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Articles 1 - 20 of 20
Full-Text Articles in Other Theatre and Performance Studies
The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith
The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith
LSU New Orleans Theses and Dissertations
This thesis explains the acting method used by Caleigh Keith while portraying the role of Nancy Shedman in Romulus Linney’s Holy Ghosts. Included are chapters of historical research, character analysis, and a production report, which includes a scored script, rehearsal and performance journal, and a self-evaluation of the actor’s work. Holy Ghosts was produced by Theater UNO at the University of New Orleans in the Robert E. Nims Thrust Theater of the Performing Arts Center. It opened Tuesday, February seventh, and ran through Sunday, February twelfth, two thousand and twelve. Evening performances were at seven-thirty and Sunday’s matinee was …
Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple
Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple
Liberal Arts and Engineering Studies
No abstract provided.
"The Adding Machine": A Director's Notebook, Esteban Arévalo Ibáñez
"The Adding Machine": A Director's Notebook, Esteban Arévalo Ibáñez
Graduate Theses and Dissertations
The following thesis is a compilation and analysis of my experiences during the process of directing The Adding Machine by Elmer Rice, from its conception in the director's imagination, to the collaboration with the design team and the actors. It begins with research and the director's approach to the play. Then a description of the process follows, starting with the design meetings and auditions, and going through rehearsals, performances, and evaluations of the show by faculty and peers. This description is accompanied by a journal that contains the director's thoughts and reactions to discoveries and challenges that came up during …
The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park
The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park
Featured Research
Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …
Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy
Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy
All-Inclusive List of Electronic Theses and Dissertations
Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …
A Classical Journey In A Contemporary World: Directing Naomi Iizuka's Anon(Ymous), Maria Chiara Pipino
A Classical Journey In A Contemporary World: Directing Naomi Iizuka's Anon(Ymous), Maria Chiara Pipino
Graduate Theses and Dissertations
This thesis paper is on the directorial journey that led to the production of Anon(ymous), by Naomi Iizuka, at the University Theatre in spring 2012. The following chapters will discuss the birth and evolution of the production, the approach to the script from the director's point of view and the creative process.
Double Take Project: Using Applied Theatre For Campus Climate Change, Christina M. Cody
Double Take Project: Using Applied Theatre For Campus Climate Change, Christina M. Cody
Honors Theses
Despite research gathered in the Campus Climate Report, I believe that it underrepresented the student experience of the social scene. The document primarily served as an identification tool for four major problems on campus: binge drinking, sexual assault, diversity, and disengagement in the classroom. Double Take Project also identifies similar issues however, this project uses theatrical techniques to gather the anecdotal reality of the student perspective. Double Take Project expands beyond the Campus Climate Report to inspire dialogue in a variety of student-to-student interactions and, more importantly, the project seeks action and solution plans.
The social scene dominates our culture …
Teen Theatre: Exploring The Role Of The Young Adult In Art And Life, Jessica J. Vaught
Teen Theatre: Exploring The Role Of The Young Adult In Art And Life, Jessica J. Vaught
Honors Program Theses
The purpose of this thesis was to summarize my exploration with a group of teenagers of two scripts and our experiences throughout the process. The scripts chosen fit two qualifications: I considered them to be examples of true quality in playwriting and they addressed adolescent self-identification. In rehearsals the teens and I discussed the strengths and weaknesses of each script we read and chose to perform a staged reading of the one we considered better suited for our ensemble. A discussion of my decision to direct a staged reading rather than a full-fledged production can be found in the Creative …
Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll
Copyright’S Creative Hierarchy In The Performing Arts, Michael W. Carroll
Scholarly Articles in Law Reviews & Journals
Copyright law grants authors certain rights of creative control over their works. This Article argues that these rights of creative control are too strong when applied to the performing arts because they fail to take account of the mutual dependence between writers and performers to fully realize the work in performance. This failure is particularly problematic in cases in which the author of a source work, such as a play or a choreographic work, imposes content-based restrictions on how a third party may render the work in performance. This Article then explores how Congress might craft a statutory license to …
Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman
Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman
Graduate Theses and Dissertations
The following thesis explains the process utilized to create and implement the costume design for the production of Othello produced at the University of Arkansas University Theatre in the Spring of 2011. Throughout this thesis I will illustrate how the costumes went from initial research ideas to sketches and colored renderings and finally to finished three-dimensional costumes. The design process detailed here includes an analysis of the play, production history, research, renderings, and an evaluation of the overall process.
