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Articles 21871 - 21900 of 29022
Full-Text Articles in Arts and Humanities
Connect The Dots, Macy Chadwick, Special Collections, Fleet Library
Connect The Dots, Macy Chadwick, Special Collections, Fleet Library
Artists' Books
long stitch with cloth-covered cover boards, housed in a wrap box with plexi front and magnet closure; closed book inside cloth covered box; cloth covered box open with book inside; interior of cloth covered box; book cover without box; interior page; page spread. number 9 in an edition of 18, signed by the artist
Pig 05049 : 1:1, Christien Meindertsma, Special Collections, Fleet Library
Pig 05049 : 1:1, Christien Meindertsma, Special Collections, Fleet Library
Artists' Books
1 volume (various pagings) : chiefly ill. (chiefly color). "Concept, photography, design & illustrations, Christien Meindertsma"--title page verso. The project was exhibited in the Kunsthal in Rotterdam in 2008. 3rd printing, Oct. 2009. Includes index. "Christien Meindertsma has spent three years researching all the products made from a single pig. Amongst some of the more unexpected results were: Ammunition, medicine, photo paper, heart valves, brakes, chewing gum, porcelain, cosmetics, cigarettes, conditioner and even bio diesel. Meindertsma makes the subject more approachable by reducing everything to the scale of one animal. After it's death, Pig number 05049 was shipped in parts …
Drawings On A Bus, Ellsworth Kelly, Special Collections, Fleet Library
Drawings On A Bus, Ellsworth Kelly, Special Collections, Fleet Library
Artists' Books
[44] pages : chiefly illus. Facsimile edition of a 1954 sketchbook. Sketchbook 23, 1954 Bauen in Eisenbeton, bauen in Eisen, bauen in Frankreich At head of cover title: Sigfried Giedion : bauen in Eisenbeton, bauen in Eisen, bauen in Frankreich. Title on p. [4] of cover: Giedion : bauen in Eisen und Eisenbeton.
Abracadabra: An Homage To N.H. Werkman, Werner Pfeiffer, Special Collections, Fleet Library
Abracadabra: An Homage To N.H. Werkman, Werner Pfeiffer, Special Collections, Fleet Library
Artists' Books
2 dimensional flexagons and corresponding loose plates, enclosed in a four sided, cloth covered shaped portfolio; cover; various elements; detail; flat view of flexagon structure; detail. A tribute to the life and work of N.H. Werkman, noted German Graphic Designer. As Werkman playfully used text and letter forms as image, the flexagons revolve to reconfigure each composition.
Secret Recipes For The Modern Wife: From Accommodating Breakfasts To Just Desserts, Recipes For Deteriorating Marriages., Nava Atlas, Special Collections, Fleet Library
Secret Recipes For The Modern Wife: From Accommodating Breakfasts To Just Desserts, Recipes For Deteriorating Marriages., Nava Atlas, Special Collections, Fleet Library
Artists' Books
spiral bound; cover; page spreads.
Sehnsüchtig, Amber Gayle, Special Collections, Fleet Library
Sehnsüchtig, Amber Gayle, Special Collections, Fleet Library
Artists' Books
stab bound album, sewn cloth hinges; perfect bound; cover; page spreads; interior pages, back cover. In fhe form of a handmade photo album, this book recalls memories of a lake and longing for love. Written by Amber Gayle, produced by twin sister Stacy Erin Forte (formerly Wakefield), RISD Alumna.
Painting Music: Rhythm And Movement In Art, Sharon L. Kennedy
Painting Music: Rhythm And Movement In Art, Sharon L. Kennedy
Sheldon Museum of Art: Catalogs and Publications
In the past 100 years music has played a tremendously important role in the stylistic development of visual art. It has created impetus and inspiration for those artists wishing to produce a pure and transcendental art form. Music has also been used as an analogy or metaphor in artistic expression. By listening to music and emulating it in their work, artists have discovered unconventional techniques in their art-making approach. Painting Music: Rhythm and Movement in Art explores the influence of music on the visual arts beginning in the early 20th century with the Russian artist Wassily Kandinsky and continuing with …
Seasonal Celebrations, Daily Life: Photographs By Graciela Iturbide, Sharon Kennedy
Seasonal Celebrations, Daily Life: Photographs By Graciela Iturbide, Sharon Kennedy
Sheldon Museum of Art: Catalogs and Publications
The photographs in Seasonal Celebrations, Daily Life highlight the work by contemporary Mexican photographer Graciela Iturbide. Early in Iturbide's artistic career she studied with Mexico's preeminent photographer Manuel Alvarez Bravo. Several of his photographs selected from the Sheldon Memorial Art Gallery's permanent collection are also on view.
