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Volume 36, Number 07 (July 1918), James Francis Cooke

The Etude Magazine: 1883-1957

When Composers Compose

Where Not to Use the Pedal

Spirit of the Masters—Preparation for the Study of Chopin, Debussy and Modern Composers

How to Get Your Music Published

Let's Have More Charity in Criticism

Important Uses for Music

Mistakes Cannot Be Corrected in Public

Foundation Steps in Practicing Scales

What Eurythmics Means

Vacation Rest for Music Teachers

Fighting to Get a Start

Choice of Material for Developing Interpretation: An Article of Particular Summer Self-Study Value to Teachers and Advanced Students

Learning How to Teach the Pianoforte

Why Do They Do It?

Etude Master Study Page: Composers of Music of Wide …

Volume 36, Number 06 (June 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Spirit of the Masters: Preparing for the Study of Schumann and Liszt

Absolute Time: A Study of the Heart Beat in Relation to Rhythm

How Fast and How Slow

Make Your Summer Count

Art of Simplifying

How to Become a Good Teacher

Why Bach?

Coining New Words

Let's Have More Music Than Ever: The United States Government Recognizes a Great Need

Music as a War Need

Toy Drum and a Tin Whistle

Music in Wartime

Ragging Good Music

That Weak Measure

Etude Master Study Page: A Group of Russian Composers

Artistic and Educational Importance of the Polyphonic Music of Bach …

Volume 36, Number 05 (May 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Benjamin Franklin's Musical Side

Letter from General Hugh L. Scott

Slavery to the Keyboard

Piano's Future Assured

Practice the Bass

Music Now More Than Ever: Eminent Men and Women in Many Walks of Life Earnestly Urge Music as a Present National Need

Interesting Way to Teach Phrasing

Music Teachers' Desk

Love Letter from Mozart to his Wife

Get in Touch with the Other Professions

Personality and Interpretation

César Franck After Twenty-five Years

Haydn's Souvenirs of London

High Wrist and Low Wrist

Spirit of the Masters: Preparing for the Study of Beethoven, Brahms and Mendelssohn

Home Without Music

Find Joy in …

Volume 36, Number 04 (April 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Their Ancestry

How Long is the Life of a Piano?

Price of Success

How to Locate the Keys by Touch

Spirit of the Masters: Preparing for the Study of Bach, Haydn and Mozart

Time and Rhythm

Fun in Music

Are You Musically Educated?

Questionnaire for the Average Music Teacher of the Average Child

All About Accent

Different Types of Song Accompaniment

Emotional Effect Through Rhythm and Phrasing

Open Door to Opera

Value of Finger Staccato

Musicians Short Folk

Why Some Music Lessons are Dull

What to Do When You Cannot Secure A Good Teacher: Self Help Hints for Active Music …

Volume 36, Number 03 (March 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Use and Abuse of Five Finger Exercise

Tact in Teaching Technic

Counting Aloud

Let Your Ears Save Your Eyes

Public Performance of Etude Music

Are You Getting into a Rut: An Important Symposium

How Do Composers Compose?

Centenary of the Great Educational Classic for the Piano

How to Use the Etude's Educational Supplement

Bach in Burlesque

Little Lights and Shadows of Music Teaching

Music, the Painter of Pictures in Moods: A Highly Entertaining and Instructive Discussion of the Subject

Rare Effect in Advanced Pianoforte Playing

Scale Study Without Monotony

Some Interesting Things About the Gavotte

Fighting Musical Obstacles in the …

Volume 36, Number 02 (February 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Have You a Self Starter?

Rates of Tempo in the Past and Present

Can Ugly Music be Beautiful?

Get Rid of Fear

Two-Fold Vitality of Anglo-Saxon Music

Developing the Tactile Sense

Success with the Adult Beginner at the Piano

Do Not Attempt the Impossible

Hands, Hands, Hands: Some Interesting Facts for Teachers and Pupils About the Pianist's Tools

Accent Scales Right

Making Pupils Musicians

What Should a Teacher Know?

