Other Theatre and Performance Studies Commons^™

Allegedly In Love: A Theatrical Production, Leah Christenson

Theatre Undergraduate Honors Theses

Allegedly in Love: A Theatrical Production details the process of producing and costume designing a fully-realized performance run of an original piece by Madelyn Marks.

From The Footlight To The Spotlight: An Examination Of Theatrical Lighting Design, Jackson Smith

Theatre Undergraduate Honors Theses

This paper explores the question of how one could approach designing the lighting for a theatrical production. In doing this it covers foundational information about the science behind the medium, then it goes into a discussion of the types of artistry that lighting employs. It will explain what light contributes to a scene, how it can be manipulated creatively, and some of the methods and styles that have been developed over time. It culminates in an analysis of the author's lighting design for a production of Hedda Gabler.

A Director's Take On The Curious Incident Of The Dog In The Night-Time, Billie Williams

Undergraduate Honors Theses

This paper examines what it is like to be an assistant director. The play, The Curious Incident of the Dog in the Night-Time was adapted from a book by Mark Hadden that is structured as if the main character was the writer. The stage production reworks that concept and turns it into a “play within a play”. The story is about a boy named Christopher, his broken family and his struggle with autism. When the director, Cara Harker first approached me about being an assistant director, I struggled with anxiety and not feeling like I had a real place in …

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

Developing The Nonprofit Theatre: Building A Foundation For The Emerging Theatre Company, Kelsey Mcmillan

Electronic Theses and Dissertations

This paper aims to guide entrepreneurial theatre artists in beginning a nonprofit theatre arts venture. It will provide an in-depth analysis of the foundations required to begin a nonprofit theatre organization and analyze the need for expanding upon traditional structures and styles. Incorporating evidence and research from relevant literature, coursework, and market data as well as analysis of a strategic plan for The Common Theatre Company, this paper finds that non-profit theatre companies can be positively served by developing unique products and services and a nontraditional governance model as an extension of the foundational needs of a nonprofit organization. The …

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

“The Urgent Necessity For More Original Creative Works By Transgender And Gender Expansive Artists" Is Not The Title Of My Thesis., Alicia Fireel

Electronic Theses and Dissertations

This thesis is a mix of personal reflection, academic research, and an examination of The Girl Crazy Queer and Other Fairy Tales, a play I wrote and performed in October of 2023, co-produced by The University of Louisville’s Department of Theatre Arts and Pandora Productions, a Louisville-based theatre company dedicated to Queer theatre. This thesis and the play mirror each other; both contemplate Queer experiences, Queer histories, Queer trauma, and Queer stories. In the thesis I accomplish this through examining four subjects: myself, my play, the connection between modes of storytelling and aspects of transgender Queerness, and the perils that …

An Analysis Of Costume Design: Getting Near To Baby, Spring Awakening; Hair And Makeup Miss Bennet: Christmas At Pemberley, Amanda Cardwell-Aiken

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This paper chronicles three realized designs by Amanda Cardwell-Aiken during her MFA Costume Design and Technology studies; including Costume Designs for Getting Near to Baby and Spring Awakening the Musical, Hair and Makeup for Miss Bennet: Christmas at Pemberley. Each chapter is dedicated to a specific play and highlights the research, design process, renderings and the execution of design through character breakdowns, production photos and examples of paperwork.

(138 pages)

Regeneration: Restorative Theatre Practice In Theatre Education., Sarah Elston

Electronic Theses and Dissertations

Regeneration: Restorative Theatre Practice in Theatre Education aims to harness the holistic benefits of theatre as a discipline and create an intentional restorative practice for performers. This thesis serves as a proposal; an attempt to prioritize restorative and self-care practices within the theatre industry, specifically pre-professional training programs. This proposal takes the form of a curriculum that builds upon the current model of theatre training (Voice, Movement, Acting) with the addition of Regeneration. Regeneration provides theatre artists with specific areas of study to offer the psychosocial support a theatre artist may need during their pre-professional training. This thesis will discuss …

Review Of An Evening With C. S. Lewis (Play), Nadine Kulberg

Sehnsucht: The C. S. Lewis Journal

James P. Helfers: Review of: “An Evening with C. S. Lewis.” Starring David Payne. Performed at Calvary Community Church in Glendale, Arizona, on 9 September 2012.

