Critical and Cultural Studies Commons^™

Trust Me: Film + Q&A; (February 22, 2024, 5:30 Pm, Sheldon Museum Of Art) [Poster], Sheldon Museum Of Art, University Of Nebraska-Lincoln

Sheldon Museum of Art: Catalogs and Publications

Poster for Trust Me: Film + Q&A held February 22, 2024 at 5:30 PM at the Sheldon Museum of Art (University of Nebraska-Lincoln, Lincoln, Nebraska, United States).

Poster blurb:

In today's information landscape, how do you know whom--and what--you can trust? Watch the award-winning, feature-length documentary Trust Me, which explores how media technology is influencing society and what we can do about it.

A Q&A with Rosemary Smith, filmmaker and managing director of the non-partisan Getting Better Foundation, follows.

More information about the screening is available at https://news.unl.edu/newsrooms/today/article/trust-me-documentary-to-screen-at-sheldon/.

More information about the film is available at https://www.trustmedocumentary.com/ …

Off The Rails: Cinematic Trains As Technological Controls Of The Natural World, Trinity Thompson

Honors Theses

Short train rail lines across the United States are seeing increased national funding to reduce toxic chemical spills caused by train derailments, the most notable of which happened in February 2023 in East Palestine, Ohio. A year prior, the film White Noise (2022) featured a similar toxic train derailment incident, taking place, too, in Eastern Ohio, and featuring actors from the town of East Palestine. In considering other films featuring trains, I identified a pattern of environmental conflict, leading me to question the relationship between trains and the natural environment as portrayed in popular cinema. To conduct my research, I …

Mixed Speak: Towards A Re-Poetics Of Race And Self, Celina Mizuki Ohga Samuelson

Media and Cultural Studies Honors Projects

This paper tells the stories of mixed-race Japanese people. I engage in a re-poetics, positing storytelling as an essential tool into complicating our understandings of race and self. I examine the relationship between language and race, exploring how subjects existing within a space of mixedness navigate identity-formation and racial belonging. Operating under a socio-constructivist lens, I begin with a brief re-telling of the history of race in Japan, re-framing mythologies of race throughout literature, legislation, and into national and colonial projects. While popular discourse alleges Japan was and is a country of racial homogeneity, I argue that this falsifies colonial …

The State Of Women In The Media: Representation, Coverage And Framing Of Women In East African Media, Aga Khan University, Graduate School Of Media And Communications

Graduate School of Media and Communications

This research examined the representation of women in East African news media organisations and the coverage and framing of women in top East African newspapers, TV and digital platforms. The study is premised on existent literature on the intricate interplay between media framing, coverage dynamics, and the representation of women in newsrooms’ workforce, given the consequential role all these play in shaping public perceptions of gender issues and shifting norms. Through a comprehensive methodology that incorporated content analysis, document analysis and interviews on the responsibilities and assigned roles of women in media organisations, the research presents findings from a content …

Deconstructing The University: Contemporary Dei, Neoliberal Rationalities, And The Abolition Of The Administrative Apparatus, Jonah Henkle

Media and Cultural Studies Honors Projects

The following chapters attempt to develop some working theories to combat capitalist exploitation and racist and gendered oppression in the university, culminating in a call for the abolition of the university’s administrative apparatus. The project is divided broadly into two parts, which are referential to each other, but maintain slightly different areas of focus. Part 1 details a preliminary critique of the political-economy of the contemporary neoliberal university, drawing influence from Marxian economics and structuralist theories of ideology, critiquing contemporary discourses of diversity, equity and inclusivity (DEI). Part 2 focuses more directly on issues pertaining to oppression and difference, maintaining …

“It's So Normal, And … Meaningful.” Playing With Narrative, Artifacts, And Cultural Difference In Florence, Dheepa Sundaram, Owen Gottlieb

Articles

This article considers how player interactions with religious and ethnic markers, create

a globalized game space in the mobile game Florence (2018). Florence is a multiaward-

winning interactive novella game with story-integrated minigames that weave

play experiences into the narrative. The game, in part, explores love, loss, and

rejuvenation as relatable experiences. Simultaneously, the game produces a unique

experience for each player, as they can refract the game narrative through their own

cultural, identitarian lens. The game assumes the shared cultural space of the player,

the player-character (PC), and the non-player-character (NPC) while blurring the

boundaries between each of these …

Sensing Brownness: On Racialization, Perception, And Method, Amber Jamilla Musser

Publications and Research

Maureen Catbagan’s Dark Matter (2020) photography series invites us into sensing brownness. In these images of museum passages and stairwells, silhouettes of museum guards, and evocative shadows, Catbagan presents the landscape of the museum. However, this may not be immediately recognizable because the photographs draw focus to the parts of museums to which we rarely pay attention. In particular, Catbagan’s attention to the presence of guards allows us to perceive dynamics of racialized and gendered labor and laborers who, in an echo of their architectural focus on minor, peripheral spaces and shadows, hover between the underrecognized and oft-neglected, thereby allowing …

Afroam: A Virtual Film Production Group, Bill Taylor Jr.

