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Articles 61 - 68 of 68
Full-Text Articles in Performance Studies
The Old One And La Mer, Karter Tod Bernhardt
The Old One And La Mer, Karter Tod Bernhardt
Undergraduate Theses, Professional Papers, and Capstone Artifacts
No abstract provided.
Generational Theory As A Lens For Approaching Musical Theatre History, 1943-2023, Or A Strange Loop, Ben J. Lundy
Generational Theory As A Lens For Approaching Musical Theatre History, 1943-2023, Or A Strange Loop, Ben J. Lundy
Theses and Dissertations
In 1991, William Strauss and Neil Howe published generational theory in Generations: The History of America’s Future, 1584-2069. Though critiqued, Strauss and Howe’s generational theory suggests that American history occurs in cycles characterized by four distinct generational turnings or moods that occur approximately every eighty years, roughly the span of a human life. Though the theory has been applied to American history, usually through a political and economic lens, this thesis will focus on the most recent Millennial Cycle and apply the theory to the development of Broadway musical theatre history. Innovative musicals such as Oklahoma! (1943), Hair (1968), Rent …
Theatrical Intimacy: Navigating A New Normal, Elizabeth Smith-Cortelyou
Theatrical Intimacy: Navigating A New Normal, Elizabeth Smith-Cortelyou
Electronic Theses and Dissertations, 2020-2023
This thesis explores theatrical intimacy choreography and coordination during current significant social shifts. Covid restrictions, keen awareness of "correctness", and a desire to "do better" have allowed protective practices like theatrical intimacy to become not only generally accepted but expected in rehearsal spaces. Using techniques such as consent-based spaces, actor disclosures, and common language acquired through training with Chelsea Pace and Laura Rikard, the founders of Theatrical Intimacy Education (TIE), I explore choreographing close relationship moments through high school productions of Jane Eyre and Footloose presented in 2021-22 at Lake Highland Preparatory in Orlando and with older BFA/MFA student actors …
Creating The Role Of Richard Iii For Richard Iii, Travis Grey Robertson
Creating The Role Of Richard Iii For Richard Iii, Travis Grey Robertson
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Acting. It is a detailed account of author Grey Robertson’s artistic process in creating the role of Richard III in Minnesota State University, Mankato’s Fall 2022 production of Richard III. This thesis follows the actor’s process through pre-production analysis, an historical and critical perspective, journals detailing the rehearsal and performance process, a post-production analysis, and process development. Appendices and works cited follow the process development.
Languishing Without A Human Touch: Directing In The Next Room Or The Vibrator Play, Sarah Belfrage Honerman
Languishing Without A Human Touch: Directing In The Next Room Or The Vibrator Play, Sarah Belfrage Honerman
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Masters of Fine Arts degree in Theatre Arts at Minnesota State University, Mankato. It is a detailed account of Sarah Belfrage Honerman’s directorial process for In The Next Room or the vibrator play by Sarah Ruhl. The play was produced in the Andreas Theatre and ran from September 21 to 24, 2022. The thesis outlines the director’s artistic process from pre-production through the performance in five chapters that include a early production analysis, an historical and critical perspective, a rehearsal and performance journal, a post-production analysis, and a process …
Production Stage Management For A Christmas Carol, Jenna Atherton
Production Stage Management For A Christmas Carol, Jenna Atherton
All Graduate Theses, Dissertations, and Other Capstone Projects
This thesis is submitted in partial fulfillment of a Master of Fine Arts degree in Theatre Arts: Production and Stage Management at Minnesota State University, Mankato. This thesis contains a detailed account of Jenna M. Atherton’s stage management process and research for A Christmas Carol. The thesis gives a chronological overview of the manager’s process in four chapters; a pre-production analysis, a historical and critical perspective, a journal detailing the process, and a post-production analysis. The fifth and final chapter provides the process development of the manager's career before and during her time in graduate school. Appendices feature technical paperwork, …
The Creation Of Choreography For Disney's High School Musical, John Greer
The Creation Of Choreography For Disney's High School Musical, John Greer
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in musical theatre. It is a detailed account of author John Greer’s artistic process of creating the choreography for Disney’s High School Musical as a part of Minnesota State University, Mankato’s mainstage theatre season in the fall of 2022. The thesis chronicles the choreographer’s artistic process from pre-production through performance in five chapters: a preproduction analysis, an historical and critical perspective, a rehearsal journal, a post-production analysis and a process development analysis. Appendices and works cited are included.
An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers
An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers
Theses and Dissertations
Theatre as an artistic practice has often been celebrated as an art of and for the people, being a modality that in theory the common person has access to learn, explore and experience. In recent years I have become preoccupied with the growing rarification and privileging of this art form, particularly in how it is cognized and taught in the academic world. As such, I set out to investigate the mechanisms at work at levels structural, artistic, and personal that determine how theatre is taught and understood within the western academy.
This thesis seeks to examine and unpack the perceived …