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Articles 1 - 14 of 14
Full-Text Articles in Other Theatre and Performance Studies
South Shore Theater: Myth And Reality, Stephen Levine
South Shore Theater: Myth And Reality, Stephen Levine
Bridgewater Review
No abstract provided.
The Cutting Edge, September-November 2000, Vol. 11 Issue 4, The Society Of The American Fight Directors
The Cutting Edge, September-November 2000, Vol. 11 Issue 4, The Society Of The American Fight Directors
The Cutting Edge
No abstract provided.
The Fight Master, Spring/Summer 2000, Vol. 23 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2000, Vol. 23 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
The Cutting Edge, June-August 2000, Vol. 11 Issue 3, The Society Of American Fight Directors
The Cutting Edge, June-August 2000, Vol. 11 Issue 3, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Dressing For Success: The Suit On Stage And Off, Henry Shaffer
Dressing For Success: The Suit On Stage And Off, Henry Shaffer
Bridgewater Review
No abstract provided.
The Cutting Edge, April/May 2000, Vol. 11 Issue 2, The Society Of American Fight Directors
The Cutting Edge, April/May 2000, Vol. 11 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Aha! Vivat Homo Sapiens, Agnieszka Taborska, James Bewley, Szymon Bojko, Conrad Armstrong, Vincent Balistrieri, Heidi Bochain, Sarah Brown, Vale Bruck, Lily Burickson, Marin De Charette, Sarah Dungan, Edie Faig, Matthew Fairbank, Amy Feldman, Jon Fernandez, Hal Forsstrom, Andrea Hackman, Leon Imas, Sherman Kew, Lara Kurtaman, Bri Mcdonnell, Lauren Nassef, Jesse M. Ragan, Allen Spetnagel, Adam Stanforth, Jenny Vovolvski, Ariana White, Chris Yates
Aha! Vivat Homo Sapiens, Agnieszka Taborska, James Bewley, Szymon Bojko, Conrad Armstrong, Vincent Balistrieri, Heidi Bochain, Sarah Brown, Vale Bruck, Lily Burickson, Marin De Charette, Sarah Dungan, Edie Faig, Matthew Fairbank, Amy Feldman, Jon Fernandez, Hal Forsstrom, Andrea Hackman, Leon Imas, Sherman Kew, Lara Kurtaman, Bri Mcdonnell, Lauren Nassef, Jesse M. Ragan, Allen Spetnagel, Adam Stanforth, Jenny Vovolvski, Ariana White, Chris Yates
Programs
Program for the twelfth and final annual RISD Cabaret held in the Cellar at the top of the Waterman Building. View the Performance Recording.
Moulinet: An Action Quarterly, Volume 1, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly, Volume 1, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 1, Issue 3, Moulinet Staff
Moulinet: An Action Quarterly, Volume 1, Issue 3, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
The Fight Master, Fall/Winter 2000, Vol. 23 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2000, Vol. 23 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Moulinet: An Action Quarterly, Volume 1, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly, Volume 1, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Moulinet: An Action Quarterly, Volume 1, Issue 4, Moulinet Staff
Moulinet: An Action Quarterly, Volume 1, Issue 4, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
The Cutting Edge, January/February 2000, Vol. 11 Issue 1, The Society Of American Fight Directors
The Cutting Edge, January/February 2000, Vol. 11 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
The Putdown: Intergenerational Communicative Dynamics Of Male Characteristics In The Plays Of August Wilson, Bryan C. Moore
The Putdown: Intergenerational Communicative Dynamics Of Male Characteristics In The Plays Of August Wilson, Bryan C. Moore
Graduate Research Papers
Most African-American playwrights use realistic dialogue and monologues in their plays to share messages and stories about African-American culture, history, and society with others. One of the most popular and successful African-American playwrights today is August Wilson. His plays are a plethora of storytelling, and makes use of strong dialogue. Wilson displays elements of African-American culture and history in each of his plays, mostly through interaction and conversations between the characters. Wilson's plays are part of a larger project known as the twentieth-century cycle, in which each play represents a decade of African-American history and culture.