Arts and Humanities Commons^™

A Pursuance Of Self, Kassidy Albert

Undergraduate Honors Theses

The self portrait is a consistent aspect of art history, with many artists returning to it again and again across their lives. This project intends to explore the function of the self portrait. Through research and execution of artwork, the artist has found that the self portrait has multiple functions, including: a practice of anatomy; a display of status, skill, and likeness; an outlet for emotion; and a place for psychological confrontation. Across the life of this project, the artist completed twenty-two self portraits in a variety of styles and materials.

Expressive Marks: Art In The Age Of Augmented Reality, Carson G. Levine

Dartmouth College Master’s Theses

Augmented reality (AR) and non-fungible tokens (NFTs) introduce new considerations for the long-standing debate of what it means for digital art to be “real.” However, the ability to create AR experiences is limited to those who are technically skilled or who can afford to consult someone else. This paper addresses the need for an accessible tool that enables artists of all technical backgrounds to expressively create marks in AR. The solution includes a mobile application called CrayonAR. The system was designed to be modular, minimal, and physically engaging, and was developed in Unity using ARFoundation and Firebase Storage and Realtime …

Drawing As Process: Expansiveness Through Constraint, Ciel Miao

Bachelor of Fine Arts Senior Papers

This paper explores the concept of drawing as a time-based practice, where the process is the core of the artwork rather than the finished product. I divide my artistic concerns into four chapters, each advancing on the previous one, to discuss my drawing practice, which allows for exploration of time and space across a wide array of media and styles of representation. I embrace impulse and intuition in the mark-making process, letting go of control while prioritizing the form of depicted figures over their image. This paper highlights the importance of my inner contradiction and how the process reflects my …

Mfa Master Project, Owen Pierce

Electronic Theses, Projects, and Dissertations

I am a storyteller.

I just happen to paint, draw and sculpt my stories more often than I write them. Thematically, I gravitate towards stories that speak about ecological and humanitarian concerns. Fantasy illustration is where I can create with the greatest freedom and indulge my love of crafting stories, and also as a form of escapism. As the author

Ursula K. Le Guin quotes, “If the direction of escape is towards freedom, what then is ‘escapism’ an accusation of?” Long running series of programs, films and books attest to this desire to be engaged at a deeper, more meaningful …

Ideation And Iteration For Creatives, Sandee M. Chamberlain

KSU Distinguished Course Repository

This course addresses the development of visual literacy including concepting, initial approaches of creating an encompassing aesthetic, creating timelines for production, and exploring the refining aspects of creative production. Students will devise an advanced creative problem and provide a documented account of their creative journey to present as a process journal at the end of the course.

Learning Through Failure, Lily A. Mader

CAFE Symposium 2023

This project focuses on the drawing technique by Henri Matisse. I used his work as inspiration to create a retractable bamboo stick for personal use.

Ok I'M Perfect, Dania Skye Leibowitz

Senior Projects Fall 2023

okay i’m perfect

I make art as a way to externalize my anger in a way that won’t hurt anyone. I’ve been making art about my anxieties, my exhaustion, my fear. Some of my drawings scare me to look at, and to think of other people looking at. So then I make other things to protect myself from them, and from you.

Most of the time when I get into my studio, I don’t know what to do. I draw myself, and I make rectangles from fabric and I stuff them. The repetition of drawing and sewing grounds me until …

Rabbit Hole, Olivia Wiebe

Scripps Senior Theses

Rabbit Hole explores an alternate reality which erupts within moments of insomnia, and posits it as a place of self-discovery. Though this Rabbit Hole is a personal one, the work implies that these worlds can be found within any person when they are alone. Digital spaces have become tools of absolute availability and distraction, capitalized on by companies who profit when our eyeballs are stuck to our screens. However, cyberspace was once dreamed of as a place of self-discovery and experimentation. Rabbit Hole is an attempt to reclaim digital space, and turn towards ourselves within technology. These individual “Rabbit Holes” …

Fourpaintingsomedrawingsandaprintbehindapillar, Sam R. Brown

All Graduate Theses, Dissertations, and Other Capstone Projects

My work is about the interest of communication and visual story telling through the mediums of drawing and painting. This comes from my earliest artistic education through comics. My exposure to comics has informed my decisions on composition and visual language. The reason why I chose to work with this in mind is because I see a general lack of this sort of visual storytelling in contemporary art. The process of telling stories through visual media is something that had been done for millennia. Through my work I wish to take this issue and utilize it to a contemporary viewer. …