Irregular Groups that Baffle Pianists: How to Play Combined Accents, Times and Rhythms in Pianoforte Composition

Case of Richard Wagner vs. Democracy: Should the Operas of Richard Wagner be Debarred in …

Volume 36, Number 01 (January 1918), James Francis Cooke

The Etude Magazine: 1883-1957

American Folk Music: A Negligible Quantity

Beethoven's Advice to a Piano Teacher

New Year Advice from Famous Pianists: Study Epigrams of the Foremost Present Day Virtuosos Selected for this Issue

Too Much Preparation

Well Tempered

Every Teacher's New Year Resolution

Work Out Your Own Salvation

Legato Playing with Pedal and Without

Case Against Don’ts

Beauties in the Music of the American Indian (interview with Thurlow Lieurance)

Little Thinking Machines

Where the Left Hand Ends and the Right Hand Begins

What is Elasticity in Piano Playing?

Greatest Shortcomings of the Average Student

Is Slow Practice Overdone?

Helpful Routine in Sight Reading …

Constitution Et Reglements Du Club Musical-Littéraire De Lewiston, Maine, Club Musical-Littéraire

Club Musical-Littéraire, Lewiston, Maine

The constitution and rules of the Musical-Literary Club of Lewiston, Maine.

Volume 35, Number 12 (December 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Automatic Faculty in Piano Playing

How to Attain Freedom of the Fingers

Mass of Christ

Footlight Fear and Fever

Important Steps in the Educational Work of an Opera Singer

Three Measure Rhythm

Christmas Carols

Reading Detached Chords

Are the Black Keys Poisonous to the Thumb?

Time to Rest and a Time to Grow

Musical Reputations and How They are Achieved

Is Compulsory Music Study Advisable?

Successful Study of Octaves

Can You Pass This Normal Test?

Some Pianos I Have Known

Practice Individual Tones in a Chord

Beethoven's Characteristics as a Pianist

How to Study Two Against Three

Pianographs

Hints on …

Volume 35, Number 11 (November 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Cure for Musical Pessimism

Simplifying Counting

Why Not Encourage Everyone to Play?

Nervousness in Public Performance and How to Overcome It

Practical Thoughts on Modern Pianoforte Study

Two Ways of Using the Metronome

Some Foundation Principles of Piano Technic, Which May Be Applied to Any Method

Economy of Time at Lessons

Keeping the Brain Strong and Fit

How to Judge a New Piece

High Lights from a Musical Convention: Extracts from Important Addresses Made at the Last Convention of the Music Teachers' National Association

How to Keep Your Piano in Playable Condition

Some Essential Points in Beautiful Playing and How …

Volume 35, Number 10 (October 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Just What Syncopation is

Value of Polyphonic Playing

Greater Results With Less Effort

How to Interest Unmusical People in Music

Some Elementary Truths in Song Interpretation

Curiosities of Notation

Tension and Relaxation in Pianoforte Playing

How We Got the Flat and the Natural

Remarkable Cures of Melancholia Through Music

Etude Master Study Page: A Group of Modern English Composers

Mysteries of Music

How to Help Your Pupil to Remember Your Corrections

Value of Versatility in Teaching

Seek Clearness of Musical Outline

How to Get Artistic Effects in Touch: Staccato, Legato and Marcato

Story of the Magic Fire Music

Good Taste …

Volume 35, Number 09 (September 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Four Good Reasons Why Musicians Do Not Succeed

Lack of Concentration

Goals in Scale Playing

How I Regained a Lost Voice: A Practical Experience in Voice Placing (interview with Evan Williams)

How to Increase the Music Class: Approved Methods Employed by Leading Teachers in Securing New Pupils Through Dignified, Legitimate Means

Business Principles for the Musician

Musical Setting

La Marseillaise

Animated Touch

Notes on Piano Playing to Teachers of Children

Learning Music in the Most Rapid, Thorough and Scientific Manner: Important Psychological Principles Deduced from Thousands of Laboratory Experiments Made Simple and Practical for Music Students and Music Teachers

Musician's …

Volume 35, Number 08 (August 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Real Accomplishments

Simple Cure for Stage-Fright

How to Regain Your Technic

Paths to an American National School of Music (interview with Reginald de Koven)507

Bracelet of Fifths

Getting the Most from Five-finger Exercises

Sharp Major Scale Signature

How the Masters Sought Humor in Music

Echo Exercise

Spasmodic Performance

Up-to-Date Points from an Up-to-Date Teacher

How Can We Do Our Bit?

