Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Musicology (22)
- Social and Behavioral Sciences (19)
- Music Performance (14)
- History (11)
- Religion (11)
-
- Music Education (10)
- Anthropology (9)
- International and Area Studies (7)
- Social and Cultural Anthropology (7)
- American Studies (6)
- Music Practice (6)
- Race, Ethnicity and Post-Colonial Studies (6)
- Appalachian Studies (5)
- Asian Studies (5)
- Jewish Studies (5)
- Music Theory (5)
- Other Languages, Societies, and Cultures (5)
- Other Music (5)
- Sociology (5)
- Folklore (4)
- Liturgy and Worship (4)
- Africana Studies (3)
- Christianity (3)
- Communication (3)
- Composition (3)
- Cultural History (3)
- East Asian Languages and Societies (3)
- Institution
-
- City University of New York (CUNY) (14)
- Liberty University (11)
- Selected Works (7)
- Bard College (5)
- Yale University (5)
-
- University of Tennessee, Knoxville (4)
- Lawrence University (3)
- Cedarville University (2)
- East Tennessee State University (2)
- The University of Akron (2)
- University of Texas Rio Grande Valley (2)
- Western Michigan University (2)
- Augustana College (1)
- Bowdoin College (1)
- Bowling Green State University (1)
- Butler University (1)
- California Polytechnic State University, San Luis Obispo (1)
- California State University, Monterey Bay (1)
- Central Washington University (1)
- Chapman University (1)
- Edith Cowan University (1)
- Florida International University (1)
- Fordham University (1)
- Gettysburg College (1)
- Macalester College (1)
- Northern Illinois University (1)
- SIT Graduate Institute/SIT Study Abroad (1)
- Technological University Dublin (1)
- Trinity College (1)
- University of Dayton (1)
- Publication Year
- Publication
-
- Masters Theses (14)
- Publications and Research (6)
- Yale Journal of Music & Religion (5)
- Kevin C. Miller (4)
- Theses and Dissertations (4)
-
- Dissertations, Theses, and Capstone Projects (3)
- Lawrence University Honors Projects (3)
- Electronic Theses and Dissertations (2)
- Honors Projects (2)
- Musical Offerings (2)
- Open Educational Resources (2)
- Senior Honors Theses (2)
- Williams Honors College, Honors Research Projects (2)
- Articles and Chapters in Academic Book Collections (1)
- Audre Lorde Writing Prize (1)
- Babette Babich (1)
- Backstage Pass (1)
- Books and Book Chapters by University of Dayton Faculty (1)
- Capstone Projects and Master's Theses (1)
- Communication Studies (1)
- Conference papers (1)
- ETSU Faculty Works (1)
- FIU Electronic Theses and Dissertations (1)
- Faculty Books & Book Chapters (1)
- Graduate Student Research Papers (1)
- Independent Study Project (ISP) Collection (1)
- International Faculty Researchers (1)
- International Studies Honors Projects (1)
- Joshua R. Jacobson (1)
- Lee Bidgood (1)
- Publication Type
- File Type
Articles 1 - 30 of 80
Full-Text Articles in Ethnomusicology
Neighborhood Soundwalk, Sarah Politz
Neighborhood Soundwalk, Sarah Politz
Open Educational Resources
This is an assignment for undergraduate students that asks them to go out into their environment and record their observations from listening in a focused way. It uses the work and writings of composer Hildegard Westerkampf as a jumping off point.
