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Articles 1 - 30 of 92
Full-Text Articles in Music Practice
"Stradivari" By Stewart Pollens, Peter Walls
"Stradivari" By Stewart Pollens, Peter Walls
Performance Practice Review
Peter Walls discusses and reviews Pollens 2010 work.
Pollens, Stewart. Stradivari. Cambridge: Cambridge University Press, 2010.
ISBN 978-0-52187-304-8
Latin-American Duos. The University Of Texas At El Paso. December, Oscar E. Macchioni
Latin-American Duos. The University Of Texas At El Paso. December, Oscar E. Macchioni
Oscar Macchioni
A Critical Edition Of Gustave Vogt's 4eme Solo De Concert, Mark Runkles
A Critical Edition Of Gustave Vogt's 4eme Solo De Concert, Mark Runkles
UNLV Theses, Dissertations, Professional Papers, and Capstones
As oboe professeur titulaire at the Paris Conservatory from 1816-53, Gustave Vogt established his importance as a pedagogue by teaching many leading nineteenth century European oboists, and his influence can be traced to numerous living oboists. Additionally, Vogt played a seminal role in developing a virtuosic Romantic oboe style that paralleled the virtuosic styles developed for the more prevalent Romantic solo instruments, the piano and violin. His music is rarely played today, and Vogt remains a largely unknown figure even within the oboe community. The purpose of this study is to develop a critical edition of Gustave Vogt's 4ème Solo …
The University Of Texas At El Paso Piano Concerto Competition, Oscar E. Macchioni
The University Of Texas At El Paso Piano Concerto Competition, Oscar E. Macchioni
Oscar Macchioni
"The Performance Of 16th-Century Music: Learning From The Theorists" By Anne Smith, Kenneth Kreitner
"The Performance Of 16th-Century Music: Learning From The Theorists" By Anne Smith, Kenneth Kreitner
Performance Practice Review
Kenneth Kreitner discusses and reviews Smith's 2011 work.
Smith, Anne. The Performance of 16th-Century Music: Learning from the Theorists. Oxford: Oxford University Press, 2011.
ISBN 978-0-19974261-5.
By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson
By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson
Performance Practice Review
Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical performance lacked an appropriate degree of musical sensitivity, the historical performance movement has truly come of age. In the arena of Western Art music, historical performance is now an essential component of musical training and education. Successful performers must be able to seamlessly function across the widest possible range of musical styles, accommodating an equally wide gamut of tastes, both individually and collectively.
In 1982, nine years earlier, Walter Ong’s Orality and Literacy: The Technologizing of the Word explored differences between oral and literate cultures. Of particular interest to …
Numbers And Tempo: 1630-1800, Beverly Jerold
Numbers And Tempo: 1630-1800, Beverly Jerold
Performance Practice Review
After discussing the role of technology in achieving modern performance standards, this article examines sources that have been cited in support of extremely rapid tempos for the time frame 1630-1800. It summarizes recent findings about the French time devices in which a new source ‒ the Paris dancing master Raoul Auger Feuillet’s reasonable pendulum tempo numbers for dance forms ‒ provides the most accurate information to date for tempo around 1700. Continuing then with other sources cited for rapid tempos, the present article discusses the conflicting statements in Marin Mersenne’s Harmonie universelle and his inaccurate pendulum measurements. It considers the …
Highlights In Jazz Concert 312- We Call It Jazz, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 312- We Call It Jazz, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 10th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Michael Wolff, Harvie S, Victor Jones, Baby Jane Dexter, Christian McBride BIG BAND, Melissa Walker, Ben Williams, Zavier Davis, Steve Davis, James Burton, Michael Dease, Doug Purviance, Nebate Isles, Frank Groove, Frank Green, Freddie Hendrix, Brandon Lee, Carl Rigoli, Ron Blake, Loren Schoenberg, Steve Wilson, Todd Bashore, and special guest Russ Patterson.
