Art and Design Commons^™

Intimate Distance: Negotiating The Urban/Suburban Divide, Whitney L. Sage

Mid-America College Art Association Conference 2012 Digital Publications

As a native of Farmington Hills, a suburb thirty minutes outside of Detroit, I have always had a peculiar relationship with the city. As a child I visited Detroit often for family outings to the DIA and Tiger Stadium. Hours later we would be driving on I-96 returning west. All of my early memories of Detroit are happy and warm, however they are seen through the rose-colored glass of wide cultural and geographic separation from the city. In this way, my artwork, which discusses Detroit’s past and present through literal representation, radiates nostalgia and expresses both a sense of intimacy …

Bent Out Of Shape Embodied Knowledge In The Art Of Copper Repoussé, Tierney Brown

Independent Study Project (ISP) Collection

Over the course of a 1,300 year history the Newar art of moulding copper into fine architectural ornaments and full bodied sacred figures has been passed through family lineages and working apprenticeships. Presently the copper repoussé technique has continued to elude a regulated school format instead favoring individual apprenticeships in the workshops and homes of more experienced artists. In a two week short-apprenticeship and study in Sajan Raj Shakya's workshop in Mangchal Tole, Patan I was instructed in the basics of creating copper forms through repoussé and chasing. This experience is documented both in terms of the delineated process for …

Classic French Modern, Robert Jensen

Art and Visual Studies Presentations

This conference paper presented at Art Without History symposium sponsored by the Oskar Reinhart Collection, September 2012, explores the development of modern house museums devoted to collections of 'classic French modern,' works primarily by the Post-Impressionist artists Cézanne, Gauguin, Toulouse-Lautrec, Seurat, and van Gogh. These museums largely reflect the collecting activities of an international group of collectors that includes the Clark brothers, Duncan Phillips, Chester Dale, and Albert Barnes among the Americans, Samuel Courtauld in Britain, and the Swiss collectors Emil Bührle and Oscar Reinhart. The collections offer an alternative view of Post-Impressionism, one leading not toward the 20th-century avant-gardes, …

From Ruhlmann To Rohde: How French Art Deco Became American, Lily K. Meehan '14

Summer Research Program

The American art deco designers of the 1930s were truly innovators, inventors and artists. They were not, however, the only ones creating “a modern world” during this time. In fact, America was one of the last countries to embrace the art deco style which was thriving in Germany, Austria, and France. There was a strong connection between the French art décoratifs movement and early 20th century American industrial designs. This paper investigates how the International Exposition of Modern Industrial and Decorative Arts held in Paris in 1925 heavily influenced the start of the American art deco movement.

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …

Latino/Latin American Muralism And Social Change: A Reflection On The Social Significance Of The Cold Spring Mural, Shannon Mcevoy

Art Student Work

No abstract provided.

The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez

Masters Theses 1911 - February 2014

This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …

Declan Clarke’S Fantasies, Tim Stott

Articles

No abstract provided.

Redefining The Multiple: Thirteen Japanese Printmakers (Exhibition Catalogue), Sam Yates, Yoshihiro Nakatani

Ewing Gallery of Art & Architecture

Curated by Sam Yates and Hideki Kimura, professor of art at Kyoto City University of Arts, Redefining the Multiple unites 13 printmakers from Japan who bring the techniques and concepts of printmaking to a wide range of contemporary and traditional media.

Of the selected participants, four make three-dimensional objects and installations, two paint with printmaking tools and techniques, three use digital photography and technology, while others utilize traditional and recognizable printmaking methods.

The featured artists are: Hideki Kimura, Junji Amano, Kouseki Ono, Koichi Kiyono, Shuji Chiaki, Toshinao Yoshioka, Shunsuke Kano, Naruki Oshima, Marie Yoshiki, Nobauki Onishi, Shoji Miyamoto, Arata Nojima, …

Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue), Sam Yates, Creighton Michael, Barbara Macadam

Ewing Gallery of Art & Architecture

In Pencil Pushed, the word pencil functions simply as a metaphor or symbol for drawing and its activity. The selected artists are known for their drawing or drawing activity as their primary means of expression and have either pushed the material, process, or boundary of conventional drawing. Media included video, sculpture, animation, installation, and of course, works on paper. This exhibition is neither a survey nor the definitive grouping of mark-making artists. It is more a conversation about artists who have and continue to explore these regions in drawing.

Featured artists in Pencil Pushed are: William Anastasi, William Pittman Andrews, …

2012 Artist In Residence Biennial (Exhibition Catalogue), Sam Yates, Jered Sprecher

Ewing Gallery of Art & Architecture

The presence of acclaimed artists—who have lived and worked in major cultural centers across the country—enhances the educational opportunities for both undergraduate and graduate students enrolled in the University of Tennessee School of Art. With daily contact over the course of a full semester, resident artists develop a unique relationship with the student body which complements the creative stimulation offered by guest lecturers and the School of Art’s faculty. Representing diverse ethnic, cultural, educational, and professional backgrounds, these resident artists introduce another layer of candor and a fresh artistic standard for the students who, though early in their formal art …

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

Material And Motion: Phenomenology And The Early Work Of Carolee Schneemann 1957-1973, Regina M. Flowers

School of Art, Art History, and Design: Theses and Student Creative Work

Carolee Schneemann is a multidisciplinary artist known for using her body in her artworks in order to engage with issues of sexuality, gender and identity. Best known for her 1975 performance Interior Scroll, Schneemann’s work is most often theorized in connection with the emergence of Feminist, Performance and Body Art, yet Schneemann has always considered herself primarily a painter. In this thesis I address the disconnect between Schneemann’s repeated insistence on her status as a painter and the scholarly discussion of her work solely in relation to the integration of her body in her performative works. The period covered …

Technofile: Viscosity, Tina M. Gebhart

Art and Art History Faculty Publications

The article focuses on the effect the viscosity of a glaze or slip has on a piece of pottery. The article explains the term and provides tests that can be performed to determine the viscosity of a substance. It goes on to describe how one can manipulate the viscosity of a glaze or slip through the addition of water or other aids and includes step-by-step instructions for making a slip.

The Mcvitty Book Of Hours; Finding A Link To The Illustrations, Ashton Little

Undergraduate Research Awards

An investigation into the identity of the artists who created the images in the McVitty Book of Hours, a manuscript contained in Hollins University's special collections. The author posits that the marginal images were created by the Master of Geneva Latini, while the main images are the work of a separate, still unknown illuminator. The PDF includes the author's entry submission essay for the 2012 Undergraduate Research Awards.