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Faculty Books & Book Chapters
Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …
Ethnomusicological Research And Local Songwriting In Local Churches In Sarawak, Malaysia, Qianxi Lim
Ethnomusicological Research And Local Songwriting In Local Churches In Sarawak, Malaysia, Qianxi Lim
Senior Honors Theses
Ethnomusicology is a relatively new field of study. Its value is seen as Christian worldwide employ the principles of ethnomusicology to encourage the local church to use their musical gifts and styles to worship God. Many indigenous people groups in Malaysia are being overlooked and treated unjustly. The local Christian Church in Malaysia is responsible for reaching the local population with biblical truth and hope. Although Christians in Malaysia are a minority, Christianity is a major religion in Sarawak, Malaysia. This disparity is reflected in more ethnomusicological research conducted in Sarawak than West Malaysia. Local pastors and musicians in Sarawak …
Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone
Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone
Williams Honors College, Honors Research Projects
In recent years, social movements have raised awareness on issues like whitewashing and the oppression of minority voices in fields such as music. These social movements have drawn attention to the cultural appropriation that sometimes occurs in music classrooms. Outcomes from recent legislation proposals and social conflicts across the United States threaten to limit educational opportunities. Although many people have understood these pieces of legislation to affect topics such as history and English, it may also affect music education. When choosing music to teach their students, music educators are often challenged as many songs have questionable pasts and make references …
Changes In Identity: How Mongolian Musicians And Performers Have Responded To Geopolitical Transition, Heather Cook
Changes In Identity: How Mongolian Musicians And Performers Have Responded To Geopolitical Transition, Heather Cook
Independent Study Project (ISP) Collection
During Mongolia’s socialist period, traditional forms of Mongolian music were deliberately altered as the government, heavily influenced by the Soviet Union, attempted to modernize Mongolian culture. Throughout this period, traditional instruments were modified, the types of music that could be performed were strictly censored, and the structure of performances was set to strictly mimic those of Western orchestras. After Mongolia’s Democratic Revolution of 1990, the artistic freedom of Mongolian musicians has greatly increased, but even now, socialist cultural policies are deeply intertwined with Mongolian musical culture. Why is this the case? What is the common perception among performers about the …
King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme
King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme
International Studies Honors Projects
Filipino National Artist Lucrecia “King” Kasilag sought to preserve folk cultures and melded these with her Western training to produce works—scholarly, pedagogical, and compositional—that shaped national music and culture. This thesis is a critical biography that combines perspectives from postcolonial studies, political economy, and musicology to highlight forces that shaped Kasilag’s life while illustrating her successes and shortcomings on national culture. Through this biography, I argue, Filipino national culture must originate from intersectional struggles and negotiation among elites and masses; that this culture is about both resistance and acceptance—a national culture that is syncretic and quintessentially dynamic.
The World Is Your Pulpit: A Research-Based Performance On The Broder Singers, Amanda Seigel
The World Is Your Pulpit: A Research-Based Performance On The Broder Singers, Amanda Seigel
Dissertations, Theses, and Capstone Projects
My capstone project is a research-based performance about the Broder Singers, the first Yiddish actors. They performed primitive musical and theatrical pieces in Yiddish beginning in the mid-19th century in non-theatrical spaces such as taverns and gardens, in Eastern Europe. They were part of a larger movement creating secular Yiddish culture beyond the religiously proscribed expressions of traditional Jewish life. Largely born and raised in traditional communities themselves, they mocked wealthy religious community leaders, utilized gender drag, and compassionately portrayed impoverished people. This white paper explores the context of their work and draws on primary sources such as memoirs, published …
Intro To Jazz, Jon De Lucia
Intro To Jazz, Jon De Lucia
Open Educational Resources
OER Based Syllabus for MUS 145 Intro to Jazz course at City College. Covers the history and development of jazz along with basic music fundamental vocabulary.
The Show Must Go On: New York Diy As Cultural Practice In The Changing City, Danni Slawinski
The Show Must Go On: New York Diy As Cultural Practice In The Changing City, Danni Slawinski
Senior Projects Spring 2022
The New York DIY scene is situated in a long history of social, political, and musical movements across the nation. Coming from this tradition of “do it yourself” politics, this community has adapted over the years to combat the forces of gentrification and capitalism which constantly threaten DIY music scenes. Over the last two years, this community has faced one of the most unexpected challenges to the continuation of the scene; The COVID-19 pandemic. In this ethnographically inflected analysis of the New York City DIY scene, I will be looking at the ways in which this musical community has been …
Sound Healing, Devina L. Pulido
Sound Healing, Devina L. Pulido
Capstone Projects and Master's Theses
Most people would imply that music is used for solely entertainment, artistic expression, celebration, ceremony, or communication. Whether we are musically inclined or not, music is the one thing that genuinely connects humans from all cultures and corners of the earth. Another application of music is sound healing, a therapeutic practice that utilizes different signals and vibrations to improve the physical and emotional health of individuals, groups, and cultures. This can entail listening to various musical experiences (such as a concert), singing along to a favorite song or chant, dancing to the beats of other music, meditating, or playing an …
The Alphorn In North America: “Blown Yodeling” Within A Transnational Community, Maureen E. Kelly
The Alphorn In North America: “Blown Yodeling” Within A Transnational Community, Maureen E. Kelly
Theses and Dissertations
Musicians in North America have adopted the alphorn as a tool that builds community, enhances musical training, and interprets the Swiss tradition for a new generation. Meaningful combinations of experiences and identities combine to create a robust relationship and kinship among alphorn players in an intentionally international community.