New Material and New Methods in Musical Composition

Non Plus Ultra

Playing Close to the Keys Versus the High Finger Stroke

Teresa Carreño (obituary)

High School Credits in Texas

How Shall I Play Phrases Properly?—With Special Illustrations Taken from Modern …

Volume 35, Number 07 (July 1917), James Francis Cooke

The Etude Magazine: 1883-1957

How to Get Control of Your Nerves

Jenny Lind, The Incomparable

Key to Success

Discord of Sweet Sounds

To Avoid Scratching in Violin Playing

Thoroughness in Operatic Preparation (interview with Frieda Hempel)

Let Your Piece Sing to You

Accuracy in Piano Playing—How to Teach it to Children

Controlled Relaxation

Why Should My Boy Study Music?

Electrical Music

Practical Steps in Tone Production: How the Player's Tone May be Enriched and Developed

Pianograms

Head, Heart and Head

High Lights in the Life of Handel—Significant and Interesting Human and Professional Characteristics of the Composer of the Messiah

How to Use The Etude's …

Volume 35, Number 06 (June 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Freak Minds in Modern Music

Keep a Journal

How to Go About Sight-Reading

Saving Time in Practice

Idealism in Music Study (interview with Teresa Carreño)

Yesterday and To-day

What Pieces?

From Finger-Tips to Shoulder

Why Advanced Pupils Lose Inspiration

Acquiring Accuracy in Musical Terms: Correct Definitions and Right Applications

Musical Curiosity

Review Week

Why Not a Daily Song Hour

Scale Contest

Art and Common Sense in Accompanying

Accelerando

Closing Address

Watch Your Hands

Names of Musicians Phonetically Pronounced

What Every Music Student Should Know About Phrasing

Nine Fundamental Divisions of Daily Practice

Symphony: Its Chief Characteristics and How to Recognize …

Volume 35, Number 05 (May 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Symphony Orchestras in the United States

Memorable Performance

Certainly, I'll Play!

How Staccato Practice Puts a Snap in Playing

Symphony Orchestra and the Concert Band

How Beethoven Spiritualized Musical Form

Is the Symphony Played Out?

Two Brilliant American Composers

Aids to Good Timekeeping

Concise Dictionary of Noted Symphonic Composers

Richard Wagner as a Symphonist

New Scale Fingerings

Rise of the American Symphony

Does Teaching Make You Nervous?

Fifteen Vital Steps in Teaching Young Children

Have You a Self-Starter?

Scales and Baseball

Final Steps in Memorizing

How to Start a Local Symphony Orchestra

How Much Did You Practice?

Colored Pencils in …

Volume 35, Number 04 (April 1917), James Francis Cooke

The Etude Magazine: 1883-1957

New Aspects of the Art of Music (interview with Thomas A. Edison)

Simple Psychological Helps in Music Teaching

Haydn's Amusing Tribute to a Faithful Dog

Vital Phases of Piano Technic

Value of Historical Knowledge in the Appreciation of Music

Snap Shots in a Musical Library

Irish Folk Song that Aids Interpretation

Difficult Pronunciations

Carmen: Arranged for Presentation in Reading Form at Musical Clubs

Expanding the Small Hand

Beethoven to Czerny

Getting Pupils through Printers' Ink: A Practical Advertising Man Talks

Rare Musical Facts

Syncopated Biographies: Musical Life Stories Pleasantly Told

Exercises for Developing the Hands for Piano Touch and Technic …

Volume 35, Number 03 (March 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Vital Phases of Piano Technic

Justice for the Teacher

What the Musician Must Do To Conserve Good Health

Efficient Practice

Too Much Theory

Difficult Pronunciations

Spirit and Technic of the Pianoforte Pedals

Tolstoi Throws a Bomb into Art and Music: The Arch-Iconoclast of Russia Severly Criticises Some Modern Musical and Artistic Conventions

Some Facts About Russian Church Music

Learning the Key Signatures

Some Obstacles in the Way of Standardization

Early French, Italian and German Composers of Interest to Present-day Pianists

Etude Master Study Page: A Group of Modern Masters

Composer, A Powerful and Fascinating Romance of Modern Musical Life

Ranz …

Volume 35, Number 02 (February 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Success in Chorus Conducting: Hints, Aids and Advice to Leaders by the Foremost English Choral Conductors

