American Popular Culture Commons^™

The Crow: Gothic Vigilantism And 1990'S Alternative Music, Kelly Stith

Far West Popular Culture Association Annual Conference

No abstract provided.

Book Review: Lori D. Ginzberg. Women And The Work Of Benevolence: Morality, Politics, And Class In The Nineteenth-Century United States. New Haven: Yale University Press, 1990., Merritt A. Morgan

Bound Away: The Liberty Journal of History

Lori D. Ginzberg's 1990 work, Women and the Work of Benevolence: Morality, Politics, and Class in the Nineteenth-Century United States, focuses on the ideas and socially benevolent practices of Protestant women of the prosperous middle and upper-middle-class during the 1820s to the 1880s in the northeast region of the United States. The author analyzes how contemporaries affirmed these values in women's benevolent work, which also promoted their status and brought about significant social changes in American culture.

Sowing The Seeds Of Texas Nationalism, Frances Watson

Bound Away: The Liberty Journal of History

The period of Texas independence (1836-1845) provided rich ground for a strong sense of Texan nationalism to grow, with the seeds sown much earlier. To this day, Texans still exhibit characteristics common with nationalism, due to a long history of coping with life on the frontier, the Scotch-Irish heritage of fighting in defense of individual rights, winning an armed struggle for independence from Mexico, and dominant Southern traditions of Protestant evangelical religion and military pride.

Dancing Through Time: A Biographical Look On The Evolution Of Tap Dance, Jaimie Cranford

Dissertations, Theses, and Capstone Projects

A uniquely American art form, tap dance has often been misrepresented and under-appreciated when positioned alongside other dance forms. This is largely due to the form’s racialized history, which builds upon contributions from African-American culture. Unlike other dance forms, which stem from white European traditions, tap dance evolved out of a necessity for cultural preservation as enslaved Africans adapted to life in America. As tap dance evolved, its association with slave culture led to it not being taken seriously; if anything, tap dancers were viewed simply as “entertainers” – certainly not as artists. Using a biographical lens, this work looks …

Art After Dark: Economies Of Performance, New York City 1978–1988, Meredith Mowder

Dissertations, Theses, and Capstone Projects

Art After Dark: Economies of Performance, New York City 1978-1988 examines the interwoven social and economic histories of New York City and performance in the late 1970s and 1980s. The dissertation traces the growth and visibility of performance art, moving from the recession of the 1970s and early years of public funding for the arts, to the downtown nightclub scene of the 1980s, the history of the Brooklyn Academy of Music’s Next Wave Festival, and artistic experiments with television in the 1980s.Looking closely at the economic conditions under which performance occurred during the late 1970s and early 1980s, this dissertation …

Demanding Empathy Through Depictions Of Crisis: Activist Artists React To The Trump Administration's Family Separation Policies, Maisea Bailey

CLAMANTIS: The MALS Journal

No abstract provided.

Girl In Action: Junior Bazaar, 1945-1948, Rose D. Bishop

Theses and Dissertations

This thesis provides an overview of Junior Bazaar, a short-lived magazine for teenage girls published by Hearst between 1945-1948. Under the supervision of art director Lillian Bassman the magazine featured a variety of aesthetic devices — such as photomontage, asymmetrical layouts, the selective use of color, and playful placement of graphic forms — in efforts to distinguish itself from other publications on the market and construct a visual space specific to its teenage readers. Bassman’s unconventional stewardship of Junior Bazaar made room for an up-and-coming set of photographers, including Richard Avedon, Robert Frank, Diane Arbus, Louis Faurer, and other …

Us, Abundantly: From Africa To The Americas, Karisma Jay

Theses and Dissertations

"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.

The Oldest Post-Truth? The Rise Of Antisemitism In The United States And Beyond, Gerald Steinacher

Department of History: Faculty Publications

Antisemitism, the negative stereotyping and hatred of Jews, has overshadowed Western history for 2000 years. In the 20th century, antisemitism led to the Shoah, the systematic state-sponsored murder of 6 million Jews by Nazi Germany and its allies. In recent decades, antisemitism diminished significantly in the Western world, and there was hope that this plague would soon be consigned to the past. On the contrary, the past few years have witnessed a drastic increase of antisemitism in Western societies, often paired with far-right activism, racism, and xenophobia. In 2017 in Charlottesville, there were hundreds of marchers giving Nazi salutes, waving …

Out Of Time: Temporal Performativity And Resistance In Popular American Film, Television, And Theater, Meghan Johnston Aelabouni

Electronic Theses and Dissertations

This dissertation argues that religious world-making in popular culture can reveal and resist hegemonic times. Taking as my primary case study the United States in the 2010s, particularly the shift from the Obama to the Trump era, I analyze cultural constructions of time—as sacred history, destiny, and “the times”—that reflect and shape national identity and belonging in the American imagined community. In this context, such temporal constructions have privileged whiteness and heteronormative masculinity, positioning those who embody or approximate this norm as “of the times,” while also displacing BIPOC, women, and queer people as “out of time.” I posit time …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

