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Other Theatre and Performance Studies Commons™
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- Action actor (8)
- Actor combatant (8)
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- Certified teacher (8)
- Fight Master (8)
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- Fight choreography (8)
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- Society of American Fight Directors (8)
- Stage action (8)
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- Newsletter (2)
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Articles 1 - 12 of 12
Full-Text Articles in Other Theatre and Performance Studies
December 2006 - Volume Vi, Number 1, Theatre Arts Department
December 2006 - Volume Vi, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VI Number 1 includes articles about the construction of the Doudna Fine Arts Center and a visit from the National Association of the Schools of Theatre.
The Cutting Edge, November/December 2006, Vol. 16 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 2006, Vol. 16 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, September/October 2006, Vol. 16 Issue 5, The Society Of American Fight Directors
The Cutting Edge, September/October 2006, Vol. 16 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, July/August 2006, Vol. 16 Issue 4, The Society Of American Fight Directors
The Cutting Edge, July/August 2006, Vol. 16 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring/Summer 2006, Vol. 29 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2006, Vol. 29 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
June 2006 - Volume V, Number 2, Theatre Arts Department
June 2006 - Volume V, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume V Number 2 features an article about an unofficial reunion of 1975-1983 Alumni and the obituary of Lucina "Lucy" Gabbard.
The Cutting Edge, May/June 2006, Vol. 16 Issue 3, The Society Of American Fight Directors
The Cutting Edge, May/June 2006, Vol. 16 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Cutting Edge, March/April 2006, Vol. 16 Issue 2, The Society Of American Fight Directors
The Cutting Edge, March/April 2006, Vol. 16 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Il Y A L'Autre Dans Le Je(U) : Le Monologue Chez Brian Friel, Noel Fitzpatrick
Il Y A L'Autre Dans Le Je(U) : Le Monologue Chez Brian Friel, Noel Fitzpatrick
Conference papers
This conference paper (in French) explores the construction of interlocution in the monologues of Brian Friel's theatre. It proposes a novel means of analysis of the monologue by mobilising key developments in French pragmatic linguistic analysis of I and You and interlocution.
The Cutting Edge, January/February 2006, Vol. 16 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 2006, Vol. 16 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Fall/Winter 2006, Vol. 29 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2006, Vol. 29 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
La Intertextualidad Y Sus Metáforas Literarias En La Balada De La Cárcel De Circe: El Escenario Encarcelado Y El Texto De Liberación, Polly J. Hodge
La Intertextualidad Y Sus Metáforas Literarias En La Balada De La Cárcel De Circe: El Escenario Encarcelado Y El Texto De Liberación, Polly J. Hodge
World Languages and Cultures Faculty Articles and Research
"En el presente estudio nos interesa considerar la conexión entre la literatura y el teatro y, en especial, en relación a la obra La balada de la cárcel de Circe, dirigida por Elena Cánovas. Una de las preguntas que motiva esta investigación es: ¿Cuál es el papel de la literatura, de la intertexttialidad literaria, en el universo teatral? Se postula que el intertexto literario se comunica con la representación teatral de una manera metafórica, dando lugar a la expresión de una metáfora que tiene la capacidad de revelar comentarios importantes sobre la esfera cultural de la obra. Respecto de La …