Melody Hunting

Keep a Lesson Book

Surmounting Stubborn Passages: An Analysis of Technical Difficulties

Twelve Factors in Successful Teaching

When Interest Lags

Rest as Climax

Personality at the Lesson

Etude Master Study Page: A Group of Modern Italian Masters

Curiosities of Music

Modern Italian Operatic Composers

How Psychology Can Help the Musician

Chopiniana

Haydn's Boyhood Pride

High Lights in the Lives of Great Master: Haydn

Keeping Up the Interest in Scale Playing

Delicate Hand

Parting of Haydn and Mozart

Most Difficult Musical Composition

Advantages …

Volume 35, Number 01 (January 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Self-Expression at the Keyboard

Difficult Pronunciations

Limitations of Touch on the Piano

Gospel of Clean Keys

Musical and Cultural Education of the Modern Pianist

Maxims for Parents of Musical Children

Berlioz's First Meeting with Mendelssohn—And Its Sequel

Fountain of Inspiration for Masters

Mozart's Appearance and Personality

Have You These Five Qualities of the Progressive Teacher?

Causes of Some American Opera Failures

John Philip Sousa Inspects the Home for Retired Music Teachers

How Brahms and Liszt Welcomed Their Friends

Composer, A Powerful and Fascinating Romance of Modern Musical Life

Hints for the Singer's Daily Practice (interview with Ernestine Schumann-Heink)

Neat Method …

Volume 34, Number 12 (December 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Locating the Notes on the Keyboard

Make Your Circular Hit the Mark

Keeping the Voice in Prime Condition

Some Truths about Touch and Tone

Famous Legends of Famous Music: And Incidentally Some Famous Lies About Well-Known Pieces

Beethoven's Appearance and Personality

If I Had to Begin All Over Again: A Remarkably Interesting Symposium with Contributions from Distinguished Musicians

What an Olden Time Bard Looked Like

Composer: A Powerful and Fascinating Romance of Modern Musical Life849

Tempo: The Ruling Force in Music

Teaching Ideals of Three Master Violinists

Teaching Expression to Children

Danger in Tuning the Piano Too High

Four Roads …

Volume 34, Number 11 (November 1916), James Francis Cooke

The Etude Magazine: 1883-1957

What the American Girl Should Know About an Operatic Career

Last Days of Stephen Foster

Half Hour of Daily Technic

Useful Addition to the Gallery Collecton

Superlative Importance of Tempo

Some Interesting Musical Historical Facts

Hundred-Dollar Lesson

Difficult Pronunciations

Scale Wheel

Composer: A Powerful and Fascinating Romance of Modern Musical Life

Great Composers and the Harp

Study with Beads

Studio Visiting Days

Beethoven and the Blind Girl

Learning a Piece by Forgetting It

Musician's Worry Habit

Master Lesson for Earnest Students on Mendelssohn's Charming Spinning Song

What Kind of Music is Best?

How Verdi Sought to Avoid Pomp Even in …

Volume 34, Number 10 (October 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Getting Results Through Right Practice: A Talk to Students

Points to Remember in Sight Reading

What's Wrong with My Piece

Teacher and His Business

Building of Music: A Practical Lesson in the Principles of Musical Form

Self-Help Road to Success in Music

Overcoming Stage Fright

Common Sense in Pianoforte Touch and Technic

Why Should I Study Theory

Some Facts About Pitch

Composer and the Organ Grinder: A Powerful and Fascinating Romance of Modern Musical Life

What Every Student Should Know About Phrasing

Learning to Depend Upon One's Self

Honor to the Teacher

George Noyes Rockwell

Master Lesson—Mendelssohn's Scherzo in E …

Volume 34, Number 09 (September 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Stephen Foster's Versatility and Industry

Talking Too Much

Some Musical Signposts

Personal Recollections of the Last Days of Stephen Foster

Intimate View of Stephen Foster

Sense of Rhythm

Intelligent Training of the Thumb

Find the Shortest, Quickest and Easiest Way to Do Things

Spurring Up a Slow Pupil

Stephen C. Foster's Romantic Career

Music's Written Language

How to Show Pupils the Advantages of Slow Practice

Compounded Measures

Popularizing Good Music

Some Curious Musical Instruments Used by Savage Tribes

Beauty and Originality in Haydn's Pianoforte Sonatas

Generosity of Franz Liszt

Two Great Musical Innovators, Liszt and Paganini

Are You a Solomaniac? …

Volume 34, Number 08 (August 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Musical Instruments of Mythology

What Time Means to the Musician

Some Facts About Rubinstein

Was Liszt the Paganini of the Piano?