The exhibition focuses on Iturbide's photographs of the people of Juchitan, a Zapotec community in Oaxaca. She created this portfolio over a six-year period beginning in 1979. Here she earned the trust of the people she photographed by living among them and participating in their daily life and festivities. Iturbide gravitated toward the …
Bright Lights On Quiet Streets: Tom Keough’S Nocturnes, Shannon Egan
Bright Lights On Quiet Streets: Tom Keough’S Nocturnes, Shannon Egan
Art and Art History Faculty Publications
The well-kept city streets lined with trees and old brownstones may seem familiar in the paintings of Brooklyn-based artist Tom Keough, but the neighborhood is disquietingly empty. Keough situates the sidewalk in the immediate foreground of his paintings and compels the viewer to enter into an eerily vacant scene. With few exceptions, Keough leaves the always still and sometimes snowy New York setting largely unoccupied. Nonetheless, Keough conveys human presence in his paintings with the soft glow of lamplight from windows, footprints in the snow, and cars parked along the side. The theme of urban alienation—a paradoxical sense of loneliness …
A.G. Rizzoli: Master Architect, Jo Farb Hernandez
A.G. Rizzoli: Master Architect, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Forms Of Tradition In Contemporary Spain, Jo Farb Hernandez
Forms Of Tradition In Contemporary Spain, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Josep Pujiula I Vila’S Labyrinthine Environment, Jo Farb Hernandez
Josep Pujiula I Vila’S Labyrinthine Environment, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Complex Factors In Planning The September 11th Memorial Museum At The World Trade Center: Politics, Obstacles, Opportunities And A Planning Model, Anthony M. Gardner
Complex Factors In Planning The September 11th Memorial Museum At The World Trade Center: Politics, Obstacles, Opportunities And A Planning Model, Anthony M. Gardner
Seton Hall University Dissertations and Theses (ETDs)
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The Factory, Dan Tello
Ua1f Wku Archives Vertical File - White Squirrels, Wku Archives
Ua1f Wku Archives Vertical File - White Squirrels, Wku Archives
WKU Archives Records
Articles regarding the white squirrels that live on the WKU campus.
New York, Erica Petry
In The Game : An Exploration Of The Concept Of Immersion In Video-Games And Its Usage In Game Design, Cesar Manuel Saez Ojeda
In The Game : An Exploration Of The Concept Of Immersion In Video-Games And Its Usage In Game Design, Cesar Manuel Saez Ojeda
Theses : Honours
This thesis outlines a research project whose aim was to develop a design taxonomy for the creation of immersion in video-games. These guidelines can then be used in-sync with different stages in video-game design and development to ensure an immersive experience. Integral to this is the 'suspension of disbelief' the end user experiences when fully immersed in a video-game (Holland, 2002; Mediacollage.com, 2006). A review of the literature has identified the major contributing theory to the concept of immersion as flow (Csikszentmihalyi, 1991). Flow embodies cognitive elements of involvement such as concentration on a task, completing a challenge, having control …
Would You Believe Me If I Said I Didn't Need You, Andrew Kozlowski
Would You Believe Me If I Said I Didn't Need You, Andrew Kozlowski
Theses and Dissertations
This thesis is an attempt to expand upon the ideas that permeate the practice of art making that has developed over the past two years. Art criticism, theory, history, and practice are used to give definition to the boundaries of my ever-shifting body of work. Focusing on the elusive nature of communication in both public and private spheres, these projects range from installation and sculptural work, to web projects, photography, and drawing.
Reunion: A Journey Through History, Symbolism, And Fear, Vanessa Laure Fassie
Reunion: A Journey Through History, Symbolism, And Fear, Vanessa Laure Fassie
Theses and Dissertations
The contents here in examine the artistic process undertaken by Vanessa Fassie to create the mixed media work, reunion. The subjects of fear, archetypal symbolism, personal and collective histories were examined through research, archival evidence, video, sound, movement, and installation. reunion, examines not only the powers of personal and collective histories through the symbolic language of archetypes, but also how fear manifests and evolves through time. The culmination of this work was the creation of an installation within the Anderson Gallery at Virginia Commonwealth University. This Thesis was created through the use of Microsoft Word 2004.
Walk 14 Blocks, Bryant Mark Dameron
Walk 14 Blocks, Bryant Mark Dameron
Theses and Dissertations
Walk 14 Blocks is a document that describes my two-year investigation of simulation in everyday life. It describes how I examine both simulated places and the tools of simulation. I explain the key elements relating my work to simulation; experience, language, and the video monitor. I trace how I have utilized these elements in several works that led to my thesis exhibition titled Evidence.
