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Music

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University of Nebraska - Lincoln

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Articles 631 - 638 of 638

Full-Text Articles in Arts and Humanities

Ursa Minor, Randall Snyder Jan 1962

Ursa Minor, Randall Snyder

Randall Snyder Compositions

For Clarinet, Alto Sax (2), Tenor Sax (2), Baritone Sax, Trumpet (4), Trombone (4), Guitar, Bass, and Drums.

27 pages


Accra, Randall Snyder Jan 1962

Accra, Randall Snyder

Randall Snyder Compositions

Jazz Ensemble


Enigma, Randall Snyder Jan 1962

Enigma, Randall Snyder

Randall Snyder Compositions

for jazz ensemble


Little Edward, Randall Snyder Jan 1962

Little Edward, Randall Snyder

Randall Snyder Compositions

for jazz ensemble


Soul Time, Randall Snyder Jan 1962

Soul Time, Randall Snyder

Randall Snyder Compositions

for jazz ensemble


Pastorale In D Minor, Randall Snyder Jan 1961

Pastorale In D Minor, Randall Snyder

Randall Snyder Compositions

For Flute (2), Oboe (2), Bassoon (2), Clarinet in Bb (3), Alto Clarinet, Bass Clarinet, Alto Saxophone (2), Tenor Saxophone, Baritone Saxophone, Cornet (3), Trumpet in Bb (2), Horn in F (4), Trombone (2), Bass Trombone, Euphonium, Tuba, and Timpani.

7 pages


Tones And Intervals Of Hindu Classical Music, Donald A. Lentz Jan 1961

Tones And Intervals Of Hindu Classical Music, Donald A. Lentz

Papers from the University Studies series (University of Nebraska)

ART IS ALL ENDURING and limitless, and defies positive, unvariable classification. No attempt is being made in this book to compare artistic, subjective or emotional factors. Only the objective elements, techniques and procedures of music that are tangible and definite are being compared and classified. Western music, having reached a plateau under the present harmonic system, is projecting into new channels for textural inspiration. Composers have exploited the present system, using existing intervals in every conceivable manner under existing tonal and atonal theories. Devices such as smaller intervals (example: tempered quarter tones), electronic combinations, aleatonic principles, etc. are being dealt …


An Analysis Of The Compositional Devices In Wozzek By Alban Berg, John Charles Nelson Jun 1960

An Analysis Of The Compositional Devices In Wozzek By Alban Berg, John Charles Nelson

Open Access Master's Theses (through 2010)

One of the most significant trends in twentieth-century music is that which embodies an abandonment of all of the traditional concepts of tonality.Since it is conceivable that complete freedom of the twelve tones without some logical organization may result in a form of musical anarchy, any investigation of works in the atonal medium should, first of all, determine what devices are used to give order and logic to the work.These devices may then substitute for the cohesive force of tonality which is lacking in atonal works.In order to investigate the compositional devices of the atonalist writers, Wozzeck by Alban Berg …