Antioch University Full-Text Dissertations & Theses

Because of the gatekeeping practices of the Hollywood film industry, and the high cost of both filmmaking and distribution in general, Afro-American filmmakers have struggled to produce films with “global reach.” This study visits the possibility of Afro-American filmmakers using alternative technologies and infrastructures to produce high-quality films, thereby bypassing the high cost and exclusionary practices of Hollywood studios. Using new 21st-century digital technology, this study involved the creation of a small geographically dispersed virtual film production team. The study’s foundational framework was a constructivist qualitative research paradigm, using Action Research, and supported by 24 months of triangulated data from …

The Stars Told Me About You: Reclaiming Filipino Mythology Through Film, Tara Renee Masangya Mercene

Media and Cultural Studies Honors Projects

The Philippines holds a long history of colonization and occupation from Spain, Japan, and the United States of or (the US). Today, the Philippines is heavily influenced by Western culture, holding ideologies paralleling their past colonizers. For this project, I would like to explore the culture of pre-colonial Philippines and how it is reviving itself in the present, which I frame as the postcolonial. Looking specifically at Filipino folklore and mythology I am interested in understanding the scars of colonization and how lore and rituals have sought to heal these pasts through its remembrance of traditional thought. In this moment …

Audio Virology And Affect Contagion In The Times Of Preemptive Power And Sonic Futurism: The Sonic Warfare Of Fatima Al Qadiri, Aram Kavoossi

Media and Cultural Studies Honors Projects

This project examines the State’s use of sound technologies in particular to conjure affects facilitative of the maintenance and control of human bodies and political activities. In tension with this current, it will also study the subversion of sonic war machinery by cultural workers and musicians in the production of transnational political solidarities against the state militarization/securitization of life and preemption/commodification of death–a socio-economic paradigm fed by the (neo)colonial underbellies of capitalist modernity, from the Transatlantic Slave Trade to the colonization and military exploitation of the ‘Middle East’.

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Society Doesn’T Owe You Anything: Grand Theft Auto: San Andreas & Video Games As Speculative Fiction, Marc A. Ouellette

English Faculty Publications

Since Donald Trump’s election in 2016, popular and scholarly commentators have been looking for speculative and/or dystopic literary works that might provide analogues for the Trump-era. Perhaps the most famous of these was the renewed popularity of Margaret Atwood’s The Handmaid’s Tale. In this regard, though, video games remain an underexplored fictional form. With its exaggerated and parodic satire of an America ruled by the corruption and greed of extreme right-wing populism, Grand Theft Auto: San Andreas (2004) offers a speculative fiction that players can enact as well as imagine and simulate as well as prepare. Thus, reading the …

Intermedialidad En El Documental Cubano Contemporáneo, Esteban Alfonso Lopez

FIU Electronic Theses and Dissertations

Cuban documentaries, which have experienced dramatic changes in the last two decades, are now more in tune with the most recent global trends in cinema. However, the scarce implementation within the documentary genre of other perspectives and modes of analysis, outside those that are purely cinematographic, has stalled investigations in the field, thus creating a disengagement with the structural and thematic renovation that has been taking place within the discourse of contemporary Cuban documentaries.

My dissertation “Intermedialidad en el documental cubano contemporáneo” examines a select sample of representative texts and Cuban documentaries, with a view to adapting and/or developing an …

Superhybridity And The Swallowing Of Subculture: Collisions Of Afro-Asian Cross-Cultural Production And Consumption In Post-Internet American Popular Culture, Valentia Sundell

Media and Cultural Studies Honors Projects

Responding to a recent resurgence in Afro-Asian imagery in the American consciousness, this paper examines the meaning and direction of the contemporary Afro-Asian relationship in post-Internet American popular culture. To investigate these questions, this paper constructs a brief history of the American Afro-Asian relationship through the performance of racial identity and cross-cultural production and consumption from the 1850s through the 2000s. An increase in American Afro-Asian imagery has not come from a place of abstraction, but rather stems from a lengthy and complex history of cross-cultural collisions, collaboration, and convergence along with a post-Internet that allows for the ready flow …