Furthering Cultural Understanding Through Music, Sophia Abukamail
Furthering Cultural Understanding Through Music, Sophia Abukamail
Williams Honors College, Honors Research Projects
This project explores the role that music plays in fostering cultural understanding and equity by discussing the sociopolitical implications of musical collaboration between Palestinian and Israeli musicians. In order to do this, the paper will dive into the history of the conflict between Palestine and Israel, detail instances of musical collaboration between Palestinian and Israeli musicians, show how music is helping to bridge the divide between these two cultures, and examine the intentions and consequences of such collaborations as they relate to music, politics, and society. The purpose of this project is to investigate the ways that music can affect …
Christian Worship In Nagaland, Jane Elizabeth Laremore
Christian Worship In Nagaland, Jane Elizabeth Laremore
Masters Theses
Christianity has historically suppressed Naga traditional music and culture, and yet Christian music plays an important role in the construction of Naga identity. A brief history and overview of Christian music in Nagaland including, hymn singing, contemporary Christian music, and revival songs demonstrates how the unique social, cultural and political context of Nagaland has created a generational divide in worship style preferences and the birth of the revival song genre. Snapshots of the life and work of Naga composers further illustrate these themes and provide insight into the incorporation of Naga folk music in Christian worship. While advocates make strong …
I’Ve Always Been A Rambler: An Exploration Of Authenticity In Contemporary Folk Music, Bernard Elliot Cohen
I’Ve Always Been A Rambler: An Exploration Of Authenticity In Contemporary Folk Music, Bernard Elliot Cohen
Senior Projects Spring 2021
Senior Project submitted to The Division of Arts of Bard College.
Passing The Baton From Detroit To Berlin: Techno’S Introduction To The Global Scene, Rebekah M. Thomas
Passing The Baton From Detroit To Berlin: Techno’S Introduction To The Global Scene, Rebekah M. Thomas
Backstage Pass
Podcast describing the history and cultural impact of the techno music trend in the 1980s and 1990s.
Agency And Contemporary Recording Production, Eliot Bates
Agency And Contemporary Recording Production, Eliot Bates
Publications and Research
Recording production is a complex, multistep, typically collaborative process that entails a shifting set of individuals inhabiting changing roles within spaces that house consider able amounts of specialized technology. As these roles and technologies feature promi nently in the aesthetics of Anglophone and Francophone popular music, they have been studied within such milieus for the longest period. This scholarship tends to understand the creative act as either the result of a prominent individual or something determined by the technologies used within studios. However, recent ethnomusicological scholarship has shown it is much more difficult to clearly situate agency within recording production, …
Exploring Moroccan Music Through Experiential Learning, Tai Knoll
Exploring Moroccan Music Through Experiential Learning, Tai Knoll
Honors Projects
As a music educator, I value a comprehensive and well-rounded music education that is inclusive and dynamic – an education that introduces students to the global world they live in and fosters compassion and understanding of cultures different from their own. However, I did not fully understand how I could provide that for my students and how to do so in a respectful and appropriate way that did not other or appropriate the culture I was attempting to honor. That desire to learn more about teaching world musics and representation in the classroom drove me to pursue answers through the …
Devil In The Strawstack, Devil In The Details: A Comparative Study Of Old-Time Fiddle Tune Transcriptions, Kalia Yeagle
Devil In The Strawstack, Devil In The Details: A Comparative Study Of Old-Time Fiddle Tune Transcriptions, Kalia Yeagle
Electronic Theses and Dissertations
This thesis asks what transcriptions of old-time fiddle tunes might tell us about their underlying purposes and the nature of transcription. How could differing approaches to transcription reflect the intentions of the author, and what are those intentions? What does this suggest about how aural information is prioritized? Through a comparative analysis of three transcriptions of the same recording—Tommy Jarrell’s “Devil in the Strawstack”—this thesis examines how musical information is prioritized and how transcribers have adapted their methods to better reflect the nuances of old-time music. The three transcriptions come from Clare Milliner and Walt Koken (The Milliner-Koken Collection …
