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Articles 31 - 60 of 2246
Full-Text Articles in Graphic Design
Ddx219.2 Social Media Comparison & Campaign Strategy Example 1, Sae Institute
Ddx219.2 Social Media Comparison & Campaign Strategy Example 1, Sae Institute
Exemplars
Social Media Comparison and Campaign Strategy.
Brand Redesign For Ferrari's Formula 1 Team, Olivia Taylor
Brand Redesign For Ferrari's Formula 1 Team, Olivia Taylor
Honors Projects
Redesign of a small selection of elements from Ferrari’s Formula One team using brands logo, brand colors, students design, and application of learned skills. Items including livery, driver suit, team suit, team helmet, driver cards, four post templates, letterhead, envelope, business cards, and Ferrari Club card. Along with paper explaining the process and research that accompanied the final design products.
Amen To The Break - Spotify Playlist Vinyl Cover Project, Jonathan Hanham
Amen To The Break - Spotify Playlist Vinyl Cover Project, Jonathan Hanham
Illustration Student Work
In this assignment, I decided to create a Spotify playlist with songs in the Liquid DnB/Ambient Jungle genres, and using the "depressive breakcore" visual aesthetic that is popular online. The name "Amen to the Break" refers to the "Amen Break" which is a popular drum beat sample used in many songs in the DnB and Jungle music genres. The illustration is meant to portray the chaotic yet brain-numbing effect that the harsh and fast yet soothing music has on the listener which can put them in a trance-like state.
Ddx219.1 Social Media Analysis Example 2, Sae Institute
Ddx219.1 Social Media Analysis Example 2, Sae Institute
Exemplars
Social Media Analysis
Ddx219.1 Social Media Analysis Example 1, Sae Institute
Ddx219.1 Social Media Analysis Example 1, Sae Institute
Exemplars
Social Media Analysis
Nervous Conditions, Laurel Grelle
Nervous Conditions, Laurel Grelle
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Work displayed here as a diptych
Artist's narrative: Letter 174 is addressed to Paul Laurence Dunbar sent from his dear family friend H.A. Tobey. Toward the end of his life, Dunbar struggled to cope with his tuberculosis and turned to alcohol to ease his pain. As his condition worsened, Tobey began to worry about him and wrote him this moving letter of optimism expressing his sympathy regarding Paul living with a painful and deadly disease. The mirroring is showing the side effects of the disease …
The Elevator Only Goes Up, Jordan Mitchell
The Elevator Only Goes Up, Jordan Mitchell
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: This letter takes Paul Laurence Dunbar back to when he was not proud of his work. In high school, he thought all of his writing was one big joke. He could not afford much, which led to him being forced to take a job as an elevator hopper. In the end, it was a situation that should be seen as a positive. When talking in the elevator with people, he was able to learn how they spoke and put it into his writing. …
From Despair Comes Future Hope, Ainsley Betz
From Despair Comes Future Hope, Ainsley Betz
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Medium: Inkjet on matte paper, printed on both sides
Work displayed here as a diptych
Artist's narrative: Letter 3 was written to Dunbar’s friend and mentor Dr. James Newton Matthews. The letter focused on Dunbar’s despair following his publication and recital at the Western Association of Writers Conference, where he was not able to sell any of his poems. This caused him to doubt himself and his ability. The color blue was used to represent these feelings of sadness and self doubt. Negative words were pulled from the letter and applied at various …
On Flow'ry Beds Of Ease, Jacob Owens
On Flow'ry Beds Of Ease, Jacob Owens
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: In Letter 10, Paul Laurence Dunbar's heartfelt words to his friend J. N. Matthews unveil a profound narrative of gratitude and faith. As a Black man navigating adversity, Dunbar expressed his deep indebtedness to white colleagues who aided in his success. The gentle color palette—featuring dark blues, purples, and soft whites—exudes an antique ambiance, transporting viewers back to Dunbar's era. This color scheme evokes the essence of the time when Dunbar mastered his craft in the cozy confines of his mother's home, where …
Sincerely Yours, Emily Kintz
Sincerely Yours, Emily Kintz
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Work displayed here as a diptych
Artist's narrative: Letter 62 unfolds William D. Howells’ review of Majors and Minors and the impact it had on Paul Laurence Dunbar. This single review pushed Dunbar into the national spotlight, which made his career. Howells' review, however, was embedded with racist ideologies and misinterpretations of Dunbar’s messages. The use of blue watercolor in the foreground represents the depth Dunbar put into his work. The purple watercolor begins to flood into the imagery to express the power Howells had …
I Object, Caroline Creamer
I Object, Caroline Creamer
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Letter 166 Paul Laurence Dunbar wrote to Booker T. Washington in response to his rebuttals of the commissioned song Dunbar was asked to write for the Tuskegee Institute. The Tuskegee Institute was the first higher education institute opened for African Americans. Booker T. Washington was one of the founders who helped establish the school. During the time of this letter, Dunbar was struggling with his tuberculosis diagnosis, however he was still writing and producing new work. Within this letter Dunbar debates Washington’s views and objections …
Irrevocable Harm, Sebastián De León
Irrevocable Harm, Sebastián De León
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Can one experience extreme joy and fear simultaneously? In Letter 62, Dunbar writes to William D. Howells to express his gratitude for the praise he received in Harper’s Weekly. Howells was a prominent Ohioan publisher, editor, and writer during Dunbar’s time. His review of Dunbar’s Majors and Minors is attributed as a major step in Dunbar’s career, as it awarded the Daytonian poet with great recognition. However, though Howell’s article portrayed Dunbar as a great and talented artist, it also painted his race …
Come In, A Very Clever, Aaron Swerlein
Come In, A Very Clever, Aaron Swerlein
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: The typeset I chose was in the families of Ten Oldstyle VF, designed by Robert Slimbach, and PestoFresco, by Giuseppe Salerno and Paco Gonzalez.
