American Popular Culture Commons^™

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

The Misconception Of College Life: How Popular Media Is Making It Worse, Jenna Bucher

Pop Culture Intersections

This article explores the misconceptions of the life of a college student and the daily struggles that get overlooked. Colleges provide support for the most prevalent cases of mental illness but disregard those who do not display these obvious signs. This focus on only those with extreme needs leaves the majority of students feeling lost and not knowing where to go for help; their feelings are not warranted and unless they are suicidal, it is not of a concern. I will argue that on top of the stresses of acclimating to college, daily work and social pressures, social media has …

Just Between Us Girls: Discursive Spaces From America's First Gay Magazine To The World's Last Website For Queer Women, 1947-2019, Josie Rush

Electronic Theses and Dissertations

Just Between Us Girls charts the diffusion of queer theory outside of the academy, using convergence theory to examine communication technologies like periodicals and the Web to argue for a conception of queer theory that includes discourse between queer women about queerness. In making this argument, this project creates a lineage of discursive spaces by, for, and about queer women, putting content from these spaces in conversation with canonical queer theorists like Judith Butler, Eve Sedgwick, and Jack Halberstam. Analyzing and contextualizing discursive spaces like Vice Versa (1947-1948), The Ladder (1956-1972), The Furies (1972-1973), AfterEllen, and Autostraddle demonstrates not …

Staging Intersectionality: Power And Performance In American Cultural Texts, 1855-2019, Alexandra Reznik

Electronic Theses and Dissertations

This study explores a diverse array of cultural texts, from literary representations to live performances, from the antebellum period to the contemporary moment,that highlight African-American women singer-celebrities navigating entertainment industries in the United States. Focusing on significant figures from the nineteenth century to the present including Elizabeth Taylor Greenfield (the first prominently known Black woman singer in the antebellum period), Pauline Hopkins (the late nineteenth- and early twentieth-century novelist and soprano), Sissieretta Jones (a twentieth-century soprano singer), and Beyoncé Knowles-Carter (a contemporary singer-celebrity, songwriter, and producer), this study re-imagines the archive of Black singer-celebrities by centering Black women’s performances and …

The Gen Z Zombie: Ya Takes On The Undead, Jason Mccormick

Theses and Dissertations

After the terror attacks of 9/11, zombie stories experienced an unprecedented boom, or for some critics, a renaissance. Fears of mass death, infiltration by the Other, and life before and after the apocalyptic moment were played out through zombie stories. The longevity of the boom also saw the zombie myth move into strange new places including Young Adult novels, resulting in what I refer to as the “Gen Z zombie.”

In his discussion of the sympathetic zombie, Kyle William Bishop mentions YA zombie texts including Carrie Ryan’s The Forest of Hands and Teeth and Isaac Marion’s Warm Bodies but groups …

Black Lives Matter: Understanding Social Media And The Changing Landscape Of Social Trust, Diana Carolina Cascante

Graduate Theses and Dissertations

This study aims to understand how social media is changing the landscape of social capital. Current research indicates a paradox between the growing use of mediated sources that are building social capital and low levels of social trust found in social media. People are skeptical of whether social media is trustworthy because there is no mechanism for fact-checking or verifying the information posted online. Since traces of social capital postulate social trust, it is needed to promote communal change. To understand this paradox, the Black Lives Matter movement is examined as an online platform that brings people together who have …

Table Of Contents

The Southern Quarterly

Table of Contents for the special issue on Foodways in the South

Peace, Love, And Politics: How Woodstock Of 1969 Epitomized The Relationship Between Social Movements And Music, Jacklynn Ramsey

Politics Summer Fellows

This research analyzes the role that music plays in social movements in the United States, focusing on Woodstock of 1969 as a pivotal moment. By examining the 1969 Woodstock through an academic lens, I illustrate the intrinsic relationship that exists between music and politics, specifically through social movements. First, I explore the relationship that music and politics have had historically and extrapolate why they are interconnected. Then, I dissect two different movements, paralleling them from their roots to present day, analyzing the integral role that music has had in them. Those movements include the Civil Rights Movement and Black Lives …

How A Psychopathic Serial Killer Becomes An American Favorite: An Analysis Of Dexter Morgan, Joanna Dunn

Augsburg Honors Review

In a society where the selling of serial killers' personal items is a profitable business and killers are the focus of many facets of entertainment such as biopics, crime novels, films, and the television network TruTV it is not surprising that a series about a killer debuting in 2006 would be the highest rated premiere of its home network Showtime, or that its viewership would increase by 84% between the pilot and season one finale. The series Dexter does, after all, follow the everyday routine of a serial killer, even giving the audience a glimpse into his innermost thoughts. However, …

Stuff White People Like...To Keep: Re-Appropriation And Whiteness In America, Trevor Schmitt

