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Civic and Community Engagement Commons™
Open Access. Powered by Scholars. Published by Universities.®
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- University of Rhode Island (31)
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- Keyword
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- Civil Rights (108)
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- Publication Year
- Publication
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- CouRaGeouS Cuentos: A Journal of Counternarratives (345)
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- Tipití: Journal of the Society for the Anthropology of Lowland South America (78)
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- Dignity: A Journal of Analysis of Exploitation and Violence (31)
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- The Partisan (2)
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- Publication Type
Articles 331 - 360 of 870
Full-Text Articles in Civic and Community Engagement
My Name Is El Salvador, Keryn Lopez
My Name Is El Salvador, Keryn Lopez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
My Home, Victoria Ramirez
My Home, Victoria Ramirez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Migration Art, Antonio De Jesus Sanchez Bautista
Migration Art, Antonio De Jesus Sanchez Bautista
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Solita: A Self-Portait, Alyssa Fernandez
Solita: A Self-Portait, Alyssa Fernandez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Gender Talks, Marí Lopez, Ollie Winfield-Perez
Gender Talks, Marí Lopez, Ollie Winfield-Perez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
My Name, My Meaning, Danielle Rodriguez
My Name, My Meaning, Danielle Rodriguez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
My Name, Brenda Yañez Portillo
My Name, Brenda Yañez Portillo
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Distinta, Graciela Chipres
Distinta, Graciela Chipres
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
(Untitled), Ollie Winfield-Perez
(Untitled), Ollie Winfield-Perez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
I Am You, Dajonea Robinson
I Am You, Dajonea Robinson
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Alteridad, Briana Yah-Díaz
Alteridad, Briana Yah-Díaz
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Identity Art, Antonio De Jesus Sanchez Bautista
Identity Art, Antonio De Jesus Sanchez Bautista
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Introduction, Nancy Pérez
Introduction, Nancy Pérez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Table Of Contents
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Acknowledgments
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Artist's Statement, Antonio De Jesus Sanchez Bautista
Artist's Statement, Antonio De Jesus Sanchez Bautista
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Why Courageous Cuentos?
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Courageous Cuentos Production Spring 2019
Courageous Cuentos Production Spring 2019
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
About This Journal
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
The Torch (June 2019), Crtp
The Torch (June 2019), Crtp
Torch: The Civil Rights Team Project Newsletter
Civic and Community Engagement | Civil Rights and Discrimination | Education | Gender and Sexuality | Inequality and Stratification | Politics and Social Change | Public Policy | Race and Ethnicity
Acknowledgement
New and Dangerous Ideas
The editorial team’s acknowledgement of Gabriella Caron and faculty advisors' contribution to the publication of the journal.
Letter From The Editor
New and Dangerous Ideas
A summary of the second issue of New and Dangerous Ideas.
Front Cover
New and Dangerous Ideas
Page Image of New and Dangerous Ideas Front Cover.
Two Cents, Sam Avila
Two Cents, Sam Avila
New and Dangerous Ideas
I took a Literature class a couple of years ago where we read different poems and short stories that focused on the Civil Rights Movement as well as social justice as a broader theme. I remember reading the poem “Ballad of Birmingham” by Dudley Randall, which magnified the emotions of African-American families in a powerful piece of literature. When I read that piece, I fell in love with writing again and I wanted to share stories through literature.
I wrote this piece because it was a way for me to reflect on a society that can act so hateful towards …
That Is So Gay, Daniel Nemec
That Is So Gay, Daniel Nemec
New and Dangerous Ideas
The piece I created shows the complex and varied subject that is identity, specifically pertaining to the queer community.
The United States Healthcare System Keeps Failing Black Women, Vanessa Malkia
The United States Healthcare System Keeps Failing Black Women, Vanessa Malkia
New and Dangerous Ideas
Writing this piece, I was pushed by the anger I constantly feel anytime I am reminded of the state of black women’s health in our country. As a black woman in a world that constantly reminds black people that we do not matter, hearing about the negative experiences black women face at the hands of healthcare professionals is incredibly frightening. It begs this question to be asked: Where are we safe? Racism (racist beliefs and acts) has real repercussions that sometimes put minoritized groups in deadly situations.
Due to a combination of implicit bias and structural inequalities, black women have …
This Is Not A Woman's Body, Av Binns
This Is Not A Woman's Body, Av Binns
New and Dangerous Ideas
I was inspired to create this drawing while learning about the AIDS crisis, and the use of human bodies in acts of civil disobedience calling for government recognition and medical support of people living with AIDS. The queer community, with limited financial and political support, used their bodies for tools of resistance and visibility. Queer bodies were not only tools for marching and blocking streets; they were evidence of the severity of the issue at hand. AIDS was hard to ignore when it was gathered in the streets. Decades later, queer bodies remain an essential tool of advocacy for the …
David Wojnarowicz By Peter Hujar (1981), Kieran Binney
David Wojnarowicz By Peter Hujar (1981), Kieran Binney
New and Dangerous Ideas
The poem is an ekphrastic piece, meaning it was inspired by a work of art — in this case, a portrait of David Wojnarowicz, photographed by Peter Hujar in 1981. Both Wojnarowicz and Hujar were prominent artists and gay activists in the 1970s and 80s, during the height of the AIDS crisis, and both died of AIDS-related illnesses.
I originally picked this portrait to write about for a class assignment simply because it was a striking image, but as I looked into Wojnarowicz’s background I grew more interested in both his life and the time in which he lived, and …