Review Of C. S. Lewis, The Lion, The Witch And The Wardrobe (Play), Steven Beebe, James P. Helfers

Sehnsucht: The C. S. Lewis Journal

Steven Beebe: Review of: C. S. Lewis, The Lion, The Witch and The Wardrobe. Starring Sally Dexter, Carly Bawden, Rebecca Benson, Philip Labey, and Jonny Weldon. Adapted for the stage by Rupert Goold. Directed by Rubert Goold and Michael Fentiman. Performed at The Threesixty Theater in Kensington Gardens, London, 19 May 2012.

Review Of The Lion, The Witch And The Wardrobe (Play), Based On The Book The Lion, The Witch, And The Wardrobe By C. S. Lewis, Carolyn Curtis

Sehnsucht: The C. S. Lewis Journal

Review of The Lion, the Witch and the Wardrobe, based on the book The Lion, the Witch, and the Wardrobe by C. S. Lewis. Flat Rock, North Carolina: Flat Rock Playhouse, 9 November 2019.

Theater Review Of "A Christmas With C.S. Lewis.", James R. Helfers

Sehnsucht: The C. S. Lewis Journal

Review of: “A Christmas with C. S. Lewis.” Starring David Payne. Performed at Mission del Sol Presbyterian Church in Tempe, Arizona on 10 December 2017.

Freaky Friday

Theatre Programs

No abstract provided.

Review Of The Great Divorce (Play), Sørina Higgins

Sehnsucht: The C. S. Lewis Journal

Review of C. S. Lewis, The Great Divorce. Starring Anthony Lawton. Adapted for the stage by Anthony Lawton. Produced by the Lantern Theater Company. Performed at St. Stephen’s Theater, Philadelphia, Pennsylvania, on December 12, 2010 as part of “Between Heaven and Hell: The Anthony Lawton Festival.”

Review Of Freud's Last Session (Play), Sørina Higgins

Sehnsucht: The C. S. Lewis Journal

Review of Mark St. Germain, Freud’s Last Session. Starring Mark H. Dold and Martin Rayner. Produced by The Barrington Stage Company. Performed at The Marjorie S. Deane Little Theater, New York, New York, on November 21, 2010.

Review Of The Screwtape Letters (Play), Sørina Higgins

Sehnsucht: The C. S. Lewis Journal

Review of C. S. Lewis, The Screwtape Letters. Starring Anthony Lawton and Kim Carson. Adapted for the stage by Anthony Lawton. Produced by the Lantern Theater Company. Performed at St. Stephen’s Theater, Philadelphia, Pennsylvania, on May 30, 2010.

The Screwtape Letters: The Play, José Maria J. Yulo

Sehnsucht: The C. S. Lewis Journal

Review of C. S. Lewis, The Screwtape Letters. Staring Max McLean and Karen Wight. Adapted for the stage by Max McLean and Jeff Fiske. Produced by the Fellowship for the Performing Arts, Morristown, New Jersey. Performed at the Lesher Center for the Arts, Walnut Creek, California, on October 1, 2009.

The Yellow Boat

Theatre Programs

No abstract provided.

Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Lighting The Mad Day, Francisco Hermosillo Iii

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis describes the production process of the lighting design for the opera, The Marriage of Figaro, K. 492, byWolfgang Amadeus Mozart, which was produced by the Glenn Korf School of Music and performed in Kimball Recital Hall on November 11 and 13, 2022. The opera was directed by William Shomos and conducted by Tyler White, with scenic design by JD Madsen, costume design by Camille Lerner, technical direction provided by Jason Hibbard, and the head electrician was Obadiah Harvey.

