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2013

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Articles 31 - 60 of 65

Full-Text Articles in Performance Studies

The Art Of Adaptation, Katharine E. Jordan Apr 2013

The Art Of Adaptation, Katharine E. Jordan

Honors Theses and Capstones

My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.


The Bollywood Item Number: From Mujra To Modern Day Ramifications, Avantika Saraogi Apr 2013

The Bollywood Item Number: From Mujra To Modern Day Ramifications, Avantika Saraogi

Scripps Senior Theses

This thesis deals with the “item number” genre of Bollywood song and dance sequences. I argue that the item song has evolved from a combination of the historically rich culture of prostitution in old India and the western influence of modern times; and that it contributes highly to the male dominated patriarchal society perpetuated by Hindi films by means of the voyeuristic male gaze and objectification of the female body. In conjunction with this research I choreographed a dance called Item No. 3 that was performed in Scripps Dances 2013. A discussion of the significance and decisions behind the …


Fearless: Ratco, Center For Public Service Mar 2013

Fearless: Ratco, Center For Public Service

SURGE

If you haven’t noticed yet, we’ve had some really spectacular visitors from the south with us on Gettysburg’s campus the last few days! The Random Acts of Theater Company (RATCo) is a group that emerged from the Freedom Foundation in Denver, Colorado a few years ago. Their initiative involved using theater as a means for self-expression and communication, but RATCo spread because it was so successful and ultimately reached Selma, Alabama. Selma, although a major site for the Civil Rights movement, and also the site for the last battle of the civil war, has changed very little since the 1960s. …


Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose Mar 2013

Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose

Modern Languages and Literatures Annual Graduate Conference

This paper uses Homi Bhabha’s theory of colonial mimicry to analyze Pieter-Dirk Uys’s MacBeki: A Farce to be Reckoned With. In doing so I posit MacBeki is a colonial mimic, a character who comically imitates European gestures and language. MacBeki’s behaviour throughout the play highlights the dangers of greed and corruption in post-apartheid South Africa and encourages the play’s audience to respond with ridiculing laughter. My paper concludes by arguing that Uys’s play should be read as a hybrid text that draws on European dramatic styles and South African political events, staging a critical response to national uncertainties ahead …


Contemporary Theatre In Catalonia: A Story Of Creative Struggles, Sharon G. Feldman Mar 2013

Contemporary Theatre In Catalonia: A Story Of Creative Struggles, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The term “normalization” is typically employed within Catalan political and linguistic circles to refer to the process of recuperation, revival, and relegitimization of Catalan cultural and intellectual life that ensued following the period of the Franco dictatorship (1939-1975). Here, to be “normal” is to move from the periphery to the centre, to be regarded as valid rather than illicit, and to be visible and vociferous—even obvious and everyday—instead of obstructed, silenced, or relegated to the margins of exile, the recesses of memory, or the darkness of invisibility. The path along which the contemporary Catalan theatre scene has struggled to recover …


The Institute, Dereck Daschke Jan 2013

The Institute, Dereck Daschke

Journal of Religion & Film

This is a film review of The Institute (2013) directed by Spencer McCall.


Virtually Heroes, Dereck Daschke Jan 2013

Virtually Heroes, Dereck Daschke

Journal of Religion & Film

This is a film review of Virtually Heroes (2013) directed by G. J. Echternkamp.