Augsburg Honors Review

This paper evaluates the effect of Whiteness on the re-appropriation of cultural traditions through the blog Stuff White People Like. It is the contention of this research that the dominant racial identity in U.S. culture appropriate cultural traditions to re-enforce its cultural control. The manner in which this process occurs is evaluated through the two separate cultural traditions of Yoga and Natural Medicine as highlight by the blog. The resulting conclusion of this research finds that Whiteness erases marginalized cultural tradition meanings through popular culture and consumerism in order to apply new meanings which are more accessible to the dominant …

'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl

Faculty & Staff Scholarship

This article explores the tomboy trope in film and literature and the "taming" that characterizes it, framing both in relation to contemporary debates about gender and sexual identity as well as cultural anxieties around queer, trans, and nonbinary identity. Examining texts from Louisa May Alcott's Little Women to the 1980 film Little Darlings, the article argues that even while the term tomboy may be obsolete, tomboy narratives document processes of rebellion that hold continuing value.

"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva

LSU Doctoral Dissertations

The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …

Why The Covenant Worked: On The Institutional Foundations Of The American Civil Religion, John W. Compton

Political Science Faculty Articles and Research

Scholars of American civil religion (ACR) have paid insufficient attention to the micro-level processes through which civil religious ideas have historically influenced beliefs and behavior. We know little about what makes such appeals meaningful to average Americans (assuming they are meaningful); nor do we know much about the mechanisms through which abstract religious themes and imagery come to be associated with specific policy aims, or what Robert Bellah called “national goals.” This article argues that a renewed focus on the relationship between civil religion and organized religion can help fill this gap in the literature. More specifically, I draw attention …

Dramatizing The Void: Crime Fiction's Journey To Forgetting, Kylene N. Cave

Andrews Research Conference

Scholars often cite the transition from the golden age to the hardboiled tradition in the 1920s and 1930s as the most radical shift in crime fiction. By 1945, crime stories regularly exhibited destabilized language, increased interest in psychology of the mind, and a blatant rejection of conclusive endings as a means of exploring the unreliable nature of memory and eye-witness testimony. Whereas the crime fiction narratives preceding 1945 embodied a clear sense of logic and order, and established hermeneutics and signifying practices as the keys to unlocking the mysteries behind human behavior; post-45 crime fiction not only rejects these notions, …

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

“An’ No Place To Lead ‘Em”: The Grapes Of Wrath And The Breakdown Of Myth, Nicholas F. Comeaux

LSU New Orleans Theses and Dissertations

In spite of its common designation as an outmoded classic of sentimental middlebrow literature, John Steinbeck’s The Grapes of Wrath remains relevant as a milestone in an extended liminal stage between the failing cultural myths of the past and the founding of newly relevant shared stories. This stage begins with the Enlightenment and continues to present-day conflicts over identity, labor, migrants, notions of truth itself, the function and responsibilities of government, and our shared ecological destiny. Arriving near the end of the Depression and its concurrent economic and environmental disasters, The Grapes of Wrath reflects a particularly chaotic stage in …

Supernatural Pilgrims: A Journey To A New Apostolic Reformation Congregation In The Ozarks, Samuel Wayne Gingerich

Graduate Theses/Dissertations

Birthed out of the revival events of the 1990s, the New Apostolic Reformation is known for its charismatic leaders and provocative theology. As an emerging third wave Pentecostal movement, the New Apostolic Reformation is redefining the edifices of American Pentecostalism. While academics and journalists are currently focused on exposing the influence of some of its leaders such as C. Peter Wagner, Bill Johnson, Randy Clark, and Heidi Baker, there is little scholarship regarding the congregations and communities of believers who find themselves a part of this dynamic movement. This thesis takes a step towards understanding the larger story of the …

The Psychos, Paula N. Stevenson

Graduate School of Art Theses

My current body of work is a series of drawings that juxtapose characters of fiction and reality in an attempt to explore the relationship between horror film and contemporary social issues. I strive to render an accurate portrayal of the face to draw the viewer into questioning the troubling narrative these characters illuminate. I focus on retelling stories of fear and horror, and crime and infamy. I want my work to convey ethical dilemmas as they are present within the relationship between horror movie antagonists and the audience (all of us). It is these concerns I attempt to visualize in, …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Queer History Through A Hollywood Lens, Long Tran

Augsburg Honors Review

Film festivals have been important platforms for promoting independent films that bring to the forefront issues of marginalized communities, especially the struggle for queer justice and visibility. This paper pursues a hypothetical opportunity for programming a film festival screening centered on queer stories. The direction of this paper will take the form of a film festival curator’s statement that links three films with common themes and issues. The overarching, common thread holding the proposed films together is the mainstream Hollywood influence behind the exhibition and consumption of the films—The Academy Awards (otherwise known as The Oscars). Three major Academy Award-winning …