Art and Design Commons^™

Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono

Art Faculty Articles and Research

"In this article I look at two early modern texts that pertain to the natural history of Brazil and its usage for medicinal purposes. These texts present an informative contrast in terms of information density and organization, raising important methodological considerations about the ways that inventories and catalogues become sources for colonial scholarship in general and art history in particular."

Toward A Transnational Queer Futurity: The Photography Of Catherine Opie, Zanele Muholi, And Jean Brundrit, Camille Erickson

Art and Art History Honors Projects

North American photographer Catherine Opie and South African photographers Zanele Muholi and Jean Brundrit create art that documents the lived experiences of queer and LGBTI-identified individuals and communities. Although their varying geographic and cultural specificities contribute to diverse representations, this research applies a queer transnational methodology to analyze how each artist uses the body as a site for re-visualizing queer identities. Employing cultural theorist, José Esteban Muñoz’s conception of a queer futurity reveals how these artistic projects resist the majoritarian politics of the present and envision potential utopian spaces of transformation. By embracing collectivity, belonging, and difference, the photographs enact …

Brian Fay Contribution To The Lismore Castle Arts Public Discussion- Painting As A Dream, Friday 25th Of April, 2014, Brian Fay

Other resources

Brian Fay contribution to the Lismore Castle Arts, Waterford, Public Discussion- Painting As A Dream, Friday 25^th of April, 2014

Vern Blosum’S Fifteen Minutes, Damon Willick

Art & Art History Faculty Works

No abstract provided.

The Art Of Survival: Bengali Pats, Patuas And The Evolution Of Folk Art In India, Pilar Jefferson

Independent Study Project (ISP) Collection

The process of becoming a part of a globalized world has made India as a nation worry about what makes it culturally unique. Since the beginning of its relationship with Britain folk artists in particular have been directly connected to cultural preservation efforts in India. The impetus to preserve this uniqueness usually falls on rural folk cultures, whose traditions change more slowly because they have less access to modernizing influences. The problem with idealizing the static nature of folk art is that it keeps the artists from improving their lives, at the risk of abandoning their work to seek out …

Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based on …

For Those At Home: The Romantic Nature Of Civil War Lithography, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Lithography, the art of drawing on stone, was an important part of American Victorian culture during the Civil War. Not only did lithography provide news in pictorial form, but it also was widely displayed in the home. With the economic move from home to factory during the early 19th century, the home became more of a “sanctuary” in which women could decorate and display. [excerpt]

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

Think / Make / Think (Exhibition Catalogue), Sam Yates, Dorothy Metzger Habel, Joshua Bienko, Jered Sprecher, Emily Ward Bivens, Sally Brogden, Jason Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichii Yamamoto, Mary Campbell, Timothy W. Hiles, Amy Neff, Suzanne Wright

Ewing Gallery of Art & Architecture

This exhibition featured the work of current professors in the University of Tennessee School of Art.

Exhibiting faculty were: Joshua Bienko, Emily Bivens, Sally Brogden, Jason S. Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Jered Sprecher, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichi Yamamoto, and Sam Yates.

Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien

CRHR: Archaeology

Three-dimensional (3D) digital scanning of archaeological materials is typically used as a tool for artifact documentation. With the permission of the Caddo Nation of Oklahoma, 3D documentation of Caddo funerary vessels from the Vanderpool site (41SM77) was conducted with the initial goal of ensuring that these data would be publicly available for future research long after the vessels were repatriated. A digital infrastructure was created to archive and disseminate the resultant 3D datasets, ensuring that they would be accessible by both researchers and the general public (CRHR 2014a). However, 3D imagery can be used for much more than documentation. To …

A Fragmented Treasure On Display: The Turfan Textile Collection And The Humboldt Forum, Mariachiara Gasparini

Textile Society of America Symposium Proceedings

In the summer 2012, thanks to the Department of Central Asian Art of the museum and the International Dunhuang Project (IDP) at the British Library in London, UK, the so-called Turfan textile collection--gathered during the last century Prussian Turfan Royal Expeditions in the Tarim Basin--held in the Museum of Asian Art in Berlin, Germany, was finally microscopically analyzed and digitized. Except for a couple of pieces taken into account in previous studies as examples of comparison, the collection as a whole (ca. 350 pieces) has not enjoyed particular attention from scholars in the fields of Chinese or Central Asian art …

Marion Greenwood In Tennessee (Exhibition Catalogue), Sam Yates, Frederick Moffatt

Ewing Gallery of Art & Architecture

This catalogue is produced on the occasion of Marion Greenwood in Tennessee at the UT Downtown Gallery, Knoxville, TN, June 6 - August 9, 2014.

2014 Artist In Residence Biennial (Exhibition Catalogue), Sam Yates, Jered Sprecher

Ewing Gallery of Art & Architecture

The presence of acclaimed artists—who have lived and worked in major cultural centers across the country—enhances the educational opportunities for both undergraduate and graduate students enrolled in the University of Tennessee School of Art. With daily contact over the course of a full semester, resident artists develop a unique relationship with the student body which complements the creative stimulation offered by guest lecturers and the School of Art’s faculty. Representing diverse ethnic, cultural, educational, and professional backgrounds, these resident artists introduce another layer of candor and a fresh artistic standard for the students who, though early in their formal art …