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Articles 361 - 390 of 656

Full-Text Articles in Art Education

Piercing Gaze: Public Art In Schools, Laura Felleman Fattal Jan 2004

Piercing Gaze: Public Art In Schools, Laura Felleman Fattal

Journal of Social Theory in Art Education

A gaze is a silent facial gesture while a piercing gaze suggests a shrieking sound. Unpacking the word, silence, allows one to look at the difference between the verbalizations hailing empowerment and the actual functioning of reinstatements of purpose in learning, teaching and mentoring in a public school. Silence, in the following article, signals a discomfort, sometimes solitude and, at times, an abyss perhaps indicating the disparity between expectation and implementation. The depth of research necessary by the school community to reach consensus for names of dignitaries and the in-depth archival photographic research on the part of the professional artists …

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Playing It Safe In The Artroom, Donalyn Heise Jan 2004

Playing It Safe In The Artroom, Donalyn Heise

Journal of Social Theory in Art Education

As a university supervisor, I have the opportunity to observe preservice teachers as they fulfill their student teaching practicum. Part of my task is to assess their performance, including their competence in content; instructional strategies, classroom management and organization. Some of my student teachers deliver art programs that emphasize media, processes, elements and principles. Many also focus on historical and critical inquiry. Some student teachers have already developed effective classroom management and organizational strategies. But is this evidence of quality art education that will prepare students for life's challenges? Are we denying students the opportunity to experience the transformative properties …

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The Journal Of Social Theory In Art Education Jan 2004

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.

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Schooled In Silence, Patricia M. Amburgy, Wanda B. Knight, Karen Keifer-Boyd Jan 2004

Schooled In Silence, Patricia M. Amburgy, Wanda B. Knight, Karen Keifer-Boyd

Journal of Social Theory in Art Education

What is not said, is often more powerful than what is spoken about diversity, difference, and identity in U.S. classrooms. Examples are everywhere: Although no students of color may be enrolled in a course at a prominent research university, members of the class do not believe there is such a thing as institutional racism. A handful of women are discussed in course textbooks, all authored by men, but no one thinks it odd that only men have written accounts of women's achievements that appear on the syllabus. Gay, lesbian, bisexual, and transgendered people do not speak for themselves, either, in …

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Questioning Fantasies Of Popular ‘Resistance:’ Democratice Populism And Radical Politics In Visual Cultural Studies, Jan Jagodzinski Jan 2004

Questioning Fantasies Of Popular ‘Resistance:’ Democratice Populism And Radical Politics In Visual Cultural Studies, Jan Jagodzinski

Journal of Social Theory in Art Education

This is the second part to a complementary essay that appeared in JSTAE (jagodzinski 2003). It was also written in 1998 and is being revisited some six years latter given that the cultural landscape in art education is slowly turning its sights towards visual cultural studies, a position JSTAE has been exploring for almost a quarter of a century if we take into account our earlier "Bulletin" publication, which began in 1980. The theme of silence arises, for me, a question of what is a radical politics at the tum of the century? It seems that the only game in …

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Review: Postmodern Art Education In Practice. Gude, O. (Ed.). (N.D.). Spiral Art Education, Karen Keifer-Boyd, Patricia M. Amburgy, Wanda B. Knight Jan 2004

Review: Postmodern Art Education In Practice. Gude, O. (Ed.). (N.D.). Spiral Art Education, Karen Keifer-Boyd, Patricia M. Amburgy, Wanda B. Knight

Journal of Social Theory in Art Education

Book review of Spiral Art Education, Olivia Gude (Editor), University of Illinois, Chicago, 2003.

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The Comic/Anime Fan Culture In Taiwan: With A Focus On Adolescents’ Experiences, Jin-Shiow Chen Jan 2003

The Comic/Anime Fan Culture In Taiwan: With A Focus On Adolescents’ Experiences, Jin-Shiow Chen

Journal of Social Theory in Art Education

A striking phenomenon in this technology-laden and media-driven modern Taiwanese society is that fan culture has become overly active and enthusiastic. Adolescents make up the major percentage of the fan population. Whenever a famous singer or movie star launches an event, a mass of youngsters are sure to chase him or her throughout the series of fan parties that go on afterwards. This phenomenon also happens in comic/anime fandom. In August of 1995, an event of Meeting Anime Stars given in a department store across the Taipei Train Station attracted more than fifteen thousand adolescents who lined up for hours …

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Table Of Contents Jan 2003

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2003, Number Twenty-Three.

