Art and Design Commons^™

Taste, Lust, And The Male Body: Sexual Representations In Early Sixteenth-Century Northern Europe, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

During the second quarter of the sixteenth century, Sebald Beham (1500‒1550) engraved a number of small prints with biblically related titles, Joseph and Potiphar’s Wife and Death and the Lascivious Couple. These prints, tiny enough to be held in the palm of one’s hand, show the male sexually aroused. First printed in Nuremberg and later in his new home of Frankfurt am Main, these sexual or erotic prints were popular enough to be copied by contemporaries and by Beham himself. This essay argues that Beham’s prints and their copies are part of a broader interest and taste for erotic imagery …

The Light Of The Revival: Stained-Glass Designs For Restituted Synagogues In Ukraine, Eugeny Kotylar, Magda Teter

Faculty Publications

The catalogue for the exhibition "The Light of the Revival: Stained-Glass Designs for Restituted Synagogues in Ukraine by Eugeny Kotlyar" held at Fordham University from September 10-December 10, 2023 offers a broad perspective on the revival of Ukrainian synagogues after Ukraine’s independence. It showcases three sets of stained-glass windows, which were designed by Eugeny Kotlyar and partially implemented in Ukrainian synagogues in the period from 1995 to 2005. Two early works shown here were the first samples of stained-glass designs for modern Ukrainian synagogues, which set a new trend. The first of them—the stained-glass windows for the Kharkiv Choral Synagogue …

Between Specificity And Myth: An Analysis Of Carlos Mérida's 'Mexican Costume', Sofia Ortega-Guerrero

Kaplan Senior Essay Prize for Use of Library Special Collections

Sitting evenly upon close-toothed paper, vivid pigments compose harmonies of color and form (Fig. 1). Lines of cerulean wiggle upon a velvety cobalt blue. Between crisp boundaries of ink, veins of the white folio carve out a lattice and tapered fringe to impart legibility: a striped, blue shawl generously cloaks a figure, who nearly disappears beneath her dress. Cinched by a violet-vermillion belt, three bunches of black and white pleats fold in rhythmic lines. A small, low-heeled shoe peeks from below the voluminous skirt, recalling the figure beneath the fabric. From the abundant shawl, a head emerges in profile with …

Field Guide To A Hybrid Landscape, Dana Fritz, Katie Anania, Rebecca Buller, Rose-Marie Muzika, Salvador Lindquist

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In Field Guide to a Hybrid Landscape Dana Fritz traces the evolution of the Bessey Ranger District and Nursery of the Nebraska National Forest and Grasslands. Fritz’s contemporary photographs of this unique ecosystem, with provocative environmental essays, maps, and historical photographs from the U.S. Forest Service archives, illuminate the complex environmental and natural history of the site, especially as it relates to built environments, land use, and climate change.

The Nebraska National Forest at Halsey, as it is known colloquially, is the largest hand-planted forest in the Western Hemisphere, and formerly in the world. This hybrid landscape of a conifer …

The Project Of Hope: Middle Eastern Feminism In Controversy, Alla Myzelev

Art History

No abstract provided.

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Los Bordados Mayas Que Protegen De Enfermedades En El Estado De Yucatán, México, Roberto Campos-Navarro, Leydi Dorantes, Danielle Dupiech Cavaleri

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Conocemos el rol de los textiles en los rituales y el significado de numerosos símbolos que bordan las artesanas mayas de la Península de Yucatán, no obstante, existen varios motivos de plantas medicinales bordados en los textiles que no fueron analizados. En el mes de septiembre de 2022 dio comienzo una investigación en cooperación con la joven curandera x-meno’ob de Yaxcabá, Leydi Dorantes, que cultiva más de doscientas plantas medicinales mayas en el jardín botánico que creó su abuelo, mismas que usa en rituales y también para curar. Ella nos da a conocer la relación existente entre los elementos de …

Identificación De La División Del Trabajo Entre Los Géneros A Través Del Análisis Iconográfico, Sarah Kauffmann

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

El presente trabajo se enfoca en la metodología para identificar los roles y actividades realizadas por determinado género en la sociedad maya prehispánica. Códigos especiales en la iconografía son utilizados para representar y diferenciar los dos géneros. Varios medios se explorarán como las estelas, dinteles, cerámicas y figurillas. A través de la iconografía se identificará las actividades, vestimenta y postura para interpretar la división del trabajo.

This present study focuses on the methodology for identifying the roles and activities realized by both genders in the pre-Hispanic Mayan society. Special iconographical codes are used to represent and differentiate men and women. …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Proyectar El Diseño Precolombino: Experiencias Didácticas, Luz Helena Ballestas Rincón

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Se presenta el resultado de un Modelo Pedagógico basado en el Diseño Precolombino, el cual ha sido aplicado en diversos escenarios y ambientes de aprendizaje. Mediante la sistematización de la teoría con la práctica del diseño se muestran ejemplos de los métodos de diseño que han resultado eficaces, ya sea en el ámbito universitario o en grupos interesados en el conocimiento de estos bienes patrimoniales, entre los que se encuentran estudiantes y profesores del área artística así como personas convocadas por algunos museos que poseen colecciones precolombinas.