The Form Of The Preludes To Bach's Unaccompanied Cello Suites, Daniel E. Prindle
The Form Of The Preludes To Bach's Unaccompanied Cello Suites, Daniel E. Prindle
Daniel E. Prindle
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four musical dimensions, tonal structure, motive, texture, and the potential implications of a piece’s genre, parse the preludes in different ways. As the features of these musical dimensions undergo either an evolution or a dramatic change over the course of each prelude, they each suggest a different form. Points of change in each dimension delineate segments in the music. When aligned, these changes create significant formal junctures and suggest an overall form …
The Chameleon Clarinet Cultural And Historical Perspectives In America Through The 20th Century, Julie Ann Vangyzen
The Chameleon Clarinet Cultural And Historical Perspectives In America Through The 20th Century, Julie Ann Vangyzen
Honors Projects
The clarinet is unique in that depending on what setting it is performed in determines the character it can assume. Generally, these styles all sound completely different from one another despite the fact that the clarinet physically remains the same. However, is any one of these types of music so different from the other, or are they all related in some way? This paper determines how the genres of Dixieland and Swing Jazz, Jewish Klezmer, Avant-Garde, and Western European Classical Music are connected to each other through the use of the clarinet. Using twentieth century America as a backdrop, the …
Johannes Brahms, Vierzehn Deutsche Volkslieder, Woo 34, Nos. 1-14, An Arrangement, Transcription And Pedagogical Rationale For Wind Band, Robert Logan Biles
Johannes Brahms, Vierzehn Deutsche Volkslieder, Woo 34, Nos. 1-14, An Arrangement, Transcription And Pedagogical Rationale For Wind Band, Robert Logan Biles
UNLV Theses, Dissertations, Professional Papers, and Capstones
This document illustrates how specific educational objectives can be met in the wind band rehearsal through the selection, transcription, and arrangement of the Vierzehn Deutsche Volkslieder, WoO 34, Nos. 1-14 by Johannes Brahms. It further defines the pedagogical appropriateness of these works and their transcriptions by outlining the educational goals that they accomplish.
The resulting wind band transcriptions and arrangements, for use at the secondary and post-secondary levels, are presented in two formats. The first is a convertible transcription where each instrumental part contains transpositions of all of the original vocal parts making it adaptable for various combinations of instruments. …
Interview, Radio Nacional Clásica Fm 96.7, Buenos Aires, Argentina, Oscar Macchioni
Interview, Radio Nacional Clásica Fm 96.7, Buenos Aires, Argentina, Oscar Macchioni
Oscar Macchioni
Interviewed by Leandro Donoso for his program "La música de los libros de música" (The Music of the Music Books). Taked about my book "The Tango in American Piano Music" and listened to my recordings of tangos by Thomson, Copland, Barber, Biscardi and Bolcom.
Audio Mastering As Musical Practice, Matt Shelvock
Audio Mastering As Musical Practice, Matt Shelvock
Electronic Thesis and Dissertation Repository
This thesis examines audio mastering as musical communication. Tasks including loudness management, harmonic balance, denoising, phase alignment, monitoring, effects application, and administrative responsibilities are of central importance to mastering engineers. With the exception of administrative responsibilities, each of these tasks significantly shapes a record’s aesthetic character and physical makeup. These contributions – the final creative steps before an album’s release – demonstrate the mastering engineer’s role as a collaborative auteur in recorded musical communications.
Highlights In Jazz Concert 311- Salute To Sonny Fortune, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 311- Salute To Sonny Fortune, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, April 12th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Sonny Fortune, Buster Williams, George Cables, Billy Hart, Eddie Henderson, Tessa Souter, and Gene Bertoncini.
Oscar Macchioni Transmitió Sus Conocimientos A Los Jóvenes., Oscar E. Macchioni
Oscar Macchioni Transmitió Sus Conocimientos A Los Jóvenes., Oscar E. Macchioni
Oscar Macchioni
"...Nada lo alteró, ni siquiera la labor del fotógrafo, en su faena de docente comprometido con la enseñanza. Ayudado por sus manos, explicó y graficó en todo momento los errores comunes en la postura de los pianistas...Para el aplauso."
Jean-François Beaudin: Borrowing From The Old World And The New, Wendell B. Dobbs
Jean-François Beaudin: Borrowing From The Old World And The New, Wendell B. Dobbs
Music Faculty Research
The modern flute world is full of innovation. Every year brings a new assortment of changes intended to improve the design or functioning of the modern flute—a new head-joint or a new material, a design innovation such as the vertical flute or a new contrabass flute. Much more subtle are changes to the design of 18thcentury style flutes. Generally, modern makers of these instruments take careful measurements of particular antique flutes that are recognized for ease of playing and copy them. The innovations are most likely subtle—a new wood, gentle tweaking of the embouchure or a tone hole, or cosmetic …
The Effects Of Adaptive Instruction On Developmental Rhythm Aptitude And Rhythm Achievement Of Preschool Students With Hearing Impairment, Danielle Marcene Carrier Trial
The Effects Of Adaptive Instruction On Developmental Rhythm Aptitude And Rhythm Achievement Of Preschool Students With Hearing Impairment, Danielle Marcene Carrier Trial
Honors Projects
The purpose of this study was to investigate the effect of adaptive instruction on the developmental rhythm aptitude and rhythm achievement of preschool students with a hearing impairment. Specifically, this study is designed to determine a) if the addition of body percussion and percussive instruments to music instruction affects the developmental rhythm aptitudes of 3-, 4-, and 5-year-old children with a hearing impairment and b) if the addition of body percussion and percussive instruments affects the rhythm achievement scores of 3-, 4-, and 5-year-old children with a hearing impairment. The results of this study may have implications for music teachers …
"Performing Messiaen’S Organ Music: 66 Masterclasses" By Jon Gillock, Vincent P. Benitez
"Performing Messiaen’S Organ Music: 66 Masterclasses" By Jon Gillock, Vincent P. Benitez
Performance Practice Review
Benitez reviews Gillock's 2010 work.