Meditations, Alyssa Hennigar

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Meditations is the second piece in my Meditations Series. I was introduced to meditative or “automatic” drawings in my Drawing II class with Professor McGalliard at the University of North Florida. What resonates so much with me about meditative drawing is the complete freedom in creating art that comes naturally to the movement of a body, the practice of mindfulness, and being in the present. There should be no plan, no thought, no calculations, and no rules when it comes to meditative drawing. It is purely expressive mark-making and therapeutic to the artist’s mind, which often gets tied …

More-Than-Human Fluid Speculations, Paulina Yurman

DRS Biennial Conference Series

This paper shares speculative questions and ideas that emerged from considerations about bodily fluids and other related fluids as materials used for drawing and as materials related to the subject of a drawing. Partly informed by post-humanist perspectives that view human agency as entangled with other non-human material agencies, this paper presents short experiments in drawing that have prompted reflections about the ways in which knowledge is partial, situated and influenced by other forms of knowledge.

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

Don't You Want To Be Happy?, Mario Rocha Rodriguez Jr

Honors Capstones

My capstone project is an exhibition of my artwork using visual distortions to convey a message to the viewer. I created nine new pieces out of the original seven proposed over the course of the semester with themes all relating to firsthand experiences that I think people can learn from. For the exhibit, I displayed ten pieces with two works that were made prior to the current semester. In conclusion, I present ideas that I have been holding in for the past 4 years.

Bare: The Modern Female Nude Uncovered, Tasha A. Determan

Honors Thesis

My honors thesis criticizes representations of the female nude and advocates for diverse expression of the female body. The research encompasses two series of artwork and a written component examining and reflecting upon the artwork. The first series is Venus of Fruit, which assesses past depictions and associations of the female nude specifically objectification and sexualization in western art. The sculptures are four cast bronze nude figures within an apple, a banana, and a pineapple. The figures are Venuses trapped within nature, beauty, fertility, and sexualization. The second series is Venus Anew, which examines the naked and the …

Threefold Cord Practice, K. Hope Mayo

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

I Want To Go Home, Amber Boris

School of Art, Art History, and Design: Theses and Student Creative Work

The significance of a home lies within the memories of the space. I Want to Go Home is a body of work that explores this idea through a collection of sculptures and drawings depicting my childhood home. This house holds meaning to me not only because it is where I grew up, but because it was also my mother’s childhood home. Six generations of our family have passed through the house, creating a long history of associated stories, memories, and emotions.

I have constructed scaled down sculptures of rooms for these memories to live in. The spaces are left empty, …

The Ghosts Shed Tears, Sarah Jentsch

School of Art, Art History, and Design: Theses and Student Creative Work

Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.

Many of my formative experiences I came to understand through animals. My family home, cradled …

Exhibiting Students’ Bound Sketchbooks, Amy Beecham, Courtenay Mcleland

Library Faculty Presentations & Publications

The Thomas G. Carpenter Library at the University of North Florida implemented a dedicated space for the exhibition of student artwork in the Summer of 2017. The space is collaboratively managed by the Department of Art, Art History, and Design and the Library with the intent of providing students with valuable experience in curating and mounting exhibitions. Courtenay McLeland, librarian and co-liaison to the Department of Art, Art History, and Design and art professor Amy Beecham discuss an upcoming installation of student bound books. Students in Professor Beecham’s advanced drawing class completed accordion bound sketchbooks with a focus on continuous …

Conceptions Of Flight, Sandra Reed

Art & Design Student Research

Conceptions of Flight is a thematic invitational group exhibition. The artwork exhibited here reveals a diverse and individual engagement with the theme. Some of the featured artists interpret flight as a rising up; a moving forward; a breaking free from struggle. Others have captured the thrill and wonder of travel; of the movement of clouds; of building new wings, mythopoetically. Whatever the interpretation, Conceptions of Flight provides an arresting look at the ways this age-old preoccupation continues to move the imagination and stretch the limits of our reach.

Reclaiming The Appropriated Space Through Care, William P. Glaser

Theses and Dissertations

This thesis navigates the complex and (at times) frustrating experience of balancing caregiving and art making while attempting to converge both practices into one. The collaboration of caregiving and art making serves as a potential solution for those that struggle with the seemingly unreconcilable stratification of both activities.