Al experimentar y proponer activando los mecanismos que liberan la creatividad y, a …

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

Belmont University Research Symposium (BURS)

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …

El Refugio De La Imagen Chamánica En El Mundo Malagana, Sonia Blanco, Catalina Simmonds Caldas

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La voluntad de elaborar una pieza antropomorfa, es incidir sobre el objeto, haciéndolo actuante. Tratándose del mundo Malagana – sociedad prehispánica colombiana –, que consideró el papel primordial de la mujer, esta imagen femenina y robusta, en cerámica, de pie, portadora de una máscara, como pieza – soporte simbólica contendría en su epidermis y gesto, una narrativa ritual. Desarrollada en un espacio funerario, como ajuar, personificaría los atributos del mono aullador y convocante de los “espíritus (auxiliares) alter-ego”, de los monos ardilla, intervendría de forma ritualista sobre los humedales del pueblo Malagana, aportándoles el equilibrio para la inflorescencia de la …

Rescue Politics: Richard Mosse’S Thermal Imaging And The Containment Of Migration, Sarah Bassnet

Visual Arts Publications

This article focuses on a body of work by Mosse that includes the multichannel video installation Incoming, shown as a 52:12 minute three-channel video installation with 7.3 surround sound, and the photographic series Heat Maps (2015–2017) (Fig. 1). While Incoming concentrates on migration routes, Heat Maps portrays the architecture of refugee camps.4 I consider how the artist’s use of thermal imaging and his immersive mode of documentary complicates tropes used to represent migration. I reflect on the way Mosse’s artwork intersects with a long-standing interest by practitioners and theorists of film and photography in the idea of the camera as …

Indecent Bodies In Early Modern Visual Culture, Fabian Jonietz, Mandy Richter, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ʻdecentʼ and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they …

Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, Owen Gottlieb, Shawn Clybor

Articles

This chapter addresses design research and iterative curriculum design for the Lost & Found games series. The Lost & Found card-to-mobile series is set in Fustat (Old Cairo) in the twelfth century and focuses on religious laws of the period. The first two games focus on Moses Maimonides’ Mishneh Torah, a key Jewish law code. A new expansion module which was in development at the time of the fieldwork described in this article that introduces Islamic laws of the period, and a mobile prototype of the initial strategy game has been developed with support National Endowment for the Humanities. The …

Joy As Contestation: Frida Kahlo, "The Dream", Silvia Márquez Pease

Department of Art and Art History

This essay analyzes the pictorial representation of Frida Khalo’s “The Dream,” to unfold the nature and reflect upon the notions of joy and innocence as forms of a subtle contestation. How are they represented? By examining the visible and the non-visible as conditions of critical possibility for joy, innocence and contestation, we can reevaluate the interrelation between the notions of life and death in the Mexican culture, and Frida’s personal history. I argue that innocent joy is a quality that articulates a subtle contestation or clandestine activity of freedom

Hema Upadhyay: Disrupting The Hegemony Of The Slums, A Negative Social Spiral., Silvia Márquez Pease

Department of Art and Art History

This essay presents the theoretical framework that informs my reflections on the hegemony of the slums’ poverty and human conditions, and whether art can disrupt the hegemony and also become a conduit to question our Being, hence Dasein, as per Martin Heidegger. The following pages investigate the work of Hema Upadhyay, in India, and specially, her inspiring protest work offering insights on India’s overpopulation in urban areas such as, Dharavi. She depicts slums becoming a continuum circle of human misery and wealth, politically called a negative social spiral. I argue that the slums, not only destroy the harmony and promise …

The Unpresentable And The Aesthetics Of The Sublime In The Art Of Alfredo Jaar, Silvia Márquez Pease

Department of Art and Art History

I argue that in Postmodernism, as per Lyotard’s writings, art “…caters to the impossibility for an attainable wholeness or sense of presence” (1131). And yet, this state of ‘unattainable wholeness’, does not deny to postmodern art the role of the experience that can carry emancipatory power. Yet, it may not be a ‘unity of experience’ as per Habermas, but still constitute a space of experience and presentations of the unpresentable that is predicated by difference. I propose that Lyotard’s theory of the presentation of the unpresentable, which sees presentation of artworks oriented towards formless art language games and communication, are …

The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski

Senior Honors Projects

No abstract provided.

Living Space, Emily North

Art and Art History Honors Projects

The living room is a place where people can feel comfortable, interact with each other, and display some of their most prized possessions. This project uses five pieces of furniture to create a room; an armchair, chaise lounge, bookcase, coffee table, and lamp. These elements, combined with textiles, wall art, and knick knacks come together to make a warm and inviting space that I feel represents myself, and my love of nostalgia, heirlooms, and handmade items.