The Mulberry Tree, The Birds And The Divine In The Music Of The Dotār In Khorāssān (Iran), Farrokh Vahabzadeh
The Mulberry Tree, The Birds And The Divine In The Music Of The Dotār In Khorāssān (Iran), Farrokh Vahabzadeh
Yale Journal of Music & Religion
The relationship between music and environment plays an important role both in musical compositions and in research on music. The paper is about an anthropological study on the relationship between music of the long-necked lute dotār and the environment, in the region of Khorāssān in Iran. By examining the close relationship between the mulberry tree, birds, metaphor and music of dotār, we will try to show how the environmental factors, data or aspects can be directly or indirectly related to the music, particularly through the symbolism of Sufi beliefs in the region. These relationships to the nature are strongly linked …
Ecojustice, Religious Folklife And A Sound Ecology, Jeff Todd Titon
Ecojustice, Religious Folklife And A Sound Ecology, Jeff Todd Titon
Yale Journal of Music & Religion
Folk, traditional, and indigenous ecological knowledges have a significant role to play in ecojustice. A case study in the traditional ecological knowledge among one of the religious communities with whom I have spent several decades illustrates how they embody the main principle and three fields of an ecological rationality: the community of inter-related beings; the ways the beings participate in that community or place; and the relations of nature and the nonhuman world to humans and human nature. Ecological rationality stands in contrast to economic rationality, a branch of instrumental reason exemplified by what economists call rational choice theory. An …
Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith
Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith
Theses
"First you are a jazz musician, then you are black, then you are a female. I mean it goes down the line like that. We're like the bottom of the heap." - Melba Liston (pg 2) The historiography of jazz has consciously and unconsciously excluded women. This exclusion is exacerbated when one examines the intersection of race and jazz for black women. This essay argues that due to overwhelming societal expectations, gendered language, and physical threats of sexual assault and violence, black women had to create alternatives spheres of affirmation and musical expression because jazz culture stymied their access to …
The Ethos Of The Blues: An Ethnography Of Blues Singers And Writers, Zoë Emilie Peterschild Ford
The Ethos Of The Blues: An Ethnography Of Blues Singers And Writers, Zoë Emilie Peterschild Ford
Senior Projects Spring 2020
Dawn Tyler Watson, a blues singer based in Montreal, QC, performs a variety of genres. No matter what she performs, however, she continually expresses a blues ethos. Through improvisation and her resolute individuality Dawn writes and sings narratives always with a nod to the blues. What I call the “ethos of the blues” refers to a blues spirit that exists not only in music, but in literature, and in everyday life. Dawn’s practice reveals that blues is a music that values protective, generous, and exploratory narrative. As important as its storytelling quality is the genre’s Americanness. Blues, derived from a …
Singing Out: Gala Choruses And Social Change, Heather Maclachlan
Singing Out: Gala Choruses And Social Change, Heather Maclachlan
Books and Book Chapters by University of Dayton Faculty
Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity …
“You Crossed My Mind … Before?”: An Intertextual Analysis Of Songs From 'To Pimp A Butterfly', Colin Outhwaite
“You Crossed My Mind … Before?”: An Intertextual Analysis Of Songs From 'To Pimp A Butterfly', Colin Outhwaite
Theses : Honours
Popular music often refers to, evokes and includes elements of other music from the past. This kind of intertextuality in popular music provides artists and audiences with short-cuts to making and interpreting meaning. It draws on nostalgia, past listening experiences and idealised perceptions of the past. Artists engaging in this practice risk criticism for being too derivative. Conversely, artists who are too innovative and forward-looking run the risk of not connecting to listeners. Kendrick Lamar’s hip-hop album of 2015 To Pimp A Butterfly is lauded as being simultaneously innovative and steeped in the recent history of African American music. Lamar …
