Other Theatre and Performance Studies Commons^™

The Fight Master, October 1980, Vol. 3 Issue 4, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Dracula, Alvin Community College

Season 1979-1980

Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's 1897 novel Dracula.

The Fight Master, July 1980, Vol. 3 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Barefoot In The Dark, Alvin Community College

Season 1979-1980

Neil Simon's Barefoot in the Park dedicated to the memory of James Williams active member of the local theater community who passed away prior to the debut production.

The Fight Master, April 1980, Vol. 3 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Wait Until Dark, Alvin Community College

Season 1979-1980

Wait Until Dark is a play by Frederick Knott, first performed on Broadway in 1966 and often revived since then. A film version was released in 1967, and the play was published in the same year.

The Fight Master, January 1980, Vol. 3 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

An Investigation Of Educational Theatre And Professional Training Needs For Costume, Lighting, Sound, And Scenic Designers, Barry P. Johnson

Masters Theses

The educational theatre programs in the United States accept as one of their purposes the training of the professional theatre artist. Since the educational theatre began in the 1920's, university theatre departments have garnered criticism over their approach to professional training. No literature was found concerning research of the curriculum best suited to the training or educational development of the costume, lighting, sound, or scene design student.

In the attempt to determine what training or coursework is instrumental in the development of the theatre design student, a questionnaire was sent to two groups: the members of the New York League …

The Costuming Of Hair: An Interdisciplinary Study, Mary E. Yarbrough

Masters Theses

This paper discussed the interdisciplinary study of costuming in general and specifically that of the musical, Hair. In addition to the discipline of theatre, costuming employs several other art forms and thereby may be considered an interdisciplinary art form. Basic to the development of costumes for Hair was knowledge of literature, visual arts and history. It is necessary to read and interpret a play very carefully in terms of relating the written words of the script to the costumes of the character. The actual designing of costumes entails basic drawing and design abilities as well as a creative artistic …