American Material Culture Commons^™

The Politics Of Style: How Black Fashion Redefined Identity In The Civil Rights Movement (1950s-1970s), Ava Saleh

Rushton Journal of Undergraduate Humanities Research

This paper explores how fashion served as a powerful political tool during the Civil Rights Movement of the 1950s-70s, tracing its evolution from the polished Sunday Best to the Afro and militant style of the Black Panther Party. By examining respectability politics, the rise of the Black is Beautiful movement, and the Black Panthers’ visual strategies, this research explores how clothing and style reflected shifting approaches to resistance. It argues that Black Americans used fashion to challenge Eurocentric standards, reclaim heritage, and express pride, leaving a legacy of empowerment that continues to influence social movements.

Billiken As Transcultural Object From American Mascot To Japanese Pop Deity, M.W. Shores

Asia Pacific Perspectives

This article examines Billiken’s transcultural journey from American novelty mascot (1908) to cultural icon, illuminating early twentieth-century Pacific exchange networks and patterns of cultural adaptation. Drawing on American and Japanese archives, it demonstrates how this commercial figure, born from Progressive Era optimism and incorporating Japanese (and Orientalist) design elements, was transformed within Japanese religious and cultural frameworks. The study analyzes Billiken’s metamorphosis from “good luck” commodity to quasi-religious icon, particularly in Osaka’s Shinsekai district, where strategic marketing drove his its late twentieth-century revival after decades of obscurity. While largely forgotten in America and elsewhere, Billiken’s endurance in Osaka challenges narratives …

The Boxer Rebellion And Missionaries: A Study Of Historical Context And Ideological Perspectives, Danielle Russano-Simpkins

Bound Away: The Liberty Journal of History

This paper examines the complex interplay between missionary activity, imperial ambitions, and indigenous resistance in China during the Boxer Rebellion (1899-1901). Analyzing primary sources and revisionist accounts, it is argued that the rebellion exposed the contradictions between missionaries' spiritual goals and their complicity in imperial structures. The study highlights how missionary theology, imperial relationships, and local resistance converged to create one of modern history's most significant anti-foreign uprisings, shaping subsequent Sino-Western relations and Chinese nationalism.

Anishinaabe Nibiing: Anishinaabe Waterscapes And Canoe Building As Traditional Ecological Knowledge, Jeremy Kingsbury

The Cicadian

This paper explores the cultural, ecological, and technological significance of birch bark canoe (wiigwaasi-jiimaan) building among the Anishinaabe people, emphasizing their identity as an inland maritime society. Drawing on historical accounts, oral traditions, and personal experience as a park ranger, the author examines the intricate process of harvesting materials and constructing canoes, highlighting the deep environmental knowledge and gendered labor involved. The canoe served not only as a vital means of transportation and subsistence—facilitating fishing, wild rice harvesting, and seasonal migration—but also as a symbol of familial and spiritual connection. Through detailed descriptions of material selection and craftsmanship, …

On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos

Criticism

Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.

The Evolution Of Schooling: From Industrial Obedience To Techno-Autonomy, Seb Taylor, Ron Roberts Ii

Digital Laboratory: Publisher of Internet Journal

This paper examines the enduring architecture of the American education system as a mechanism designed for compliance, not creativity. Rooted in 19th-century industrial logic, the structure of schooling, its physical design, time constraints, and assessment methods, has remained largely static despite seismic cultural and technological shifts. Through historical analysis and contemporary critique, this work interrogates the persistence of standardized methods, institutional prestige, and top-down instruction as barriers to meaningful learning and value creation. Drawing from interdisciplinary research and live case studies, including Alpha School’s AI-powered, mastery-based model, the paper advances the concept of techno-education: a student-centered paradigm informed by feedback …

Kimball Hall, 1970: Collective Organizing Through Print Production, Jen Hoyer

Publications and Research

This article examines the May 1970 occupation of Kimball Hall, a university administrative building at New York University, and specifically of its basement printshop. The group that came together in this space referred to itself as the Kimball Commune; they used university equipment and resources to print material in support of the strike and related movements, and they invited students, activists, and the general public to come into the printshop and produce material with them. I demonstrate how the Kimball Commune provides a concrete example of how a collaborative radical printing project isn’t just about creating alternative media. It also …

Shaping The Fabric Of Society: Middle Class Women As Imperial Consumers Of Calico In Pre-Revolutionary America, Elsa Cassell Toland

Swarthmore Undergraduate History Journal

Through the Calico Acts of 1700 and 1721, Britain repositioned its Atlantic colonies as distinct imperial consumers of imported calico cloth from India. The resulting expansion of the cotton textile trade had profound impacts for class and society in pre-revolutionary America, as middle class consumers used calico to express their purchasing power, refined taste, and social identity. These patterns of class expression were especially relevant for middle class women. As the primary consumers of imported calico, women directed purchases of luxury textiles for their households in order to shape their families’ identities as members of the middle class. Ultimately, as …

