Other Theatre and Performance Studies Commons^™

New Play Collaborations, Kathleen Potts

Open Educational Resources

This is a syllabus for a New Play Collaborations course, which explores the creative, collaborative process of creating a new play. It is comprised of sets of actors, directors, and playwrights, who will team up to create a number of original works for the stage.

The Costume Design Process For The Phantom Tollbooth, Chloe Elizabeth Cappuccilli

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis will give an account of the costume design process for The Phantom Tollbooth at West Virginia University. Specifically, the responsibilities of the role of Costume Designer, from initial meetings to final production. This document will include research about child psychology that inspired the primary design process, specifically the influence of children’s dreams, and their relationship to toys. This information was utilized to create designs explicitly for children’s theatre audiences. I will present and evaluate the costume designs, including the design evolution until the final production. Detailing the process of costume construction while working with a costume shop. Visual …

Virtual Black Boxes: Building Theater Sets In Virtual Reality, Mark Wardecker, Bretto White, Timothy Stonesifer

Bucknell University Digital Scholarship Conference

Unlike literature or plastic arts, theatre and performance are artistic forms that demand embodiment. In a recent Latin American Theater class, we introduced students to important 20th century Latin American theatrical texts and performance art in order to consider thematic and aesthetic components relating to issues such as nation-building, violence, language, identity, gender, sexuality, immigration, and memory. Further, we considered how the works we read have been performed, and how we might stage them ourselves, concluding with staging scenes in order to bring together our theoretical studies with embodied practice and enable students to engage corporeally with works that are …

Mimicry: A Short Play, Diana M. Pho

Journal of Southeast Asian American Education and Advancement

This short play is inspired by the author’s lived experience as a queer Vietnamese-American woman in academia and in US society. This theatrical piece, centered around two young women meeting for the first time after several years, reflects upon the mutable divergence of shared memory, while also exploring intersectional feminist theory and the Vietnamese-American community. This is also a critique of US-based stereotypes about young Asian-American women, and how social prejudices and microaggressions can result in internalized anti-Asian misogyny. Like the range of identities and life experiences that characters Laurel and Mattie have, the Asian diasporic experience in the United …

Performing Queerness, Jasmina Sinanovic

Open Educational Resources

This is a syllabus for a course Performing Queerness

Myrrha Now: Reimagining Classic Myth And Mary Zimmerman's Metamorphoses In The #Metoo Era, Claire A. Pukszta

Scripps Senior Theses

This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.

Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to …

Exploring The Standard: A Look Into Modern Voice And Speech Curriculum, Taylor L. Bosta

Theses and Dissertations

This thesis explores the current state of voice and speech education to discover if there is a standard of learning from university to university. By examining the history of voice and speech, discovering basic skills, breaking down teaching methodologies, and taking a look at current university and conservatory acting programs, the thesis discovers there is not a standard way of teaching, but there is a standard set of skills that should be upheld when planning voice and speech curriculum.

Job Analysis Report For Actors Including Selection Procedures And Training Recommendations, Catherine M. Pagliaro

Psychology Graduate Publications

This Job Analysis Report for Actors summarizes the results and recommendations (i.e., selection requirements and training opportunities) for summer positions in a local community theater acting company. The actors selected for this company will perform in a minimum of three shows from June through August. Each actor will work for different directors depending on which shows they are cast in. Successful candidates will be required to collaborate with and take direction from a variety of artistic directors, work with diverse professionals and cooperate with multiple technical crews. The successful candidates will also demonstrate previous acting experience through formal degree programs …

“We Are Going Live In 3, 2, 1...”: Examining Liveness Amidst Streaming Technology, Jessica Jeanne Johnson

Student Scholar Symposium Abstracts and Posters

The products of the theatre, film, and television industries are becoming increasingly homogenized. The modes of entertainment which feature a live audience experience (film and theatre) have seen a gradual decrease in ticket sales to these experiences, while simultaneously there has been a rapidly increasing number of subscriptions to streaming services providing access to productions from all three mediums (film, theatre, television). This fact represents the public’s divergence from the idea of traditional “liveness.” Many scholars believe that liveness has the ability to manifest itself in many mediatized forms (such as in 3D, surround sound, etc.), and while this is …

A Dramaturgical Exploration: Setting Oliver Goldsmith’S She Stoops To Conquer In Post-Civil War Virginia, Amanda Ward

Senior Honors Theses

A reputable theatrical company will hire a dramaturg to implement historical research and to provide reputable information where the director or staff desires it. They ensure that the play’s elements are as truthful to the time period as possible and aid in a performance’s overall success. If a theatrical company were to set Oliver Goldsmith’s play She Stoops to Conquer in 1870 Virginia, it could strengthen the play’s underlying religious, political, and cultural elements.