Postorbital Discard And Chain Of Custody: The Processing Of Artifacts Returning To Earth From The International Space Station, Justin St. P. Walsh, Alice C. Gorman, Paola Castaño

Art Faculty Articles and Research

Few items that comprise the material culture of the International Space Station ever return to Earth. Most are left on the station or placed on cargo resupply ships that burn up on atmospheric re-entry. This fact presents a challenge for archaeologists who use material culture as their primary evidence. Together with a sociologist, we observed the processes that have been developed by NASA contractors to handle and return items that come back to Earth on the Cargo Dragon vehicle. We observed two missions, CRS-13 and CRS-14, in January and May 2018, respectively, traveling to the locations of work and interviewing …

Políticas Visuales Y Acción Colectiva: Un Investigación Sobre Las Articulaciones Estético-Políticas En Manifestaciones De Arte Público En Ushuaia Y El Bolsón / Visual Politics And Collective Action: An Investigation Of Aesthetic-Political Articulations In Manifestations Of Public Art In Ushuaia And El Bolsón, Laura Woodhouse

Independent Study Project (ISP) Collection

Art in the public sphere is an integral tool of communication that transcends the vertical hierarchies of social organization by infiltrating the popular consciousness with disruptive mediums and reclamations of visual space. Because of the specific accessibility of a variety of forms of public art, for both creators and observers, manifestations of public art have become a popular method through which counter-hegemonic social narratives can be constructed and mediated; in Argentina, a profound history of disruptive art has has been intricately intertwined with an equally rich history of popular activism. With a focus in El Bolsón and Ushuaia, two localities …

Quilted Archives, Rebecca M. Gallandt

Art and Art History Honors Projects

Memory and identity are rooted in the experience of being in material spaces and the process of remembering is often prompted by associative places. Quilted Archives is a series of four collages that combine the mediums of printmaking and oil painting in the pursuit of exploring nostalgia. In each work I use brightly colored intaglio aquatint prints, sepia intaglio etchings, patterned linocut prints, and oil paint to embed memories of childhood play and pretend in the flora of the landscapes where each memory takes place. The flora is collaged in a colorful geometric style to reference quilting and is used …

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

If These Walls Could Talk: Restoring 15th Century Paintings In Upper Mustang, Ellie Penner

Independent Study Project (ISP) Collection

The Thupchen monastery, or gompa, in Lomanthang is a site that hosts monumental 15th century Buddhist artworks, which reflect an abundant history from the key trade region of Upper Mustang, Nepal. This site, after neglect and use as a storage space until the 1990s, has seen radical change in the past two decades through an ongoing painting restoration project. Since these restorations began, there have been discrepancies between how scholars and restoration artists believe the work should be done, and how the local community of Lomanthang wants their monastery to be restored. This study aims to examine why the temple …

Carpets, Education, And Documentation: A Case Study Of The Jawalakhel Tibetan Handicrafts Settlement, Diana Hewitt

Independent Study Project (ISP) Collection

The Jawalakhel Handicrafts Center has been the economic center of the Tibetan community in southern Kathmandu since its founding in 1961. The success of the carpet industry in Nepal allowed the Tibetans in Jawalakhel to become economically self-sustaining, the carpet factory provided livelihood for the refugees who fled from Tibet and their children. The young generation, however, has difficulties finding stable jobs due to the fact that they have no documentation and all formal sector jobs in Nepal require proof of documentation. This lack of opportunity among the younger generation has been a major driver of outmigration from Nepal. The …

The Woman Behind The Whitney, Breanna Epp

Honors Theses

Gertrude Vanderbilt Whitney was the founder of the Whitney Museum of American Art, as well as a prominent sculptor and patron to artists in the early 1900s. Her art collection was the largest of American art at the time, and she led the nation into an appreciation of its own native art. Native in this context specifically means any art that was made in America, not strictly art made by the indigenous people of the Americas. Tackling her entire life, from growing up in the Vanderbilt family to her death, I provide an overview of her interactions with the art …

Craftivism Between Nationalism And Activism In Ukraine And Belarus, Alla Myzelev

Art History

This article outlines the history and significance of Craftivism in Eastern Europe. Using two case studies of artists it investigates the use of the craft language in Eastern Europe and its usability for activism. Do-It-Yourself culture, of which Craftivism is part, rejects the commercialism, gender norms and the conventional lifestyle in the Global North. Use of crafts as a language of political and social struggle allows to convey the message in a less confrontational but nevertheless very pertinent way. The craftivism is a successful language for the feminist political struggle in the Eastern Europe.

The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher

Library Exhibits

Selections of maps and atlases from Sandor Teszler Library’s Special Collections are presented in this exhibit to show how, over time, cartographers have represented the world as we know it.

Arousal, The Bible, And Bruegel’S Codpieces: The Male Body In Early Modern Visual Culture, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay explores varied responses to the male body, including the phallus and its sixteenth- century covering, the codpiece, that existed over the past half millennium in the visual arts during which time discomfort coexisted with more neutral or positive representations of the human form. The essay will show that images indicate no monolithic attitude toward the body, clothed or not, in the centuries emerging from the Middle Ages, thereby agreeing with Bynum that a “cacophony of discourses” existed for many aspects of life, including responses to the body. Bynum’s linking of more general Medieval attitudes to those of our …