More About American Musical Atmosphere

Dr. Cornelius Rübner on American Musical Atmosphere

Training of the Thumb in Pianoforte and Organ Playing

Three Helpful Devices with Which Piano Students Should be Familiar

Music in America During Revolutionary Times

How One Mother Kept the Home Together

Necessary Little Instrument for Every Piano

Habit Formation in Relation to Pianoforte Playing

Philadelphia Movement in Music

Notation of Silence

Systematize Children's Practice

Curious Facts About Music

Real Help for the Pupil

Musical Memorizing To-day …

Volume 34, Number 07 (July 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Success Guides for Young Teachers

Practice Hour Filled with Pleasure

Part the Piano Should Play in Musical Education

What Should be the Attitude of the Layman Toward Music

Most Subtle Secret of Success

Live Teacher—Am I One?

Teaching the Use of the Bass Clef

Practice the Hard Parts Separately

Beginning at Both Ends

Effect of Mechanical Instruments Upon Musical Education: A Symposium from Noted American Educators Upon a Question of Wide Significance

Royal Performers on the Flute

Real Meaning of Rhythm

Useful Finger Exercise

Discouraging the Pupil

Can There Be Any Real New Music?

How Parents Can Help

First Requisites …

Volume 34, Number 06 (June 1916), James Francis Cooke

The Etude Magazine: 1883-1957

What the American Musical Public Needs (interview with Josef Stransky)

Geography of Opera

Correct Musical Diagnosis

Tragic Ending of Enrique Granados

Negro in the World of Music

Can Poetic Playing and Singing Be Taught?

Proper Age for Beginning Music

Different Kinds of Touch the Student Should Master

Story of the Piano in Pictures

World Music of To-morrow: A Prospect of the Nature of Our Musical Progress Based Upon the Musical Tendencies of To-day

Gift of Observation in Piano Study

When Grandmother Taught Me Music

Eye and the Ear: Shall the Student Learn to Play by Ear?

Some Interesting Beginnings in …

Volume 34, Number 05 (May 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Sanity and Insanity in Modern Musical Composition

Classified List of Some Futurist and Modernist Composers

Will the Music of Ultra-Modernists Survive? A Symposium by Eminent Musicians

Some Examples of Cubist Art by Recognized Futurists

Thoroughness in Hungarian Music Study

Talented Pupil Who Wastes His Time

Redundant Practice

Efficiency Principle in Piano Study

How Edward Grieg Found Success

Boundaries of Beauty in Musical Art

Three Trinities in Music

Firsts in American Musical History

How to Play Thirds and Sixths—A Study in Advanced Technic

Facts About Bach's Well-Tempered Clavichord

Use Musical Terms Precisely

Rebuilding on Old Foundations

Creoles and their Music

How …

Volume 34, Number 04 (April 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Practical Studies in Advanced Technic

Spirit of the Piece

Practical Ideas in Teaching, Culled from a Famous Authority

Flush of Nervousness

Marvels of Sound: Some Wonders of Acoustics with Which Music Lovers Should be Familiar

Sound Facts for Busy Readers

Universality in Piano Teaching Methods

Developing Musical Volume of Tone

One Way of Getting More Pupils

Monotone

Musical Day in Nature: A Lecture Recital Program for Students and Teachers

Working Creed for the Music Teacher

Plan for the Systematic Review of Old Pieces

What To Do When a Teacher Cannot Be Had

History of Notation and the Young Student

Holding …

Volume 34, Number 03 (March 1916), James Francis Cooke

The Etude Magazine: 1883-1957

Radical Methods in Modern Pianoforte Study

Remarkable Pianoforte Arrangements of Franz Liszt

Artistic Origin of Mendelssohn's Songs Without Words

Liszt in Fiction: A Romance in Which the Great Pianist is the Central Figure

Practicing with One Hand

Shakespeare's Music the World Over

Clara Schumann's Debt to Johannes Brahms

Muscular Mastery of the Keyboard

Every One Can Memorize Music: That is, if Everyone Will Work Hard Enough, Long Enough and in the Right Way

Thoroughness in Memorizing Music

Misleading Musical History

Sibelius and the Music of Modern Finland

Teaching Pupils the Musical Alphabet

Nervousness versus Karma: A Much-Needed Parable for Timid …