Critical and Cultural Studies Commons^™

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.

Ground Zero: Tourism, Terrorism, And Global Imagination, Maxwell E. Loos

International Studies Honors Projects

At Ground Zero, the transnational phenomena of tourism and terrorism intersect.  In this thesis, I introduce the concept of global imagination, and analyze how tourism and terrorism affect this process of global imagination for Americans, arguing that tourism plays an important role in constructing a globe, while terrorism – particularly the 9/11 attacks – works to interrupt imaginative process itself.  I then explore how tourism of terrorism at Ground Zero influences global imagination, containing the events of 9/11, allowing for the construction of only a very specific globe in which the U.S. is an innocent, benevolent actor in world history.

After The Fall: The Post-Apocalyptic Frontier In The Road And 28 Days Later, Jeffrey J. Lavigne

UNLV Theses, Dissertations, Professional Papers, and Capstones

Previous scholars have identified three scenes of the American frontier myth: the sea, the west, and space. This evolution of frontiers reflected key changes in the expression of America’s cultural identity. While Janice Hocker Rushing called space “the final frontier,” the prominent place in contemporary society held by zombies and other minions of the occult hint at the emergence of yet another scene of the American mythos: the post apocalypse. In contrast to previous frontiers, which are defined geographically, the post-apocalypse is much broader, for in the wake of a global cataclysm, everywhere is a potential frontier. This decentralization of …

Kurosawa, Akira (1910-1988), James Mark Shields

Other Faculty Research and Publications

No abstract provided.

Ozu, Yasujirō (1903–1963), James Mark Shields

Other Faculty Research and Publications

No abstract provided.

Miyazaki, Hayao (1941–), James Mark Shields

Other Faculty Research and Publications

No abstract provided.

Mizoguchi, Kenji (1898-1956), James Mark Shields

Other Faculty Research and Publications

No abstract provided.

Slave To Fashion: Masculinity, Suits And The Masciste Films Of Italian Silent Cinema, Jacqueline Reich

CMS Faculty Publications

No abstract provided.

Sexuality, Exoticism, And Iconoclasm In The Media Age: The Strange Case Of The Buddha Bikini, James Mark Shields

Faculty Contributions to Books

No abstract provided.

The World’S Most Perfectly Developed Man: Charles Atlas, Physical Culture, And The Inscription Of American Masculinity, Jacqueline Reich

CMS Faculty Publications

The major wave of Italian immigration between the nineteenth and twentieth centuries coincided with the growth of the physical culture movement in the United States. A principal participant in both phenomena was the Italian male, with a particularly fascinating case being that of the bodybuilder and fitness guru Charles Atlas. Born Angelo Siciliano in Calabria, Italy, Atlas provides an interesting window into how the Southern immigrant became American and how that Americanization was written on the muscled, male body. This article examines how Siciliano/Atlas transformed himself into the world’s most perfect white man at a time when Italians’ whiteness was …

Remember The Titans, Historical Fact Or Fiction?, Amy S. Tate

OUR Journal: ODU Undergraduate Research Journal

In the late 1990s, screen writer Gregory A. Howard wrote a screen play called Remember the Titans, based on the true story of T.C. Williams High School in Alexandria, Virginia. Jerry Bruckheimer and Walt Disney Pictures bought the script based on the fact that it is a true story, but much of the film‟s content is fictional. Gregory Howard admitted to ESPN writer Jeff Merron that “he made some big assumptions when writing his script” (qtd. in Merron 5). Though the film is not entirely historically accurate, it is successful because it appeals to Americans through its intense emotional …

Chronotope And Regional Chinese Independent Films, Jingya Liu

Lingnan Theses

This thesis aims to re-categorize Chinese independent films from a region-based perspective as a critical response to existing literature on Chinese independent films. This thesis analyzes three independent films made in three different regions of China in order to investigate regional Chinese independent cinema as a recently rising phenomenon: respectively, Jia Zhangke’s Xiaowu (1997) made in Shanxi Province, Ying Liang’s Taking Father Home (Bei yazi de nanhai, 2006) in Sichuan Province, and Robin Weng’s Fujian Blue (Jinbi huihuang, 2007) in Fujian Province.