The “Carousel Effect” In Forensic Research, Daniel Cronn-Mills, Stephen M. Croucher Jan 2013

The “Carousel Effect” In Forensic Research, Daniel Cronn-Mills, Stephen M. Croucher

National Forensic Journal

Our purpose is to determine if an anecdotal pattern we have seen emerging at the National Communication Association (NCA) conference holds true. We have noticed that forensic panels at NCA, and specifically individual events (IE) panels, appear to revolve around similar themes. Scholars interested in IE issues may be repeating themselves. The result is a “carousel effect”: the papers/panels go round‘n‘round the same ideas. Our analysis identified two findings: (1) 25 research themes are evident in forensics and three themes comprise the focus of most of the research; (2) qualitative analysis showed repetition among the titles of forensic research. We …


Antidosis For A Forensics Life: An Isocratic Defense Of Modern Practices Of Competitive Forensics, Aaron Duncan Jan 2013

Antidosis For A Forensics Life: An Isocratic Defense Of Modern Practices Of Competitive Forensics, Aaron Duncan

National Forensic Journal

The forensics community is under attack from inside and outside the coaching profession. It is important that we as coaches defend our practices and justify the value of the activity. Despite his prominence in his own time and his influence over the development of rhetoric, the work of Isocrates has not been utilized to craft a defense of forensics. Similar to the situation we face today, Isocrates also had to defend his practices as a teacher of rhetoric. Using his works Antidosis and Against the Sophist, I attempt to craft a defense for the practices of the modern forensics community.


Direction Of The Musical: Children Of Eden, Mark B. Daniels Jan 2013

Direction Of The Musical: Children Of Eden, Mark B. Daniels

Graduate Student Projects

This project consists of the selection, background research and documentation, casting, direction,vocal coaching, and post-production analysis of Weber High School's production of Stephen Schwartz's Children of Eden. Documentation included research and analysis of the play, its music, and an evaluation of the musical as a production vehicle for the department of Theatre Arts at Central Washington University. The analysis also includes a discussion as to the non-traditional directorial vision of this production.


Going Further: Designing, Producing, And Directing Three Edward Albee One Act Plays, Thomas Cornelius Finnegan Jan 2013

Going Further: Designing, Producing, And Directing Three Edward Albee One Act Plays, Thomas Cornelius Finnegan

Theses Digitization Project

The purpose of this project was to direct a college theatre production composed of three one-act plays written by Edward Albee, one of America's most honored playwrights.


[Sabbatical Report], Clifton Brown Jan 2013

[Sabbatical Report], Clifton Brown

Sabbatical Reports

My sabbatical research took place in Seville, Spain studying the art of Flamenco dancing. Flamenco is a Spanish folk dance filled with vigorous and passionate movements that has a unique tradition.


Full Volume, Nfa Journal Jan 2013

Full Volume, Nfa Journal

National Forensic Journal

No abstract provided.


Working Together: Examining Forensic Leadership Through Lmx Theory, Ben Walker, Julie L. G. Walker Jan 2013

Working Together: Examining Forensic Leadership Through Lmx Theory, Ben Walker, Julie L. G. Walker

National Forensic Journal

Forensic teams function as organizations with a variety of leadership styles used. To better understand how we lead, we need to more closely study organizational communication theory. With the ever-present need to provide links from theory to forensic practice, this paper outlines leader member exchange (LMX) theory and how it can be applied to forensic leadership for positive organizational outcomes. Implementation strategies are offered along with suggestions for future directions of research. Ideally, this paper will act as a resource for those wishing to explore LMX theory in their forensic leadership.


Stress, Burnout, Job Satisfaction, And Intent To Leave Among Collegiate Forensic Educators, Heather J. Carmack, Todd T. Holm Jan 2013

Stress, Burnout, Job Satisfaction, And Intent To Leave Among Collegiate Forensic Educators, Heather J. Carmack, Todd T. Holm

National Forensic Journal

The purpose of this study is to explore how burnout, stress, and job satisfaction impact coaches‘ intention to leave forensics. Some 111 collegiate forensics educators completed a survey examining workplace stress, burnout, job satisfaction, and perceived intent to leave forensics. Coaches who had thought about leaving forensics reported being more emotionally exhausted than coaches who had not thought about leaving. Female coaches also reported more stress than male coaches. Although many educators feel stressed, burned out, and have thought about leaving, they were still satisfied with their jobs as educators. The article concludes with a discussion of the findings and …


Editor's Note, Randy Richardson Jan 2013

Editor's Note, Randy Richardson

National Forensic Journal

No abstract provided.