In letter 198, Paul Laurence Dunbar is sitting in his bed suffering from tuberculosis as he writes a letter to Dr. Fisher. Throughout this letter, Dunbar writes about how he isn’t able to do much because of the tuberculosis disease in his lungs. Dunbar wrote this letter the year before he died, letting Dr. Fisher know his whereabouts and …
The Uneventful Life, Hannah Schultz
The Uneventful Life, Hannah Schultz
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 85 provides Paul Laurence Dunbar’s negative viewpoint on his successes. Although we are unsure who he is writing to, he writes of his accomplishments from early childhood to the present and calls it all uneventful. He starts off by mentioning how he was only published at age 14 and quickly calls it positive trash. He continues to discuss how he was widely loved in high school and was the editor-in-chief of the school newspaper, but he wrote the paper a month late …
Grateful But Discouraged, Noah Davisson
Grateful But Discouraged, Noah Davisson
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 21 is from Paul Laurence Dunbar to Frederick Douglass, expressing his thanks to Douglass for his help in Chicago. Dunbar was showing his gratitude toward him and his wife and how he would not forget their kindness. Dunbar goes on to explain that he is not doing well mentally and that the people in his town did not support him — especially after he came back from Chicago. Dunbar explains how news of him getting thrown out of a hotel for being …
Gratitude And Desperation, Kevin Figueroa
Gratitude And Desperation, Kevin Figueroa
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Work displayed here as a diptych
Artist's narrative: In letter 21, Paul Laurence Dunbar is reaching out to his friend Frederick Douglass. He is sending his gratitude for all the help Douglass provided Dunbar, but also seeking some words of wisdom to deal with some backlash Dunbar is receiving back home in Dayton.
The Act, Erin Doherty
The Act, Erin Doherty
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 121 explores the struggles Paul Laurence Dunbar faced with alcoholism and the scrutiny he received for his illness. As Dunbar writes an apology letter to Professor P.M. Pearson for his absence due to excessive drinking, his sincere apologies shine through. Dunbar explains how he is aware that his apology can’t erase showing up to a recital intoxicated, which led to his career being tarnished; however, he still asks for forgiveness. The imagery was created with an ink-water solution. This allowed for an …
The Gratitude I Really Feel, John Maloney
The Gratitude I Really Feel, John Maloney
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Work displayed here as a diptych
Artist's narrative: In Letter 10, Paul Laurence Dunbar articulates his gratitude to a friend, Dr. James Newton Matthews, on the day before Thanksgiving. Matthews was a doctor and poet and one of the cofounders of the Western Association of Writers (WAW). When Dunbar read his poetry at the annual conference of the WAW, Matthews was so impressed that he wrote a newspaper article about him. The story was widely republished, bringing greater attention to Dunbar and his work. This …
Wish To Be, Try To Be, Madelyn Selong
Wish To Be, Try To Be, Madelyn Selong
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative:
Letter 21 details the events Paul Laurence Dunbar experienced following the Chicago World's Fair. Dunbar writes to Frederick Douglass, whom he had made friends with at the World's Fair after reading his poems there. The beginning of the letter tells the story of Dunbar’s gratitude toward Douglass as he promises to try to be worthy of the interest Douglass took in him. The end of the letter has a less positive tone, with Dunbar reflecting on some unfortunate events that occurred at the …
Growing Pride, Elaina Doggett
Growing Pride, Elaina Doggett
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 166 unfolds Paul Laurence Dunbar’s reaction to a critique he had received by Booker T. Washington regarding "Tuskegee Song," which Washington commissioned Dunbar to write. In this song, Dunbar discusses the triumphs and tribulations of the past, present, and what would come in the future. The poster title “Growing Pride” represents both the South’s pride and Dunbar's. He was unapologetic in his response to Washington and stood firm in his beliefs that his original writing was most effective. The imagery is a …
Uneventful, Mary Dent
Uneventful, Mary Dent
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 x 36 inches
Media: Inkjet on matte paper
Created using Adobe InDesign, Adobe Photoshop, ink, and handwritten calligraphy
Artist's statement: Letter 85 was written to a woman who is still unknown to this day. The opening sentence of the letter states, “In answer I must say that my life has been so uneventful that there is little in it to interest anyone.” Paul Laurence Dunbar wrote this letter explaining the “uneventful” occurrences that he had experienced, beginning at his birth in Dayton, Ohio. Dunbar continues on in the letter brushing through age 12, when he first began writing, …
Don't Be Startled, My Dear Mother, Jon Quiroz
Don't Be Startled, My Dear Mother, Jon Quiroz
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's statement:
