Psychology of Movement Commons^™

Temperature Changes Seen In Lower Extremities After Cpn Local Anesthetic Block, Lora Asberry

Symposium of Student Scholars

Many older patients often suffer from walking issues such as Drop Foot. Drop Foot is caused by the malfunction of nerves in the foot, resulting in the loss of control of the front foot muscle. Within all of our patients, there has been a common fibular palsy, caused by the entrapment of the peroneal nerve. Due to this, they cannot lift up their foot. Some cases are permanent, while others are temporary. In the temporary cases, we have indicated a Phoenix Sign. The Phoenix Sign indicates that a nerve, presumed to be dead, has the capability to be recessed back …

Functional Movement Patterns And Perceived Mobility In Collegiate Lacrosse Athletes, Christopher J. Rosenborough

Student Scholar Showcase

Context: The stress on the body from sport participation may play a role in an athlete’s ability to function throughout a season. The primary objective of this study was to examine the effects of a non-traditional lacrosse fall season on functional movement patterns for both males and females. Our second objective was to observe how collegiate lacrosse athletes perceived mobility.

Methods: Fifty males (age=19.38+1.24 years, height=182.63+6.16 cm, mass=82.37+8.46 kg) and 22 females (age=19.68+1.17 years, height=165.10+6.88 cm, mass=64.09+8.72 kg) who participated on National Collegiate Athletic Association Division III lacrosse teams volunteered to participate. Independent variable was time (pre, post). …

The Four Minute Mile----And The Entire Sport World Is Changed, Paul Olsen

Celebration of Learning

Roger Bannister died recently, and he should be remembered as the man who changed sport----as well as an understanding of human possibility---forever. In 1954 this medical student at Oxford University navigated a world full of both hope and fear, of perceived physical limitation, historical "proof," physical exhaustion, naysayers from all angles including the press, coaches, and fellow athletes. Throughout that journey, Bannister grasped at what he called "rhythms arising from nerve impulses and contracting muscles which interact . . . with a feeling of beauty . . . which might otherwise remain locked away inside ourselves."

Anxiety And Alternative Facts: An Arts-Based Critical Social Improvisation Project, Rebecca Zarate, Nancy Beardall, Talaye Zarafshandardaky, Brooke Rutstein

Lesley University Community of Scholars Day

According to Grayson and Meilman (2011) the stakes are too high in current campus culture to not acknowledge the social roots of mental health issues such as anxiety, and concerns of students as related to campus safety. This arts-based, music performance project responded to concerns on campus from recent political and social events. More specifically, it aimed to explore the concept of “alternative facts” and how this idea plays with the collective concepts of truth and falsifications. It explored applications of clinical improvisation and the concept of collective anxiety as a social phenomenon expressed through arts including music, dance, and …

Examining Lower Extremity Range Of Motion And Movement Variability Chages Due To Focus Of Attention During Landing, Andrew Nordin, Janet Dufek

Interdisciplinary Research Scholarship Day

Attentional focus (AF) has been explored among a variety of motor skills providing evidence that external AF promotes automaticity and enhanced performance [6]. External focus of attention is distinguished from internal focus such that external focus is directed toward movement effect rather than body movements [6]. Movement variability provides a means of assessing functional characteristics of the neuromotor system, where normal functioning is suggested to occur within optimal limits, while excessively high or low movement variability is indicative of system dysfunction [2,4,5]. Additionally, the ability of the motor system to vary, or broadly distribute, internal loads is thought to reduce …

Choreographic Design And Process Of Dance, Kathleen Higgins

Undergraduate Research Conference

When I began the choreographic process, I was inspired by all of the emotions one might feel at a dance audition. However, with much though and manipulation of my original movement, I realized that the body image a dancer has of herself, and the body image for which she is continuously striving, was the underlying message that I wanted my choreography to communicate.