Direction Of The Play: Roald Dahl's Charlie And The Chocolate Factory: A Play, Teresa Jean Hansen Jan 2013

Direction Of The Play: Roald Dahl's Charlie And The Chocolate Factory: A Play, Teresa Jean Hansen

Graduate Student Projects

This project entailed the selection, background research and documentation, analysis, casting, direction, and post-production analysis of Udhailiyah School's production of Richard R. George's Roald Dahl's Charlie and the Chocolate Factory: A Play. Documentation includes research and analysis of the play and an evaluation of the play as a production vehicle for Udhailyah School. The analysis also includes a discussion as to the non-traditional directorial vision of this production.


Direction Of The Play: Phantom Tollbooth, Angela Chement Jan 2013

Direction Of The Play: Phantom Tollbooth, Angela Chement

Graduate Student Projects

This project consists of the selection, background research and documentation, casting, direction, and post-production analysis of Ben Eielson Junior/Senior high's production of Susan Nanus's adaptation of Norton Juster's The Phantom Tollbooth. Documentation included research and analysis of the play and an evaluation of the play as a production vehicle for the Department of Theatre Arts at Central Washington University. The analysis also includes a discussion as to the non-traditional directorial vision of this production.


Undefined Genre, Or, A Study Into Work Reliant On Visual Art Mediums To Transform The Protagonist Function Of The Human Body In Performance, Tony Currie Jan 2013

Undefined Genre, Or, A Study Into Work Reliant On Visual Art Mediums To Transform The Protagonist Function Of The Human Body In Performance, Tony Currie

Theses : Honours

This thesis is a study into performance art, specifically examples of work in which the artist engages with a physical object or visual arts medium to create a work of art in the presence of an audience. The subsequent work of art created can vary from works on paper, to living structures, or any other physical and tangible structure. I have addressed the audience demographic of performance art, the genre’s conceptual genesis, its ephemeral nature, and its commoditisation to analyse its relevance to the current artistic climate. During my study, an importance has been placed on live performance, not on …


A Director's Approach To I Love You Because, Adam Karal Sahli Jan 2013

A Director's Approach To I Love You Because, Adam Karal Sahli

All Graduate Theses, Dissertations, and Other Capstone Projects

It is a detailed account of author Adam Karal Sahli's artistic process in directing the musical I Love You Because at Minnesota State University, Mankato in the Fall of 2012. The thesis records the artist's process from production selection through performance in five chapters: a preproduction analysis, a historical and critical analysis of the work, a production meeting and performance journals, a post-production analysis and a process development analysis. Appendices, works cited and works consulted follow.


Technical Direction For Abe Burrows' Cactus Flower, Lawrence A. Lopez Jan 2013

Technical Direction For Abe Burrows' Cactus Flower, Lawrence A. Lopez

All Graduate Theses, Dissertations, and Other Capstone Projects

This paper is a comprehensive report of Lopez's production process of Abe Burrows' play Cactus Flower which was performed in the Ted Paul theatre November 8th through 18th, 2012. It is a record of Lopez's particular process from pre-production analysis to an examination of the final product manifested in the scenery for the production. It examines this production process in five chapters: pre-production analysis, historical and critical analysis, a production journal, post-production analysis and a record of process development concluding with three appendices and a works cited page.


