk-outs, or marches do. For the most part, scholars fail to address the importance of humor. This work researches not only the comedic works of Charlie Hill, the 1491s, and other American Indian comedians, but also how their craft possibly alters stances and opinions. These comedians have a voice, and, therefore, deserve examination. This work shows the influence …

Violence In Popular Culture: American And Global Perspectives, Rob Tench

Libraries Faculty & Staff Publications

No abstract provided.

The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson

Theses and Dissertations

There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national civilization will triumph and benefit by the struggle.

I bookend my …

Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv

Theses and Dissertations

Over the past several years I have been on a quest to locate a world beyond the one I’ve been presented. I am interested in the history of atomic particles - like everything that radiates off of a monument (both literally and those things that are metaphorically reified) - invisible things, and the ways in which these things insect beyond our knowledge systems. This inquiry takes many forms. Mine is a conceptually based practice linked to record keeping and time, and the ways in which these concepts find plurality within our culture; or more pointedly, the importance that we attach …

Web Archives At The Nexus Of Good Fakes And Flawed Originals, Michael L. Nelson

Computer Science Faculty Publications

[Summary] The authenticity, integrity, and provenance of resources we encounter on the web are increasingly in question. While many people are inured to the possibility of altered images, the easy accessibility of powerful software tools that synthesize audio and video will unleash a torrent of convincing “deepfakes” into our social discourse. Archives will no longer be monopolized by a countable number of institutions such as governments and publishers, but will become a competitive space filled with social engineers, propagandists, conspiracy theorists, and aspiring Hollywood directors. While the historical record has never been singular nor unmalleable, current technologies empower an unprecedented …

The Mockery Of Things: Material Culture And Domestic Ideology In The Detective Fiction Of Anna Katharine Green, Claire Meldrum

Theses and Dissertations (Comprehensive)

The Mockery of Things: Material Culture and Domestic Ideology in the Detective Fiction of Anna Katharine Green examines how a popular genre author like Anna Katharine Green (1846-1935) uses objects to articulate middle-class identity and social constructions in late-nineteenth-century and early twentieth-century America. During that era, the home as both a physical space and an ideological signifier was a central tenet in American middle-class identity. Focusing on domestically situated objects – clothing, household furnishings and domestic architecture – this dissertation considers how such items, which have tended to be read in support of domestic identity, instead function within the context …

My Mother On Dream Interpretation And The Lack Of Finality In Death, Liz Johnston

Comparative Woman

This is an interview with my mother, a dream interpreter. Here, we explore her practice of reading dreams and discuss her experiences in communicating with spirits.

Review: Bury What We Cannot Take By Kirstin Chen, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Review: The Incendiaries By R.O. Kwon, Jessie Fussell

Asian American Literature: Discourses & Pedagogies

A book review of R.O. Kwon's 2018 debut novel, The Incendiaries.

Introduction To Volume Nine: Homecoming, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Integration Of Local Poetic Voices: An Interview With Lawson Fusao Inada, Alma Rosa Alvarez, John Rafael Almaguer

Asian American Literature: Discourses & Pedagogies

An interview with Lawson Fusoa Inada

Mobilizing The Vietnamese Body: Dance Theory, Critical Refugee Studies, And The Aftermaths Of War In Andrew X. Pham’S Catfish And Mandala, Quynh Nhu Le, Ying Zhu

Asian American Literature: Discourses & Pedagogies

Mobilizing the Vietnamese Body: Dance Theory, Critical Refugee Studies, and the Aftermaths of War in Andrew X. Pham’s Catfish and Mandala

Through analysis of Andrew X. Pham’s Catfish and Mandala: A Two-Wheeled Voyage through the Landscape and Memory of Vietnam, this collaboration between a literary scholar and dance scholar joins methodologies from their respective fields to explore the politicized dimensions of the Vietnamese body-in-motion. Published in 1999, Pham's memoir documents his journey, as a Vietnamese refugee living in the U.S., as he travels throughout Vietnam on a bicycle. We argue that through the literal and theoretical mobilization of his …

The American Dream As A Cultural Movement, Thomas W. Raskay

English Department: Traveling American Modernism (ENG 366, Fall 2018)

This piece investigates the relationship between the American Dream and automobility through a generational lens, assessing cultural change in each renewal of the American Dream. Comparing generations of Americans exploring and reforming cultural space reveals evidence of the American Dream as a tendency for generations to expand to new frontiers balanced by a duty to reform current social space. Automobility multiplies Americans’ options for exploration and explodes the rate at which modern generations engage with different spaces. Now that automobility is routine, Millenials have expanded to the new social space frontier in cyberspace, but a limitless frontier may disrupt the …

Age Troubles, Emotional Labor, And Roz Chast’S Can’T We Talk About Something More Pleasant?, Shu-Li Chang

CLCWeb: Comparative Literature and Culture

In the article "Age Troubles, Emotional Labor, and Roz Chast’s Can’t We Talk about Something More Pleasant?," Shu-li Chang examines the medium—comics—Roz Chast uses to give expressions to the emotional labor involved in caregiving. The first section reads closely the Introduction of Chast’s memoir to set the stage for a critical engagement with Chast’s innovative use of comics to critique the discourse of positive aging. The next section examines the double movement of the emotional labor of caregiving: what moves the caregiving subject and how she is moved into thought. The article concludes by proposing, in the final section, …

‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler

Journal of Religion & Film

While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.

Viet Thanh Nguyen In Conversation With Andrew Lam

Asian American Literature: Discourses & Pedagogies

No abstract provided.

A Genealogy Of Self-Development In Modern America, Kelsey M. Binder

English Department: Traveling American Modernism (ENG 366, Fall 2018)

This article offers a hypothetical conversation between various authors and creators who have embarked on progressive self-development journeys under the influence of a shared society that intermittently embraces and rejects the structures of the American Dream. While examining the instinctive human motives that cause the radical decision to actualize one’s life, this paper attempts to bridge the psychology of the desire for personal growth to our influential cultural landscape. It explores and analyzes the self-development journeys of individuals such as William Least Heat-Moon and Chris McCandless, as well as the recent message of self-development found in a cinematic pop culture …

Cover Of Volume 9, Sung Yu

Asian American Literature: Discourses & Pedagogies

No abstract provided.

The Persistence Of The Past Into The Future: Indigenous Futurism And Future Slave Narratives As Transformative Resistance In Nnedi Okorafor's The Book Of Phoenix, Ellen Eubanks

Graduate Theses and Dissertations

In recent years, a number of authors have written science fiction works that express the concerns and experiences of marginalized people groups, including those in postcolonial societies, Indigenous/First Nations peoples, and other racial minorities. These works provide counter narratives to that of much canonical science fiction, which developed from narrative forms that often explicitly and implicitly supported colonial ideologies, and still often includes these ideologies today. This thesis analyzes the way The Book of Phoenix (2015) by the NigerianAmerican speculative fiction author Nnedi Okorafor uses a combination of the forms of Indigenous futurism and what Isiah Lavender terms meta-slavery narratives …