This thesis documents the entire lighting design process including the production meetings, research, conceptual ideas, technical rehearsals, responses to …

Healing Childhood Trauma Through Improvisation & Theater, Vira Salzburn, Garrett Zajac

National Youth Advocacy & Resilience Conference

This presentation will discuss the development, implementation, and techniques of the unique Savannah-based Front Porch ACTS program that uses empirically-supported, theater-based, and trauma-responsive Trauma Drama intervention providing an effective therapeutic alternative to serving children and adolescents affected by Adverse Childhood Experiences (ACEs) and complex trauma.

The Importance Of Our Performing Arts, Gina Parker, Russell Brakefield

DU Undergraduate Research Journal Archive

This essay is titled "The Importance of Our Performing Arts" and it was written in February 2022. I was taking an argumentative writing class at the time where we have free range to choose a topic to write about, so naturally, I choose something I am passionate about, the impact of youth theatre on our adolescents. The prompt was to identify a driving question or phenomenon related to the arts to investigate and develop a complex thesis you could argue in the paper through the use of rhetorical strategies, I decided on the discussion between funding in STEM (science, technology, …

The Curious Incident Of The Dog In The Night-Time

Theatre Programs

No abstract provided.

Minerals And Memories: Ireland's Ballrooms Of Romance, Tanya Dean

Articles

No abstract provided.

Shakespeare On Zoom, Fandom, And The Uncanny Humor Of Imperfections And Plurality: A Comparative Study Of The Show Must Go Online And Zoom Shakespeare Productions, Hyemin Kim

Dissertations, Theses, and Capstone Projects

This thesis surveys the phenomena of Shakespeare performance on Zoom (‘Shakespeare on Zoom’) that have emerged during the current Covid pandemic in order to illuminate a complex intersection of lockdown culture, fandom, and new media’s techno-social archive, including its affective resonances. As case studies, this study pays attention to The Show Must Go Online (TSMGO) and Zoom Shakespeare Productions (ZSP) to examine countercultural fandom, vernacular creativity, and technologically imperfect aesthetics (or anti-aesthetics) in ‘Shakespeare on Zoom’ performed by underfunded artists or amateur fans. In analyzing TSMGO’s and ZSP’s endeavors of production and dramaturgy, I bring in Sigmund Freud’s …

Commedia Dell’Arte: The Mechanisms Of Othering, Olly Crick

Representing Alterity through Puppetry and Performing Objects

This chapter proposes that the dramaturgic flexibility within historical Commedia dell’Arte was predicated on a performance methodology that demanded a changing pattern of othering, depending on the class, economic strength and region of their audiences.

Always Busy Somewhere: Cooper Crafts An Entrée For The Other, Paulette Richards

Representing Alterity through Puppetry and Performing Objects

African American ventriloquist John W . Cooper toured for a time with Richards and Pringle’s Famous Georgia Minstrels, but did not appear in blackface. Instead he used figures to get audiences to recognize the humanity and agency of a Black man.

Characters Of The Other In Slovak Folk Drama And Czech And Slovak Professional Puppet Theater, Ida Hledikova

Representing Alterity through Puppetry and Performing Objects

This chapter reflects on and compares depictions of the main heroes in folk theater in Slovakia as well as contemporary Slovak and Czech puppet theater and discusses reasons why the Romany ethnic minority was popular or a focal point of interest.

Matter’S “Dark” Powers: Performing Objects And Racialization In Nineteenth-Century American Spiritualism, Hazel Rickards

Representing Alterity through Puppetry and Performing Objects

In this article, I analyze performing objects that were attributed to the agency of Black spirits within the 19th-century American spiritualist movement, exposing how white, female spirit mediums supported and tested a racial metaphysics that assumed white transcendence and Black materiality.

Exhibiting Blackface Puppets From The German Imaginary, William T.F. Condee

Representing Alterity through Puppetry and Performing Objects

German puppet collections face the problem of how—and whether—to display their extensive holdings of blackface puppets that are built on grotesquely racist stereotypes, including the Imagined Turk, the Imagined African, the Imagined African American, and the Imagined Multicultural German.