Music And Jewish Practice In Contemporary Istanbul: Preserving Heritage, Bending Tradition, Joseph M. Alpar
Music And Jewish Practice In Contemporary Istanbul: Preserving Heritage, Bending Tradition, Joseph M. Alpar
Dissertations, Theses, and Capstone Projects
This dissertation is a study of ongoing transformations in the sacred musical repertoires practiced by ḥazzanim (synagogue cantors) and their synagogue congregations in Istanbul’s contemporary Jewish community. I argue that clergy and laypeople alike negotiate their religious identities as Turkish Jews in the musical choices they make. While many try to maintain the community’s local music tradition, rooted in makam—the Ottoman Turkish melodic system—others attempt to broaden their repertoire with musics from Israel, the United States, and Ḥabad Hasidic Judaism. I examine adjustments made to the musical components of ritual as responses to decades of Jewish religious life as …
Traditional Vs. Tagaq: Exploring The First Nations Relations In Canada Through Punk Inuk Throat Singer, Tanya Tagaq, Bridget S. Haines
Traditional Vs. Tagaq: Exploring The First Nations Relations In Canada Through Punk Inuk Throat Singer, Tanya Tagaq, Bridget S. Haines
Student Publications
This research essay will be situated within the throat singing traditions of the Inuit First Nations people of Canada. As both Paula Conlon’s entry in the Grove Music Refernce and Elaine Keillor’s book describe, Inuit throat singing began as a tradition for women and children to play as a game for when the men are away hunting. This tradition has evolved into quite a complex art form as Claude Charron describes in “Toward Transcription and Analysis of Inuit Throat-Games: Microstructure”. In 2005, Inuk throat singer Tanya Tagaq released her first album which began her career of a solo throat singer …
Community Music Therapy And Participatory Performance: Case Study Of A Coffee House, Elizabeth Mitchell
Community Music Therapy And Participatory Performance: Case Study Of A Coffee House, Elizabeth Mitchell
Music Faculty Publications
This case study research explores the impact of a musical performance event—the Coffee House—held bi-annually at an adolescent mental health treatment facility in Southwestern Ontario, Canada. Any client or staff member is welcomed to perform at this event, which is organized by the facility’s music therapist and framed here as an example of community music therapy. Drawing upon Turino’s (2008) ethnomusicological perspective on performance, I will argue that the Coffee House’s success within this context is due to its participatory ethos, wherein success is primarily defined by the act of participation. Here, performance takes place within an inclusive and supportive …
The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn
The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn
Masters Theses
Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music or …
The Federal Music Project: An American Voice In Depression-Era Music, Audrey S. Rutt
The Federal Music Project: An American Voice In Depression-Era Music, Audrey S. Rutt
Musical Offerings
After World War I, America was musically transformed from an outsider in the European classical tradition into a country of musical vibrance and maturity. These great advances, however, were deeply threatened by the Wall Street crash of 1929 and the consequent Great Depression. The nation that, for the first time, was developing an international reputation in the arts now faced a crisis of how to support them. Government sponsorship of the arts through the New Deal Federal One projects allowed struggling artists to survive economically during this era. In the realm of music, however, the Federal Music Project (FMP) had …
Music And Conflict Resolution: Israeli-Palestinian Conflict, Teresa L. Enyart
Music And Conflict Resolution: Israeli-Palestinian Conflict, Teresa L. Enyart
Masters Theses
Music in relation to peace and conflict, whether constructive or destructive, has had deep and profound effects that unite people based on commonality and shared interest. The Israeli-Palestinian conflict is no different when it comes to these two dichotomies. There are those who use music for protest to either escalate conflict or use it as a social and political platform. Then, there are those who use music for resolving their differences, to promote peacemaking and peacebuilding, further unifying and embracing the diversity that’s between them. The ethnographic approach that I took in this research gives insight and a perspective to …