Arts and Humanities Commons^™

The Unique Demands Of Playing Posture On Youth Violinists And Violists, Liam Carroll

Honors Theses

The high prevalence of performing arts injuries is an acknowledged challenge facing the performing arts medicine community. The injuries seem to affect string players the most among orchestral musicians, specifically violinists and violists. The asymmetrical posture, head and neck displacement, and spinal displacement required by the posture to play violin and viola can lead to discomfort or injury in the performer. Performance related musculoskeletal disorders (PRMDs) can have an adverse impact on the life of a musician, preventing them from performing or making it uncomfortable. While there is a large body of research on PRMDs relating to adult musicians, there …

A Study Of The Performance Requirements Found In The Sonata For Solo Violin Op 40 By Miklós Rózsa, James Moat

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Miklós Rózsa’s Sonata for Violin Solo, written in 1986, is his last work for violin and completes a collection of pieces written for the violin dating back to 1929. There have been various scholarly papers written about Rózsa’s violin works, including Nancy Jane McKenney’s dissertation: ‘The Chamber Music of Miklós Rózsa’, and the book written by one of Rózsa’s close friends, Christopher Palmer: ‘Miklós Rózsa, A Sketch of his Life and Work’. Neither of these works discusses the Solo Sonata; in fact, Christopher Palmer’s book was published in 1974, 12 years before the sonata was even composed.

This document discusses …

Silence Emerging From Birds, Rebecca Macijeski

Department of English: Dissertations, Theses, and Student Research

This dissertation represents the culmination of five years of creative activity in poetry. Included within this document are three main components: 1.) a critical introduction to my book-length manuscript of original poems complete to satisfy the requirements of creative writing within the English Department; 2.) a description of my creative activity reflected in that book-length manuscript, and; 3.) a sample of previously published original poems from the manuscript. I will describe each of these components in greater detail below.

The critical introduction to the creative work seeks to explore and examine various aesthetic and theoretical influences on my poems. The …

Virtuoso Violinist Maud Powell: Enduring Champion For American Women In Professional Music, Sarah Joy Pizzichemi

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Maud Powell, the first great American virtuoso violinist, sparked a change in the spirit of the advancement of classical music throughout North America in the late nineteenth and early twentieth centuries. This document addresses gender inequality present in the classical music profession during Powell’s lifetime. It also explores the roles women occupied in the public and private spheres in Western art music of the nineteenth and early twentieth centuries. More specifically, it investigates the life of virtuoso violinist Maud Powell through her activism and interest in American women in professional music.

The document is divided into three parts. After a …

Воспоминания (Acts Of Remembrance): For Violin, Cello And Piano, Marat E. Sanatullov

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

The piece has three movements: I. Истоки (Act I. Beginnings); II. Очарование (АCT II. Charm); III. Просветление (ACT III. Lucidity). The title of the piece and the titles of its movements are in Russian.

Adviser: Tyler Goodrich White

Violin Concerto #1, Matthew J. Holman

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This piece is a violin concerto modeled after, but not explicitly quoting melodic material of, several pieces of music by composers Bear McCreary, and Martin O’Donnell. The first and third movements of my piece were each modeled after two of Bear McCreary’s pieces from the soundtrack to Battlestar Galactica Season 2 – Allegro, and Prelude to War, respectively. The second movement of my piece was modeled after Martin O’Donnell’s piece Ashes, from the soundtrack to Halo: Reach.

Although I model my piece on the formal structures and, occasionally, the chord progressions of McCreary’s and O’Donnell’s pieces, …