In Letter 66, Paul Laurence Dunbar aims to reassure his mother, Matilda Dunbar, not to be so concerned about his whereabouts. He emphasizes that he will return home as soon as he can. Within the letter, he sends a $2 bill to give financial support during his busy schedule of recitals, particularly in the South—a gesture that underscores his devotion to his family’s well-being even in his absence. Dunbar reassures his mother that after gaining great success from his writing, all the financial …
Self-Deprivation, Maddison Mitchell
Self-Deprivation, Maddison Mitchell
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Paul Laurence Dunbar was a fascinating poet and writer. He was ahead of his time, and his writing was special and loved by all who read it. However, Dunbar was very hard on himself; he talked down about his abilities and writings. In Letter 3, he was writing to a close friend and mentor, James Newton Matthews. He talks about how he is not confident in his writing abilities and is doubting himself, saying he hasn’t been able to sell a single poem. …
Similar Flow, Quinn Heisey
Similar Flow, Quinn Heisey
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches deep, 2-sided
Medium: Inkjet on matte paper
Artist's narrative: Contemporary readers of letter 121 are hearing from the great Dayton poet, Paul Laurence Dunbar, in a declining state and nearing his 1906 passing from tuberculosis [diagnosed 1899]. Dunbar's illness necessitated treatment in a time before antibiotics, and the popular treatment was to use whiskey to manage extreme pain. This contributed to Dunbar’s addiction to alcohol, which is context for the sometimes unclear nature of events and decisions of his that warranted Dunbar to issue this response.
The letter has moments of self-disparaging humor or …
I Am Doing For The Best, Elaina Lear
I Am Doing For The Best, Elaina Lear
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 66 expresses Paul Laurence Dunbar’s loving relationship with his mother, Matilda, and how his distance away from home worried her. Dunbar explained how his writing career was successful and that wealthy white people were treating him well; therefore, she did not need to worry. One side of the poster reflects the beginning of the letter; it's painted with ink wash representing the home where Matilda resided in Dayton, Ohio. The opposite side represents the Everett House in New York, where Paul was …
Love And Family, Kevin Brun
Love And Family, Kevin Brun
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's statement: Letter 92 is Paul writing to his mother, Matilda, during his voyage from New York to England. Due to Dunbar’s dedication and love for his mother, he was writing to let her know that he had a rough trip but is doing well. Dunbar was on his way to London to sell his book Lyrics of Lowly Life after he got the approval and recommendation from William Dean Howells—who at the time was known as the “Dean of American Letters.” Near the end …
Ddx217 Images For Advertising Example 1, Paul Morris, Talana Hacking
Ddx217 Images For Advertising Example 1, Paul Morris, Talana Hacking
Exemplars
This work is for Project 2 of DDX172. Students had to create a themed portfolio of Illustrator work utilising different techniques. The work shows masterful and successful illustration work. The student was not fazed and went out of their comfort zone.
Home And Beyond: Third Culture Kids Navigating Between Their Cultural Identity For An Answer Of Where Is Home?, Gamila Eid
Papers, Posters, and Presentations
Third Culture kids are as a person who have spent a significant part of their development years outside their parent's culture. This research paper tackles different perspectives of Third Culture Kids' life and the challenges that they face. Including a deeper understanding of the main cause of these challenges and their relation to personal and cultural identity by searching for an answer to the most confusing question for a Third Culture Kid which is Where is home?
This paper can be considered as a guide for Third Culture Kids to understand their identity and how to accept their confusion around …
Hacking The Library Exhibition Panels, Sally Brown, Jackie Andrews, Matthew Conboy, Ruth Yang, Trudy Trudy Borenstein- Sugiura, Shan Cawley, Chantel Foretich, Xue'er Gao, Ryan Lewis, Robin Miller, Imari Nacht, Chris Revelle, Erin Tapley
Hacking The Library Exhibition Panels, Sally Brown, Jackie Andrews, Matthew Conboy, Ruth Yang, Trudy Trudy Borenstein- Sugiura, Shan Cawley, Chantel Foretich, Xue'er Gao, Ryan Lewis, Robin Miller, Imari Nacht, Chris Revelle, Erin Tapley
Faculty & Staff Scholarship
The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. Libraries are now beyond the book. As libraries evolve into a new sort of space --still a space for research, learning and study-- but also for community engagement and collaboration, library exhibits present a unique opportunity for both collaborating exhibitors and library users. Artists engage with libraries creatively through artist residencies, installations, using discarded library materials in their work, collaborative workshops, digital collections remixing, performances and more. Hacking the Library will present artwork that highlights the intersecting values …
"That Girl" Vinyl Cover, Addison Hoard
"That Girl" Vinyl Cover, Addison Hoard
Illustration Student Work
This piece of artwork is a 12x12 vinyl cover for a playlist made on Spotify using vibrant colors and vulgar poses to match the musical choice.