Simple Complexity, Eric T. Anderson
Simple Complexity, Eric T. Anderson
School of Art, Art History, and Design: Theses and Student Creative Work
I enjoy a combination of different things. Growing up full of humor and self-awareness, I always knew I would do something artistic. Art gave me creative freedom. Most of my time was used dreaming and imagining, about places, people, and things. Therefore, my roots in the northern Midwest culture and countryside are great inspiration for me. It is in this area of the country where the idea of art and craft are blurred, a place where nostalgic wildlife art shares the same wall with a Monet print and family photos. Unusual artistic conversation happens within that kind of environment, which …
Fieldwork/Fieldwalking: Art, Sauntering And Science In The "Walking Country", Perdita Phillips
Fieldwork/Fieldwalking: Art, Sauntering And Science In The "Walking Country", Perdita Phillips
Theses: Doctorates and Masters
fieldwork/fieldwalking is a contemporary art project exploring practices of walking and science in the field. 11 explores the themes of walking and-fieldwork in art, and as art. Whilst the. sociology of science in the laboratory has been well theorised, less has been said about the field in the natural sciences. And, equally, the most recent and provocative walking art is found in urban areas, in a fabric dominated by the patterns of human settlement. How could new walking art be made in non-urban places? The project set out to investigate how these two, fieldwork and walking, could be combined in …
From Cannibal To Consumer: The Shifting Poetic Metaphor Of The Vampire, Emma Margetts
From Cannibal To Consumer: The Shifting Poetic Metaphor Of The Vampire, Emma Margetts
Theses: Doctorates and Masters
The Vampire is a parasitic demon who has ·haunted humanity for thousands of years. Feeding off the living, this bloodsucking, animated corpse could generally be said to embody human fears surrounding death and sexuality. Appearing in a variety of mythologies around the world, the vampire has been connected with excessive and/or repressed desire, the subconscious and dark side of human nature. The vampire and associated metaphors' reflect social boundaries and express forbidden desires, in particular, when the figure appeared in late-Gothic literature of the 18th-century novel. The transitions occurring within the vampire's iconography over the last 200 years of Western …
Self, Justin D. Shaw
Self, Justin D. Shaw
School of Art, Art History, and Design: Theses and Student Creative Work
am proud of my traditions. My work is a conglomeration of my life 's worth of teachings and skills. I see my past in my sculpture, not specific events or dates, but periods of developmental growth. I respond to my surroundings being either location or company. These reflect in my actions and attitude, and although humorous in some regards, items like clothing and other subject matter are closely related to my upbringing and were fundamental in my development as an artist and a person. My interest in the figure comes from our natural ability to relate to other human beings, …
Beautiful Objects, Jenni Brant
Beautiful Objects, Jenni Brant
School of Art, Art History, and Design: Theses and Student Creative Work
I believe that the experience of beauty is important for its ability to inspire reflective contemplation. Beautiful things have the power to arrest our attention, to take over our consciousness and move us to new places in unexpected ways. Beauty has the power to make us more aware of the present moment, more aware of those we are sharing it with, and of the consequences of our actions. The experience of beautiful objects is an enriching and necessary facet of human existence. My work is life affirming and reminds us to celebrate the ordinary as well as the extraordinary: the …
Density, Jesse Ross
Density, Jesse Ross
School of Art, Art History, and Design: Theses and Student Creative Work
This work is porcelain tableware and architectural ornament. I choose the context of function because the things we use contain purpose both actual and metaphorical. They are concrete, connected to our lives by necessity, regardless of meaning or aesthetics. Form and surface are more than the residue of concept, they must be specifically engineered for right application. This work, be it shelter, ligbt, containment, etc. is the foundation for the intimacy we feel toward our belongings. That said, utility is only one facet of the objects I make. A Styrofoam cup works well enough, but its expressive potential is limited. …
Inslde Out, Caitlin Rose Applegate
Inslde Out, Caitlin Rose Applegate
School of Art, Art History, and Design: Theses and Student Creative Work
The intersection, or in some cases, collision between public and private lives, provides a place to peer through the cracks in the mask we put on for one another each day. A glimpse of this fleeting relaxation of boundaries helps us see one another for what we really are. Alone or in intimate groups, my sculptures describe the vulnerability and insecurity most of us feel beneath our perceived exteriors. I look at the ways in which we define ourselves for others, at the awkwardness found there, and at what happens when that pretense is stripped away. Despite attempts to clothe …
The Mockingbird, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University
The Mockingbird, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University
The Mockingbird
Kathy Parker [Reluctant Aubade]; Joshua Burd [Pitcher]; Thomas Cantrell [Call]; Reese Chamness [Drowning]; Tyrone LaRue [Dana]; Lindy Russell [Devoured]; Mary Nees [In Entropy]; Christine Buchanan [Gina]; Stephanie Bowman [Lone Figure in a Dark Landscape]; Tyrone LaRue [Man]; David Mazure [Morality]; Travis Brown [Roan Mountain]; Mary Nees [A Vehement East Wind, Their Line Goes Out]; Kathy Parker [Birthday, Layover]; Daniel Marinelli [Phylactarian]; Betsy Allen [Rock It, Man: Confessions of a Music Pirate]; Natasha Conner [Hallowed Plastic]; Lori Ann Manis [Death, Be Proud]; Ciprian Begu [The Sphere]; Kathleen Libby [Girl in the Storm]; Samira Daniels [Untitled]
Cca Centennial Alumni Exhibition, Lynn Sondag
Mary Todd Lincoln Exhibition, Virginia Heaven
Mary Todd Lincoln Exhibition, Virginia Heaven
Virginia Heaven
Period dress consultant.