From The Trenches To The Writer’S Desk: Establishing A Collection Of Children’S Books Authored By Military Veterans In An Academic Library, Casey D. Hoeve

University of Nebraska-Lincoln Libraries: Faculty Publications

Kansas State University possesses a collection of juvenile literature to aid Education and English Department programs. KState is also the university with the largest military population in the state. It was discovered that several famous children’s authors were military veterans. Building upon this research, over 160 children’s authors who served in the military were identified. K-State Libraries NEH Endowment Committee funded the curation of a military veteran children’s literature collection, the only known academic library to possess such a collection. The collection enabled the libraries to provide outreach through access to the materials, internet resources, and special collections exhibits.

Animal-Human Vocabulary Builder, Domenick Acocella, Rene Cordero

Open Educational Resources

The assignment helps students individually build a usable, expanding vocabulary of terms and concepts, enabling each to further contribute to the ongoing, evolving written, oral, and visual conversations centered on the use of and thought about animals for food, clothing, work, entertainment, experimentation, imagery, and companionship.

Andrea Revised: Andrea Dworkin: The Feminist As Revolutionary By Martin Duberman, Phyllis Chesler

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

Introduction To Game Design, Development, And Criticism (Game 201t), Kevin Moberly, Richard E. Ferdig (Ed.), Emily Baumgartner (Ed.), Enrico Gandolfi (Ed.)

English Faculty Publications

No abstract provided.

A Fat Imposter: The Embodied Intersection Between Race, Body Type And Fatness In Margaret Cho’S Comedy, Julia Cox

Theses and Dissertations--Linguistics

Margaret Cho is a comedic goddess who, in her mockery, serves flaming hot social commentary about race, body image, and fatness. Within this thesis, I used critical discourse analysis to understand how Margaret Cho embodies Asianness, whiteness, and the body types and images prescribed respectively. While working on data analysis, I came across a common media trope of fat women: the use of indexically Southern (United States), Appalachian, and Working class indexicals in speech and lexical items. I connected the ideologies surrounding Southern and Appalachian language to the inequalities that fat women face. This voicing had not previously been written …

"To Claim That Greatness For Themselves”: A History Of The Kentucky Horse Park, Emily Elizabeth Libecap

Theses and Dissertations--History

The Kentucky Horse Park describes itself as the world’s only equine theme park. However, the park is not entirely without historical precedent; instead, world’s fairs, amusement parks, and theme parks all form a century-long pedigree chart through which the park can trace its ancestors. The Kentucky Horse Park’s links to these predecessors deepen our understanding of how the park is a reflection of the world around it and the motivations for how and why it was built. From its inception in the late 1960s, to when it opened in 1978, through the present day, the Kentucky Horse Park was and …

“Ain’T My Mama’S Broken Heart”: The Mothers And Daughters Of Hillbilly Feminism, Alyssa Dewees

Journal of Feminist Scholarship

The women of country music have long defied the genre's patriarchal associations and used their music as a platform for subversive social messages about gender inequality, and in the past several decades, the country music establishment has grown more willing to alter its image and accommodate these feminist themes. Because country music is marketed and understood by many of its fans as a representation of a lifestyle, this shift in expectations for women’s social roles and possibilities in the genre has an impact on the women who identify themselves with the particular rural, down-home image country music aims to define. …

Digital Shame, Dehumanization, And Dismissal: An Analysis Of Gender Policing, Isabella Hatch, Antonia Randolph

Pursue: Undergraduate Research Journal

Introduction: The online performance of gender provides a unique glimpse at how individuals manipulate digital settings to reflect their engagement with their own gender performance and the gender performance of others. The majority of gender performance occurs subconsciously and is learned through repeated engagement with gendered expectations. However, the performativity of gender is brought to individuals’ consciousness when they are confronted with individuals who perform in a way that contrasts with previously held gender expectations. Transgender and gender-nonconforming individuals face frequent and often harsh gender policing that attacks them for their deviation from performances that are socially “acceptable.”

Methods: An …

Sonic Femininity: The Ronettes' Transgressive Gender Performance, Hilarie Ashton

Publications and Research

Iconic sixties girl group the Ronettes are frequently (and justly) celebrated for anchoring the Wall of Sound and inspiring the Beatles, but in their own right, they transgressed social, gendered expectations in revolutionary ways. Framed by a notion I call the sonic feminine, a recuperative theoretical space for the revolutionarily transgressive work of female and femme artists, I argue that the Ronettes, and lead singer Ronnie Spector in particular, enacted a kind of cultural rebellion: they crafted their images to made-up heights that tease the boundaries of drag across the spaces of the stage, the recording studio, the bathroom, and …