The paper is comprised of seven sections: a biography of the playwright, a religious exploration, a political analysis, a cultural comparison, a delineation of suggested script …

Creating The Role Of Georgie Bukatinsky In "The Full Monty", Erin Horst

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of author Erin Horst's artistic process in creating the role of Georgie Bukatinsky in Minnesota State University, Mankato's production of "The Full Monty" in the fall of 2016. The thesis chronicles the actor's artistic process from pre-production through performance in five chapters: an early production analysis, a historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

Jamil Khoury Interview, Dasha Lubitov

Asian American Art Oral History Project

This interview focusses on Silk Road Rising's video play Not Quite White: Arabs, Slavs, and the Contours of Contested Whiteness.

Bio: Jamil Khoury is the Founding Artistic Director of Silk Road Rising. Promoting playwrights of Silk Road backgrounds (Asian and Middle Eastern) is a passion that dovetails well with his experiences living in the Middle East and his eleven years as a cross-cultural trainer and international relocations consultant. A theatre producer, essayist, playwright, and film maker, Khoury’s work focuses on Middle Eastern themes and questions of Diaspora. He is particularly interested in the intersections of culture, national identity, and citizenship, …

Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof

English Faculty Articles and Research

"Over the last three decades, antitheatrical authors like Stephen Gosson, Phillip Stubbes, and William Prynne have become increasingly visible in the literary and cultural studies of the early modern period. Even so, the tendency has been to treat these authors as ideological extremists: reactionary hacks whose opposition to stage plays originates in outrageous ideas of the self, impossible notions of right and wrong, and bizarre beliefs about humanity’s susceptibility to external suggestion. This characterization can be traced back to several of the pioneering studies in the field, including Jonas Barish’s The Antitheatrical Prejudice (1985) and Laura Levine’s Men in Women’s …

Silk Wings: The Making Of Noma, Sandra C. Lopez-Monsalve

Capstones

Silk Wings: The Making of Noma is a documentary that follows a group of aerialists, dancers and acrobats as they create an original new show. Conceived and directed by aerialist and choreographer Sara Zepezauer, Noma is a show that explores sight, sound, and movement.

Through beautifully shot performances and intimate interviews, the film follows Sara and her troupe through the path of creation and personal motivations. In this vibrant journey, Sara finds inspiration to cope with her father’s diagnosed carcinoma.

Silk Wings is a story about creativity, perseverance, hope and friendship.

Zoe Wanamaker, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Zoe Wanamaker.

Soon-Tek Oh, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Soon-Tek Oh.

Negro Ensemble Company, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the work and impact of the Negro Ensemble Company.

Anna Deavere Smith, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Anna Deveare Smith.

Charles Sidney Gilpin, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Charles Sidney Gilpin.

Earle Hyman, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Earle Hyman.

Henrietta Vinton Davis, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Henrietta Vinton Davis.

James Earl Jones, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of James Earl Jones.

Lane Nishikawa, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Lane Nishikawa.

Mako Iwamatsu, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Mako Iwamatsu.

Ruby Dee, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Ruby Dee.

Sidney Poitier, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Sidney Poitier.

"Trigger" For Change: Theatre As A Tool For Social Dialogue, Sydoney B. Blackmore

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Trigger for Change: Theatre as a Tool for Social Dialogue was a project consisting of three main parts oriented toward promoting dialogue on the University of Montana campus about sexual assault. The first part was a company-constructed multimedia presentation that quickly introduced the audience to facts, figures, and perspectives regarding sexual assault. The second was a performance of Carmen Aguirre's The Trigger, a stage play about the playwright’s experience before, during, and after her rape, with other characters’ perspectives interjected throughout. The purpose of this performance was to provide an experience for the audience that promoted empathy and critical …

Sound Design For Our Town, Anna Warda Alex

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of the author, Anna Warda Alex's artistic process in developing the sound design for Minnesota State University, Mankato's production of Our Town in the fall of 2014. The thesis documents the designer's process from the pre-production analysis through the designer's afterthoughts on the design in five chapters: a pre-production analysis, an historical and critical perspective, a process and rehearsal journal, a post-production analysis and a process development. Appendices and works cited are included.

Inside The Boudoir: Designing The World Of Lynn Nottage’Sintimate Apparel, Megan Parish

Student Scholar Symposium Abstracts and Posters

Scenic artistry and set decorating help build the world of a production and reinforce the themes woven into the plot of a script. For my project, I will be exploring the world of Lynn Nottage’s “Intimate Apparel.” This will include researching the historical context of the piece, which in this case is New York City at the turn of the century, alongside the role of the seamstress in society, in order to accurately convey the environment of this piece. Lynn Nottage’s piece is based in socioeconomic statuses, attitudes on race and femininity as well as women’s rights movements. Therefore, I …

Devising: Improving A Perceived Glistening Community!, Katie Laner

Student Scholar Symposium Abstracts and Posters

Theatre for social change has long relied on devising methods to create pieces reflecting current cultural and societal issues. Through exercises, games and workshops, theatre for social change devising practices are as distinct and numerous as the many different communities they work with. The leading pioneer, Augusto Boal, created Theatre of the Oppressed, which utilizes many kinds of practices meant to address local issues effecting a group of people who have suffered from repression or whose needs have been invisible from greater society.Since his initial groundbreaking theories and practices, many modern artists and groups have adapted and changed his methods …