Bat Meets Girl: Adapting The Dark Knight’S Love Life To The Big Screen, Brandon Bosch

Department of Sociology: Faculty Publications

It is no secret that Hollywood loves a good romance. What is perhaps sometimes overlooked however is how important romance and female characters are to male-dominated action films. Esma Kartal argues women and romance are deliberately placed into action films to create “romantic relief” and attract female viewers for greater crossover appeal.¹ In addition to romance, Yvonne Tasker observes how women in action films serve as a witness for “the hero’s suffering” and humanity in action films.² Finally, a classic use of women and romance in action films is that of the damsel-indistress, which continues to this day …

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

Web.Isod.Es Cel, Aman Kular

SASAH 4th Year Capstone and Other Projects: Presentations

For her CEL, Aman interned at WEB.ISOD.ES in London, Ontario, working on producing a documentary discussing the recent implementation of Basic Income by the Conservative Provincial government. Aman learned valuable research skills and communications skills while working on this project and was excited to work in politics.

The Image Of Adventure In Literature, Media, And Society: 2019 Sassi Conference Proceedings, Thomas G. Endres

Society for the Academic Study of Social Imagery

Conference proceedings of the 2019 meeting of the Society for the Academic Study of Social Imagery (SASSI). Selected, refereed essays on the conference theme of The Image of ADVENTURE in Literature, Media, and Society.

Mediated Merchandise, Merchandisable Media: An Introduction, Elizabeth Affuso, Avi Santo

Communication & Theatre Arts Faculty Publications

There are many reasons why film and media scholars ought to take merchandise seriously. That filmrelated merchandise is a lucrative part of the film business is only a starting point, but still a good place to start. In 2018, character and entertainment licensing accounted for 44.7% of retail sales of licensed merchandise, generating $121.53 billion in sales. [1] [#N1] This earned entertainment companies approximately $6.2 billion in royalties. [2] [#N2] Not surprisingly, five of the top ten licensors are entertainment companies, with Disney positioned at the top with $53 billion in merchandise sales. Universal Studios is ranked 4th ($7.3 billion), …

Race In Romance: Racialized Femininity And Intimacy Between Asian Female And Non-Asian Male, Minju Kim

Media and Cultural Studies Honors Projects

The film “Racing Romance” is a study of Asian female and non-Asian male intimacy. The film is based on an understanding that intimacy, desire and love are critical parts of one’s self-identification, while these desires are inevitably influenced by the historical and social contexts of race to varying degrees. There has been a limited academic interest in the female agency of Asian women in interracial intimacy. Too often, interracial marriages and relationships are simply celebrated as part of multiculturalism or anti-racism, without getting proper attention to the subtleties of racial and gendered dynamics that influence both members of the relationship. …

Making Implicit Methods Explicit: Trade Press Analysis In The Political Economy Of Communication, Thomas F. Corrigan

Communication Studies Faculty Publications

The political economy of communication (PEC) situates media systems and practices in their structural and historical contexts; however, PEC scholars rarely articulate or justify their research methods. To address this oversight, this article explains how PEC scholars use trade publications to study media industries, practices, policy making, and discourses thereof. Following a critical realist approach, PEC researchers “burrow down” in trade press advertisements and reports and “listen in” to the frank, insider discussions therein. This article evaluates the trade press against Scott’s four “quality control criteria” for documentary sources—authenticity, credibility, representativeness, and meaning. Trade publications employ daunting industry jargon, and …

He Scores Through A Screen: Mediating Masculinities Through Hockey Video Games, Marc A. Ouellette, Steven Conway

English Faculty Publications

Hockey video games highlight the ways in which the video game medium shapes and conditions the experience of producing and/or performing the sport “in real life.” Indeed, the accumulation of advanced statistics in and through the constant evaluation, measurement, and surveillance which are inherent to video games—and increasingly seen as foundational for sport—reveals important contradictions not only in the way the embodied sport is played and understood, but also in terms of the proofs of masculinity upon which the sport is built. It then becomes clear that the building of masculinity and the empowerment of the character become one and …

Course Syllabus (Su17) Coli 331: “‘World-Traveling’: Alterity And Liminality In Spike Lee’S Do The Right Thing And Amiri Baraka’S Dutchman”, Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

This semester, we’ll view Spike Lee’s 1989 Do the Right Thing and Shirley Knight’s 1966 cinematic production of Amiri Baraka’s Dutchman through the critical lenses of Maria Lugones’ notions of ‘worlds’ and ‘world-traveling,’[1] which she develops in Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions. Our task is to analyze a number of the problematics addressed in these visual works as discernible ‘world(s)’ of meaning and experience constituted by the libidinous investments, concrete practices, and ideological convictions of the human subjects who bear and circulate them.