Evocation, William Robert Gary

Senior Projects Spring 2022

Evocation

When I began my time at Bard College, I was already deeply interested in children’s Art. The ideas supporting my senior project reach all the way back towards the end of my Freshman year. The last few years have consisted of practicing, preparing and researching for what would become my thesis. Evocation encompasses a large body of paintings, prints and sculptures inspired in part by my own childhood artwork. After discovering a box of nearly five hundred drawings from my childhood during the summer of 2021, I have sought to infuse my interest in the expressive and symbolic tendencies …

Tangible Transformation: Change In Intangible Times, Rhonda R. Dass

All Graduate Theses, Dissertations, and Other Capstone Projects

Pulling the intangible cloud to the forefront, this exhibition transforms the ethereal image of the cloud into the tangible paper and canvas representations that flirt between what is and what can be. I combine techniques from drawing, painting, and papermaking, to create clouds that leave the heavens and solidify and yet spark the imagination in new directions. Presented as my thesis exhibition, my exploration of the ever-shifting cloud scape helps express my understandings in and about a transforming world of change. Two years ago, when the world turned sideways, I was in the middle of a series of paintings and …

Song From A Chamber, Miguel A. Martinez

Theses and Dissertations

My work weaves a biomythography through figurative reimagining of syncretist religious iconographies. This thesis installation is composed of a mural reliquary in which a collection of twenty works on paper is displayed. The project exposes abstract dimensions of body and spirit in relation to my experience as a gay immigrant.

In-Between The Wind, Victoria L. Vontz

LSU Master's Theses

In-between the Wind is a compilation of poems, short stories, theories, photographs, and drawings that reveal my relationship and connection with nature. Through prose, I expose and question my place in the world, how I see it and how I am connected to it, while photographic images and drawings leave space for thoughtful and reflective meditation. The work draws upon memories, discusses theories of connection, and aims to record ephemeral moments that often seem to be too easily forgotten.

We, Three By Ginny Majka, Ginny Majka

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

We, Three

I am the soil, the mountains and oceans of life.
Mycellium colonies beneath my surface plunge up
up, up through the peat and the moss, the decaying leaves. They pray for the rain, the fruit of my earth.
Plantae nestle in, fragile and comfortable,
seeds sprout to eagerly gulp rain,
animalia flourish, consuming what I provide
only to come home, at the end, to me
to rejoin my earth;
we are one
I am the atmosphere, the sunny clouds and storms producing bounty to those below
I am the chaos in the lightning
I am the rainbow after …

Floral Beauty By Sophia Squire, Sophia Squire

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Floral Beauty

An appreciation for chrysanthemum
Took bloom within her soul during
Her early years of life and began
To flourish as time went on

Passing slowly, the years whisked
By and things would grow all around
Her as her hair drifted down past
Her slim shoulders – long brown

“I wish to grow my roots, soon,
In one place where I can stay
Becoming stronger within myself
Until it is time for me to wither away

I’ll make this body a lovely space
For my spirit of flora to grow and
Thrive, with windows all around to
Let sunshine …

Ilja By Paula Shevenell, Paula Shevenell

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

ILJA

I remember you
sitting in the woods,
Gathering in the children
Gathering in the
sights and sounds.
You’re expression
warm, kind patient
as the children crawl over you.

I remember
Sitting on this rock
breathing in the scent of the woods
Trying to bring in
the calm I see in you
Amid the chaos
Of children befriending you
Of parents attempting
To capture the moment
With their devices
Of plastic, wires and glass.

Three Garden Visitors By Vivien Russe, Vivien Russe

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Three Garden Visitors

Beside a cup of tea, I am a spotted leopard on pajamas.
Outside in the garden, this early summer morning,
Staying sly, quiet, not wanting to draw any attention from the neighbors.

A birdie is hidden in the Emerald Green Arborvitae,
After lunch, Owen comes over, asking politely if he can come into the yard to find it.
I reply, “Certainly, you can retrieve anything that lands in the yard without asking”.

Coming unannounced, no matter when, full of presumption
It comes with the lightest, gentle touch or the hardest hit, knocking flowers off center.
Below the …

Dandy/Robin/Gardener By Sadie Pressman, Sadie Pressman

ART/RSP 299: Gathering in the Garden: Poetry and Studio Art

Dandy

I’ll be so direct by saying, if I may, that here is simply, absolutely, the best place to be. Here,
where the rolling hill plunges towards the ocean. Here, where the sight of the Bavarian blue sky
makes my insides feel endless. Here, where, watching as I so often do, as the white cotton
shape-shifts before my eyes, summer-time in suspense. The sun’s rays suspend from the sky,
dangling like the hands of time. They caress me. A pocket watch in the sky, the sky's the best
accessory. Here, where I am more popular than I could ever have …

Objects And Images, Jack Lovell

Masters Theses

My work often involves photographic source material as well as surrealistic forms. Two primary influences, René Magritte and Gerhard Richter, can be seen as at odds with each other in many respects. Drawing parallels and distinctions, I explore relationships in the work of Magritte, Richter and myself.