The Unraveling Of Shakespeare's Othello, Corey M. Jay
The Unraveling Of Shakespeare's Othello, Corey M. Jay
Scripps Senior Theses
This thesis analyzes one of Shakespeare’s greatest tragedies from the perspective of its costumes, and chronicles the start-to-finish process of the costume design for the April 2012 production of Othello held at Pomona College. Incorporating the Pre-Raphaelite art movement with high fashion’s late Alexander McQueen, this thesis brings to light Othello’s predominant themes of race and honesty by means of luxurious textiles and distinct silhouettes.
I Just Knew: Love Stories From Westminster Village, Allison M. Sutton
I Just Knew: Love Stories From Westminster Village, Allison M. Sutton
Honors Projects
My project focuses on the goal of learning to create an ethnodrama (a theatre piece created from qualitative research data) based on stories from a specific community, to be performed for that community. I plan to conduct a focus group and 6-8 interviews at Westminster Village, workshop a staged reading of a new hour-long play based on texts from the interviews and focus group with IWU theatre students, and perform this staged reading at Westminster Village for the participants in my study and invited guests. I hope to learn qualitative research methodologies, including entering the field and conducting focus groups …
The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
How To Turn “A Bunch Of Gang-Bangin’ Criminals Into Big Kids Having Fun”1: Empowering Incarcerated And At-Risk Youth Through Ensemble Theatre, Courtney Mohler
How To Turn “A Bunch Of Gang-Bangin’ Criminals Into Big Kids Having Fun”1: Empowering Incarcerated And At-Risk Youth Through Ensemble Theatre, Courtney Mohler
Scholarship and Professional Work – Arts
No abstract provided.
Familiar Story, Macbeth—New Context, Noh And Kurosawa’S Throne Of Blood, Minae Savas
Familiar Story, Macbeth—New Context, Noh And Kurosawa’S Throne Of Blood, Minae Savas
Global Languages and Literature Faculty Publications
No abstract provided.
Manipulating Fate: Medical Innovations, Ethical Implications, Theatrical Illuminations, Karen H. Rothenberg, Lynn W. Bush
Manipulating Fate: Medical Innovations, Ethical Implications, Theatrical Illuminations, Karen H. Rothenberg, Lynn W. Bush
Faculty Scholarship
Transformative innovations in medicine and their ethical complexities create frequent confusion and misinterpretation that color the imagination. Placed in historical context, theatre provides a framework to reflect upon how the ethical, legal, and social implications of emerging technologies evolve over time and how attempts to control fate through medical science have shaped -- and been shaped by -- personal and professional relationships. The drama of these human interactions is powerful and has the potential to generate fear, create hope, transform identity, and inspire empathy -- a vivid source to observe the complex implications of translating research into clinical practice through …
Acting For Change – Four Drama Workshop Models In Anti-Racism, Anti-Sectarianism, Human Rights And Gender Equality And Storytelling To Promote Reconciliation, Mary Moynihan
Books/Book Chapters
This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as part of Acting for Change, a year-long arts programme using high quality drama and theatre processes to promote reconciliation within Donegal and on a cross-community, cross-border basis. As part of the project, in addition to presenting a professional theatre performance and seminar, the company developed four new awareness raising participative drama workshop models, designed by Mary Moynihan to promote anti-racism, anti-sectarianism, equality and storytelling for reconciliation.
The four drama workshop models are printed in full in this booklet along with resource information for drama …
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
Theatre Faculty Articles and Research
This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …
"From Research To Realized Garments": A Costume Design Process For Dying City, Tori Rezek
"From Research To Realized Garments": A Costume Design Process For Dying City, Tori Rezek
Honors Program Theses
The purpose of my thesis project is to develop and document an approach to costume design that would support this method by creating realistic visual images of the characters the actors developed. This portfolio displays my complete costume design process for Dying City. It includes notes, sketches, research images, and charts that helped inform the final costume design for the production. The collaborative processes I participated in with the production team (involving the director; scenic, lighting, and sound designers; and stage management) and the build team (the costume technical director, cutter/drapers, and stichers) also aided in the development of my …