By using Bakhtin’s concept of chronotope (literally time-space) as the fundamental framework and exploring the many aspects of …

Is Disney Surfing The Third Wave? A Study Of The Pervasiveness Of The Third Wave Of Feminism In Disney's Female Protagonists, Emily S. Ellington

Senior Honors Theses

It is important to understand factors that have influenced Generation Y’s view of womanhood. One way to do this is to analyze third wave feminist messages portrayed by Disney, the media powerhouse. In order to determine if Disney reflects feminist values, the third wave themes portrayed in The Little Mermaid (1989), Beauty and the Beast (1991), Pocahontas (1995), and Mulan (1999) are examined. It is concluded that Disney portrays the feminist values of independence and multiculturalism; however, the films are set within patriarchal societies and portray women to be domestic. Ultimately, Disney portrays four messages about womanhood: Women are equal …

From Dreams To Nightmares : Cross-Generational Romance In Mainstream American Cinema, Sol Stern

Theses : Honours

This thesis is concerned with the changes in cinematic depictions of romantic relationships in which there is enough age disparity that the couple could be mistaken for parent and child. These cross-generational affairs have significance within the ideology of the family unit, the heterosexual couple and the classic Hollywood ideal of romantic love. The way that these relationships have been portrayed on screen has changed drastically in mainstream American cinema from the 1950s to the 2000s, and these shifts reflect changing values and attitudes in society since all films exhibit certain ideologies. Through sampling several relevant films made between 1953 …

“I Hope You Never See Another Day Like This”: Pedagogy & Allegory In “Post 9/11” Video Games, Marc A. Ouellette

English Faculty Publications

Although critics and scholars have considered the extent to which the terror attacks of 11 Sept. 2001 influenced subsequent media productions, video games comprise a largely unexamined form. This oversight also applies to related forms of media production and among those who study video games is in part attributable to the ongoing debate regarding the relationship(s) between narrative and play. Even so, as early as 1997, JC Herz was investigating the role of video games in the military-entertainment complex. That said, the focus of this paper will not be the obvious games which draw settings and plots directly from the …

"Everybody Else Ain't Your Father": Reproducing Masculinity In Cinematic Sports, 1975-2000, Marc A. Ouellette

English Faculty Publications

This essay stems from two cultural strands, which intersect in one cultural form, the sports film. The first of these is the figure of the "star," as opposed to hero, who is interested only in self promotion. The second strand, masculine nurturing, provides a direct counterpoint to the first. Sociologist Robert Connell explains that "In historically recent times, sport has come to be the leading definer of masculinity in mass culture" (54). In North America, sport plays an important and increasing role in our culture. Each of the four major sports leagues added teams in the last decade of the …

A Wave Of The Magic Wand: Fairy Godmothers In Contemporary American Media, Jeana Jorgensen

Scholarship and Professional Work - LAS

The increased personification of fairy godmothers in contemporary American media corresponds to an aspect of the American worldview that emphasizes "magical" quick fixes and solutions. The two fairy-tale pastiche works informing this study are a novel, The Fairy Godmother, by fantasy author Mercedes Lackey, and a movie, Shrek 2. Both of these works feature fairy godmother characters that depart from canonical folktale and fairy-tale depictions. Associated with fate and wisdom, fairy godmothers act much as folklorists do by rewarding traditional behavior with gifts. Recent fairy godmother roles are hybrid and multivocal, illuminating ideologies and power structures in both society and …

Film And Television After 9/11 [Book Review], Marc Ouellette

English Faculty Publications

One of the necessary compromises a book such as Film and TV After 9/11 must make is the amount and variety of examples it can provide. In order to be the first book to cover the subject, the book sacrifices the types of materials covered and the variety of themes they depict. Although the editor, Wheeler Winston Dixon, does not do so, the book’s twelve essays slot into four basic categories: analogies, productions altered to suit the "post-9/11" mindset, post-9/11 productions with metaphorical rather than literal linkages to the event and pre-9/11 productions whose viewing must now take that day …

Screenplay: Cinema/Videogames/Interfaces [Book Review], Marc Ouellette

English Faculty Publications

Recognizing the growing importance (at least for consumers) of video games as a popular form of narrative fiction, Geoff King and Tanya Krzywinska situate their collection, ScreenPlay: cinema/videogames/interfaces as a text which is corrective, informative and explorative. In the first case, the editors sought essays which would move the critical discourse on video games away from the more familiar but reductive debates surrounding the "effects" of video games (especially on children) and their modes of representation (especially of the female form and violence). Indeed, these have become the sine qua non of video game criticism and one feeds the other …

Out Of The Blue: Re-Evaluating Electra-Glide In Blue, William Blick

Publications and Research

The 1970s was a time of moral ambiguity for the cinema. The cult- favorite, Electra Glide in Blue demonstrates the polarization of ideologies in America at the time. In this film, there are several conflicting views of the Vietnam War, "Hippies", drugs, conservatism, communes, and the mistrust of authority that made up a zeitgeist of the time. This short article defines the film as a examination of the ambiguity of the 1970s.

