Arts and Humanities Commons^™

Make War To Make Peace: Themes Of War In Trombone Solo Literature, Ian Rutherford

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performance

The trombone has a relatively small amount of solo literature, especially for how long it has existed. Many professors only teach and perform an even smaller number of those pieces. Some works are compelling and captivating but rarely performed. The purpose of this document is to explore two lesser-known works that have an exciting connection; they are both works about war. I Was Like Wow for Tenor Trombone and Boombox by Jacob Ter Veldhuis (JacobTV) and Encounters IV for Tenor Trombone and Multi-Percussion by William Kraft are two original works for trombone that explore themes of war.

The pieces were …

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performance

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

The Muted Woman: A Lovey-Dovey Themed Recital, From A Man's Point Of View, Raven Williams

Honors Theses

This senior thesis consists of a vocal recital, accompanying program notes, and research regarding the struggles of women composers as music evolved through its Ancient, Baroque, Classic, Romantic and Contemporary periods. The recital includes a compilation of love songs by French, Italian, English, and German composers, in particular Gabriel Fauré, the often-forgotten Stefano Donaudy, Samuel Barber, Roger Quilter, Ralph Vaughan Williams, and Joseph Haydn. This paper incorporates biographical information, analysis, performance history and cultural insights into the overshadowed women composers that prospered around the same time period as the men of the former. Specifically, Nadia Boulanger, Nannerl Mozart, Alice Mary …

Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo

Department of English: Dissertations, Theses, and Student Research

In 1913, Willa Cather met opera-diva Olive Fremstad and the two formed a friendship that would span at least a decade. Fremstad has long been recognized as an inspiration for the character Thea Kronborg of Cather’s Song of the Lark (1915) but has not been portrayed as influential in any other aspects to Cather’s career. Letters sent by Fremstad to Cather have recently been located, and they reveal an ongoing and interdisciplinary dialogue between the two women that negotiates issues surrounding art and professionalism. I locate these letters within the broader context of Cather’s public and fictional statements about art …

A Stylistic Analysis Of Three Flute Pieces By David Froom: Circling For Flute And Clarinet, To Dance To The Whistling Wind For Solo Flute, And Lightscapes For Flute And Piano, Candice Behrmann

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performance

American composer David Froom has worked with groups such as the New York New Music Ensemble and the 21st Century Consort. His music has been performed extensively, and he continues to receive commissions from individuals throughout the United States. He is best known for his piano sonata (1980) and his chamber concerto (1991); his flute music is relatively unknown.

This study focuses on three of Froom‘s flute works: Circling (2002), To Dance to the Whistling Wind (1993), and Lightscapes (2006). It provides an analysis of each work and examines Froom‘s use of motivic and intervallic relationships in each movement. Scores …