Between Nature And Architecture : A Dialogue Of Five Elements,
2026
Rhode Island School of Design
Between Nature And Architecture : A Dialogue Of Five Elements, Niexiangyi He
Masters Theses
Rooted in classical Chinese cosmology, the Daoist Five Elements (Wood, Fire, Earth, Metal, and Water) describe dynamic cycles of mutual generation (sheng)—in which one element produces or supports another—and restraint (ke)—in which elements regulate or limit one another to maintain balance. Rather than a system of symbolic representation, these interactions outline a relational model of equilibrium based on interdependence and continuous transformation. Wood, Fire, Earth, Metal, and Water can inform a contemporary design framework for interior and architectural practice. It interprets these cycles as a form of spatial logic that guides material selection, structural organization, environmental modulation, and experiential sequencing, …
Soft Bodies, Hard Frames,
2026
Rhode Island School of Design
Soft Bodies, Hard Frames, Emily Zhang
Masters Theses
Silk is delicate yet strong, responsive to light and air, dependent on living processes and careful labor. These qualities position silk not only as a material object, but as an instrument capable of organizing space. Rather than functioning solely as a surface or decorative textile, silk can operate as a spatial generator, shaping enclosure, movement, and environmental conditions.
For centuries, domestic courtyard houses in the Jiangnan region, located south of the Yangtze River, evolved alongside sericulture, forming spaces that were attuned to the environmental and material requirements of silk. Architectural elements such as courtyards, screened openings, flexible interiors, and canal-directed …
Jadughar: The House Of Magic,
2026
Rhode Island School of Design
Jadughar: The House Of Magic, Dhruvi A. Shah
Masters Theses
Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …
Fetishismus:Facism, Sodomy, And The Exhibition,
2026
Rhode Island School of Design
Fetishismus:Facism, Sodomy, And The Exhibition, Matthew P. Gershovich
Masters Theses
Fetishismus examines the contemporary dislocation between homosexuality and queerness. Homosexuality is the biological, innate quality of same-sex attraction. Queerness is rooted in deviance, perversion, and sociologically attached to the “other.” Although almost always used in an explicitly homosexual connotation, “queerness” is not entirely contingent on the physical engagement of homosexual acts. In historical usage, queer is used as a pejorative adjective, implying a lack of masculinity with the intent to invoke repulsion. In contemporary parlance the two are treated as synonymous. This intertwined relationship relies on the forced lack of social and spatial belonging that is rooted in a foundational …
The Birdwatching Pause: Reframing Campus Life Through Everyday Bird Encounters,
2026
Katherine Zeng
The Birdwatching Pause: Reframing Campus Life Through Everyday Bird Encounters, Katherine Zeng
Masters Theses
Birdwatching, typically framed as a leisure pursuit removed from everyday life, becomes here the organizing logic for a three-site campus route of restorative pause. The thesis departs from the assumption that nature must be sought out and instead asks what happens when the birds already present in urban space are made legible through design.
Three existing RISD buildings anchor the project, each organized around a distinct mode of encounter. At Carr Haus Café, a furniture-scaled insertion creates conditions for attentional reset through passive listening rather than active looking. At North Hall, a semi-open balcony garden introduces incidental, distanced contact with …
Returning To The Hand,
2026
Rhode Island School of Design
Returning To The Hand, Tatum Dodd
Masters Theses
Historical preservation is traditionally understood as the act of protecting objects and buildings from change, reinstating and stabilizing the past so they may endure into the future. When preservation seeks to freeze and resolve the past, it separates it from the reality of our multi-layered histories and the traces of labor, repair, and care unfolding across generations. Through a human-centered lens that allows one to touch, uncover, and redefine, we are able to relate to our built environments through an ethical practice of care, inviting new avenues of dialogue and engagement with our past.
Recording traces of the hand within …
The Found Stone Game,
2026
Rhode Island School of Design
The Found Stone Game, Magnolia Moskun
Masters Theses
This is not about masonry. This is stone architecture in constant motion.
I work with found stone in states of precarity, extracting discrete and sometimes surprising functions from each individual rock. Construction relies on physical forces while avoiding standardized building materials and methods.