[1] Maria Lugones, Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions, Rowman & Littlefield Publishers, …

Spiritual Media Experiences, Trait Transcendence, And Enjoyment Of Popular Films, Sophie Janicke, Srividya Ramasubramanian

Communication Faculty Articles and Research

Recent scholarship on media psychology acknowledges that media entertainment offers not only purely hedonistic enjoyment but also meaningful experiences. This study expands our understanding of media enjoyment by exploring the role of media entertainment in evoking spiritual emotions and beliefs, such as those related to connectedness, blessedness, and transcendence. Results from an online survey (N=220) indicate that media entertainment elicits meaningful as well as spiritual emotions and increases the saliency of spiritual beliefs as related to self-actualization and spiritual experiences in everyday life. Furthermore, trait transcendence and eudaimonic media motivations add to the explanation of audiences’ mediated spiritual experiences. Open-ended …

Standing Rock, Markus Hoeckner

Media and Cultural Studies Honors Projects

The documentary film Standing Rock is the culmination of a long-term project exploring contemporary Native American life and the continuing oppression Native peoples face in American society today. Following my previous video work with indigenous people and their efforts to preserve water and sacred sites in Minneapolis and St. Paul, I decided to travel to North Dakota to observe and document Native resistance to the latest transgressions against their land and sacred sites at the Standing Rock Reservation. Over several months of participant-observation and five trips to the sites of ongoing protests in North Dakota I attempted to learn more …

Converging Horror: Analyzing The Importance Of Convergence Culture On A Digital Audience Through An Examination Of The Conventions And Politics Of The Horror Genre, Kelsey M. Fox

Media and Cultural Studies Honors Projects

This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing that these new texts, while built on traditional horror narratives used in cinema, are also examples of Convergence Culture, a mobile, multiplatform, participatory medium that engages professionals and amateur content creators. The thesis begins with a review of scholarly work about horror as a genre, continues with a close analysis of several digital horror texts and their online communities, and ends with the argument that these new texts are good examples of how horror has accommodated Convergence culture, morphing …

The Limits Of Transparency: Data Brokers And Commodification, Matthew Crain

Publications and Research

In the United States the prevailing public policy approach to mitigating the harms of internet surveillance is grounded in the liberal democratic value of transparency. While a laudable goal, transparency runs up against insurmountable structural constraints within the political economy of commercial surveillance. A case study of the data broker industry reveals the limits of transparency and shows that commodification of personal information is at the root of the power imbalances that transparency-based strategies of consumer empowerment seek to rectify. Despite significant challenges, privacy policy must be more centrally informed by a critical political economy of commercial surveillance.

Barbie Doesn't Have Bruises: Gendered Images Of Anxiety And Avoidant Attachment Relationships In Film, Claudia G. Chiang-Lopez

Calvert Undergraduate Research Awards

Viewers’ interpretations of romantic relationships portrayed between those with anxious and avoidant attachments can affect their opinions on what constitutes appropriate relationship behavior. I conducted a literature review on media impacts and offer an interpretation of the implications of the language used to describe characters, relationships and characters’ ends. The films studied - Sunset Boulevard, Sid and Nancy, and The Hustler - showed a pattern where in a relationship between an anxious and an avoidant character, the anxious character was punished, absorbed by their relationship, abandoned, trapped in their life, and cut off from the world. Viewers watch films to …

Why Does Film And Television Sci-Fi Tend To Portray Machines As Being Human?, Edward Brennan

Conference Papers

This paper identifies, and attempts to explain, a lack of diversity in the way that cinema and television science fiction represents robotics and artificial intelligence (AI). Through a qualitative content analysis of recent film and television portrayals, it is argued, that a limited and limiting vision predominates. This limitation may serve to ideologically reinforce the power of corporate elites. It may also hamper discussion and debate around technological possibilities and their relationship with society.

There has been a slew of entertainment productions since 2013 that represent AI and robotics. This work examines Her (2013), Transcendence (2014), Interstellar (2014), Chappie (2015), …

Uncovering America’S Horror Story: A Content And Critical Analysis Of American Horror Story., Jessica Maio

Honors Projects in Communication

The popular television series American Horror Story has captivated millions of Americans with its shocking and twisted plotlines that never fail to surprise. Perhaps one of the reasons that the show has become so popular is that it uses the horror genre as a way to explore controversial topics. The purpose of this project is to examine the controversial topics that are presented in American Horror Society and compare them with the current views of mainstream society to determine whether the show primarily reflects the views of the larger society or challenges them. In other words, how does American Horror …