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Musicology Commons

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2017

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Articles 121 - 123 of 123

Full-Text Articles in Musicology

Louden Hugely: The Piano Music Of Percy Grainger, Jackson Carruthers Jan 2017

Louden Hugely: The Piano Music Of Percy Grainger, Jackson Carruthers

Williams Honors College, Honors Research Projects

Percy Aldridge Grainger (1882-1961) was an Australian pianist and composer. While highly esteemed during his lifetime, Grainger's music has largely fallen into neglect outside the world of the wind band. However, Grainger left a vast quantity of highly idiomatic and meritorious piano music which deserves greater acceptance. To this end, this paper makes a survey of Grainger's output for piano, to show the merit of his music and prove that it remains relevant even today.


The Relationship Between Lowell Mason And The Boston Handel And Haydn Society, 1815-1827, Todd R. Jones Jan 2017

The Relationship Between Lowell Mason And The Boston Handel And Haydn Society, 1815-1827, Todd R. Jones

Theses and Dissertations--Music

The relationship between Lowell Mason (1792–1872) and the Boston Handel and Haydn Society (est. 1815) has long been recognized as a crucial development in the history of American music. In 1821, Mason and the HHS contracted to publish a collection of church music that Mason had edited. While living in Savannah, GA, Mason had imported several recent British collections that adapted for church tunes works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Ignaz Pleyel. His study with German émigré Frederick L. Abel allowed him to harmonize older tunes in standard counterpoint. In the historiography of American …


Arnold Dolmetsch's "Green Harpsichord" And The Musical Arts And Crafts, Edmond Johnson Dec 2016

Arnold Dolmetsch's "Green Harpsichord" And The Musical Arts And Crafts, Edmond Johnson

Edmond Johnson

This study uses Arnold Dolmetsch’s “Green Harpsichord” as a starting point for a larger discussion of the relationship between Arnold Dolmetsch, William Morris, and other members of the Arts and Crafts movement who were active in London in the 1890s. Built in 1896 and displayed that same year by the Arts and Crafts Exhibition Society, the Green Harpsichord was the harpsichord built in England in nearly a century, and its design and decoration reflect its position as an object that had to negotiate the aesthetics of the past and the practical needs of the present. The article concludes by looking …