Uncertainty is inherent. The builder is a perpetual novice, open to unexpected outcomes. Working with irregular stone takes incredible precision: it can’t be entirely planned or designed. The process is an inquiry into the deep physical understanding that can only be gained through hands-on work. This architecture rebels against the apathy in contemporary practice by deviating from …
Landscape Repositories: Mapping Post-Mining Narratives In Asbestos, Qc Val-Des-Sources, Qc,
2026
Rhode Island School of Design
Landscape Repositories: Mapping Post-Mining Narratives In Asbestos, Qc Val-Des-Sources, Qc, Rasha Lama
Masters Theses
Landscape Repositories: Mapping Social Narratives in Asbestos, QC Val-des-Sources, QC proposes the ‘landscape repository’ as a tool for landscape literacy and cultural legitimacy that integrates histories, geographies, and social narratives to inform grounded and place-based post-mining futures.
Val-des-Sources, Québec (formerly Asbestos, QC) is a place whose extraction legacies and material histories are deeply interwoven into its contemporary economy and cultural landscape. The centre of town is the Jeffrey Mine, once the world’s largest open-pit asbestos mine that is deep enough to hide the Eiffel Tower entirely. Ceased in 2012, the 130-year-old Jeffrey Mine and sixty-one other Québec asbestos sites once …
Rooted Retreat: Integrating Community Land Stewardship And Gardening Into Managed Retreat For Generational Connection To Place,
2026
Rhode Island School of Design
Rooted Retreat: Integrating Community Land Stewardship And Gardening Into Managed Retreat For Generational Connection To Place, Brooke E. Dutton
Masters Theses
Retreat from vulnerable floodplain landscapes is inevitable, and will only become a more pressing issue as climate change exacerbates flood risk. Unfortunately, it is a process that results in displacement of a community; people are uprooted from a place, and from each other. Post-retreat landscapes are largely converted to conservation land, re-naturalized floodplains, abandoned, ghostly neighborhoods, or public parks.
But this thesis wants to challenge the status quo retreat process, and consider the possibility of retreat not being destructive, but generative. Retreat can instead be an opportunity for reconciliation, stewardship, cooperation, and community building.
How can gardening and long-term community …
Strata: Portraits Of The Alvarado & The Southwest,
2026
Rhode Island School of Design
Strata: Portraits Of The Alvarado & The Southwest, Kayla R. Duncan
Masters Theses
History isn't the past; it is a continuing unfolding of the moment, yet we cannot feel time. We see traces of age through patina on copper, the wrinkles on a face from decades of laughter, or the holes in your favorite shirt. Similarly within architecture, what remains: ruins and fragments serve as layers that indicate the passage of time. In what ways are these layers exposed? Hidden? Erased? How do we determine what layers are worthy to be erased, maintained, or glorified as use of a structure or place continues to evolve through time?
The history of Albuquerque spans the …
The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace,
2026
Rhode Island School of Design
The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace, Zhihao (Sky) Xing
Masters Theses
Traditionally, architecture has provided physical protection through solid structures and defined boundaries, while modern interior spaces have evolved further to serve function, efficiency, and the operational needs of society. These include open-plan offices, art school studios, and other public spaces like libraries. Although physical rigidity and operational efficiency have been well served by the modern built environment, the psychological experiences of those within it remain largely overlooked - a lack of privacy, emotional support, and space for emotional withdrawal.
This research explores why contemporary workplaces often expose individuals to sensory overload and why people often retreat to stairwells, restrooms, or …
Breathing Structures: Hygroscopicity Of Fibers.,
2026
Rhode Island School of Design
Breathing Structures: Hygroscopicity Of Fibers., Nawal Urooj
Masters Theses
Cities like Singapore, Mumbai, Karachi, and regions of Ghana experience persistently hot and humid climates. In these regions, humidity in built environments significantly affects both human comfort and the durability of building materials. Yet traditional mechanical dehumidification strategies are energy-intensive, environmentally taxing, and socially uneven in their accessibility. We must challenge the existing systems for thermal comfort, the inefficient role Architecture plays in it, and the socio-economic politics associated with thermal comfort in developing countries.
Karachi, a coastal city in the south of Pakistan, has extremely high relative humidity and high temperatures throughout most of the year. In this region, …
2'X2' : Situating Cohabitation,
2026
Rhode Island School of Design
2'X2' : Situating Cohabitation, Liz B. Shepherd
Masters Theses
2’ x 2’ : Situating Cohabitation explores how we might approach conversion by examining the relationship between content and container. In the wake of technological innovation and remote work, many office buildings have become vacant, leaving spacious, unresolved shells available for alternative forms of habitation. This thesis considers how existing spatial conditions and inherited narratives can be reassembled to reconfigure social norms, while also offering occupants agency in shaping how they live. Ultimately, the program examines our relation to living and how we contend with our belongings.