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(Re)Marking Time/(Re)Examining The Social History Of A Community School Of Visual Art, James H. Sanders Jan 2003

(Re)Marking Time/(Re)Examining The Social History Of A Community School Of Visual Art, James H. Sanders

Journal of Social Theory in Art Education

In this paper the author argues that education researchers, artists, educators and arts agencies need to reexamine their policies and practices and grapple with the difficult knowledge of their embeddedness in the problems they seek to resolve. The author identifies the narrative research methods and post positivist analyses he employs in constructing a polyvocal history of an arts education agency. Drawing on fifty-five years of agency meeting minutes, promotional catalogs and news clippings as cross-read within/against the oral testimonies of participants in a community school of visual art, the author critically reflects on the ways community-based arts institutions navigate the …

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Commentary: Art Education And New Technology: Are You Ready?, Susan Witwicki Jan 2003

Commentary: Art Education And New Technology: Are You Ready?, Susan Witwicki

Journal of Social Theory in Art Education

As an Art education major, I was somewhat daunted by a recent job offer requiring me to teach in the Career and Technology Studies department. As a recovering technophobe and lover of scissors and paste, I was cautious of this ‘Brave New World’ of computers. I perceived post-millennial teens to be cyber savvy know-it-alls, largely due to the way in which they were portrayed in the media. As well, if the ads were true, teens weren’t the only ones riding the new technological wave; Cisco Systems 1999 television campaign presented a global Utopia of citizens united through surfing the net. …

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From Bucktown To Niketown: Doing Visual Cultural Studies (Chicago Style), Kevin Tavin, Lea Lovelace, Albert Stabler, Jason Maxam Jan 2003

From Bucktown To Niketown: Doing Visual Cultural Studies (Chicago Style), Kevin Tavin, Lea Lovelace, Albert Stabler, Jason Maxam

Journal of Social Theory in Art Education

We begin this article with an epigrammatic manifesto: Art education should be a political project that engages visual representations, cultural sites, and public spheres through the language of critique, possibility, and production. Art educators should help students understand, critique, and challenge how individuals, institutions, and social practices are inscribed in power differently, to expand the possibilities for freedom, equality, and radical democracy, through relevant and meaningful production. These are the elements and principles of a politically engaged and socially just art education. This is art education as visual cultural studies.

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Teaching Critical Practice For Future Technologies, Leslie Sharpe Jan 2003

Teaching Critical Practice For Future Technologies, Leslie Sharpe

Journal of Social Theory in Art Education

What are the issues when faculty wishes to teach art students critical or alternative practices with newer technologies not yet widely available to the public? Can one teach alternative practices that consider social or personal contexts when the technologies are not yet publicly available? What other issues are involved when teaching art students to do fine art with such technologies, and when not training artists to do commercial work for the communications industry or mainstream media? What does it mean for the art students who wants to use these technologies for fine art to have ideas for their use, but …

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Editorial: Research, Visual Cultural Studies, Programs, Jan Jagodzinski Jan 2003

Editorial: Research, Visual Cultural Studies, Programs, Jan Jagodzinski

Journal of Social Theory in Art Education

This year’s journal explores a number of social issues that continue to reassert themselves on the postmodern landscape. How can social and cultural justice assert itself in arts based education? What is our responsibility to “at risk” children when it comes to a critical pedagogy? The first two essays use innovative approaches to arts based research by incorporating a critical autobiographical methodology. James Sanders and Diane Conrad, drawing their theoretical base from critical autoethnographic inquiry, attempt to examine themselves within the context of their investment as administrator, teacher and researcher.

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Gulf War Series: 1996 Untitled, Bob Bersson Jan 2003

Gulf War Series: 1996 Untitled, Bob Bersson

Journal of Social Theory in Art Education

Mixed media image from Bob Bersson's 1995 Gulf War Series.