Technical Direction Of Chicago, Joseph Jerome Skala Jan 2013

Technical Direction Of Chicago, Joseph Jerome Skala

All Graduate Theses, Dissertations, and Other Capstone Projects

This document provides a detailed and comprehensive record of Joseph Skala's process for the technical direction of Chicago, written by John Kander, Fred Ebb and Bob Fosse. It is submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre from Minnesota State Mankato. This thesis traces the technical director's process beginning with a preproduction analysis of the scenic design. It includes a historical and critical analysis of the production, a journal detailing the technical director's process, post production analysis and an analysis of the technical director's process development. Appendices and works cited are …


The Lighting Design For A Chorus Line, Jordan William Green Jan 2013

The Lighting Design For A Chorus Line, Jordan William Green

All Graduate Theses, Dissertations, and Other Capstone Projects

This paper describes the process involved in designing the lighting for A Chorus Line with book by James Kirkwood and Nicholas Dante and lyrics by Edward Kleban. The play was produced in the Ted Paul Theatre at Minnesota State University, Mankato and ran from October 4 - 14, 2012. The paper consists of five chapters and an appendix. The first chapter is an analysis of the script and the requirements for lighting the play. The second chapter is an historical and critical analysis of the play. The third chapter consists of a journal of the designer's experience and processes throughout …


A Costume Designer's Approach To Agatha Christie's And Then There Were None, Angela Kristie Sahli Jan 2013

A Costume Designer's Approach To Agatha Christie's And Then There Were None, Angela Kristie Sahli

All Graduate Theses, Dissertations, and Other Capstone Projects

It is a detailed account of author Angela Sahli's artistic process in designing costumes for Minnesota State University, Mankato's production of And Then There Were None in the early spring of 2013. The thesis chronicles the designer's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical perspective, a journal, a post-production analysis and a process development analysis. Appendices and works cited are included.


Unni E I Romani, Gli, Linda B. Fairtile Jan 2013

Unni E I Romani, Gli, Linda B. Fairtile

University Libraries Faculty and Staff Publications

A censored version of Attila first performed at Palermo's Teatro Carolino in 1854.


Otello, Linda B. Fairtile Jan 2013

Otello, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Verdi's penultimate opera represents his first new work for the stage after a nearly sixteen-year hiatus. As battles raged over the future of Italian opera-whether it should remain rooted in song or follow foreign trends that assign a greater role to the orchestra-Giulio Ricordi and Boito patiently lured Verdi back into the fray. Boito's libretto, an ingenious and at times eccentric adaptation of Shakespeare's Othello, inspired the composer to a highly personal fusion of tradition and innovation. At its premiere Otello was widely hailed as a masterpiece, an emphatic and fundamentally Italian answer to the debate over music and …


American Institute For Verdi Studies, Linda B. Fairtile Jan 2013

American Institute For Verdi Studies, Linda B. Fairtile

University Libraries Faculty and Staff Publications

The AIVS was founded in 1976, in response to a tide of scholarly interest in Verdi. Its first director, Martin Chusid, assembled an archive of materials at New York University's Elmer Holmes Bobst Library.


Scapigliatura, Linda B. Fairtile Jan 2013

Scapigliatura, Linda B. Fairtile

University Libraries Faculty and Staff Publications

An artistic movement founded in the 1860s by Arrigo Boito, Emilio Praga, and other young Italians seeking to revitalize culture by rejecting middle-class values.


Iago, Linda B. Fairtile Jan 2013

Iago, Linda B. Fairtile

University Libraries Faculty and Staff Publications

An alternate title for Otello, used intermittently throughout much of its composition, possibly to avoid comparison to Rossini's opera of the same name.


The Verdi Forum, Linda B. Fairtile Jan 2013

The Verdi Forum, Linda B. Fairtile

University Libraries Faculty and Staff Publications

The peer-reviewed journal of the AMERICAN INSTITUTE FOR VERDI STUDIES (AIVS). Early issues, first titled A/VS Newsletter (1976) and later Verdi Newsletter (1977-98), were edited by the AIVS's director, Martin CHUSID. They featured scholarly articles, essays of more general interest, and news items about performances, recordings, and conferences. While Nos. l-7 were issued semi-annually, beginning with No. 8 (1980) the Verdi Newsletter became an annual publication. Nos. 7 (1979), 9-ro (1981-82), and 17-18 (1989-90), collectively titled 'The Verdi Archive at New York University,' document the history and holdings of the AIVS Archive at that time.