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Gender and Sexuality Commons™

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2017

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Articles 211 - 240 of 393

Full-Text Articles in Gender and Sexuality

Beautiful Women, Sarah Guevara Apr 2017

Beautiful Women, Sarah Guevara

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


La Lucha, Una Guerrillera – A Woman Warrior Apr 2017

La Lucha, Una Guerrillera – A Woman Warrior

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Mi Cultura Y Yo, Daniel Gómez Apr 2017

Mi Cultura Y Yo, Daniel Gómez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Something Sacrilegious For Your Unsatisfying Abuse, Brittany Gautier Apr 2017

Something Sacrilegious For Your Unsatisfying Abuse, Brittany Gautier

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Keeping Quiet, Brittany Gautier Apr 2017

Keeping Quiet, Brittany Gautier

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Trabajo Con El Cuerpo, Suseth Fonseca Apr 2017

Trabajo Con El Cuerpo, Suseth Fonseca

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Growing Up In An Ill House, Suseth Fonseca Apr 2017

Growing Up In An Ill House, Suseth Fonseca

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


A House In México, Judith Domínguez Apr 2017

A House In México, Judith Domínguez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Nameless, Emjay Díaz Apr 2017

Nameless, Emjay Díaz

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Fluid In Different Worlds, Emjay Díaz Apr 2017

Fluid In Different Worlds, Emjay Díaz

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


A Lie, Gabriela De La Torre Apr 2017

A Lie, Gabriela De La Torre

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


I Say, Michelle Cuevas Apr 2017

I Say, Michelle Cuevas

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Ser Xingona, Graciela Chipres Apr 2017

Ser Xingona, Graciela Chipres

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


The Mom Who Sleeps In The Car, Stephanie Castro-Hernández Apr 2017

The Mom Who Sleeps In The Car, Stephanie Castro-Hernández

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


The Difficulty Of My Name, Iridian Casárez Apr 2017

The Difficulty Of My Name, Iridian Casárez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


A Journey To A New Life, Stephanie Brito Apr 2017

A Journey To A New Life, Stephanie Brito

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


I Was Named After My Father, Hector Alejandro Arzate Apr 2017

I Was Named After My Father, Hector Alejandro Arzate

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


To You Apr 2017

To You

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Secreto O Condena? Apr 2017

Secreto O Condena?

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


My “Otherness” Apr 2017

My “Otherness”

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Habla Ahora O Calla Para Siempre Apr 2017

Habla Ahora O Calla Para Siempre

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Post-Colonial Heteronormative Consequences In The Life Of A Queer Chicanx, Armando Alejandre-Huerta Apr 2017

Post-Colonial Heteronormative Consequences In The Life Of A Queer Chicanx, Armando Alejandre-Huerta

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Journal's Genesis, María Corral-Ribordy, Carlos Molina Apr 2017

Journal's Genesis, María Corral-Ribordy, Carlos Molina

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Editor's Introduction, María Corral-Ribordy Apr 2017

Editor's Introduction, María Corral-Ribordy

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Table Of Contents Apr 2017

Table Of Contents

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Full Issue Apr 2017

Full Issue

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.


Choosing The Best: A Rhetorical Analysis And Discussion Of An Abstinence-Centered Sexuality Education Curriculum, Carolyn Buonomo Apr 2017

Choosing The Best: A Rhetorical Analysis And Discussion Of An Abstinence-Centered Sexuality Education Curriculum, Carolyn Buonomo

Master of Arts in Professional Writing Capstones

This rhetorical analysis examines Choosing the Best Journey, a Choosing the Best, LLC student manual targeted at ninth and tenth grade students, and testimonials from the company’s website to provide insight about the ways in which the company’s curricula position women. In what way does this content position women in relation to men? Does the curriculum position women as those who both hold the responsibility for preventing and bearing the burden of premarital sexual activity? In what ways does this content work to reinforce gender stereotypes? By answering these questions, I am able to determine whether the curriculum works …


The Stories We Tell, Abigail A. Hoekstra Apr 2017

The Stories We Tell, Abigail A. Hoekstra

MAD-RUSH Undergraduate Research Conference

Two or Three Things I Know for Sure tells the story of Dorothy Allison as she comes to terms with her past and strives to move beyond it, to be empowered and embodied by it. In this short memoir, Allison explores the relationship she has with her mother and how that relationship has influenced her individuality and character, whose complacency has restricted Allison. Allison breaks away from the stories she has been told to tell a new story of abuse and disembodiment in which she finds love, and in turn, embodiment; the unification of her body and spirit. Story-telling and …


Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga Apr 2017

Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga

Media and Communication Studies Honors Papers

Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …


Introduction To Queer Studies Gws 210g, Joanna Burkhardt Apr 2017

Introduction To Queer Studies Gws 210g, Joanna Burkhardt

Library Impact Statements

No abstract provided.