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Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski Jan 2003

Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski

Journal of Social Theory in Art Education

The question of resistance as a pleasurable activity continues to be a theme within cultural studies. This essay argues that the ideology of pleasurable resistance is precisely the way that capitalist patriarchy maintains its hegemony through seduction. By focusing mainly on the writings of John Fiske and his employment of Foucault´s power/knowledge couplet and Barthe´s appropriation of jouissance, it is argued that the discursive subject position overlooks the value of the psychoanalytic understanding of fantasy identification. It is suggested that a more radical understanding of jouissance as developed within a psychoanalytic view of the split-subject needs to be addressed (or …

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Dbae And Iiae: Playing Finite And Infinite Games, Stan Horner Jan 2003

Dbae And Iiae: Playing Finite And Infinite Games, Stan Horner

Journal of Social Theory in Art Education

This essay is an excerpt from the third volume in the iiae/Analogosseries by the author, now in preparation. DBAE refers to Discipline Based Art Education while iiae refers to interactive interdisciplinary art education. In this essay I posit that there are two co-dependent ‘game’ plans informing the orientation of contemporary art education as represented by these two curricular orientations, and that one is sustained inside the other. As set forth by Carse, each one gives rise to a very different set of activation rules for players; this forms the basis for an attempt to tease out a concept of the …

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The Journal Of Social Theory In Art Education Jan 2003

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.

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Unearthing Personal History: Autoethnography & Artifacts Inform Research On Youth Risk Taking, Diane Conrad Jan 2003

Unearthing Personal History: Autoethnography & Artifacts Inform Research On Youth Risk Taking, Diane Conrad

Journal of Social Theory in Art Education

I begin from the premise that research will always be affected by the subjectivity of the researcher, in the choice of research topic and in the interpretation of research findings. My study using Popular Theatre as a participatory, arts-based approach to exploring the risky experiences of youth was further informed by an autoethnographic investigation into my own experiences as a youth, an unearthing of my personal history through autobiographical writing and a (re)collection of artifacts from my youth. My arts-based methods adding a messiness to the research process and findings that reflects the complexity of the issues under investigation.

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Commentary: Cancelling The Queers: Heightens National Awareness In Arts Education, Donalyn Heise Jan 2003

Commentary: Cancelling The Queers: Heightens National Awareness In Arts Education, Donalyn Heise

Journal of Social Theory in Art Education

In November 2001, a state art education organization conference session entitled Sexual Identity and Arts Education was canceled. If the original goal of this panel discussion was to bring awareness to issues related to the topic; then, I conclude that the unfortunate cancellation of this session has resulted in exceeding its goal. Had the conference session taken place as planned, issues related to Lesbian, Gay, Bisexual, and Transgender (LCBT) and arts education would have been explored and discussed on the state level (Keifer-Boyd, Fehr, Check, Akins, 2002:). However, because the session was canceled, publicity and subsequent public outrage has heightened …

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Table Of Contents Jan 2002

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2002, Number Twenty-Two.

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9/11 The Last Shard Standing, Jan Jagodzinski Jan 2002

9/11 The Last Shard Standing, Jan Jagodzinski

Journal of Social Theory in Art Education

This meditation on the event of 9/11 emerges from a certain perplexity on my part concerning an elision on Lacan's part regarding the materiality of vision as developed in Seminar XI (The Four Fundamentals of Psychoanalysis). Many cinematic theoreticians and art historians have returned again and again to his discussions, "Of the Gaze as Object Petit a," to establish the definitive distinctions between the look and the gaze. To briefly recap this well-known territory, the look is attributed to 'natural' perception. That is, to the initiative and power of the subject as moi. This means the ability to place people …

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Cancelling The Queers: Activism In Art Education Conference Planning, Dennis E. Fehr, Ed Check, Future Atkins, Karen Keifer-Boyd Jan 2002

Cancelling The Queers: Activism In Art Education Conference Planning, Dennis E. Fehr, Ed Check, Future Atkins, Karen Keifer-Boyd

Journal of Social Theory in Art Education

This paper examines how individual and collective strategies and interventions countered homophobia and censorship in a public venue, in this particular case at a state art education association annual conference. We reveal our personal actions and reactions to hysteria, institutional homophobia, and find solutions. Our individual and collective responses demonstrate how layers of emotional, intellectual and activist energy co-exist and that harmony and quick solutions to such complex social problems involve sustained and dedicated efforts.