Crowd Control,
2026
Rhode Island School of Design
Crowd Control, Dalia Sadeq
Masters Theses
The relentless and inevitable expansion of the Masjid Al Haram is the premise of my thesis. Hajj and pilgrim growth are constants, demanding continuous growth of tawaf grounds. The centrifugal power of the Kaaba has always posed an existential threat to the buildings in its radius. The Al Saud monarchy has shepherded both demolition of nearby buildings and construction of the Masjid Al Haram. The monarchy aims for 30 million pilgrims annually, a Vision 2030 initiative.
My thesis visualises the inevitable expansion of the tawaf paths of Masjid Al Haram. The paths are horizontal, radial, and stretch over the landscape …
Where The Walls Came Down: Reimagining The Disaster-Induced Modern Ruin,
2026
Rhode Island School of Design
Where The Walls Came Down: Reimagining The Disaster-Induced Modern Ruin, Zhenmi Tang
Masters Theses
In contemporary society, large-scale destructive events are continuously generating a new architectural condition: the modern ruin. Unlike historical ruins shaped and legitimized through time, the remnants left by war, wildfires, and other natural disasters remain embedded in lived reality and collective memory. These environments are not distant artifacts of the past, but recently inhabited spaces whose material presence and social meaning remain active. However, prevailing reconstruction practices tend to prioritize complete demolition and site clearance, followed by rebuilding on restored empty ground. While this approach provides reliability in terms of safety, engineering, and regulation, it often interrupts the material and …
Care Ecologies Between Knots,
2026
Rhode Island School of Design
Care Ecologies Between Knots, Eliza R. Marris
Masters Theses
Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.
At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …
After Yellow Horse: From Passive Shelter To A Self-Sustaining Cycle,
2026
Rhode Island School of Design
After Yellow Horse: From Passive Shelter To A Self-Sustaining Cycle, Xinyuan Liu
Masters Theses
Spatial flexibility—specifically, the ability of a single building to shift between therapeutic and productive use—offers a critical alternative to the institutional passivity of conventional care facilities, repositioning architecture as an active agent in both the financial sustainability of nonprofit organizations and the social recovery of their patients.
During my time volunteering at Yellow Horse Equine Therapy Center in Ashaway, Rhode Island, the core contradictions of the traditional equine therapy model became visible firsthand. Yellow Horse had operated for years on goodwill and volunteers. The daily reality of the facility was one of persistent understaffing: barn chores, groundskeeping, and routine maintenance …
Feeling Through Space:Designing Emotion In Space Through Alice In Wonderland,
2026
Rhode Island School of Design
Feeling Through Space:Designing Emotion In Space Through Alice In Wonderland, Xuanyu Yang
Masters Theses
Emotion is the most direct bridge between human experience and architectural space, but design often treats feelings as a side product. This thesis challenges that idea by asking a specific question: can a designer intentionally use spatial qualities to move a person through a defined emotional sequence? And if so, can that process be documented clearly enough to become a repeatable method?
To test this, the project designs a spatial version of Lewis Carroll’s Alice in Wonderland as an immersive theater experience. The narrative is not told through text, performance, or screen, but entirely through the physical qualities of a …
Lace Memory Lab,
2026
Rhode Island School of Design
Lace Memory Lab, Xinyu Han
Masters Theses
Lace, originally developed from European religious garments, has long been treated as a decorative and secondary textile craft. With its delicate hand-weaving, intricate patterns, and lightweight quality, lace has been widely used in clothing and furniture, it has always remained at the edge of spatial design. This thesis focuses on lace as a material memory, exploring how its characteristics can be translated into architectural language and integrated into the spatial practice of adaptive reuse of old buildings. When I think of lace, I notice the similar nature of its craftsmanship and spatial concepts.
What happens when lace is no longer …
Providence Puzzle:Exhibition Design As Urban Spatial Practice,
2026
Rhode Island School of Design
Providence Puzzle:Exhibition Design As Urban Spatial Practice, Ye Chen
Masters Theses
Providence is a city shaped by past industrial production, immigrant communities, artistic practice, waterfront renewal, and urban redevelopment. Its identity exists not only in historical remnants, but also in the cultural atmosphere created through the ongoing interaction between past and present. Former factories, river infrastructure, neighborhood streets, public parks and scenes of everyday life together form an urban narrative that continues to evolve. Yet existing methods of presenting Providence’s history and culture remain limited to informational signage, commemorative markers, or one-directional communication, offering little incentive for people to stop, read, explore, or actively engage. As a city rich in both …
