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Full-Text Articles in Musicology
French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam Paul Rinehart
French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam Paul Rinehart
Musical Offerings
This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal …
French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam P. Rinehart
French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam P. Rinehart
The Research and Scholarship Symposium (2013-2019)
This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal …
A Mozart Duet In A Sarti Opera: ‘Là Ci Darem La Mano’ In Udine, 1793 [Post-Print], John Platoff
A Mozart Duet In A Sarti Opera: ‘Là Ci Darem La Mano’ In Udine, 1793 [Post-Print], John Platoff
Faculty Scholarship
Giuseppe Sarti's opera buffa Fra i due litiganti il terzo gode was one of the great operatic successes of the late eighteenth century. First performed in Milan in September 1782, the opera was quickly taken up by theatres in other cities. In 1783 it began a long run at the Burgtheater in Vienna, where it had been performed more than sixty times by 1790. The opera was produced everywhere from Barcelona to Copenhagen, from Rouen to St Petersburg, in languages including German, French and Danish. By 1800 Fra i due litiganti had been given more than eighty productions across all …