On Ethan Watter's Urban Tribes: A Generation Redefines Friendship, Family And Commitment, Danny Mayer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Outside of the 60s generation, there are few if any generational groupings as well known and discussed as Generation X, the term coined by Douglas Copeland to describe the generation approaching adulthood in the post-Reagan boom-years of the 1990s. As the subject of books (Generation X), movies (Reality Bites, Clerks, Slacker), TV dramas and sitcoms (Seinfeld, Friends, Ally McBeal, Sex and the City), and Prime Time news specials, there is seemingly little new to say about Gen X. It has long since been tagged as a generation …

Discovering Your Cinematic Cultural Identity, John Shelton Lawrence, Marty S. Knepper

Reconstruction: Studies in Contemporary Culture

This paired set explores the experience of cultural identities constructed by and experienced through popular film. The essay “Discovering Your Cinematic Cultural Identity” reflects the authors’ decades of residence in the state of Iowa and their personal irritation with the stereotypes that Hollywood regularly calls upon in evoking the American rural. We gained a new perspective on this sort of imagery when it surfaced again in Field of Dreams (1989) and The Bridges of Madison County novel (1992) and film (1995). Each of these films triggered unprecedented film tourism for the state. Through an exploration of these films and others …

Nothing's Gonna Give? Age, Gender, And Cultures Of The Screen, Christine Scodari, Becky Mulvaney

Reconstruction: Studies in Contemporary Culture

Christine Scodari's and Becky Mulvaney's Nothing's Gonna Give? Age, Gender, and Cultures of the Screen investigates the 2003 romantic comedy Something's Gotta Give, written and directed by Nancy Meyers as exceptional in its featuring a fifty-something woman as leading actress. Beginning with an analysis of the filmic text itself, the authors do not confine themselves to it, but go on to critically engage with its reception in both the press and academia. While the focus is thus shifted from the film to the meta- and para-texts produced in the course of its reception and promotion, the underlying questions asked …

Accent, Linguistic Discrimination, Stereotyping, And West Virginia In Film, Teresa L. O’Cassidy

Theses, Dissertations and Capstones

This study examines connections between accent, linguistic discrimination, and stereotyping in portrayals of West Virginia film characters. Ten films featuring West Virginia characters were examined for accent and stereotyping: The Right Stuff (Kaufman, 1983), Matewan (Sayles, 1987), Blaze (Shelton, 1989), The Silence of the Lambs (Demme, 1991), October Sky (Johnston, 1999), Hannibal (Scott, 2001), A Beautiful Mind (Howard, 2001), The Mothman Prophecies (Pellington, 2002), Wrong Turn (Schmidt, 2003), and Win a Date with Tad Hamilton! (Luketic, 2004). Coders were employed to score character accents. Stereotyping data was gathered by comparing portrayals with stereotypical traits associated with Appalachian and/or hillbilly characters. …

'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien³, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien^{3, …}

From Butler To Buffy: Notes Towards A Strategy For Identity Analysis In Contemporary Television Narrative, Rob Cover

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Given the increasing significance of questions of identity, subjectivity and selfhood in contemporary postmodern western cultures, it is important to begin acknowledging how these questions are reflected in contemporary media and television and to develop new strategies by which to analyse television characters in terms of identity and subjectivity. The scope for analysing television series' characterizations through recent postmodern and poststructuralist theories of non-essentialist, non-foundationalist subject/identity performativity has not yet been considerably explored. It is my contention here, however, that such a method both reflects the representation of self and identity transformation in new television series as well …

Teaching 9/11 And Why I'M Not Doing It Anymore, Louise Spence

Communication, Media & The Arts Faculty Publications

Offers information on Reading Seminar in Media and Cultural Theory, a course which tackles advanced work in the theoretical and critical context of the mass media as a social phenomenon. Issues about the September 11, 2001 terrorist attacks on the U.S. covered in the course; Psychological implications of the terrorist attacks; Social relevance of the course and the instructor's reasons for ending the course.

Contesting Identities: Sports In American Film [Book Review], Marc Ouellette

English Faculty Publications

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in the book's …

Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

English Faculty Publications

The editors of Reel Baseball begin by acknowledging the roots of their collection, which explores the intersection between movies and baseball. Since 1989 the National Baseball Hall of Fame has hosted the Cooperstown Symposium on Baseball and American Culture. Since 1997, McFarland has published all papers presented at the symposium. Reel Baseball, then, functions both as a document and as an artifact of the "integral" place of baseball movies in American culture. Indeed, the book not only includes essays presented at the symposium, it has two foreword sections: one written by Hall of Fame President Dale Petroskey and the …

"Two Guns, A Girl And A Playstation™": Gender In The Tomb Raider Series, Marc A. Ouellette

English Faculty Publications

This article considers the combination of game play and narrative which combine to produce cross-gender identifications in video games, a previously underexamined potential for the production of alternate genders, one which calls into question the stability of gender, particularly masculinity, as a construct.