Midwestern Landscapes, Immigrant Hands: Swedish Artists And The Regionalist Movement, Grace Finney

Celebration of Learning

The Regionalist movement in American art attempted to define an authentic national identity through depictions of the American landscape, rural life, and working-class values and communities. From the mid-19th to early 20th century, over a million Swedes immigrated to the United States, many of whom settled in the Midwest, a region frequently depicted by Regionalist artists. Swedish immigrant artists captured the beauty of the same landscapes, portrayed similar rural values, and even created public art, all of which are defining elements of the Regionalist movement. Their artistic expressions align with the themes of Regionalism, yet they remain absent from the …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Weep No More, My Lady (Oh! Weep No More Today): Love, Violence, Printmaking, And Kentuckian Futurity, Madison Brown, Marshall Brown

Bachelor of Fine Arts Senior Papers

Situated within a regressive political climate, this essay considers the writer’s thesis artwork Weep No More, My Lady as a simultaneous account of Southern gendered violence and a desire for healing. Through personal and historical connections to Kentucky’s material culture, the work navigates binaries of class, race, and gender that have dictated the dominant contemporary conception of the region. Placing the competing forces of care and brutality in dialogue, Weep No More, My Lady translates these theoretical challenges into formal attributes. The work suggests modes of making — stitching, unraveling, tearing — can act against the construction and naturalization of …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

"Troublesome Medicine Man": Representations Of The Sword Bearer Incident In Newspaper Coverage, Cara Sue Swaim

History Undergraduate Honors Theses

Newspaper coverage of Native Americans during the nineteenth century had an “artistic bias,” or a tendency to emphasize action, danger, and treachery as a part of the “Indian formula.” This meant that vast amounts of journalistic zeal was spent on instances of conflict and tension between tribes, within tribes, between tribes and white settlers, or between tribes and the U.S. military, while times of peace and instances of cooperation received miniscule amounts of attention. This was largely motivated by a desire to justify American western expansion and the need to “civilize” Native groups. This “Indian formula” was also applied in …

"Taking" Photographs: Settler Aesthetics In 20th Century Hawaiian Postcards, Elena Lee, Rebecca Koerselman

Celebration of Research

Due to colonization, Hawaii’s economic, political, and societal structure were changed to fit the white American standard. Colonization also caused a shift in their aesthetics, including the exclusion from participation in the creation of art, and poor visual representations of Hawaiian culture in settler art, which is known as “settler aesthetics.” Settler Aesthetics is a term and theory that seeks to define how a culture’s art and beauty has been influenced by settler colonialism. Many historians have analyzed this theory in Hawaiian literature, music, and visual art, but have left untouched the field of deltiology; the study of postcards. Though …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

“Something To Be Involved In”: Fostering Intra-Campus Community Through Zine- Making And The Potentials Of A Zine Library At Binghamton University, Autumn Jacobs

Library Research Scholars Program Spring 2025

Zines encompass a wide variety of works broadly defined as self-published print works that are not made with profit in mind. They have long fostered community networks for marginalized groups and fringe interests. In recent years, they have increasingly been used in academic contexts, through class assignments, student organizations, and library programming. While there have been a number of zinemaking initiatives at Binghamton University, there has been little institutional support for this work and it has been incredibly fragmented. This project aims to bridge the gaps between zinemakers and administrative support through the creation of a campus zine library. During …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

A Pragmatic Legacy: Charles Wilson’S Politics And The Battle For His Archival Heritage, Jordan Coleman

Electronic Theses and Dissertations

Congressman Charlie Wilson served Texas and the United States with distinction throughout his political career, leaving a profound impact on East Texas and the global stage. Known for his progressive policies in the Texas Legislature and his influential role in U.S. foreign policy during his tenure in Congress, Wilson’s pragmatic political career and legacy is preserved in the Charlie Wilson Congressional Papers collection at the East Texas Research Center (ETRC). Despite its historical significance, the collection faced decades of delayed processing, disorganization, and neglect of archival best practices. This public history thesis confronts these challenges by detailing the efforts to …

From The Editors, Meredith Mccarroll, Jasper Waugh-Quasebarth, Zada Komara

Art Faculty Publications

Anyone involved in academic publishing understands—to some extent—the time needed to solicit, compile, and edit a range of voices to create something worthwhile that holds together. To do so in collaboration as editors adds a layer of complexity. Here, we see that complexity pays off as Jasper Waugh-Quasebarth and Zada Komara invite multiple perspectives on material culture in Appalachian society into conversation in this special issue of the Journal of Appalachian Studies. It is an honor to be a small part of this work, carried out by the co-editors, whose introduction follows. I invite you, as you read, to contextualize …