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Critical Creativity: On The Convergence Of Medium Education And Media Education, Michael J. Emme Jan 2002

Critical Creativity: On The Convergence Of Medium Education And Media Education, Michael J. Emme

Journal of Social Theory in Art Education

Days after the September 11, 2001 attacks on the World Trade Center in the United States I heard an interview on the radio. The short exchange, with peace educator and activist Johan Galtung, not surprisingly in light of world events, focused on conflict resolution. While I was impressed by professor Galtung's commitment to peacemaking and his real experience serving as a mediator in world conflicts, what struck me most was the word he used to describe the key ingredient in conflict resolution. That word was 'creativity'. As an artist, art educator, academic and parent I suppose it makes sense that …

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Editorial: At Long Last—A Moment Of Silence, Jan Jagodzinski Jan 2002

Editorial: At Long Last—A Moment Of Silence, Jan Jagodzinski

Journal of Social Theory in Art Education

This year's journal finds many of its authors in a reflective moment affected by the still radiating and lingering pulsating light of 9/11. The journal pays respect to the tragedy of that event and the suffering that ensued through its cover design. As caucus members, we acknowledge the magnitude of the event in the way that our lives have been affected by the many horrific images that remain forever embedded as part of America's cultural memory. Besides my own mediation on the imagery of 9/11 from a Lacanian and Deleuzean perspective ("The Last Shard Standing"), Jim Edwards in, "Tagging a …

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Antiques Roadshow: The Object Of Learning, Laura Felleman Fattal Jan 2002

Antiques Roadshow: The Object Of Learning, Laura Felleman Fattal

Journal of Social Theory in Art Education

Even as school administrators were cutting the unique feature of museum Educators from the school district budget, museum directors in Philadelphia were calling teaching through objects, 'lightning in a bottle.’ Educating through objects that have been crafted by talented artisans, owned by famous people, cherished by their association with loved ones, or inanimate witnesses to important historical moments is a recognized and immediate path to learning in the arts. In the search for the authentic, while simultaneously embracing the virtual, Americans participate in shaping a broad understanding of popular culture and accumulated history. Americans are having a love affair with …

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Intergenerational Art Education: Building Community In Harlem, Angela M. La Porte Jan 2002

Intergenerational Art Education: Building Community In Harlem, Angela M. La Porte

Journal of Social Theory in Art Education

I began the first of 43 visits to an after-school intergenerational art program in Lower East Harlem, New York, with the expectation of a straight-forward research project, one which would perhaps ratify my growing conviction that young people and older adults together would provide a natural learning environment for art. My first personal encounter with the Lower East Harlem community began when I crossed 96th Street, an informal boundary separating its decaying tenements and public housing projects from the newer, more prosperous neighborhood to the south. I soon realized that there was no need for a line on the map …

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The Journal Of Social Theory In Art Education Jan 2002

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.

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When The Bough Breaks: Loss Of Tradition In The Urban Landscape, Esther Parada Jan 2002

When The Bough Breaks: Loss Of Tradition In The Urban Landscape, Esther Parada

Journal of Social Theory in Art Education

Considering the theme of this conference – wide-open spaces – has prompted me to think about my life history in terms of landscape/environments: the first eighteen years of my life were spent in Grand Rapids, Michigan, which is set in the gently rolling Grand River Valley of western Michigan; the next four years were at Swarthmore College, amidst the narrow winding roads and lush vegetation of suburban Philadelphia. In the mid-60’s I spent two and one-half years at nine-thousand feet in the spectacular Bolivian Andes, as a Peace Corps volunteer art teacher (I’d never seen mountains before the summer we …

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Tagging A Boxcar In An Anxious Age, Jim Edwards Jan 2002

Tagging A Boxcar In An Anxious Age, Jim Edwards

Journal of Social Theory in Art Education

On Wednesday, September 12th, scheduled to fly from Salt Lake City to San Francisco, I found myself instead driving a rental car from Logan, Utah to the Bay Area. I left early - at daybreak, on a clear morning, just at that turning point when summer slides into autumn. Several hours later, on Interstate 80 east of Salt Lake and along the Bonneville Salt Flats, the National Public Radio station began to crackle and fade. By the time I crossed into Nevada, and moments after turning off the radio, I slunk into a state of sad resignation. Two hours of …

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“Miss, Miss, Look At What My Mother Sent Me From Jail”, Future Akins Jan 2002

“Miss, Miss, Look At What My Mother Sent Me From Jail”, Future Akins

Journal of Social Theory in Art Education

When I tell people that I teach in a public school, especially when I go on to say that I teach at the Junior High level" there is almost aIways snickering sounds and rolling eyes followed by horror stories from the past. They relate memories of crowded, noisy hallways filled with bullies; classrooms that felt like jail, teachers that were bored and lots of hormone driven mis-adventures. I just smile because I know it is all too true. I do not attempt to explain why, as an artist, I choose to return to the classroom after so many years or …

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