Gillock, Jon. Performing Messiaen’s Organ Music: 66 Masterclasses. Bloomington, IN:Indiana University Press, 2010.
ISBN 978-0-253-35373-3.
Highlights In Jazz Concert 310- Cabaret Jazz, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 310- Cabaret Jazz, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 8th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Barbara Carroll, Jay Leonhart, Paula West, George Mesterhazy, Aaron Weinstein, Barak Mori, and surprise guest Tedd Firth.
"The Bartered Bride-Prodaná Nevěsta: Performance Guide With Translations And Pronunciation" By Timothy Cheek, John Tyrrell
"The Bartered Bride-Prodaná Nevěsta: Performance Guide With Translations And Pronunciation" By Timothy Cheek, John Tyrrell
Performance Practice Review
John Tyrrell discuss and reviews Timothy Cheek's 2010 work.
The Bartered Bride-Prodaná nevěsta: Performance Guide with Translations and Pronunciation. Lanham, MD: The Scarecrow Press, Inc., 2010.
ISBN 978-0-810-87260-8.
Highlights In Jazz Concert 309- Highlights In Jazz 39th Anniversary, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 309- Highlights In Jazz 39th Anniversary, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, February 9th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Bucky Pizzarelli, Houston Person, Derek Smith, Nicki Parrott, Mickey Roker, Joe Alterman, Benny Benack, Steven Frieder, Alex Raderman, and surprise guest James Cammack.
Correspondence: June 23, 2010, Roland Jackson
Correspondence: June 23, 2010, Roland Jackson
Performance Practice Review
The recent article by Dorottya Fabian and Eitan Ornoy, “Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach” (PPR 2009)—which considers mainly the twentieth-century violinists Heifetz and Milstein (with reference as well to Szigeti, Menuhin, and others)—is unusual in that it generally avoids any discussion of Bach’s original performance practice. As the authors state at the outset, “when studying the performances, we are not concerned primarily with how they may relate to historically-informed performance and Bach’s intentions or presumed intentions.” In this they depart from all the studies that have appeared thus far in PPR from …
Correspondence: February 16, 2009, Ross W. Duffin
Correspondence: February 16, 2009, Ross W. Duffin
Performance Practice Review
Duffin responds to Rasch's review of his 2006 book.
"After The Golden Age: Romantic Pianism And Modern Performance" By Kenneth Hamilton, Robert Winter
"After The Golden Age: Romantic Pianism And Modern Performance" By Kenneth Hamilton, Robert Winter
Performance Practice Review
Winter reviews and critiques Hamilton's work.
"Interpreting Mozart: The Performance Practice Of His Piano Pieces And Other Compositions" By Eva Badura-Skoda And Paul Badura-Skoda, Andrew Willis
"Interpreting Mozart: The Performance Practice Of His Piano Pieces And Other Compositions" By Eva Badura-Skoda And Paul Badura-Skoda, Andrew Willis
Performance Practice Review
Willis reviews and critiques Eva and Paul Badura-Skoda's 2009.
"Trills In The Bach Cello Suites" By Jerome Carrington, Marc Vanscheeuwijck
"Trills In The Bach Cello Suites" By Jerome Carrington, Marc Vanscheeuwijck
Performance Practice Review
Vanscheeuwijck reviews and critiques Carrington's work.
"Mendelssohn In Performance" By Siegwart Reichwald, David Montgomery
"Mendelssohn In Performance" By Siegwart Reichwald, David Montgomery
Performance Practice Review
Montgomery reviews and critiques Reichwald's work.
"The Rosary Cantoral: Ritual And Social Design In A Chantbook From Early Renaissance Toledo" By Lorenzo Candelaria, Kenneth Kreitner
"The Rosary Cantoral: Ritual And Social Design In A Chantbook From Early Renaissance Toledo" By Lorenzo Candelaria, Kenneth Kreitner
Performance Practice Review
Kreitner reviews and critiques Candelaria's book.
"Performance Practice: Issues And Approaches" By Thomas Watkins, Roland Jackson
"Performance Practice: Issues And Approaches" By Thomas Watkins, Roland Jackson
Performance Practice Review
Jackson discusses and critiques Watkin's book.
"Changing The Score: Arias, Prima Donnas, And The Authority Of Performance" By Hilary Poriss, Charles S. Brauner
"Changing The Score: Arias, Prima Donnas, And The Authority Of Performance" By Hilary Poriss, Charles S. Brauner
Performance Practice Review
Brauner discusses and critiques Poriss' book.